Advanced Equipment.
Legendary Support.
At Machina, we’re not just in the business of providing cutting-edge equipment—we’re dedicated to revolutionizing the customer’s rental experience. With a relentless commitment to unparalleled customer support and a passion for delivering the right equipment, Machina is here to get you what you need.
Contact Info
5645 N Ravenswood Ave
Chicago, IL 60660
(312) 888-5441
rent@machina.rentals | service@machina.rentals
Cameras
Daily Rate
↳ Every camera comes as a kit, which includes the body, 2 batteries, 1 media card, and a charger.
ARRI
ARRI Alexa Mini LF Camera Kit
$1500.00 Daily Rate
The ARRI ALEXA Mini LF Digital Cinema Camera combines the compact size and low weight of the popular ALEXA Mini with the large-format (36.7mm x 25.54mm) ALEXA LF sensor, offering exciting new possibilities for full format content creators. The ALEXA Mini LF utilizes the same ALEV 3 A2X sensor as the ALEXA LF, though the electronics of the Mini LF have been modified to meet the size, power, and cooling requirements of such a compact camera system. The ALEXA Mini LF provides exceptional overall image quality for large-format capture, featuring three internal motorized FSND filters, 12/24V power input compatible with 14.4V or 24V onboard batteries (thanks to a ~65W nominal power draw; when recording ARRIRAW 24 fps with an MVF-2 EVF connected), additional 12V & 24V accessory power outputs, and a Codex Compact Drive recording system.
$1500
ARRI Alexa Mini 4K S35 Camera Kit
$900.00 Daily Rate
With its compact, lightweight carbon body, the ALEXA Mini Body with 4:3 and ARRIRAW complements the range of full-size ALEXA cameras, and is especially useful for capturing specialized shots. The self-contained ALEXA Mini can record UHD-resolution images with up to 14 stops of dynamic range. Its 35mm-sized CMOS sensor features a titanium mount and a 4:3 aspect ratio. The included 4:3 Open Gate, and ARRIRAW licenses enable ProRes recording in several widescreen options, as well as in-camera and external ARRIRAW capture. Use the preinstalled ARRI Look Library license to quickly apply any of 87 graded looks to your footage.
Using the power and large pixels of the 4:3 ALEV III sensor, the ALEXA Mini records up to UHD 4K ProRes images with the dynamic range, skin tones, and true-to-life colors for which ARRI cameras are noted. Recording in Open Gate and MFX/ARRIRAW formats requires additional, downloadable licenses (not included). Looking ahead to future standards, the wide dynamic range of the ALEXA Mini makes it suitable for HDR displays, and its 0.75-200 fps speed range can be used for increasingly-popular HFR (high frame rate) capture modes.
$900
RED
RED DSCM3 V-RAPTOR 8K VV Camera Kit
$750.00 Daily Rate
Compact, fast, and full-frame—the black V-RAPTOR 8K VV Camera is an impressive introduction to RED DIGITAL CINEMA’s new DSMC3 platform. Sized only slightly larger than the KOMODO but boasting a new sensor, the V-RAPTOR offers multi-format capture in 8K VV, 6K Super 35, 4K, 3K Super 16, and anamorphic options. This versatility enables you to adapt your format from project to project to suit your choice of a variety of pro cine or still photo lenses. The V-RAPTOR’s RF lens mount can be used with numerous lens adapters, and it has a locking ring that provides additional security for use with heavier lenses and steady, wide-open capture.
$750
RED DSMC2 Monstro 8K VV Camera Kit
$650.00 Daily Rate
Bundling high-performance raw video recording in a compact camera body, the RED DIGITAL CINEMA DSMC2 BRAIN with MONSTRO 8K VV Sensor is part of the 2018 unified DSMC2 lineup and is designed to be built up the way you want, to tell your story in almost any way possible. Since the DSMC2 form factor is standard, accessories from RED and other manufacturers can be easily attached to accessorize your camera. The MONSTRO 8K full-frame sensor boasts up to 17 stops of dynamic range and can record the full image circle of full-frame 35mm lenses. You can also use Super35 lenses with a windowed capture area for high frame rate recording. Sitting in front of the full-frame sensor is an interchangeable PL mount. This way you can use industry-standard cinema lenses right out of the box or exchange the mount to use alternative photo and video lenses.
$650
RED DSMC2 Gemini 5K S35 Camera Kit
$450.00 Daily Rate
Bundling high-performance raw video recording in a compact camera body, the RED DSMC2 Gemini 5K S35 Camera is designed to be built up the way you want, to tell your story in almost any way possible.
Using advanced circuitry designed for the aerospace industry, the GEMINI can switch native sensitivities to operate in both normal and dimly lit scenarios without prematurely blown highlights or excessive noise, respectively. Available in native PL or EF mount, this camera can adapt to any lenses you wish.
$450
RED DSMC3 Komodo-X 6K S35 Camera Kit
$500.00 Daily Rate
RED further advances its KOMODO line with the release of the black KOMODO-X 6K, a digital cinema camera featuring faster frame rates, a redesigned S35 sensor, and an updated form including advanced video and audio interfaces. With built-in Wi-Fi and a USB-C connector, the KOMODO-X provides a powerful platform for smooth professional capture, multicamera setups, and IP-based workflows, including live streaming.
$500
RED DSMC2 Komodo 6K S35 Camera Kit
$350.00 Daily Rate
RED has taken fresh steps with the release of the KOMODO 6K Digital Cinema Camera by bringing their legendary image quality and color science into an ultra-compact, all-in-one design that weighs just 2.1 lb & measures about 4 x 4 x 4″.
With the use of a Canon RF lens mount and the KOMODO 19.9MP Super35 CMOS sensor – the camera boasts Global Shutter technology. It’s sensor can create images with 16+ stops dynamic range and eliminates rolling shutter artifacts. Users can record up to 6K at 40 fps, 5K at 48 fps, 4K at 60 fps, and 2K at 120 fps in REDCODE RAW for incredible flexibility in post-production.
$300
Sony
Sony BURANO 8K FF Camera Kit
$1100.00 Daily Rate
Designed for highly mobile, solo cine-style shooting, the Sony BURANO 8K Digital Cinema Camera offers up to 8.6K video capture in a compact, full-frame form. Unique in-camera stabilization for both E- and PL-mount lenses, Fast Hybrid Autofocus, and an easily adjustable ND filter enhance single-user capture and seamless image matching, making the CineAlta BURANO camera ideal for use as your VENICE B or C camera.
The BURANO camera’s 8.6K CMOS sensor not only matches the VENICE 8K’s exceptional imagery, but it incorporates Sony’s renowned autofocus technology—a huge boon for single operators when facing fast-paced environments with challenging focus. The updated IRCF (infrared cut filter) improves color reproduction in strong light, especially any reddish tinge that may be seen in black clothing under direct, unshaded sunlight.
$1100
Sony VENICE Camera Kit
$1000.00 Daily Rate
Providing a flexible design configuration within a single camera body, the Sony VENICE 6K Digital Motion Picture Camera is meant to provide you with just the amount of camera you need, so you don’t have to invest in more than necessary. It features a full-frame CMOS sensor with 15+ stops of dynamic range. The camera comes with a PL Mount that supports the Cooke /i Technology lens metadata protocols, allowing you to work with cinema-style glass ranging from vintage to modern. As is, the camera supports DCI and UHD 4K capture, while planned and scheduled firmware updates will enable anamorphic, full-frame, and select frame rates from 1 to 72 fps.
$1000
Sony FX9 6K FF Camera Kit
$425.00 Daily Rate
Whether you’re shooting documentaries, events, reality TV, education, or corporate productions, the PXW-FX9 XDCAM 6K Full-Frame Camera System from Sony has you covered with its powerful and flexible 4K interchangeable lens camera system. The PXW-FX9 features a full-frame, oversampled 6K Exmor R CMOS sensor that allows you to capture 4K images with cinematic depth of field. The camera’s E-mount is machined from stainless steel and allows you to use E-mount lenses.
The PXW-FX9 input and output features include 12G/6G-SDI and HDMI outputs for 4K video, a 3G-SDI output for HD, and genlock and timecode when using a multicamera setup. The Fast Hybrid AF autofocus system allows for accurate focus and even allows facial detection to automatically detect human form with 561 points of detection. Advanced image stabilization is achieved using the PXW-FX9’s internal gyroscope for shots so smooth it’ll look like you used a gimbal. Its 4-channel audio recording allows you to use external microphones and record ambient sound with the internal mics simultaneously.
$425
Sony FX6 4K FF Camera Kit
$275.00 Daily Rate
The FX6 Full-Frame Camera from Sony was developed to offer versatile, cine-style imaging in a truly compact form. With the ability to capture up to 15+ stops of dynamic range, Sony’s S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE capture as well as be a workhorse for documentary, gimbal, drone, or an effective A-cam for more nimble narrative productions. The FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a range of settings using a base ISO of 800 as well as an ISO 12800 high-sensitivity mode for nuanced low-light scenes.
Weighing just under 2 lb, the FX6 scales in at less than half the weight of the FX9 and measuring 6″ x 4.6″. While the FX6 fits seamlessly into a pro-cine on-set workflow, it also offers several features that are a boon for a single-operator user. These include fast and accurate phase-detection autofocus with both Face Detection and real-time Eye autofocus, auto and manual settings for its Fully variable Electronic Internal ND filter, and a 3.5″ LCD monitor that boasts timesaving touchscreen access to key menu settings and versatile positioning for comfortable operating.
$275
Sony FX5 5K FF Camera Kit
$250.00 Daily Rate
The Sony FX5 Cinema Camera brings the latest advancements from Sony’s Cinema Line into a compact system built for today’s hybrid productions. Featuring a newly developed 16.6MP full-frame stacked Exmor RS CMOS sensor, the next-generation BIONZ XR2 image processor with an integrated AI processing unit, and professional recording options including Open Gate capture and internal X-OCN, the FX5 delivers exceptional speed, image quality, and production flexibility. Whether producing documentary films, commercial work, branded content, or independent cinema, the FX5 is designed for creators who demand the performance of a dedicated cinema camera without sacrificing mobility or efficiency.
$250
Sony FX3 4K FF Camera Kit
$150.00 Daily Rate
With a compact design for solo shooters & travel applications – the Sony FX3 borrows from both the Cinema Line and Alpha series of cameras to create an optimized portable cinema camera. The FX3 features all of the imaging attributes you’d expect from this class but sports a newly designed body that’s hand-holdable, with a streamlined and minimal profile.
Its 12.1MP Exmor R BSI CMOS sensor (10.2MP effective in video mode) pairs with a BIONZ XR processor to achieve UHD 4K video capture with internal 10-bit 4:2:2 sampling or 16-bit raw output. The sensor’s BSI design heightens clarity and sensitivity, with an expandable ISO 80-409600 range and greater-than 15-stop dynamic range for working in mixed lighting conditions. Benefitting color and tonal control, an S-Cinetone mode can be used for matching to VENICE, FX9, or FX6 sources.
$150
Sony FX2 4K FF Camera Kit
$125.00 Daily Rate
Equipped with a 33MP full-frame sensor, the AI-powered Sony FX2 combines the comprehensive video capabilities of the Cinema Line with enhanced still image capturing in a compact, travel-friendly form factor. Ideal for on-the-go filmmakers and content creators, the FX2 features an S-Log3 photo mode with optional LUT application, and it sports a 3.68m-dot OLED viewfinder that tilts from 0 to 90°. Its AI processing unit provides active image stabilization and real-time subject recognition, allowing for maximizing the accuracy of autofocus and framing.
$125
Sony A1 8K FF Camera Kit
$200.00 Daily Rate
A flagship in the truest sense, the Sony A1 is the one camera designed to do it all. Built without compromise, this full-frame mirrorless offers high-resolution for stills shooting, impressive 8K video recording, speed and sensitivity, and connectivity for the most demanding professional workflows.
Equipped with a 50MP Full-Frame Exmor RS BSI CMOS Sensor, the A1 can achieve up to 8K 30p and 4K 120p Video in 10-Bit, 4.3K 16-Bit Raw Video Output. With 5-Axis SteadyShot Image Stabilization & Dual CFexpress Type A/SD Card Slots this camera is ready for whatever you need.
$200
Sony A7R VI 8K FF Camera Kit
$175.00 Daily Rate
Blurring the line of what’s possible in an R-series camera, the Sony A7R VI pairs the highest resolution sensor yet in an A7 body with incredible 30 fps speed, impressive 8K video capabilities, more intelligent AI-aided autofocus, and improved handling and battery life. This hybrid camera is positioned as a single camera solution for those working in a variety of genres and mediums, ranging from professional portrait and landscape shooters to event videographers to editorial, advertising, and commercial professionals to even wildlife and sports photographers.
$175
Sony A7R IV 4K FF Camera Kit
$100.00 Daily Rate
Moving to an even higher resolution realm, the Sony Alpha a7R IV continues the noteworthy series of highly capable full-frame cameras, characterized by impressive stills and video performance and versatility.
This edition sees the inclusion of an updated 61MP Exmor R BSI CMOS sensor and enhanced BIONZ X image processor, which afford impressive imaging results with marked smoothness, a 15-stop dynamic range, and, of course, speed. Support for Real-time Eye AF and Tracking AF technologies, the revised sensor design uses a Fast Hybrid AF System, with 567 phase-detection autofocus points, for notably fast and accurate focusing performance. Benefitting both stills and video operation, the a7R IV retains the 5-axis SteadyShot INSIDE sensor-shift image stabilization, which is effective to minimize the appearance of camera shake by up to 5.5 stops.
$100
Canon
Canon C400 6K FF Camera Kit
$400.00 Daily Rate
Creators looking to capture a rich cine look while accessing versatile imaging tools can now turn to Canon‘s RF-mount EOS C400 6K Full-Frame Digital Cinema Camera. Based around a new 6K full-frame, back-illuminated CMOS sensor, the C400 features three ISO bases of 800, 3200, and 12,800, covering a truly wide range of light levels. This digital cinema camera blends high-resolution imagery with both cine-style and broadcast features like an optional Cooke/i PL mount, return video, and both Super35 and Super16 modes with solo shooter-friendly functions such as Dual-Pixel CMOS AF II, internal ND filters, and a compact, lightweight form.
$400
Canon C80 6K FF Camera Kit
$275.00 Daily Rate
Offering exceptional 6K30 full-frame capture in a compact form, the Canon EOS C80 6K Full-Frame Cinema Camera melds the EOS C400’s CMOS sensor with a lightweight design similar to the EOS C70. Ideal for fast-paced capture and solo operators, this digital camera features triple ISO bases of 800, 3200, and 12,800 in log/raw, upgraded Dual Pixel CMOS AF II autofocus, and simultaneous 12G-SDI and HDMI video output. The EOS C80’s RF mount provides compatibility with fast, reliable Canon RF lenses, and a motorized ND filter wheel enables on-the-fly exposure tweaking.
$275
Canon C50 7K FF Camera
$200.00 Daily Rate
Featuring a newly developed 7K full-frame CMOS sensor, the Canon EOS C50 Cinema Camera is a compact powerhouse for your video and photo needs. The EOS C50 is capable of recording 3:2 Open Gate video at 4K120 and raw video up to 7K60, as well as 32MP stills in photo mode. Simply select between dedicated photo and video modes for an intuitive hybrid shooting experience. Additional advanced features of the C50 include Dual-Pixel CMOS AF II, simultaneous 2K crop recording, built-in Frame.io Camera-to-Cloud integration, and XC protocol support for remote control. An included detachable top handle equips you with two 3-pin XLR inputs as well as onboard controls for easy-to-reach adjustments.
$200
Canon R1 6K FF Camera Kit
$200.00 Daily Rate
Speed, precision, and reliability, the Canon EOS R1 is built for photojournalists, sports photographers, wildlife shooters, and other image-makers who can’t afford to miss the shot. The flagship of the EOS R line, this mirrorless camera sports a full-frame 24MP BSI stacked sensor, DIGIC Accelerator processing, next-gen Dual Pixel Intelligent AF, and the robust design expected from a professional workhorse.
The R1 is packed with a 24MP full-frame stacked BSI CMOS sensor, DIGIC Accelerator + DIGIC X processing, Dual Pixel AF with Action Priority and improved Eye Control AF, 6K60 RAW and 4K120 10-bit internal video, up to 40 fps with Pre-Continuous Shoot, a 9.44m-dot 0.9x EVF with OVF simulation, 3.0″ vari-angle touchscreen LCD, vertical grip, dual CFexpress Type B slots, and Wi-Fi 6E plus 2.5G Base-T Ethernet for high-performance capture and connectivity.
$200
Canon R5C 8K FF Camera Kit
$160.00 Daily Rate
Ideal for wedding videographers, drone camera operators, and multimedia journalists who have professional photo still and cinema video production needs, the EOS R5 C Mirrorless Cinema Camera from Canon offers a new type of shooting experience. With a simple switch, the R5 C is a full featured still photo camera with all the settings of the R5 EOS mirrorless camera. When switched in the other direction, it becomes a full-frame 8K60 Cinema EOS camera that internally records 12-bit Cinema RAW Light footage. There’s no need to carry a second camera to your production when stills and video are available within a single compact design.
The R5 C enhances a number of features including 4K120 recording, HDMI RAW output, Canon Log 3 HLG/PQ support, unlimited recording time, a timecode port, Dual Pixel CMOS AF with eye detection, an active cooling system, a high-power LP-E6NH battery, 13 reassignable buttons, and a multifunction shoe for XLR adapters. The camera also retains reliable features including Wi-Fi/Bluetooth, footage compatibility with DaVinci Resolve and Canon apps, an electronic RF mount, CFexpress/SD card slots, a similar button layout, and more. The EOS R5 C is also dust and moisture resistant to the same level as its cinema cousin, the EOS C70. All this is packed into a tiny 1.5 lb body that is just asking to become your go-to drone camera.
$160
Canon R5 Mark II 8K FF Camera Kit
$165.00 Daily Rate
Boasting enough horsepower to allow Canon‘s highest resolution mirrorless sensor to shoot a speedy 30 fps and capture 8K60p raw video, the EOS R5 Mark II Mirrorless Camera is the multimedia professional’s solution for versatility, image quality, and intelligence. An all-new 45MP sensor’s stacked, back-illuminated design joins a brand new processor to provide upgrades in nearly every category, creating a do-it-all camera that gets the job done.
Newly available is the ability to bank up to 15 shots of pre-continuous shooting by half-depressing the shutter button before firing. When the shutter button is fully pressed, the previous half-second of images are written to the memory card. The broad native ISO 100-51200 range suits working in a variety of lighting conditions and the DIGIC Accelerator enables the use of Neural Network Noise Reduction for cleaner images, especially at higher sensitivity.
$165
Canon R5 8K FF Camera Kit
$150.00 Daily Rate
Canon’s all-new 45 Megapixel full-frame sensor is at the heart of the EOS R5’s superb image quality, which also leads the way for impressive 8K DCI cinematic movie capture with the ability to extract 35.4 Megapixel still images. Focus and speed are paramount in the EOS R5, providing impressive continuous capture at speeds of up to 20 frames-per-second and with Dual Pixel CMOS AF II capability, to track split second movements of even the most elusive of subjects. With 1,053 Automatic AF zones, it is easier than ever to photograph people with the use of Eye, Face and Head Detection AF, or intuitively track the whole body, face or eye of cats, dogs, or birds with Animal Detection AF. The 5-axis in-body image stabilization can effectively compensate for camera shake with approximately 8 stops of stabilization with use of certain non-stabilized, and optically image stabilized lenses.
$150
Canon R8 4K FF Camera Kit
$65.00 Daily Rate
A lightweight, travel-friendly, full-frame camera body, the Canon EOS R8 Mirrorless Camera offers powerful photo and video capabilities for both photographers and multimedia content creators. Utilizing a newly developed sensor also found in the EOS R6 Mark II, the R8 features a 24.2MP CMOS sensor paired with a DIGIC X processor. Together, this combination provides outstanding stills performance, impressive 4K 60p 10-bit video, and fast autofocus.
Pairing a powerful full-frame 24.2MP CMOS sensor and DIGIC X image processor, the R8 delivers high resolution imagery with rich and accurate colors. Designed to work in a variety of lighting condition, this camera offers a flexible ISO 100-102400 range that is expandable to ISO 204800 for working in difficult lighting conditions. Using the full width of the sensor, 6K oversampled UHD 4K 60p video recording is supported as is Full HD 1080 180p for slow motion playback. The R8 offers 4:2:2 10-bit shooting and up to 2-hours of video recording is now available at 29.97 fps, allowing you to keep your project rolling.
UVC/UAC compatibility allows the R8 to be used as a web camera to stream live video in Full HD, without additional computer software, to applications such as Zoom, Microsoft Teams, Skype, and similar video conferencing software.
$65
Freefly
Freefly Ember S5K Camera Kit
$650.00 Daily Rate
Freefly designed Ember to be the most efficient high speed camera ever. It’s small, light, and insanely fun to use. Ember is unique in that it can record continuous high speed footage with no ram based clip limit since it records directly to an internal SSD. The Gpixel S35 sensor captures up to 5K resolution at 600 fps or up to 4K resolution at 800 fps to capture clear high-speed slow-motion video. Shooting high speed is now just like shooting anything else, push record to start and stop, and Ember captures everything to solid state memory – as simple… as that. You can control the camera via Wi-Fi via an iOS app workflow, and there is also a 6-pin GPIO port to remotely control start/stop/sync functions. The HDMI output allows you to preview your image using a 1080p monitor. Please check if your iOS device is compatible for use.
$650
DJI
DJI Ronin 4D 6K FF Camera Kit
$350.00 Daily Rate
Designed for both solo use by independent creators and dynamic pro video capture, the Ronin 4D from DJI is an innovative all-in-one camera/gimbal solution. The “4D” designation refers to the Z-axis (vertical) stabilization built into the X9-6K camera and the four-axis gimbal stabilization. Constructed from lightweight carbon fiber and an aluminum/magnesium alloy, this system is ideal for independent content creators, indie filmmakers, and event videographers. The full-frame capture at rates up to 6K60 in Apple ProRes 422 HQ and Ronin’s CineCore 3.0 image processing system with ACES workflow support also suits the 4D as a “B” or 2nd unit camera for larger cine-style productions.
$350
GoPro
GoPro MISSION 1 PRO 8K Camera Kit
$65.00 Daily Rate
Taking cine characteristics and squeezing them into an action camera form factor, the GoPro MISSION 1 PRO features a 50MP 1″ image sensor and GP3 processor to easily capture up to 8K30 and 4K120 OpenGate video. Dedicated low-light capture and a wide 14-stop dynamic range make for efficient image capture in any environment. A 159° field of view and enhanced zooming modes ensure you don’t miss any of the action. Other updates include improved battery life and thermal performance for increased dependability.
$65
GoPro MAX2 8K 360 Action Camera Kit
$45.00 Daily Rate
Swap between panoramic 360° images and high-resolution single-lens images with a single device using the GoPro MAX2 360 Action Camera. With opposite side lenses that can be toggled between single- and dual-lens modes, the MAX2 can record up to 8K30 360° video and 4K60 single-lens video. The camera can also take 29MP 360° photos and 12MP single-lens photos. An upgraded Enduro battery with a 1960mAh capacity keeps the camera running for longer shoot days. Built-in Wi-Fi 6 and Bluetooth 5.3 connectivity make for fast file transfer directly to your smartphone using the GoPro Quik app.
$45
GoPro Hero 8 Black 4K Camera Kit
$35.00 Daily Rate
The GoPro HERO8, a versatile next-generation action cam designed to capture smooth, stable footage of your latest adventure, from a simple boat trip to a wild jump-off-a-mountain ride. The HERO8 features updated HyperSmooth 2.0 stabilization to produce smooth, gimbal-like movement at all supported frame rates, without the need for a gimbal.
The HERO8 supports up to UHD 4K video resolutions, and time-lapse, up to 1080p240 slow motion, and super-slow-motion video. Still images can be captured in up to 12MP resolution in bursts of up to 30 images per second with the updated SuperPhoto with HDR support that helps reduce blur and enhance detail in low-light situations. It also features an updated Night-Lapse function to shoot and process up to 4K time-lapses at night. The LiveBurst function allows you to record 1.5 seconds before and after your photo to give you more choices for the best frame. The lens field of view (FOV) choices have also been updated to four modes: Narrow, Linear at 24.4mm, Wide at 16.5mm, and SuperView at 15.1mm.
Additional updates include a sleeker physical design with a “folding fingers” type base for fast mounting, a redesigned battery door for quicker battery changes, a lens with twice the impact resistance as the HERO7, an optional Battery Mod for nearly 2.5x more battery life, an optional flip-up Display Mod to make viewing your frame easier, an optional LED Light Mod, and an optional Media Mod to expand your accessory possibilities.
$35
GoPro Hero 4 4K Camera Kit
$20.00 Daily Rate
With the ability to capture 4K at 30 fps (4K30), the GoPro HERO4 allows you to move beyond HD when recording POV style footage either wearing the camera or mounting it in a number of creative ways. On top of 4K, the camera shoots 2.7K at up to 60 fps, Full HD (1080p) at up to 120 fps for high definition slow motion, WVGA (848 x 480) for upload-friendly files, and more. Plus, with the SuperView mode enabled, the camera maximizes its sensor area to give you an ultra-wide angle of view to enhance the POV feel of footage while encompassing as much of the scene as possible. The HERO4’s capabilities don’t end with video, though. It can take 12-megapixel stills as individual shots, in intervals for stitching together time-lapse movies, or in momentary bursts of up to 30 photos per second – the latter helping ensure you catch fast action at just the right moment.
$20
Lenses
Daily Rate
↳ Bundle pricing available for 5+ cinema primes or 2+ cinema zoom lenses of the same series.
Cinema
Zeiss
Zeiss CP.3 XD (EF/PL) 10-Lens Kit
$850
Zeiss CP.3 XD (EF/PL) 5-Lens Kit
$425
Zeiss CP.3 XD 15mm T2.9 Lens
$100.00 Daily Rate
Building on the success of the well-regarded CP.2 lenses, ZEISS‘s CP.3 Compact Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in an updated form-factor and with improved mechanics and lens coatings. This lens also includes the new eXtended Data connections which transmit essential lens metadata through both a Cooke /i interface on the mount itself and a 4-pin LEMO connection on the lens body.
$100
Zeiss CP.3 XD 18mm T2.9 Lens
$100.00 Daily Rate
Building on the success of the well-regarded CP.2 lenses, ZEISS‘s CP.3 Compact Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in an updated form-factor and with improved mechanics and lens coatings. This lens also includes the new eXtended Data connections which transmit essential lens metadata through both a Cooke /i interface on the mount itself and a 4-pin LEMO connection on the lens body.
$100
Zeiss CP.3 XD 21mm T2.9 Lens
$100.00 Daily Rate
Building on the success of the well-regarded CP.2 lenses, ZEISS‘s CP.3 Compact Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in an updated form-factor and with improved mechanics and lens coatings. This lens also includes the new eXtended Data connections which transmit essential lens metadata through both a Cooke /i interface on the mount itself and a 4-pin LEMO connection on the lens body.
$100
Zeiss CP.3 XD 25mm T2.1 Lens
$100.00 Daily Rate
Building on the success of the well-regarded CP.2 lenses, ZEISS‘s CP.3 Compact Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in an updated form-factor and with improved mechanics and lens coatings. This lens also includes the new eXtended Data connections which transmit essential lens metadata through both a Cooke /i interface on the mount itself and a 4-pin LEMO connection on the lens body.
$100
Zeiss CP.3 XD 28mm T2.1 Lens
$100.00 Daily Rate
Building on the success of the well-regarded CP.2 lenses, ZEISS‘s CP.3 Compact Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in an updated form-factor and with improved mechanics and lens coatings. This lens also includes the new eXtended Data connections which transmit essential lens metadata through both a Cooke /i interface on the mount itself and a 4-pin LEMO connection on the lens body.
$100
Zeiss CP.3 XD 35mm T2.1 Lens
$100.00 Daily Rate
Building on the success of the well-regarded CP.2 lenses, ZEISS‘s CP.3 Compact Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in an updated form-factor and with improved mechanics and lens coatings. This lens also includes the new eXtended Data connections which transmit essential lens metadata through both a Cooke /i interface on the mount itself and a 4-pin LEMO connection on the lens body.
$100
Zeiss CP.3 XD 50mm T2.1 Lens
$100.00 Daily Rate
Building on the success of the well-regarded CP.2 lenses, ZEISS‘s CP.3 Compact Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in an updated form-factor and with improved mechanics and lens coatings. This lens also includes the new eXtended Data connections which transmit essential lens metadata through both a Cooke /i interface on the mount itself and a 4-pin LEMO connection on the lens body.
$100
Zeiss CP.3 XD 85mm T2.1 Lens
$100.00 Daily Rate
Building on the success of the well-regarded CP.2 lenses, ZEISS‘s CP.3 Compact Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in an updated form-factor and with improved mechanics and lens coatings. This lens also includes the new eXtended Data connections which transmit essential lens metadata through both a Cooke /i interface on the mount itself and a 4-pin LEMO connection on the lens body.
$100
Zeiss CP.3 XD 100mm T2.1 Lens
$100.00 Daily Rate
Building on the success of the well-regarded CP.2 lenses, ZEISS‘s CP.3 Compact Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in an updated form-factor and with improved mechanics and lens coatings. This lens also includes the new eXtended Data connections which transmit essential lens metadata through both a Cooke /i interface on the mount itself and a 4-pin LEMO connection on the lens body.
$100
Zeiss CP.3 XD 135mm T2.1 Lens
$100.00 Daily Rate
Building on the success of the well-regarded CP.2 lenses, ZEISS‘s CP.3 Compact Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in an updated form-factor and with improved mechanics and lens coatings. This lens also includes the new eXtended Data connections which transmit essential lens metadata through both a Cooke /i interface on the mount itself and a 4-pin LEMO connection on the lens body.
$100
NiSi
NiSi ATHENA (PL) 8-Lens Kit
$270
NiSi ATHENA (PL) 5-Lens Kit
$170
NiSi ATHENA Prime 14mm T2.4 FF Lens
$40.00 Daily Rate
Capture high-quality images using a full-frame camera with an ARRI PL mount with this NiSi ATHENA Prime 14mm T2.4 Full-Frame Lens. The lens features 10 aperture blades, micro-contrast control, and low chromatic aberration to highlight image details without distortion. It has an aperture range of T2.4 to T22 and an 80mm front diameter with minimal focus breathing.
$40
NiSi ATHENA Prime 18mm T2.2 FF Lens
$40.00 Daily Rate
Capture high-quality images using a full-frame camera with an ARRI PL mount with this NiSi ATHENA Prime 18mm T2.2 Full-Frame Lens. The lens features soft bokeh, micro-contrast control, and low chromatic aberration to highlight image details without distortion. It has a maximum aperture T2.2 and an 80mm front diameter with minimal focus breathing.
$40
NiSi ATHENA Prime 25mm T1.9 FF Lens
$40.00 Daily Rate
Capture high-quality images using a full-frame camera with an ARRI PL mount with this NiSi ATHENA Prime 25mm T1.9 Full-Frame Lens. The lens features 10 aperture blades, micro-contrast control, and low chromatic aberration to highlight image details without distortion. It has an aperture range of T1.9 to T22 and an 80mm front diameter with minimal focus breathing.
$40
NiSi ATHENA Prime 35mm T1.9 FF Lens
$40.00 Daily Rate
Capture high-quality images using a full-frame camera with an ARRI PL mount with this NiSi ATHENA Prime 35mm T1.9 Full-Frame Lens. The lens features 10 aperture blades, micro-contrast control, and low chromatic aberration to highlight image details without distortion. It has an aperture range of T1.9 to T22 and an 80mm front diameter with minimal focus breathing.
$40
NiSi ATHENA Prime 40mm T1.9 FF Lens
$40.00 Daily Rate
Capture high-quality images using a full-frame camera with an ARRI PL mount with this NiSi ATHENA Prime 40mm T1.9 Full-Frame Lens. The lens features soft bokeh, micro-contrast control, and low chromatic aberration to highlight image details without distortion. It has a maximum aperture T1.9 and an 80mm front diameter with minimal focus breathing.
$40
NiSi ATHENA Prime 50mm T1.9 FF Lens
$40.00 Daily Rate
Capture high-quality images using a full-frame camera with an ARRI PL mount with this NiSi ATHENA Prime 50mm T1.9 Full-Frame Lens. The lens features 10 aperture blades, micro-contrast control, and low chromatic aberration to highlight image details without distortion. It has an aperture range of T1.9 to T22 and an 80mm front diameter with minimal focus breathing.
$40
NiSi ATHENA Prime 85mm T1.9 FF Lens
$40.00 Daily Rate
Capture high-quality images using a full-frame camera with an ARRI PL mount with this NiSi ATHENA Prime 85mm T1.9 Full-Frame Lens. The lens features 10 aperture blades, micro-contrast control, and low chromatic aberration to highlight image details without distortion. It has an aperture range of T1.9 to T22 and an 80mm front diameter with minimal focus breathing.
$40
NiSi ATHENA Prime 135mm T1.9 FF Lens
$40.00 Daily Rate
Capture high-quality images using a full-frame camera with an ARRI PL mount with this NiSi ATHENA Prime 135mm T1.9 Full-Frame Lens. The lens features 10 aperture blades, micro-contrast control, and low chromatic aberration to highlight image details without distortion. It has an aperture range of T1.9 to T22 and an 80mm front diameter with minimal focus breathing.
$40
NiSi ATHENA (RF) 5-Lens Kit
$170
NiSi ATHENA Prime 14mm T2.4 FF Lens
$40.00 Daily Rate
Capture high-quality images using a full-frame camera with a Sony RF mount with this NiSi ATHENA Prime 14mm T2.4 Full-Frame Lens. The lens features 10 aperture blades, micro-contrast control, and low chromatic aberration to highlight image details without distortion. It has an aperture range of T2.4 to T22 and an 80mm front diameter with minimal focus breathing.
$40
NiSi ATHENA Prime 25mm T1.9 FF Lens
$40.00 Daily Rate
Capture high-quality images using a full-frame camera with a Sony RF mount with this NiSi ATHENA Prime 25mm T1.9 Full-Frame Lens. The lens features 10 aperture blades, micro-contrast control, and low chromatic aberration to highlight image details without distortion. It has an aperture range of T1.9 to T22 and an 80mm front diameter with minimal focus breathing.
$40
NiSi ATHENA Prime 35mm T1.9 FF Lens
$40.00 Daily Rate
Capture high-quality images using a full-frame camera with a Sony RF mount with this NiSi ATHENA Prime 35mm T1.9 Full-Frame Lens. The lens features 10 aperture blades, micro-contrast control, and low chromatic aberration to highlight image details without distortion. It has an aperture range of T1.9 to T22 and an 80mm front diameter with minimal focus breathing.
$40
NiSi ATHENA Prime 50mm T1.9 FF Lens
$40.00 Daily Rate
Capture high-quality images using a full-frame camera with a Sony RF mount with this NiSi ATHENA Prime 50mm T1.9 Full-Frame Lens. The lens features 10 aperture blades, micro-contrast control, and low chromatic aberration to highlight image details without distortion. It has an aperture range of T1.9 to T22 and an 80mm front diameter with minimal focus breathing.
$40
NiSi ATHENA Prime 85mm T1.9 FF Lens
$40.00 Daily Rate
Capture high-quality images using a full-frame camera with a Sony RF mount with this NiSi ATHENA Prime 85mm T1.9 Full-Frame Lens. The lens features 10 aperture blades, micro-contrast control, and low chromatic aberration to highlight image details without distortion. It has an aperture range of T1.9 to T22 and an 80mm front diameter with minimal focus breathing.
$40
Cooke
Cooke SP3 FF (E/RF) 5-Lens Kit
$425
Cooke SP3 25mm T2.4 FF Lens
$100.00 Daily Rate
Right at home on Full Frame cameras, the SP3 Primes features a consistent T2.4 across the range. The Cooke SP3 Primes offer a convenient blend of image character inspired by the famous Cooke Speed Panchros with an ultra-light, compact housing ideal for a wide range of camera setups, especially gimbal, drone, and close-quarters filming.
$100
Cooke SP3 32mm T2.4 FF Lens
$100.00 Daily Rate
Right at home on Full Frame cameras, the SP3 Primes features a consistent T2.4 across the range. The Cooke SP3 Primes offer a convenient blend of image character inspired by the famous Cooke Speed Panchros with an ultra-light, compact housing ideal for a wide range of camera setups, especially gimbal, drone, and close-quarters filming.
$100
Cooke SP3 50mm T2.4 FF Lens
$100.00 Daily Rate
Right at home on Full Frame cameras, the SP3 Primes features a consistent T2.4 across the range. The Cooke SP3 Primes offer a convenient blend of image character inspired by the famous Cooke Speed Panchros with an ultra-light, compact housing ideal for a wide range of camera setups, especially gimbal, drone, and close-quarters filming.
$100
Cooke SP3 75mm T2.4 FF Lens
$100.00 Daily Rate
Right at home on Full Frame cameras, the SP3 Primes features a consistent T2.4 across the range. The Cooke SP3 Primes offer a convenient blend of image character inspired by the famous Cooke Speed Panchros with an ultra-light, compact housing ideal for a wide range of camera setups, especially gimbal, drone, and close-quarters filming.
$100
Cooke SP3 100mm T2.4 FF Lens
$100.00 Daily Rate
Right at home on Full Frame cameras, the SP3 Primes features a consistent T2.4 across the range. The Cooke SP3 Primes offer a convenient blend of image character inspired by the famous Cooke Speed Panchros with an ultra-light, compact housing ideal for a wide range of camera setups, especially gimbal, drone, and close-quarters filming.
$100
Angenieux
Angenieux EZ-1 PL 30-90mm T2 S35 Lens
$250.00 Daily Rate
The Angenieux EZ-1 Lens is a PL mount lens with the choice between the S35 and FF/VV rear lens-groups. The lens is a fast T2.0 in S35 and T3.0 in FF/VV. Whichever you’re using- the physical length of the lens remains the same, as well as minimum focus distance and 3x zoom ratio. However, the S35 lens insert covers 30-90mm and the FF/VV lens insert covers 45-135mm.
The lens itself has 3 manual lens control rings: focus, iris, and zoom. Each ring features cine-style 0.8 MOD gear teeth, for compatibility with follow focus units and lens control motors. The 114mm front diameter allows you to work with a wide variety of rod supported matte boxes.
$250
Angenieux EZ-1 PL 45-135mm T3 FF Lens
$250.00 Daily Rate
The Angenieux EZ-1 Lens is a PL mount lens with the choice between the S35 and FF/VV rear lens-groups. The lens is a fast T2.0 in S35 and T3.0 in FF/VV. Whichever you’re using- the physical length of the lens remains the same, as well as minimum focus distance and 3x zoom ratio. However, the S35 lens insert covers 30-90mm and the FF/VV lens insert covers 45-135mm.
The lens itself has 3 manual lens control rings: focus, iris, and zoom. Each ring features cine-style 0.8 MOD gear teeth, for compatibility with follow focus units and lens control motors. The 114mm front diameter allows you to work with a wide variety of rod supported matte boxes.
$250
Angenieux EZ-2 PL 22-60mm T3 FF Lens
$250.00 Daily Rate
The Angenieux EZ-2 Lens is a PL mount lens with the choice between the S35 and FF/VV rear lens-groups. The lens is a fast T2.0 in S35 and T3.0 in FF/VV. Whichever you’re using- the physical length of the lens remains the same, as well as minimum focus distance and 2.7x zoom ratio. However, the S35 lens insert covers 15-40mm and the FF/VV lens insert covers 22-60mm. The lens itself has 3 manual lens control rings: focus, iris, and zoom. Each ring features cine-style 0.8 MOD gear teeth, for compatibility with follow focus units and lens control motors. The 114mm front diameter allows you to work with a wide variety of rod supported matte boxes.
$250
Sigma
Sigma Cine EF 5-Lens Kit
$255
Sigma Cine EF 20mm T1.5 Lens
$60.00 Daily Rate
The enhanced 20mm T1.5 FF High-Speed Cine Prime from Sigma combines the same high-quality optics and mechanics of its FF prime line with a cine-oriented design including Cooke/i Technology that provides lens metadata to assist in post and visual effects production. This 20mm prime with EF mount is a wider focal length in the series offering full-frame sensor coverage, 6 to 8K resolution, lens markings in feet, and a T1.5 maximum aperture in a compact, lightweight form.
$60
Sigma Cine EF 24mm T1.5 Lens
$60.00 Daily Rate
The enhanced 24mm T1.5 Fully Luminous FF High-Speed Cine Prime from Sigma combines the same high-quality optics and mechanics of its FF prime line with a cine-oriented design including Cooke/i Technology that provides lens metadata to assist in post and visual effects production. This 24mm prime with EF mount is a wider focal length in the series offering full-frame sensor coverage, 6 to 8K resolution, lens markings in feet, and a T1.5 maximum aperture in a compact, lightweight form.
$60
Sigma Cine EF 35mm T1.5 Lens
$60.00 Daily Rate
The enhanced 35mm T1.5 FF High-Speed Cine Prime from Sigma combines the same high-quality optics and mechanics of its FF prime line with a cine-oriented design that includes Cooke /i Technology that provides lens metadata to assist in post and visual effects production. This 35mm prime with a EF mount is a wider focal length lens in the series, offering full-frame sensor coverage, 6 to 8K resolution, lens markings in feet, and a T1.5 aperture in a compact, relatively lightweight form.
$60
Sigma Cine EF 50mm T1.5 Lens
$60.00 Daily Rate
The enhanced 50mm T1.5 FF High-Speed Cine Prime from Sigma combines the same high-quality optics and mechanics of its FF prime line with a cine-oriented design that includes Cooke /i Technology that provides lens metadata to assist in post and visual effects production. This 50mm prime with a EF mount is a midrange focal length in the series, offering full-frame sensor coverage, 6 to 8K resolution, lens markings in feet, and a T1.5 aperture in a compact, relatively lightweight form.
$60
Sigma Cine EF 85mm T1.5 Lens
$60.00 Daily Rate
The enhanced 85mm T1.5 FF High-Speed Cine Prime from Sigma combines the same high-quality optics and mechanics of its FF prime line with a cine-oriented design, and it now utilizes Cooke /i Technology that provides lens metadata to assist in post and visual effects production. This 85mm prime with EF mount is a longer focal length in the series, offering full-frame sensor coverage, 6 to 8K resolution, lens markings in feet, and a T1.5 aperture in a compact, lightweight form.
$60
Sigma Cine Zoom EF 2-Lens Kit
$96
Sigma Cine EF 18-35mm T2 Lens
$75.00 Daily Rate
The Sigma 18-35mm T2 Cine High-Speed Zoom Lens with a Canon EF mount and with focus scales marked in feet provides an image circle that covers Super 35mm-sized sensors. It features a maximum T-stop of 2, and the aperture does not ramp over the zoom range. It shares common lens gear positions with the other lens in the Sigma High-Speed Zoom lineup, which makes for rapid lens changes.
$60
Sigma Cine EF 50-100mm T2 Lens
$75.00 Daily Rate
The Sigma 50-100mm T2 Cine High-Speed Zoom Lens (Feet) with a Canon EF mount provides an image circle that covers Super 35mm-sized sensors. It features a maximum T-stop of 2, and the aperture does not ramp over the zoom range. It shares common lens gear positions with the other lens in the Sigma High Speed Zoom lineup, which makes for rapid lens changes.
$60
Laowa
Laowa PL 8-15mm T2.9 FF Fisheye Lens
$50.00 Daily Rate
Add expansive 180° views to your video content using the Laowa 8-15mm T2.9 FF Zoom Fisheye Cine Lens from Venus Optics and your ARRI PL-mount camera. This innovative lens covers up to full-frame camera sensors and features a dual round/rectangular fisheye look and a fast, constant T2.9 maximum aperture throughout the zoom range.
$50
Laowa Zero-D Cine (PL)
Laowa Zero-D Cine 12mm T2.9 Lens
$50.00 Daily Rate
The PL mount Laowa Zero-D Cine Lens 12mm T2.9 from Venus Optics provides a wide, 122° angle of view well suited for outdoor and landscape shots and in tight interior locations, and it is optimized for digital cinematography. It is so lightweight and compact that it can be used not only with handheld shooting, it is also light enough for use on gimbals. The lens produces an image circle that will cover full-frame, VistaVision, and ARRI ALEXA LF sized sensors or smaller.
$50
Laowa Pro2be (EF/PL/E/RF) 3-Lens Kit
$300
Laowa Pro2be 24mm T8 2x 90º Periscope Probe Lens
$125.00 Daily Rate
**Available in EF, PL, RF, and FE Mount**
Capture unique close-up views with the LAOWA 24mm T8 Full Frame 2x Pro2be Lens from Venus Optics. This 90° periscope-type lens is one in a series that also includes direct-view and 35° versions. It covers up to full-frame camera sensors, is waterproof down to 14.4″, focuses to just 0.2″, and features a relatively fast T8 maximum aperture, a 2x magnification ratio, and 360° rotation.
$125
Laowa Pro2be 24mm T8 2x Direct View Probe Lens
$125.00 Daily Rate
**Available in EF, RF, E, and PL Mount**
Capture unique close-up views with the LAOWA 24mm T8 Full Frame 2x Pro2be Lens from Venus Optics. This straight, direct-view lens is one in a series that also includes 90° periscope and 35° versions. It covers up to full-frame camera sensors, is waterproof down to 14.4″, focuses to just 0.2″, and features a relatively fast T8 maximum aperture and a 2x magnification ratio.
$125
Laowa Pro2be 24mm T8 2x 35º Probe Lens
$125.00 Daily Rate
**Available in EF, RF, E, and PL Mount**
Capture unique close-up views with the LAOWA 24mm T8 Full Frame 2x Pro2be Lens from Venus Optics. This 35° view lens is one in a series that also includes direct-view and 90° periscope versions. It covers up to full-frame camera sensors, is waterproof down to 14.4″, focuses to just 0.2″, and features a relatively fast T8 maximum aperture, a 2x magnification ratio, and 360° rotation.
$125
Atlas
Atlas Mercury (PL) 6-Lens Kit
$1140
Atlas Mercury (PL) 3-Lens Kit
$574
Atlas Mercury 27mm T2.2 FF 1.5x Anamorphic Lens
$225.00 Daily Rate
Designed by cinematographers for professional videographers, the Mercury 27mm T2.2 1.5x Anamorphic Prime Lens is part of the compact and lightweight Mercury Series from Atlas Lens Co. This series offers native full-frame coverage, enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that is warmer than that of the Orion series.
$225
Atlas Mercury 36mm T2.2 FF 1.5x Anamorphic Lens
$225.00 Daily Rate
Designed by cinematographers for professional videographers, the Mercury 36mm T2.2 1.5x Anamorphic Prime Lens is part of the compact and lightweight Mercury Series from Atlas Lens Co. This series offers native full-frame coverage, enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that is warmer than that of the Orion series.
$225
Atlas Mercury 42mm T2.2 FF 1.5x Anamorphic Lens
$225.00 Daily Rate
Designed by cinematographers for professional videographers, the Mercury 42mm T2.2 1.5x Anamorphic Prime Lens is part of the compact and lightweight Mercury Series from Atlas Lens Co. This series offers native full-frame coverage, enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that is warmer than that of the Orion series.
$225
Atlas Mercury 54mm T2.2 FF 1.5x Anamorphic Lens
$225.00 Daily Rate
Designed by cinematographers for professional videographers, the Mercury 54mm T2.2 1.5x Anamorphic Prime Lens is part of the compact and lightweight Mercury Series from Atlas Lens Co. This series offers native full-frame coverage, enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that is warmer than that of the Orion series.
$225
Atlas Mercury 72mm T2.2 FF 1.5x Anamorphic Lens
$225.00 Daily Rate
Designed by cinematographers for professional videographers, the Mercury 72mm T2.2 1.5x Anamorphic Prime Lens is part of the compact and lightweight Mercury Series from Atlas Lens Co. This series offers native full-frame coverage, enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that is warmer than that of the Orion series.
$225
Atlas Mercury 95mm T2.2 FF 1.5x Anamorphic Lens
$225.00 Daily Rate
Designed by cinematographers for professional videographers, the Mercury 95mm T2.2 1.5x Anamorphic Prime Lens is part of the compact and lightweight Mercury Series from Atlas Lens Co. This series offers native full-frame coverage, enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that is warmer than that of the Orion series.
$225
Atlas Mercury 138mm T2.6 FF 1.5x Anamorphic Lens
$225.00 Daily Rate
Designed by cinematographers for professional videographers, the Mercury 138mm T2.6 1.5x Anamorphic Prime Lens is part of the compact and lightweight Mercury Series from Atlas Lens Co. This series offers native full-frame coverage, enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that is warmer than that of the Orion series.
$225
Atlas Orion (PL) 3-Lens Series A Set
$383
Atlas Orion 40mm T2 2x Anamorphic Lens
$150.00 Daily Rate
Designed by cinematographers for cinematographers, the Orion 40mm T2 2x Anamorphic Prime Lens from Atlas Lens Co. produces a vintage anamorphic look for Super 35-sensor cine-style cameras. The 40mm creates a wide-angle field of view with the shallow dept of field found in a telephoto prime. To maximize compatibility, this PL-mount lens can be switched to a Canon EF mount using a separately available Atlas mount kit. Anamorphic lens characteristics include “waterfall” bokeh, streak effects, and a spherical aberration glow when used wide open.
$150
Atlas Orion 65mm T2 2x Anamorphic Lens
$150.00 Daily Rate
Designed by cinematographers for cinematographers, the Orion 65mm T2 2x Anamorphic Prime Lens from Atlas Lens Co. produces a vintage anamorphic look for Super 35-sensor cine-style cameras. The 65mm creates a wide-angle field of view with the shallow dept of field found in a telephoto prime. To maximize compatibility, this PL-mount lens can be switched to a Canon EF mount using a separately available Atlas mount kit. Anamorphic lens characteristics include “waterfall” bokeh, streak effects, and a spherical aberration glow when used wide open.
$150
Atlas Orion 100mm T2 2x Anamorphic Lens
$150.00 Daily Rate
Designed by cinematographers for cinematographers, the Orion 100mm T2 2x Anamorphic Prime Lens from Atlas Lens Co. produces a vintage anamorphic look for Super 35-sensor cine-style cameras. The 100mm creates a wide-angle field of view with the shallow dept of field found in a telephoto prime. To maximize compatibility, this PL-mount lens can be switched to a Canon EF mount using a separately available Atlas mount kit. Anamorphic lens characteristics include “waterfall” bokeh, streak effects, and a spherical aberration glow when used wide open.
$150
Canon
Canon CN-R (RF) 7-Lens Kit
$655
Canon CN-R (RF) 5-Lens Kit
$470
Canon CN-R 14mm T3.1 Lens
$110.00 Daily Rate
Suited for full-frame cinema cameras with RF lens mount compatibility, the Canon CN-R 14mm T3.1 L F Cinema Prime Lens renders crisp images with rich contrast. An 11-blade iris and maximum T3.1 aperture make for a natural bokeh effect with a wide depth of field and smooth image falloff. A consistent warm color balance ensures natural color reproduction particularly suited for skin tone capture. The dual-pixel focus guide reduces focus breathing while providing framing stability. Lens markings are displayed in feet, and the focus ring rotates 300° for precision.
$110
Canon CN-R 20mm T1.5 Lens
$110.00 Daily Rate
Suited for full-frame cinema cameras with RF lens mount compatibility, the Canon CN-R 20mm T1.5 L F Cinema Prime Lens renders crisp images with rich contrast. An 11-blade iris and maximum T1.5 aperture make for a natural bokeh effect with a wide depth of field and smooth image falloff. A consistent warm color balance ensures natural color reproduction particularly suited for skin tone capture. The dual-pixel focus guide reduces focus breathing while providing framing stability. Lens markings are displayed in feet, and the focus ring rotates 300° for precision.
$110
Canon CN-R 24mm T1.5 Lens
$110.00 Daily Rate
Suited for full-frame cinema cameras with RF lens mount compatibility, the Canon CN-R 24mm T1.5 L F Cinema Prime Lens renders crisp images with rich contrast. An 11-blade iris and maximum T1.5 aperture make for a natural bokeh effect with a wide depth of field and smooth image falloff. A consistent warm color balance ensures natural color reproduction particularly suited for skin tone capture. The dual-pixel focus guide reduces focus breathing while providing framing stability. Lens markings are displayed in feet, and the focus ring rotates 300° for precision.
$110
Canon CN-R 35mm T1.5 Lens
$110.00 Daily Rate
Suited for full-frame cinema cameras with RF lens mount compatibility, the Canon CN-R 35mm T1.5 L F Cinema Prime Lens renders crisp images with rich contrast. An 11-blade iris and maximum T1.5 aperture make for a natural bokeh effect with a wide depth of field and smooth image falloff. A consistent warm color balance ensures natural color reproduction particularly suited for skin tone capture. The dual-pixel focus guide reduces focus breathing while providing framing stability. Lens markings are displayed in feet, and the focus ring rotates 300° for precision.
$110
Canon CN-R 50mm T1.3 Lens
$110.00 Daily Rate
Suited for full-frame cinema cameras with RF lens mount compatibility, the Canon CN-R 50mm T1.3 L F Cinema Prime Lens renders crisp images with rich contrast. An 11-blade iris and maximum T1.3 aperture make for a natural bokeh effect with a wide depth of field and smooth image falloff. A consistent warm color balance ensures natural color reproduction particularly suited for skin tone capture. The dual-pixel focus guide reduces focus breathing while providing framing stability. Lens markings are displayed in feet, and the focus ring rotates 300° for precision.
$110
Canon CN-R 85mm T1.3 Lens
$110.00 Daily Rate
Suited for full-frame cinema cameras with RF lens mount compatibility, the Canon CN-R 85mm T1.3 L F Cinema Prime Lens renders crisp images with rich contrast. An 11-blade iris and maximum T1.3 aperture make for a natural bokeh effect with a wide depth of field and smooth image falloff. A consistent warm color balance ensures natural color reproduction particularly suited for skin tone capture. The dual-pixel focus guide reduces focus breathing while providing framing stability. Lens markings are displayed in feet, and the focus ring rotates 300° for precision.
$110
Canon CN-R 135mm T2.2 Lens
$110.00 Daily Rate
Suited for full-frame cinema cameras with RF lens mount compatibility, the Canon CN-R 135mm T2.2 L F Cinema Prime Lens renders crisp images with rich contrast. An 11-blade iris and maximum T2.2 aperture make for a natural bokeh effect with a wide depth of field and smooth image falloff. A consistent warm color balance ensures natural color reproduction particularly suited for skin tone capture. The dual-pixel focus guide reduces focus breathing while providing framing stability. Lens markings are displayed in feet, and the focus ring rotates 300° for precision.
$110
Canon CN-E V35 (EF) 7-Lens Kit
$865
Canon CN-E V35 (EF) 5-Lens Kit
$620
Canon CN-E V35 EF 14mm T3.1 Lens
$145.00 Daily Rate
The Canon CN-E 14mm T3.1 EF Cinema Prime Lens is an ultra wide-angle, manual focus prime lens that covers Full Frame and Super 35 sensor formats.
The lens offers a maximum T stop of 3.1 and has an 11-blade iris that provides round out of focus highlights for a natural looking bokeh. The lens barrel features 300° of stepless, smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus.
The lens is designed to minimize focus breathing and also has innovative glass construction that counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. It has focus distance markings on both sides of the barrel, with the rear markings on an angled surface, making it readable from either side of the camera. It also has a dust and water resistant housing to minimize maintenance.
The CN-E 14mm and the other five CN-E lenses share the same 114m front barrel diameter, focus rotation, 36° iris rotation, and focus and iris gear positions, allowing for easier lens swaps.
$145
Canon CN-E V35 EF 20mm T1.5 Lens
$145.00 Daily Rate
The Canon CN-E 20mm T1.5 EF Cinema Prime Lens is a manual focus prime lens that covers Full Frame and Super 35 sensor formats. The lens offers a maximum aperture of T1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look. It has an 11-blade iris that provides round, out-of-focus highlights for a natural looking bokeh. The lens barrel features 300° of stepless, smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus.
$145
Canon CN-E V35 EF 24mm T1.5 Lens
$145.00 Daily Rate
The Canon CN-E 24mm T1.5 EF Cinema Prime Lens is a wide-angle, manual focus prime lens that covers Full Frame and Super 35 sensor formats.
The lens offers a maximum aperture of T1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look. It has an 11-blade iris that provides round out of focus highlights for a natural looking bokeh. The lens barrel features 300° of stepless, smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus.
The lens is designed to minimize focus breathing and also has innovative glass construction that counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. It’s dual focus with markings on both sides of the barrel, with the rear markings on an angled surface, making it readable form either side of the camera. It also has a dust and water resistant housing to minimize maintenance during normal use.
The CN-E 14mm and the other five CN-E lenses share the same 114m front barrel diameter, focus rotation, 36° iris rotation, and focus and iris gear positions, allowing for easier swaps.
$145
Canon CN-E V35 EF 35mm T1.5 Lens
$145.00 Daily Rate
The Canon CN-E 35mm T1.5 EF Cinema Prime Lens is a manual focus prime lens that covers full-frame and Super 35 sensor formats.
The lens offers a maximum aperture of T1.5, useful when shooting in low-light situations or when you want to capture that exceedingly shallow depth of field look. It has an 11-blade iris that provides round out-of-focus highlights for a natural looking bokeh. The lens barrel features 300° of stepless, smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus.
The lens is designed to minimize focus breathing, and has innovative glass construction that counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. It has focus markings on both sides of the barrel, with the rear markings on an angled surface, making it readable from either side of the camera. It also has a dust- and water-resistant housing to minimize maintenance during normal use.
The CN-E 14mm and the other five CN-E lenses share the same 114mm front barrel diameter, focus rotation, 36° iris rotation, and focus and iris gear positions, allowing for easier swaps.
$145
Canon CN-E V35 EF 50mm T1.3 Lens
$145.00 Daily Rate
The Canon CN-E 50mm T1.3 EF Cine Lens is an EF-mount standard-width lens for Canon’s C-series cinema cameras, full-frame EOS DSLRs, and any video-capable camera that accepts EF-mount lenses. The aperture is a fast T1.3 that lets you get superior shots in low light. The diaphragm is made up of 11-blades and is as round as can be, and along with the fast aperture it can produce impressive bokeh and beautiful circular highlights. The diaphragm ring is stepless, super-smooth, and fully manual, even when used with a DSLR, offering an evermore accurate handle.
$145
Canon CN-E V35 EF 85mm T1.3 Lens
$145.00 Daily Rate
The Canon CN-E 85mm T1.3 EF Cine Lens is an EF-mount long lens for Canon’s C-series cinema cameras, for full-frame EOS DSLRs, and for any video-capable cameras that accept EF-mount lenses.
The aperture is a fast 1.3 and lets you get superior shots in low light. The diaphragm is made up of 11-blades and is as round as can be, and along with the fast aperture it can produce impressive bokeh and beautiful circular highlights. The diaphragm ring is stepless, is super-smooth, and is fully manual, even when used with a DSLR, offering evermore accurate handle.
The CN-E 85 was released with two complementary relatives — the CN-E 24mm and CN-E 50mm. All three lenses share the same front diameter, form factor, optical design, placement of gear rings, and mechanical construction. Because of the identical characteristics, one lens can be swapped with another easily, even when geared accessories are involved.
$145
Canon CN-E V35 EF 135mm T2.2 Lens
$145.00 Daily Rate
The Canon CN-E 135mm T2.2 EF Cinema Prime Lens is a telephoto prime lens for the full-frame sensor format, which makes it an ideal lens for the Cinema EOS series and all Canon DSLRs. The maximum aperture is T2.2, and the 11 blade iris ensures beautiful, rounded bokeh. The lens features markings on both sides of the barrel, making it easy to read settings from behind or on either side of the camera. In order to make lens changes quicker and easier, the 135mm T2.2 is designed to share similar dimensions with other CN-E lenses.
$145
Canon TLS FD PL 9 Lens Kit
$1530
Canon TLS FD PL 5 Lens Kit
$850
Canon TLS FD-X PL 14mm T2.9 Lens
$200.00 Daily Rate
The Canon FD lenses were manufactured from the early 1970s through the late 1980s. During the first decade of production came the SC/SSC variants then followed on by the nFD/FD-L series. These lenses soared in popularity once it was understood that they were a close match to the legendary Canon K-35 cine lenses. One of the only true cine lenses from the vintage era to cover full frame sensors. However, the Canon FDs were useless to the cine world as they were designed for stills photography. This is why TLS took on the challenge to rehouse these lenses. Not only do they offer an affordable equivalent to the Canon K-35s, but they can also be used to increase the focal lengths on offer for the limited K-35 range. During the rehousing process, TLS introduce a circular iris (14-16 blades depending on size) which gives a smooth circular bokeh at any aperture setting. This gives the lenses a more distinctive, cinematic look while also matching the style of the Canon K-35 iris. The new housing is also designed using our non-linear cam focus system across the entire range, including the floating element designs.
$200
Canon TLS FD PL 15mm T3 Fisheye Lens
$200.00 Daily Rate
The Canon FD lenses were manufactured from the early 1970s through the late 1980s. During the first decade of production came the SC/SSC variants then followed on by the nFD/FD-L series. These lenses soared in popularity once it was understood that they were a close match to the legendary Canon K-35 cine lenses. One of the only true cine lenses from the vintage era to cover full frame sensors. However, the Canon FDs were useless to the cine world as they were designed for stills photography. This is why TLS took on the challenge to rehouse these lenses. Not only do they offer an affordable equivalent to the Canon K-35s, but they can also be used to increase the focal lengths on offer for the limited K-35 range. During the rehousing process, TLS introduce a circular iris (14-16 blades depending on size) which gives a smooth circular bokeh at any aperture setting. This gives the lenses a more distinctive, cinematic look while also matching the style of the Canon K-35 iris. The new housing is also designed using our non-linear cam focus system across the entire range, including the floating element designs.
$200
Canon TLS FD PL 24mm T1.5 Lens
$200.00 Daily Rate
The Canon FD lenses were manufactured from the early 1970s through the late 1980s. During the first decade of production came the SC/SSC variants then followed on by the nFD/FD-L series. These lenses soared in popularity once it was understood that they were a close match to the legendary Canon K-35 cine lenses. One of the only true cine lenses from the vintage era to cover full frame sensors. However, the Canon FDs were useless to the cine world as they were designed for stills photography. This is why TLS took on the challenge to rehouse these lenses. Not only do they offer an affordable equivalent to the Canon K-35s, but they can also be used to increase the focal lengths on offer for the limited K-35 range. During the rehousing process, TLS introduce a circular iris (14-16 blades depending on size) which gives a smooth circular bokeh at any aperture setting. This gives the lenses a more distinctive, cinematic look while also matching the style of the Canon K-35 iris. The new housing is also designed using our non-linear cam focus system across the entire range, including the floating element designs.
$200
Canon TLS FD PL 28mm T2.1 Lens
$200.00 Daily Rate
The Canon FD lenses were manufactured from the early 1970s through the late 1980s. During the first decade of production came the SC/SSC variants then followed on by the nFD/FD-L series. These lenses soared in popularity once it was understood that they were a close match to the legendary Canon K-35 cine lenses. One of the only true cine lenses from the vintage era to cover full frame sensors. However, the Canon FDs were useless to the cine world as they were designed for stills photography. This is why TLS took on the challenge to rehouse these lenses. Not only do they offer an affordable equivalent to the Canon K-35s, but they can also be used to increase the focal lengths on offer for the limited K-35 range. During the rehousing process, TLS introduce a circular iris (14-16 blades depending on size) which gives a smooth circular bokeh at any aperture setting. This gives the lenses a more distinctive, cinematic look while also matching the style of the Canon K-35 iris. The new housing is also designed using our non-linear cam focus system across the entire range, including the floating element designs.
$200
Canon TLS FD-X PL 35mm T1.5 Lens
$200.00 Daily Rate
The Canon FD lenses were manufactured from the early 1970s through the late 1980s. During the first decade of production came the SC/SSC variants then followed on by the nFD/FD-L series. These lenses soared in popularity once it was understood that they were a close match to the legendary Canon K-35 cine lenses. One of the only true cine lenses from the vintage era to cover full frame sensors. However, the Canon FDs were useless to the cine world as they were designed for stills photography. This is why TLS took on the challenge to rehouse these lenses. Not only do they offer an affordable equivalent to the Canon K-35s, but they can also be used to increase the focal lengths on offer for the limited K-35 range. During the rehousing process, TLS introduce a circular iris (14-16 blades depending on size) which gives a smooth circular bokeh at any aperture setting. This gives the lenses a more distinctive, cinematic look while also matching the style of the Canon K-35 iris. The new housing is also designed using our non-linear cam focus system across the entire range, including the floating element designs.
$200
Canon TLS FD PL 55mm T1.3 Lens
$200.00 Daily Rate
The Canon FD lenses were manufactured from the early 1970s through the late 1980s. During the first decade of production came the SC/SSC variants then followed on by the nFD/FD-L series. These lenses soared in popularity once it was understood that they were a close match to the legendary Canon K-35 cine lenses. One of the only true cine lenses from the vintage era to cover full frame sensors. However, the Canon FDs were useless to the cine world as they were designed for stills photography. This is why TLS took on the challenge to rehouse these lenses. Not only do they offer an affordable equivalent to the Canon K-35s, but they can also be used to increase the focal lengths on offer for the limited K-35 range. During the rehousing process, TLS introduce a circular iris (14-16 blades depending on size) which gives a smooth circular bokeh at any aperture setting. This gives the lenses a more distinctive, cinematic look while also matching the style of the Canon K-35 iris. The new housing is also designed using our non-linear cam focus system across the entire range, including the floating element designs.
$200
Canon TLS FD PL 85mm T1.3 Lens
$200.00 Daily Rate
The Canon FD lenses were manufactured from the early 1970s through the late 1980s. During the first decade of production came the SC/SSC variants then followed on by the nFD/FD-L series. These lenses soared in popularity once it was understood that they were a close match to the legendary Canon K-35 cine lenses. One of the only true cine lenses from the vintage era to cover full frame sensors. However, the Canon FDs were useless to the cine world as they were designed for stills photography. This is why TLS took on the challenge to rehouse these lenses. Not only do they offer an affordable equivalent to the Canon K-35s, but they can also be used to increase the focal lengths on offer for the limited K-35 range. During the rehousing process, TLS introduce a circular iris (14-16 blades depending on size) which gives a smooth circular bokeh at any aperture setting. This gives the lenses a more distinctive, cinematic look while also matching the style of the Canon K-35 iris. The new housing is also designed using our non-linear cam focus system across the entire range, including the floating element designs.
$200
Canon TLS FD PL 100mm T2.1 Lens
$200.00 Daily Rate
The Canon FD lenses were manufactured from the early 1970s through the late 1980s. During the first decade of production came the SC/SSC variants then followed on by the nFD/FD-L series. These lenses soared in popularity once it was understood that they were a close match to the legendary Canon K-35 cine lenses. One of the only true cine lenses from the vintage era to cover full frame sensors. However, the Canon FDs were useless to the cine world as they were designed for stills photography. This is why TLS took on the challenge to rehouse these lenses. Not only do they offer an affordable equivalent to the Canon K-35s, but they can also be used to increase the focal lengths on offer for the limited K-35 range. During the rehousing process, TLS introduce a circular iris (14-16 blades depending on size) which gives a smooth circular bokeh at any aperture setting. This gives the lenses a more distinctive, cinematic look while also matching the style of the Canon K-35 iris. The new housing is also designed using our non-linear cam focus system across the entire range, including the floating element designs.
$200
Canon TLS FD PL 135mm T2.1 Lens
$200.00 Daily Rate
The Canon FD lenses were manufactured from the early 1970s through the late 1980s. During the first decade of production came the SC/SSC variants then followed on by the nFD/FD-L series. These lenses soared in popularity once it was understood that they were a close match to the legendary Canon K-35 cine lenses. One of the only true cine lenses from the vintage era to cover full frame sensors. However, the Canon FDs were useless to the cine world as they were designed for stills photography. This is why TLS took on the challenge to rehouse these lenses. Not only do they offer an affordable equivalent to the Canon K-35s, but they can also be used to increase the focal lengths on offer for the limited K-35 range. During the rehousing process, TLS introduce a circular iris (14-16 blades depending on size) which gives a smooth circular bokeh at any aperture setting. This gives the lenses a more distinctive, cinematic look while also matching the style of the Canon K-35 iris. The new housing is also designed using our non-linear cam focus system across the entire range, including the floating element designs.
$200
Canon TLS FD PL 50–300mm T4.9 Lens
$350.00 Daily Rate
In 1982 Canon released its last lens off the FD production line, and they did not disappoint. The 50-300 f/4.5 L was Canon’s first super zoom with a 6x ratio. They used 2 special UD low dispersion/low diffraction elements to control chromatic abberations in their 16 element/13 group design. Canon’s original 4 group optical system meant this lens was rather simple to service and therefore a good candidate for rehousing. Genuine Canon S.S.C. coatings ensure this full frame zoom will match well with Canon K35 and FD prime lenses…making it the prefect companion to these popular lens sets. However, thanks to its character rich image, the Canon FD 50-300 will also cut together well with any vintage lens sets from the 70’s and 80’s (Leica R, Olympus OM, Nikon, etc.) The bold flares, pleasant bokeh, and gentle fall off make this zoom lens a much needed addition to any rental house.
The image circle generously covers Arri Alexa LF open gate throughout its entire zoom range. Focus and zoom functions are both internal, so there are no telescoping or rotating parts to get in the way of support gear. Close focus has been greatly improved from 2.5m to just 1.8m (6 ft.), and the front diameter of the lens measures 136mm diameter. The original 8 blade iris has been replaced with a 15 blade circular iris. The stainless steel PL mount is interchangeable between LPL, EF, or E mount. Lens support is built in to the lens and has a threaded 1/4 20 mounting point for secure stability.
$350
DJI
DJI DL 5-Lens Kit
$160
DJI 16mm f/2.8 DL-S Lens
$40.00 Daily Rate
DJI offers four prime lenses for the DL-Mount system, with focal lengths ranging from 16mm to 50mm (35 mm equivalent focal length: 24mm to 77mm) and resolutions of up to 8K. Made of lightweight carbon fiber and designed by world-leading optics teams, the four lenses have been embedded with advanced technologies crafted specifically for the X7’s high-end image sensor.
DJI DL Lenses are professional prime lenses specially designed for aerial photography. Featured light-weighting carbon fiber casing, those lenses are able to reduce the payload of the gimbal and camera, improving the stability when shooting. With the DJI DL mount (diameter: 58mm), the lenses can be mounted onto Zenmuse X7, providing varying focal lengths. When used with Zenmuse X7, the focal length multiplier is 1.5 when taking stills.
$40
DJI 18mm f/2.8 ASPH DL Lens
$40.00 Daily Rate
Specifically designed to fit the DL mount on the Inspire 3, the DJI 18mm f/2.8 ASPH Full-Frame Lens for Inspire 3 gives filmmakers a wide-angle option for capturing aerial footage in 8K clarity with the Zenmuse X9-8K Air gimbal camera. Thanks to the optics’ high sharpness and chromatic aberration, the resulting 8K content will receive richer detail and lifelike color. The lens is housed within a monocoque carbon fiber body, meeting DJI’s requirement for ultra-high maneuverability.
$40
DJI 24mm f/2.8 DL Lens
$40.00 Daily Rate
DJI offers four prime lenses for the DL-Mount system, with focal lengths ranging from 16mm to 50mm (35 mm equivalent focal length: 24mm to 77mm) and resolutions of up to 8K. Made of lightweight carbon fiber and designed by world-leading optics teams, the four lenses have been embedded with advanced technologies crafted specifically for the X7’s high-end image sensor.
DJI DL Lenses are professional prime lenses specially designed for aerial photography. Featured light-weighting carbon fiber casing, those lenses are able to reduce the payload of the gimbal and camera, improving the stability when shooting. With the DJI DL mount (diameter: 58mm), the lenses can be mounted onto Zenmuse X7, providing varying focal lengths. When used with Zenmuse X7, the focal length multiplier is 1.5 when taking stills.
$40
DJI 35mm f/2.8 DL Lens
$40.00 Daily Rate
DJI offers four prime lenses for the DL-Mount system, with focal lengths ranging from 16mm to 50mm (35 mm equivalent focal length: 24mm to 77mm) and resolutions of up to 8K. Made of lightweight carbon fiber and designed by world-leading optics teams, the four lenses have been embedded with advanced technologies crafted specifically for the X7’s high-end image sensor.
DJI DL Lenses are professional prime lenses specially designed for aerial photography. Featured light-weighting carbon fiber casing, those lenses are able to reduce the payload of the gimbal and camera, improving the stability when shooting. With the DJI DL mount (diameter: 58mm), the lenses can be mounted onto Zenmuse X7, providing varying focal lengths. When used with Zenmuse X7, the focal length multiplier is 1.5 when taking stills.
$40
DJI 50mm f/2.8 DL Lens
$40.00 Daily Rate
DJI offers four prime lenses for the DL-Mount system, with focal lengths ranging from 16mm to 50mm (35 mm equivalent focal length: 24mm to 77mm) and resolutions of up to 8K. Made of lightweight carbon fiber and designed by world-leading optics teams, the four lenses have been embedded with advanced technologies crafted specifically for the X7’s high-end image sensor.
DJI DL Lenses are professional prime lenses specially designed for aerial photography. Featured light-weighting carbon fiber casing, those lenses are able to reduce the payload of the gimbal and camera, improving the stability when shooting. With the DJI DL mount (diameter: 58mm), the lenses can be mounted onto Zenmuse X7, providing varying focal lengths. When used with Zenmuse X7, the focal length multiplier is 1.5 when taking stills.
$40
DJI Zenmuse 75mm f/1.8 DL Lens
$40.00 Daily Rate
Designed for the Zenmuse X9-8K and X9-8K Air gimbal cameras, this DL mount 75mm f/1.8 Telephoto Lens from DJI is a medium telephoto lens capable of 8K shooting. The lens itself has a total aperture range of f/1.8 to f/22 for a variety of lighting conditions. High lens sharpness and minimal chromatic aberration ensure natural image reproduction with rich details. A 55mm filter thread allows you to add compatible filters and customize your camera’s visuals. Included pan and tilt axis counterweights make balancing the lens on your gimbal camera a breeze. Other included accessories are a balancing ring and lens protector.
$40
DJI DL-Mount 17-28mm T3 ASPH Lens
$50.00 Daily Rate
Designed for the Ronin 4D 6K and 8K gimbal cameras, this DJI 17-28mm T3.0 ASPH PZ Lens features a DL mount, full-frame sensor, and built-in servo zoom motor. The lens has calibration-free autofocusing technology and allows you to zoom within the 17 to 28mm focal range without needing to rebalance your Ronin 4D.
A T3.0 to T22 aperture range and lens construction of 13 elements in 11 groups capture footage up to 8K with ease. The lens can focus on objects from 7.5″ away at its minimum focal length.
$50
DZOFilm
DZOFilm VESPID (EF/PL) 11-Lens Kit
$325
DZOFilm VESPID (EF/PL) 5-Lens Kit
$150
DZOFilm Vespid 12mm T2.8 FF/VV Lens
$35.00 Daily Rate
Relatively small and lightweight, the DZOFilm VESPID 12mm T2.8 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box. The small size makes this lens an attractive option when working with drones and gimbals, as well as when shooting handheld or run-and-gun. Sporting an interchangeable PL mount, this fully manual lens works with cameras that have a PL or EF mount with the included EF mount. The full-frame coverage of the lens supports sensors that have an image circle up to 46.5mm for use on cameras with sensors up to full-frame without vignetting.
$35
DZOFilm Vespid 16mm T2.8 FF/VV Lens
$35.00 Daily Rate
Relatively small and lightweight, the DZOFilm VESPID 16mm T2.8 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box. The small size makes this lens an attractive option when working with drones and gimbals, as well as when shooting handheld or run-and-gun. Sporting an interchangeable PL mount, this fully manual lens works with cameras that have a PL or EF mount with the included EF mount. The full-frame coverage of the lens supports sensors that have an image circle up to 46.5mm for use on cameras with sensors up to full-frame without vignetting.
$35
DZOFilm Vespid 21mm T2.1 FF/VV Lens
$35.00 Daily Rate
Relatively small and lightweight, the DZOFilm VESPID 21mm T2.1 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box. The small size makes this lens an attractive option when working with drones and gimbals, as well as when shooting handheld or run-and-gun. The interchangeable PL mount and included EF mount allow you to use the fully manual lens on a variety of modern and vintage cine cameras, while the full-frame coverage supports sensors that have an image circle up to 46.5mm for use on cameras with sensors up to full-frame without vignetting.
$35
DZOFilm Vespid 25mm T2.1 FF/VV Lens
$35.00 Daily Rate
Relatively small and lightweight, the DZOFilm VESPID 25mm T2.1 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box. The small size makes this lens an attractive option when working with drones and gimbals, as well as when shooting handheld or run-and-gun. The interchangeable PL mount and included EF mount allow you to use the fully manual lens on a variety of modern and vintage cine cameras, while the full-frame coverage supports sensors that have an image circle up to 46.5mm for use on cameras with sensors up to full-frame without vignetting.
$35
DZOFilm Vespid 35mm T2.1 FF/VV Lens
$35.00 Daily Rate
Relatively small and lightweight, the DZOFilm VESPID 35mm T2.1 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box. The small size makes this lens an attractive option when working with drones and gimbals, as well as when shooting handheld or run-and-gun. The interchangeable PL mount and included EF mount allow you to use the fully manual lens on a variety of modern and vintage cine cameras, while the full-frame coverage supports sensors that have an image circle up to 46.5mm for use on cameras with sensors up to full-frame without vignetting.
$35
DZOFilm Vespid 40mm T2.1 FF/VV Lens
$35.00 Daily Rate
Relatively small and lightweight, the DZOFilm VESPID 40mm T2.1 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box. The small size makes this lens an attractive option when working with drones and gimbals, as well as when shooting handheld or run-and-gun. The interchangeable PL mount and included EF mount allow you to use the fully manual lens on a variety of modern and vintage cine cameras, while the full-frame coverage supports sensors that have an image circle up to 46.5mm for use on cameras with sensors up to full-frame without vignetting.
$35
DZOFilm Vespid 50mm T2.1 FF/VV Lens
$35.00 Daily Rate
Relatively small and lightweight, the DZOFilm VESPID 50mm T2.1 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box. The small size makes this lens an attractive option when working with drones and gimbals, as well as when shooting handheld or run-and-gun. The interchangeable PL mount and included EF mount allow you to use the fully manual lens on a variety of modern and vintage cine cameras, while the full-frame coverage supports sensors that have an image circle up to 46.5mm for use on cameras with sensors up to full-frame without vignetting.
$35
DZOFilm Vespid 75mm T2.1 FF/VV Lens
$35.00 Daily Rate
Relatively small and lightweight, the DZOFilm VESPID 75mm T2.1 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box. The small size makes this lens an attractive option when working with drones and gimbals, as well as when shooting handheld or run-and-gun. The interchangeable PL mount and included EF mount allow you to use the fully manual lens on a variety of modern and vintage cine cameras, while the full-frame coverage supports sensors that have an image circle up to 46.5mm for use on cameras with sensors up to full-frame without vignetting.
$35
DZOFilm Vespid 90mm T2.1 FF/VV Macro Lens
$35.00 Daily Rate
Relatively small and lightweight, the DZOFilm VESPID 90mm T2.8 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. This macro lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box. The small size makes this lens an attractive option when working with drones and gimbals, as well as when shooting handheld or run-and-gun. The interchangeable PL mount and included EF mount allow you to use the fully manual lens on a variety of modern and vintage cine cameras, while the full-frame coverage supports sensors that have an image circle up to 46.5mm for use on cameras with sensors up to full-frame without vignetting.
$35
DZOFilm Vespid 100mm T2.1 FF/VV Lens
$35.00 Daily Rate
Relatively small and lightweight, the DZOFilm VESPID 100mm T2.1 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box. The small size makes this lens an attractive option when working with drones and gimbals, as well as when shooting handheld or run-and-gun. The interchangeable PL mount and included EF mount allow you to use the fully manual lens on a variety of modern and vintage cine cameras, while the full-frame coverage supports sensors that have an image circle up to 46.5mm for use on cameras with sensors up to full-frame without vignetting.
$35
DZOFilm Vespid 125mm T2.1 FF/VV Lens
$35.00 Daily Rate
Relatively small and lightweight, the DZOFilm VESPID 125mm T2.1 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box. The small size makes this lens an attractive option when working with drones and gimbals, as well as when shooting handheld or run-and-gun. The interchangeable PL mount and included EF mount allow you to use the fully manual lens on a variety of modern and vintage cine cameras, while the full-frame coverage supports sensors that have an image circle up to 46.5mm for use on cameras with sensors up to full-frame without vignetting.
$35
DZOFilm Arles (EF/PL) 10-Lens Kit
$425
DZOFilm Arles (EF/PL) 5-Lens Kit
$215
DZOFilm Arles 14mm T1.9 FF/VV Lens
$50.00 Daily Rate
Equip your full-frame ARRI PL-mount camera with the Arles 14mm T1.9 FF/VV Prime Cine Lens from DZOFilm to capture cine-style images thanks to its improved features. This prime lens has an aperture range of T1.9 to T22 to achieve a wide depth of field. A 16-blade iris and optical construction of 14 elements in 12 groups provide a soft, natural bokeh to your high-quality imagery. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.
$50
DZOFilm Arles 21mm T1.4 FF/VV Lens
$50.00 Daily Rate
Equip your full-frame ARRI PL-mount camera with the Arles 21mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture consistently sharp, natural-looking imagery. This 21mm prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh to your high-quality imagery. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.
$50
DZOFilm Arles 25mm T1.4 FF/VV Lens
$50.00 Daily Rate
Equip your full-frame ARRI PL-mount camera with the Arles 25mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture cine-style images thanks to its improved features. This prime lens has an aperture range of T1.4 to T22 to achieve a wide depth of field. A 16-blade iris and optical construction of 14 elements in 12 groups provide a soft, natural bokeh to your high-quality imagery. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.
$50
DZOFilm Arles 35mm T1.4 FF/VV Lens
$50.00 Daily Rate
Equip your full-frame ARRI PL-mount camera with the Arles 35mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture cine-style images thanks to its improved features. This prime lens has an aperture range of T1.4 to T22 to achieve a wide depth of field. A 16-blade iris and optical construction of 14 elements in 12 groups provide a soft, natural bokeh to your high-quality imagery. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.
$50
DZOFilm Arles 40mm T1.4 FF/VV Lens
$50.00 Daily Rate
Equip your full-frame ARRI PL-mount camera with the Arles 14mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture consistently sharp, natural-looking imagery. This 40mm prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh to your high-quality imagery. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.
$50
DZOFilm Arles 50mm T1.4 FF/VV Lens
$50.00 Daily Rate
Equip your full-frame ARRI PL-mount camera with the Arles 50mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture cine-style images thanks to its improved features. This prime lens has an aperture range of T1.4 to T22 to achieve a wide depth of field. A 16-blade iris and optical construction of 14 elements in 12 groups provide a soft, natural bokeh to your high-quality imagery. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.
$50
DZOFilm Arles 75mm T1.4 FF/VV Lens
$50.00 Daily Rate
Equip your full-frame ARRI PL-mount camera with the Arles 75mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture cine-style images thanks to its improved features. This prime lens has an aperture range of T1.4 to T22 to achieve a wide depth of field. A 16-blade iris and optical construction of 14 elements in 12 groups provide a soft, natural bokeh to your high-quality imagery. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.
$50
DZOFilm Arles 100mm T1.4 FF/VV Lens
$50.00 Daily Rate
Equip your full-frame ARRI PL-mount camera with the Arles 100mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture cine-style images thanks to its improved features. This prime lens has an aperture range of T1.4 to T22 to achieve a wide depth of field. A 16-blade iris and optical construction of 13 elements in 9 groups provide a soft, natural bokeh to your high-quality imagery. The focus ring rotates 270°, and the iris ring 82° for intuitive manual adjustments.
$50
DZOFilm Arles 135mm T1.4 FF/VV Lens
$50.00 Daily Rate
Equip your full-frame ARRI PL-mount camera with the Arles 135mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture consistently sharp, natural-looking imagery. This longer 135mm prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh to your high-quality imagery. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.
$50
DZOFilm Arles 180mm T2.4 FF/VV Lens
$50.00 Daily Rate
Equip your full-frame ARRI PL-mount camera with the Arles 180mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture consistently sharp, natural-looking imagery. This longer 180mm prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh to your high-quality imagery. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.
$50
DZOFilm Pavo (EF/PL) 2x Anamorphic 9-Lens Kit
$1140
DZOFilm Pavo (EF/PL) 2x Anamorphic 5-Lens Kit
$635
DZOFilm PAVO 28mm T2.1 S35 2X Anamorphic Lens
$150.00 Daily Rate
Capture stunning cinematic images with a vintage anamorphic look using this PAVO 28mm T2.1 2x Anamorphic Prime Lens from DZOFilm. Designed to cover the Super35 sensor of cine-style cameras, this blue-coated lens has a maximum aperture of T2.1 and employs 2x magnification, thus achieving what is commonly referred to as “true” anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional “waterfall” bokeh and elegant blue horizontal flares.
$150
DZOFilm PAVO 32mm T2.1 S35 2X Anamorphic Lens
$150.00 Daily Rate
Capture stunning cinematic images with a vintage anamorphic look using this PAVO 32mm T2.1 2x Anamorphic Prime Lens from DZOFilm. Designed to cover the Super35 sensor of cine-style cameras, this blue-coated lens has a maximum aperture of T2.1 and employs 2x magnification, thus achieving what is commonly referred to as “true” anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional “waterfall” bokeh and elegant blue horizontal flares.
$150
DZOFilm PAVO 40mm T2.1 S35 2X Anamorphic Lens
$150.00 Daily Rate
Capture stunning cinematic images with a vintage anamorphic look using this PAVO 40mm T2.1 2x Anamorphic Prime Lens from DZOFilm. Designed to cover the Super35 sensor of cine-style cameras, this blue-coated lens has a maximum aperture of T2.1 and employs 2x magnification, thus achieving what is commonly referred to as “true” anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional “waterfall” bokeh and elegant blue horizontal flares.
$150
DZOFilm PAVO 55mm T2.1 S35 2X Anamorphic Lens
$150.00 Daily Rate
Capture stunning cinematic images with a vintage anamorphic look using this PAVO 55mm T2.1 2x Anamorphic Prime Lens from DZOFilm. Designed to cover the Super35 sensor of cine-style cameras, this blue-coated lens has a maximum aperture of T2.1 and employs 2x magnification, thus achieving what is commonly referred to as “true” anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional “waterfall” bokeh and elegant blue horizontal flares.
$150
DZOFilm PAVO 65mm T2.1 S35 2X Anamorphic Macro Lens
$150.00 Daily Rate
Capture stunning cinematic images with a vintage anamorphic look using this PAVO 65mm T2.1 2x Anamorphic Macro Lens from DZOFilm. Designed to cover the Super35 sensor of cine-style cameras, this blue-coated lens has a maximum aperture of T2.1 and employs 2x magnification, thus achieving what is commonly referred to as “true” anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional “waterfall” bokeh and elegant blue horizontal flares.
$150
DZOFilm PAVO 75mm T2.1 S35 2X Anamorphic Lens
$150.00 Daily Rate
Capture stunning cinematic images with a vintage anamorphic look using this PAVO 75mm T2.1 2x Anamorphic Prime Lens from DZOFilm. Designed to cover the Super35 sensor of cine-style cameras, this blue-coated lens has a maximum aperture of T2.1 and employs 2x magnification, thus achieving what is commonly referred to as “true” anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional “waterfall” bokeh and elegant blue horizontal flares.
$150
DZOFilm PAVO 100mm T2.1 S35 2X Anamorphic Lens
$150.00 Daily Rate
Capture stunning cinematic images with a vintage anamorphic look using this PAVO 100mm T2.1 2x Anamorphic Prime Lens from DZOFilm. Designed to cover the Super35 sensor of cine-style cameras, this blue-coated lens has a maximum aperture of T2.1 and employs 2x magnification, thus achieving what is commonly referred to as “true” anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional “waterfall” bokeh and elegant blue horizontal flares.
$150
DZOFilm PAVO 135mm T2.1 S35 2X Anamorphic Lens
$150.00 Daily Rate
Capture stunning cinematic images with a vintage anamorphic look using this PAVO 135mm T2.1 2x Anamorphic Prime Lens from DZOFilm. Designed to cover the Super35 sensor of cine-style cameras, this blue-coated lens has a maximum aperture of T2.1 and employs 2x magnification, thus achieving what is commonly referred to as “true” anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional “waterfall” bokeh and elegant blue horizontal flares.
$150
DZOFilm PAVO 180mm T2.1 S35 2X Anamorphic Lens
$150.00 Daily Rate
Capture stunning cinematic images with a vintage anamorphic look using this PAVO 180mm T2.1 2x Anamorphic Prime Lens from DZOFilm. Designed to cover the Super35 sensor of cine-style cameras, this blue-coated lens has a maximum aperture of T2.1 and employs 2x magnification, thus achieving what is commonly referred to as “true” anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional “waterfall” bokeh and elegant blue horizontal flares.
$150
DZOFilm Arcana (PL) 3-Lens Kit
$140
DZOFilm Arcana PL 32mm T2.1 FF 1.5x Anamorphic Lens
$55.00 Daily Rate
The ARRI PL-mount Arcana 32mm Anamorphic Prime Lens from DZOFilm captures a widescreen look with dramatic oval bokeh and anamorphic flares that take on the color of your lighting source. Arcana 1.5x lenses are lightweight and compact, sharing near identical weights and lengths, letting you quickly and easily swap lenses on your camera or gimbal rig. Each lens has an 80mm front outside diameter and a 77mm filter thread, and it offers 270° focus rotation for precise focus pulls.
$55
DZOFilm Arcana PL 45mm T2.1 FF 1.5x Anamorphic Lens
$55.00 Daily Rate
The ARRI PL-mount Arcana 45mm Anamorphic Prime Lens from DZOFilm captures a widescreen look with dramatic oval bokeh and anamorphic flares that take on the color of your lighting source. Arcana 1.5x lenses are lightweight and compact, sharing near identical weights and lengths, letting you quickly and easily swap lenses on your camera or gimbal rig. Each lens has an 80mm front outside diameter and a 77mm filter thread, and it offers 270° focus rotation for precise focus pulls.
$55
DZOFilm Arcana PL 75mm T2.1 FF 1.5x Anamorphic Lens
$55.00 Daily Rate
The ARRI PL-mount Arcana 75mm Anamorphic Prime Lens from DZOFilm captures a widescreen look with dramatic oval bokeh and anamorphic flares that take on the color of your lighting source. Arcana 1.5x lenses are lightweight and compact, sharing near identical weights and lengths, letting you quickly and easily swap lenses on your camera or gimbal rig. Each lens has an 80mm front outside diameter and a 77mm filter thread, and it offers 270° focus rotation for precise focus pulls.
$55
DZOFilm Catta (E/RF)
DZOFilm Catta 18-35mm T2.9 FF Lens
$80.00 Daily Rate
Add a cinema zoom lens to your documentary, broadcast, or online production kit with this black Catta Ace FF 18-35mm T2.9 Cine Zoom Lens from DZOFilm. The cine lens is designed to maintain focus as you smoothly zoom in or out, and the Catta full-frame line reproduces accurate color and features a smooth focus/defocus transition. It features a wide T2.9 to T22 aperture, a 16-blade iris for a smooth bokeh, and a long 20.1″ close focus range.
$80
DZOFilm Catta 35-80mm T2.9 FF Lens
$80.00 Daily Rate
Add a cinema zoom lens to your documentary, broadcast, or online production kit with this black Catta Ace FF 35-80mm T2.9 Cine Zoom Lens from DZOFilm. The cine lens is designed to maintain focus as you smoothly zoom in or out, and the Catta full-frame line reproduces accurate color and features a smooth focus/defocus transition. It features a wide T2.9 to T22 aperture, a 16-blade iris for a smooth bokeh, and a long 20.1″ close focus range.
$80
DZOFilm Catta 70-135mm T2.9 FF Lens
$80.00 Daily Rate
Add a cinema zoom lens to your documentary, broadcast, or online production kit with this white Catta 70-135mm T2.9 Cine Zoom Lens from DZOFilm. The cine zoom lens is designed to maintain focus as you smoothly zoom in or out. The Catta line reproduces accurate color and features a smooth focus/defocus transition. It features a wide T2.9 to T22 aperture, a 16-blade iris for a smooth bokeh, and a long 29.9″ close focus range.
$80
DZOFilm Catta Ace (EF/PL)
DZOFilm Catta Ace 18-35mm T2.9 FF/VV Lens
$80.00 Daily Rate
Add a cinema zoom lens to your documentary, broadcast, or online production kit with this black Catta Ace FF 18-35mm T2.9 Cine Zoom Lens from DZOFilm. The cine lens is designed to maintain focus as you smoothly zoom in or out, and the Catta full-frame line reproduces accurate color and features a smooth focus/defocus transition. It features a wide T2.9 to T22 aperture, a 16-blade iris for a smooth bokeh, and a long 20.1″ close focus range.
$80
DZOFilm Catta Ace 35-80mm T2.9 FF/VV Lens
$80.00 Daily Rate
Add a cinema zoom lens to your documentary, broadcast, or online production kit with this black Catta Ace FF 18-35mm T2.9 Cine Zoom Lens from DZOFilm. The cine lens is designed to maintain focus as you smoothly zoom in or out, and the Catta full-frame line reproduces accurate color and features a smooth focus/defocus transition. It features a wide T2.9 to T22 aperture, a 16-blade iris for a smooth bokeh, and a long 20.1″ close focus range.
$80
DZOFilm Catta Ace 70-135mm T2.9 FF/VV Lens
$80.00 Daily Rate
Add a cinema zoom lens to your documentary, broadcast, or online production kit with this Catta Ace 70-135mm T2.9 Cine Zoom Lens from DZOFilm. The cine lens is designed to maintain focus as you smoothly zoom in or out. The Catta line reproduces accurate color and features a smooth focus/defocus transition. It has a wide T2.9 to T22 aperture, a 16-blade iris for smooth bokeh, and a long 2.5′ close focus range.
$80
DZOFilm Pictor (EF/PL)
DZOFilm Pictor 12-25mm T2.8 S35 Lens
$60.00 Daily Rate
The black, parfocal DZO Pictor 12-25mm T2.8 Super35 Zoom Lens features an aperture range of T2.8 to T22, the ability to hold focus throughout the zoom range, and an internal focus design with floating elements that virtually eliminates focus breathing.
Please Note: According to the manufacturer, when converted to EF mount this lens is not compatible with DSLR cameras that have an EF mount. However, it is compatible with mirrorless cameras that have an EF mount, including Blackmagic Design cameras. This is due to mirror/sensor location with the rear elements of the lens
$60
DZOFilm Pictor 14-30mm T2.8 S35 Lens
$60.00 Daily Rate
A parfocal cine lens, the DZO Pictor 14-30mm T2.8 Super35 Parfocal Zoom Lens features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22, and it adds an extreme wide-angle zoom to the Pictor line of lenses. As you would expect from a cinema-style zoom, the lens is parfocal, meaning it holds focus throughout the zoom range. The internal focus design with floating elements virtually eliminates focus breathing. It covers a Super35 image circle.
Please Note: According to the manufacturer, when converted to EF mount this lens is not compatible with DSLR cameras that have an EF mount. However, it is compatible with mirrorless cameras that have an EF mount, including Blackmagic Design cameras. This is due to mirror/sensor location with the rear elements of the lens
$60
DZOFilm Pictor 20-55mm T2.8 S35 Lens
$60.00 Daily Rate
A parfocal cine lens, the DZO Pictor 20-55mm T2.8 Super35 Parfocal Zoom Lens features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22. As you would expect from a cinema-style zoom, the lens is parfocal, meaning it holds focus throughout the zoom range. The internal focus design with floating elements virtually eliminates focus breathing. It covers a Super35 image circle.
Please Note: According to the manufacturer, when converted to EF mount this lens is not compatible with DSLR cameras that have an EF mount. However, it is compatible with mirrorless cameras that have an EF mount, including Blackmagic Design cameras. This is due to mirror/sensor location with the rear elements of the lens
$60
DZOFilm Pictor 50-125mm T2.8 S35 Lens
$60.00 Daily Rate
A parfocal cine lens, the DZO Pictor 50-125mm T2.8 Super35 Parfocal Zoom Lens features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22. As you would expect from a cinema-style zoom, the lens is parfocal, meaning it holds focus throughout the zoom range. The internal focus design with floating elements virtually eliminates focus breathing. It covers a Super35 image circle.
Please Note: According to the manufacturer, when converted to EF mount this lens is not compatible with DSLR cameras that have an EF mount. However, it is compatible with mirrorless cameras that have an EF mount, including Blackmagic Design cameras. This is due to mirror/sensor location with the rear elements of the lens
$60
DZOFilm Tango (EF/PL)
DZOFilm Tango 18-90mm T2.9 S35 Lens
$185.00 Daily Rate
Choose the 18-90mm T2.9 S35 Zoom Lens from DZOFilm to add a combination of cinema-grade optics and ENG-style functions to your Super35 video capture. This wider, 5x zoom is one in a series that offers a total 18mm to 280mm range in just two lenses, the 18-90 and the 65-280mm. Interchangeable ARRI PL and Canon EF mounts provide compatibility for the Tango zoom series with a truly diverse range of cameras.
$185
DZOFilm Tango 65-280mm T2.9 S35 Lens
$185.00 Daily Rate
Choose the 65-280mm T2.9 S35 Zoom Lens from DZOFilm to add a combination of cinema-grade optics and ENG-style functions to your Super35 video capture. This longer, 4.3x zoom is one in a series that offers a total 18-280mm range in just two lenses, the 18-90mm and the 65-280mm. Interchangeable ARRI PL and Canon EF mounts provide compatibility for the Tango zoom series with a truly diverse range of cameras.
$185
DZOFilm Gnosis (EF/LPL/PL) Macro Prime 4-Lens Kit
$425
DZOFilm Gnosis 24mm T2.8 FF/VV Macro Lens
$125.00 Daily Rate
The 24mm T2.8 Gnosis Macro Prime Lens from DZOFilm provides impressive close-up views of your subjects with up to 1:1 magnification and a wide, encompassing field of view. This ARRI LPL-mount lens with focus marks in feet comes with both ARRI PL and Canon EF mounts, enabling you to use it with a wide range of cine-style cameras.
$125
DZOFilm Gnosis 32mm T2.8 FF/VV Macro Lens
Coming Soon
The 32mm T2.8 Gnosis Macro Prime Lens from DZOFilm provides impressive close-up views of your subjects with up to 1:1 magnification and a wide, encompassing field of view. This ARRI LPL-mount lens with focus marks in feet comes with both ARRI PL and Canon EF mounts, enabling you to use it with a wide range of cine-style cameras.
$125
DZOFilm Gnosis 65mm T2.8 FF/VV Macro Lens
$125.00 Daily Rate
The 65mm T2.8 Gnosis Macro Prime Lens from DZOFilm provides impressive close-up views of your subjects with up to 1:33 magnification and a standard field of view. This ARRI LPL-mount lens with focus marks in feet comes with both ARRI PL and Canon EF mounts, enabling you to use it with a wide range of cine-style cameras.
$125
DZOFilm Gnosis 90mm T2.8 FF/VV Macro Lens
$125.00 Daily Rate
The 90mm T2.8 Gnosis Macro Prime Lens from DZOFilm provides impressive close-up views of your subjects with up to 1:5 magnification and a compressed field of view with natural, soft-looking bokeh. This ARRI LPL-mount lens with focus marks in feet comes with both ARRI PL and Canon EF mounts, enabling you to use it with a wide range of cine-style cameras.
$125
DZOFilm X-Tract 18-28mm T8 FF Probe Zoom 3-Lens Kit
$600
DZOFilm X-Tract PL 18-28mm T8 FF 90° Probe Zoom Lens
$235.00 Daily Rate
Offering a 100 to 73° field of view, the ARRI PL-mount, 90° X-Tract 18-28mm T8 FF Probe Zoom Macro Lens from DZOFilm brings innovative close-up capture to your productions. This compact probe lens measures just 16.3″ in length and has a front diameter of less than 1.2″, making it ideal for tight setups. It features a relatively fast T8 maximum aperture, a 2.1:1 maximum magnification, and a 0.24″ minimum focusing distance. This 90° version offers a right-angle view.
$235
DZOFilm X-Tract PL 18-28mm T8 FF 360° Probe Zoom Lens
$235.00 Daily Rate
Offering a 100 to 73° field of view, the ARRI PL-mount, 360° X-Tract 18-28mm T8 FF Probe Zoom Macro Lens from DZOFilm brings innovative close-up capture to your production. This compact probe is just 16.3″ long and has a front diameter of <1.2″, making it ideal for tight setups. It features 2.1:1 magnification and a 0.24″ close focus. This 360° probe features a periscope design that provides creative positioning. A rotating ring enables even greater flexibility.
$235
DZOFilm X-Tract PL 18-28mm T8 FF Direct View Probe Zoom Lens
$235.00 Daily Rate
Offering a 100 to 73° field of view, the ARRI PL-mount X-Tract 0° 18-28mm T8 FF Probe Zoom Macro Lens from DZOFilm brings innovative close-up capture to your productions. This compact probe lens measures just 16.3″ in length and has a front outside diameter of less than 1.2″, making it ideal for tight setups. It features a relatively fast T8 maximum aperture, a 2.1:1 maximum magnification, and a 0.24″ minimum focusing distance. This straight version offers a direct view.
$235
Photo
Canon EF – Primes
Canon EF 24mm f/1.4 II L-Series
$30.00 Daily Rate
Blending a favored wide-angle focal length with a bright maximum aperture, the EF 24mm f/1.4L II USM is a Canon L-series lens characterized by a robust physical construction and sophisticated optical design. Two ultra-low dispersion elements help to control chromatic aberrations and color fringing while a pair of aspherical elements reduce spherical aberrations and distortion for high sharpness and clarity. Individual elements also feature a Sub Wavelength Coating to suppress lens flare and ghosting for improved contrast and color neutrality in a variety of lighting conditions. Besides the optical attributes, this lens is also distinguished by its fast f/1.4 maximum aperture to benefit working in low-light conditions for controlling depth of field. Additionally, this lens sports a ring-type USM for quick and quiet autofocus performance and full-time manual focus override, and an internal floating focus mechanism also helps to maintain consistent image quality throughout the entire focusing range.
$30
Canon EF 35mm f/1.4 L-Series
$30.00 Daily Rate
Characterized by its unique and advanced optical composition, the Canon EF 35mm f/1.4L II USM is a wide-angle L-series prime featuring a fast f/1.4 maximum aperture to suit working in difficult lighting conditions. Its optical design incorporates a Blue Spectrum Refractive Optics element; a specially developed element that helps to nearly eliminate chromatic aberrations and color fringing for notable clarity and color accuracy. In addition to this, an ultra-low dispersion element and two aspherical elements are also featured to further control various aberrations and distortion for great sharpness and resolution. Individual elements also feature a Sub Wavelength Coating to suppress flare and ghosting for high contrast and color fidelity when working in harsh and backlit conditions.
$30
Canon EF 50mm f/1.2L USM
$30.00 Daily Rate
Clearly distinguished by its bright maximum aperture, the Canon EF 50mm f/1.2L USM is a normal-length L-series prime also sporting a robust physical design and advanced optical layout. The impressively fast f/1.2 maximum aperture affords a great degree of control over depth of field for isolating subjects and producing desirable selective focus effects. Complementing these qualities is a sophisticated optical composition, which includes one aspherical element to suppress spherical aberrations in order to achieve notable sharpness and clarity. A Super Spectra coating has also been applied to limit flare and ghosting and promote greater contrast and color accuracy in a variety of lighting conditions. Complementing the imaging attributes, a ring-type USM is employed to deliver quick and quiet autofocus performance along with full-time manual focus control.
$30
Canon EF 85mm f/1.2 II L-Series
$30.00 Daily Rate
Mixing a short-telephoto focal length with a bright maximum aperture, the EF 85mm f/1.2L II USM is a Canon L-series lens well-suited for portraiture. The impressively fast f/1.2 maximum aperture affords a great degree of control over depth of field for isolating subjects and producing desirable selective focus effects. Complementing these qualities is a sophisticated design that includes one aspherical element to suppress spherical aberrations and notable sharpness and clarity, and a floating optical system is used that maintains image quality throughout the focusing range. A Super Spectra coating has also been applied to limit flare and ghosting and promote greater contrast and color accuracy in a variety of lighting conditions. Complementing the imaging attributes, a ring-type USM is employed to deliver quick and quiet autofocus performance along with full-time manual focus control.
$30
Canon EF 100mm f/2.8 Macro IS L-Series
$30.00 Daily Rate
Primarily designed for close-up shooting, the EF 100mm f/2.8L Macro IS USM from Canon is a versatile L-series short telephoto prime that is also well-suited for portraiture and other mid-range subjects. As a macro lens, however, this 100mm offers a life-size, 1:1 maximum magnification and an 11.8″ minimum focusing distance. Complementing close-up shooting, an Image Stabilizer is featured that minimizes camera shake by two stops at full 1:1 magnification, or up to four stops at lower magnifications for sharper handheld shooting. Also contributing to smooth and intuitive handling, a ring-type USM and internal focusing design offers quick, quiet, and accurate autofocus performance along with full-time manual focus override. In regard to its optical assets, one ultra-low dispersion element is featured, to control color fringing and chromatic aberrations, and a Super Spectra coating has been applied to suppress flare and ghosting for improved contrast and color fidelity. Additionally, as an L-series lens, this 100mm f/2.8 is weather-sealed for working in inclement conditions.
$30
Canon EF 135mm f/2 L-Series
$30.00 Daily Rate
Ideal for portraiture, the EF 135mm f/2L USM is a medium telephoto prime and a member of Canon‘s L-series of lenses. The long focal length coupled with the f/2 maximum aperture afford a great deal of control over depth of field for isolating subject matter and using selective focus, and the bright aperture also benefits shooting handheld in low-light conditions. In regard to the optical design, the lens uses two ultra-low dispersion elements to control chromatic aberrations and color fringing for high clarity, and a Super Spectra coating has also been applied to suppress flare and ghosting for increased contrast and color accuracy. Complementing the imaging attributes, a ring-type USM is employed to deliver quick and quiet autofocus performance along with full-time manual focus control.
$30
Canon EF 200mm f/2.8 II L-Series
$30.00 Daily Rate
A medium telephoto L-series prime, the Canon EF 200mm f/2.8L II USM combines a flexible focal length with a modestly bright maximum aperture to realize a relatively compact and lightweight design well-suited for sports and portraiture applications. Its advanced optical design incorporates a pair of ultra-low dispersion glass elements to greatly reduce color fringing and chromatic aberrations in order to realize notable clarity and color accuracy, and a Super Spectra coating also helps to increase contrast when working in harsh lighting conditions. Benefitting the optics, a ring-type USM is employed, too, to deliver quick and quiet autofocus performance along with full-time manual focus control.
$30
Canon EF – Zooms
Canon EF 8-15mm f/4 Fisheye L-Series Lens
$30.00 Daily Rate
Specialized and versatile, the EF 8-15mm f/4L Fisheye USM is a Canon L-series lens offering flexibility to a conventionally niche lens type. Capable of producing both circular and rectangular fisheye effects, this lens is characterized by its notable distortion and rounded image quality along with an immense 180° angle of view at the 8mm position. The optical design incorporates two ultra-low dispersion glass elements to limit chromatic aberrations and color fringing for high clarity and color accuracy, and a Sub Wavelength coating has also been applied to control flare and ghosting for greater contrast.
$30
Canon EF 11-24mm f/4 L-Series Lens
$30.00 Daily Rate
A truly versatile wide-angle zoom featuring an advanced optical design and constant f/4 maximum aperture, the Canon EF 11-24mm f/4L USM Lens is a member of the esteemed L-series of lenses designed for full-frame EOS DSLRs. One Super UD element and one UD element offer a significant reduction in chromatic aberrations while four aspherical elements help to minimize distortions throughout the zoom range and provide consistent edge-to-edge sharpness and illumination. Both SWC and ASC coatings have been applied to the elements in order to reduce lens flare and ghosting for increased contrast and color accuracy. Ideally suited for landscape and architectural photography, this lens covers ultra-wide to wide-angle perspectives and backs up its versatile zoom range with sophisticated optical components and intuitive handling.
$30
Canon EF 16-35mm f/2.8 II L-Series Lens
$30.00 Daily Rate
The EF 16-35mm f/2.8L II USM Lens from Canon is a high performance, water-resistant, ultra wide-angle L-series zoom lens. An f/2.8 maximum aperture is effective in low light situations and offers shallow depth of field focus control. The optical design has been improved to offer better edge-to-edge image quality. In addition, it features 3 high-precision aspherical lens elements, each of a different type: ground, replica and GMo. Its ultrasonic motor (USM) and improved AF algorithms will help the lens to focus faster and quieter. Precise manual focus is supported even in One Shot AF mode and a truly round aperture results in pleasing background blur.
$30
Canon EF 16-35mm f/4 IS L-Series Lens
$30.00 Daily Rate
Covering a useful wide-angle focal length range, the EF 16-35mm f/4L IS USM is a Canon L-series lens distinguished by its constant f/4 maximum aperture, sophisticated optical design, and use of image stabilization to realize sharp imagery. Two ultra-low dispersion elements are used to greatly reduce color fringing and chromatic aberrations throughout the zoom range for high clarity and color accuracy, and a Super Spectra coating has also been applied to suppress flare and ghosting for improved contrast. Three aspherical elements are also featured and help to control distortion and minimize spherical aberrations for improved sharpness.
$30
Canon EF 24-70mm f/2.8 II L-Series Lens
$30.00 Daily Rate
Spanning a popular and versatile range of focal lengths, the EF 24-70mm f/2.8L II USM is a Canon L-series zoom commonly thought of as the workhorse of lenses. Ranging from wide-angle to portrait length, this lens is also distinguished by its constant f/2.8 maximum aperture to benefit working in difficult lighting conditions and to afford greater control over depth of field. The lens is also characterized by its sophisticated optical design, which includes one Super UD element and two UD elements, which reduce color fringing and chromatic aberrations in order to realize a high degree of color accuracy and clarity. Three aspherical elements are also featured, and minimize distortion and spherical aberrations for improved sharpness. Additionally, a Super Spectra coating has been applied to individual elements to control flare and ghosting for high contrast and neutral color fidelity.
$30
Canon EF 24-105mm f/4 II L-Series Lens
$30.00 Daily Rate
An advanced one-lens solution, the EF 24-105mm f/4L IS II USM is a Canon L-series zoom covering wide-angle to short-telephoto focal lengths and featuring a constant f/4 maximum aperture. The version II of this popular lens sports a redeveloped optical design, which includes four aspherical elements to significantly reduce distortion and spherical aberrations throughout the zoom range for great sharpness and accurate subject rendering. Individual elements feature an Air Sphere Coating, too, to suppress flare and ghosting for greater contrast and color accuracy in harsh lighting conditions.
$30
Canon EF 70-200mm f/2.8 IS II L-Series Lens
$30.00 Daily Rate
A workhorse of a lens, the Canon EF 70-200mm f/2.8L IS II USM is an L-series telephoto zoom characterized by its bright f/2.8 constant maximum aperture and optical image stabilization. The fast maximum aperture affords greater control over depth of field and benefits working in low-light conditions while the Image Stabilizer compensates for four stops of camera shake for sharper handheld shooting. As an L-series lens, this 70-200mm also features a sophisticated optical design that uses five ultra-low dispersion elements and one fluorite element to reduce color fringing and chromatic aberrations for improved clarity. Also, a Super Spectra coating has been applied to help reduce lens flare and ghosting for greater contrast and color neutrality.
$30
Canon EF 100-400mm f/4.5-5.6L IS L-Series Lens
$30.00 Daily Rate
A long-reaching telephoto zoom characterized by a sophisticated optical design and advanced image stabilization technologies, the Canon EF 100-400mm f/4.5-5.6L IS II USM Lens is part of the esteemed L-series developed for full-frame EOS DSLRs. One fluorite element and one Super UD element have been incorporated into the lens’ construction, and both help to reduce aberrations and distortions throughout the zoom range in order to deliver notable clarity, image sharpness, and faithful color reproduction. An Air Sphere Coating has also been applied to lens elements in order to reduce lens flare and ghosting for more contrast-rich imagery. Benefitting the optical components of the lens, a four-stop effective Image Stabilizer helps to minimize the appearance of camera shake and can be dedicated to different styles of shooting. Furthermore, a redeveloped rotation-type zoom ring pairs with an internal focusing mechanism, and an Ultrasonic Motor, to deliver quick and intuitive handling to benefit handheld shooting. Positioned as a versatile option for sports and wildlife photographers, this lens’ list of attributes make it a viable telephoto zoom for a variety of shooting applications.
$30
Canon RF – Primes
Canon RF 5.2mm f/2.8 L Dual Fisheye 3D VR Lens
$45.00 Daily Rate
Unlock new dimensions in visual storytelling with the RF 5.2mm f/2.8 L Dual Fisheye 3D VR from Canon. Currently compatible with the EOS R5 Mirrorless Digital Camera, this L-series lens is the world’s first digital interchangeable lens that can capture stereoscopic 3D 180° VR imagery to a single image sensor. The dual high-performance L-series fisheye lenses combine imagery onto a single image sensor delivering impressive results to a single file. This helps simplify your workflow by eliminating the need to sync and stitch multiple video files. Creators can go from traditional stills or video shooting to stereoscopic 3D capture with a simple lens swap, and the pairing of this lens with the EOS R5 provides for high resolution video recording at up to DCI 8K 30fps and DCI 4K 60 fps.
$45
Canon RF 14mm f/1.4 L VCM Lens
$40.00 Daily Rate
An exceptionally wide and fast lens, the Canon RF 14mm f/1.4 L VCM is a uniquely compact and versatile ultra-wide intended for both photo and video use. Its function-first design caters to hybrid content creators who value impressive image quality, L-series durability, fast autofocus, virtually no focus breathing, and intuitive, silent, and customizable handling.
$40
Canon RF 16mm f/2.8 STM Lens
$15.00 Daily Rate
Ultra-wide field of view mixed with a compact and portable design, the Canon RF 16mm f/2.8 STM is a sleek everyday wide-angle prime. Blending a compact, lightweight design with a bright maximum aperture, this rectilinear ultra-wide comes in handy when photographing interiors and architectural subjects, as well as broad landscape views and astrophotography scenes.
$15
Canon RF 20mm f/1.4 L VCM Lens
$40.00 Daily Rate
Designed to satisfy both photographers and videographers’ needs, the Canon RF 20mm f/1.4 L VCM is a fast ultra-wide-angle prime lens with a function-first build that caters to the hybrid nature of modern image-making, emphasizing high image quality, responsive AF, minimized focus breathing, and intuitive, silent, and customizable handling.
$40
Canon RF 24mm f/1.4 L VCM Lens
$40.00 Daily Rate
Designed to handle the demands of both still photography and video capturing, the RF 24mm f/1.4 L VCM Lens from Canon is a fast wide-angle prime designed for full-frame RF-mount camera systems. With its bright f/1.4 maximum aperture and 11-bladed diaphragm, working in low-light conditions isn’t an issue, nor is producing dreamy, complementary bokeh around your subjects. This hybrid lens design incorporates a video-friendly Voice Coil Motor (VCM) rear focus system with a Nano USM (Ultrasonic Motor) for precise autofocus and near-silent lens operation. Its dedicated manual iris ring and AF/MF switch offer users heightened focus control and allow for swift settings and adjustments. Belonging to the L-series, this prime lens promises excellent durability and features a weather-resistant design that protects against dust and moisture.
$40
Canon RF 28mm f/2.8 STM Lens
$15.00 Daily Rate
Compact, lightweight, and close-focusing, the Canon RF 28mm f/2.8 STM is an exceptionally lightweight and affordable pancake-style lens for full-frame cameras. This classic wide-angle lens is excellent for travel, street photography, and video and is a great entry point for full frame RF-mount cameras. An ideal lens for every day, walkaround shooting, this 28mm f/2.8 is characterized by its bright design for available light shooting and apt depth of field control.
$15
Canon RF 35mm f/1.4 L VCM Lens
$40.00 Daily Rate
Designed with high-end cinema video in mind, the Canon RF 35mm f/1.4L VCM Lens is a wide-angle L-series hybrid prime featuring an ultra-fast f/1.4 maximum aperture to suit working in difficult lighting conditions. Its 11-blade iris creates soft, cinematic bokeh, and the lens features minimal focus breathing for easy and smooth focus pulls. The focus ring can be used full-time with override, and you can also utilize the iris ring manually during changing conditions on your video shoots.
$40
Canon RF 50mm f/1.8 STM Lens
$15.00 Daily Rate
Compact, lightweight, and close-focusing, the Canon RF 50mm f/1.8 STM is a sleek normal-length prime offering a classic, versatile field of view and an especially compact design. An ideal lens for every day, walkaround shooting, this 50mm f/1.8 is characterized by its bright design for available light shooting and apt depth of field control. The optical design incorporates one aspherical element, which reduces spherical aberrations and distortion, and also sports a Super Spectra coating to minimize flare and ghosting for improved contrast and color accuracy. Also, an STM motor affords impressively quiet and smooth autofocus performance and full-time manual focus override. Additionally, a configurable Control Ring lets you adjust exposure settings, including ISO, aperture, and exposure compensation, from the lens itself.
$15
Canon RF 50mm f/1.4 L VCM Lens
$40.00 Daily Rate
An all-purpose prime designed for both photo and video applications, the RF 50mm f/1.4 L VCM Lens from Canon is a fast normal-length lens made for full-frame RF-mount camera systems. With its bright f/1.4 maximum aperture and 11-bladed diaphragm, working in low-light conditions isn’t an issue, nor is producing dreamy, complementary bokeh around your subjects. This hybrid lens design incorporates a video-friendly Voice Coil Motor (VCM) rear focus system with a Nano USM (Ultrasonic Motor) for precise autofocus and near-silent lens operation. Its dedicated manual iris ring and AF/MF switch offer users heightened focus control and allow for swift settings adjustments. Belonging to the L-series, this prime lens promises excellent durability and features a weather-resistant design that protects against dust and moisture.
$40
Canon RF 50mm f/1.2 L USM Lens
$40.00 Daily Rate
Distinguished by its speed, the RF 50mm f/1.2 L USM from Canon is a desirable normal-length prime due to its versatile focal length and bright f/1.2 maximum aperture. This fast design excels in difficult lighting conditions and also benefits working with shallow depth of field and selective focus techniques. The optical layout incorporates one UD element and one aspherical element, which help to reduce both chromatic and spherical aberrations in order to produce greater clarity and sharpness. A rounded 10-blade diaphragm also benefits bokeh quality to suit isolating subjects with depth of field. Complementing the imaging capabilities is an apt ring-type Ultrasonic Motor, which delivers fast, near-silent autofocus and full-time manual focus override. Additionally, a unique Control Ring is integrated into the lens design for intuitive control over exposure settings from the lens itself.
$40
Canon RF 85mm f/1.2 L USM Lens
$40.00 Daily Rate
Pairing a cherished short-telephoto focal length with an exceptionally bright maximum aperture, the Canon RF 85mm f/1.2 L USM is also characterized by its advanced optical design to produce well-corrected imagery. The fast f/1.2 design excels in difficult lighting conditions and also benefits working with shallow depth of field and selective focus techniques. The optical layout incorporates a Blue Spectrum Refractive Optics element; a specially developed element that helps to nearly eliminate chromatic aberrations and color fringing for notable clarity and color accuracy. In addition to this, an ultra-low dispersion element and one aspherical element are also featured to further control various aberrations and distortion for great sharpness and resolution. Individual elements also feature an Air Sphere Coating to suppress flare and ghosting for high contrast and color fidelity when working in bright and backlit conditions.
$40
Canon RF 85mm f/1.2 DS Lens
$45.00 Daily Rate
The Canon RF 85mm f/1.2 L USM DS is a unique portrait-length prime, characterized by its flattering focal length, exceptionally bright maximum aperture, bokeh prioritization, and advanced optical design. Differentiating itself from Canon’s other RF 85mm f/1.2 lens, this version features a DS (Defocus Smoothing) coating that helps to soften and smooth the bokeh quality when working at wider aperture settings, making it particularly suitable for shallow depth of field applications.
The optical layout of this lens incorporates a Blue Spectrum Refractive Optics element; a specially developed element that helps to nearly eliminate chromatic aberrations and color fringing for notable clarity and color accuracy. An ultra-low dispersion element and one aspherical element are also featured to further control various aberrations and distortion for great sharpness and resolution. Individual elements feature an Air Sphere Coating to suppress flare and ghosting for high contrast and color fidelity when working in bright and backlit conditions.
$45
Canon RF 85mm f/1.4 L VCM Lens
$40.00 Daily Rate
Built for photographers and videographers alike, the Canon RF 85mm f/1.4 L VCM is a fast short-telephoto prime lens with a function-first build that caters to the hybrid nature of modern image-making, emphasizing high image quality, responsive AF, minimized focus breathing, and intuitive, silent, and customizable handling.
$40
Canon RF 100mm f/2.8 L Macro IS USM Lens
$40.00 Daily Rate
Engineered specifically for full-frame EOS R-series cameras, the RF 100mm f/2.8 L Macro IS USM Lens from Canon combines a medium-telephoto field of view with a sleek design and close-focusing performance. Designed for close-up imagery, this autofocus lens is an ideal choice for portraits and macro subjects. Featuring a fixed 100mm focal length, a bright f/2.8 maximum aperture, fast, highly-precise autofocus, and a spherical aberration control ring, this lens elevates the look of portraits and macro shots and gives you the ability to create dreamlike and romantic images with a soft focus look. Its close focus design enables working with subject matter as close as 10.2″ away, and a Super Spectra coating minimizes ghosting and flare when working in strong lighting conditions. The lens also features optical image stabilization, along with Hybrid IS, to suppress up to five stops of camera shake for cleaner, steadier shooting, and imagemakers can expect to see stunning results that enhance their creative and artistic vision.
$40
Canon RF 135mm f/1.8 L IS USM Lens
$30.00 Daily Rate
Pairing a medium-telephoto focal length with an extremely bright maximum aperture, the Canon RF 135mm f/1.8 L IS USM offers an engaging mixture of high sharpness and shallow depth of field, making it an ideal choice for portrait subjects. Benefitting this desirable combination is an advanced L-series optical design, robust and weather-sealed construction, and fast AF along with dependable image stabilization for intuitive use.
$30
Canon RF – Zooms
Canon RF 7-14mm f/2.8-3.5 L Fisheye STM Lens
$45.00 Daily Rate
Combining a huge field of view with distinct fisheye rendering, the Canon RF 7-14mm f/2.8-3.5 L Fisheye STM is an ultra-wide zoom for creating striking, dynamic photos and videos. The first fisheye lens for the RF series, this lens brings an immensely wide 190° angle of view, both circular and diagonal coverage depending on focal length and format, and a host of convenient new design details for working with the unique lens.
$45
Canon RF 10-20mm f/4 L IS STM Lens
$45.00 Daily Rate
A state-of-the-art ultra-wide zoom lens, the Canon RF 10-20mm f/4 L IS STM delivers professional quality results for all your landscape, nature, architecture, and interior image-making needs. Optimized for both photo and video applications, this versatile, full-frame, L-series lens provides visual drama to your imagery for outstanding results that will be remembered for a lifetime.
$45
Canon RF 14-35mm f/4 IS USM Lens
$45.00 Daily Rate
Ultra-wide and stabilized, the Canon RF 14-35mm f/4 L IS USM is a uniquely versatile zoom characterize by its broad range, constant f/4 maximum aperture, and advanced optical design. Gaining a bit on the wide end, this zoom offers a broader field of view to suit landscape, nature, and architectural applications, and its modest maximum aperture also contributes to a sleek, highly portable design for walkaround shooting.
$45
Canon RF 15-30mm f/4.5-6.3 IS STM Lens
$20.00 Daily Rate
Compact with wide-angle versatility, the Canon RF 15-30mm f/4.5-6.3 IS STM pairs a portable design with a flexible focal length range ideal for landscape, architecture, and street subjects. Complementing the ultra-wide to wide range is also an Optical Image Stabilizer to reduce camera shake and a stepping AF motor that suits both photo and video uses.
$20
Canon RF 15-35mm f/2.8 L IS USM Lens
$45.00 Daily Rate
Covering a versatile wide-angle focal length range, the RF 15-35mm f/2.8 L IS USM from Canon is also characterized by its bright f/2.8 constant maximum aperture. This bright design enables working in available light conditions and also affords greater control over depth of field. The range of wide focal lengths suits working in a variety of situations, from landscape to documentary shooting, and this zoom is complemented by an advanced optical design that greatly reduces color fringing and distortion for high clarity and sharpness. An Air-Sphere coating has also been applied to reduce flare and ghosting for improved contrast and color fidelity when working in bright conditions.
$45
Canon RF 24-105mm f/4 IS USM Lens
$40.00 Daily Rate
Prized for its versatility, the RF 24-105mm f/4 L IS USM from Canon is a wide-angle to short telephoto zoom characterized by its constant f/4 maximum aperture. Ideal for use in nearly any shooting scenario, this zoom is benefitted by a five-stop-effective Image Stabilizer to minimize the appearance of camera shake for sharper handheld imagery. Also complementing handling is a unique customizable Control Ring, which can be configured to adjust a variety of exposure settings settings, including aperture, ISO, and exposure compensation. Benefitting image quality, the advanced optical design features a Super Spectra Coating, which helps to suppress ghosting and flare in order to improve contrast and color accuracy when working in bright and backlit conditions. Ideal for both photo and video applications, this lens also incorporates a Nano USM autofocus motor, which delivers quick, quiet, and precise focusing performance.
$40
Canon RF 24-50mm f/4.5-6.3 IS STM Lens
$20.00 Daily Rate
Featuring a lightweight and compact design, the RF 24-50mm f/4.5-6.3 IS STM Lens is a versatile standard zoom covering wide-angle to normal-view focal lengths. Designed for everyday use and an excellent choice for vlogging and content creation, this lens is well-suited for landscapes, cityscapes, street scenes, portraits, products, and more. An STM stepping AF motor produces fast, smooth, and near-silent autofocus performance to support both stills and video recording, and an Optical Image Stabilizer compensates for up to 4.5 stops of camera shake to better enable taking sharp handheld photos in difficult lighting conditions.
$20
Canon RF 24-70mm f/2.8 L IS USM Lens
$45.00 Daily Rate
Poised to be the new workhorse zoom, the Canon RF 24-70mm f/2.8 L IS USM is a versatile wide-angle to portrait-length lens characterized by its bright, advanced, and intuitive design. The constant f/2.8 maximum aperture suits working in difficult lighting conditions and also enables greater control over depth of field. The optical design incorporates a series of aspherical and Ultra-Low Dispersion elements, which greatly reduce a variety of aberrations throughout the zoom range in order to produce sharp and clear imagery. An Air Sphere Coating has also been applied to suppress flare and ghosting when working in strong lighting conditions.
$45
Canon RF 24-105mm f/2.8 L IS USM Z Lens
$50.00 Daily Rate
A powerful multiuse zoom for photo and video, the RF 24-105mm f/2.8 L IS USM Z Lens from Canon is the first of its kind at this focal length and aperture. By utilizing dual Nano USM motors, this lens achieves fast and nearly silent autofocusing. The constant f/2.8 aperture allows for optimal low light performance and provides flattering bokeh for portraits at any focal length. In-lens optical image stabilization offers five and a half stops of correction, or eight stops with Coordinated IS when paired with a compatible camera. Four ultra-low dispersion elements and three aspherical elements help create sharper images and reduce chromatic and spherical aberrations. Additionally, the RF 24-105mm f/2.8 benefits from Super Spectra, Air Sphere, and Fluorine coatings, which work together to minimize ghosting and flare caused by lens surface reflection.
$50
Canon RF 24-240mm f/4.5-6.3 IS USM Lens
$25.00 Daily Rate
Covering an impressive wide-angle to super-telephoto range, the RF 24-240mm f/4-6.3 IS USM from Canon is a true all-in-one lens for nearly any shooting situation. Its 10x zoom range is complemented by an Optical Image Stabilizer, which compensates for up to five stops of camera shake to better realize sharp imagery when shooting handheld. Dynamic IS also benefits video recording, and better compensates for footage shot while walking or moving. Benefitting both stills and video is a Nano USM autofocus motor, which delivers quick, quiet, and precise focusing performance. Additionally, the lens also features a unique customizable Control Ring, which can be configured to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation.
$25
Canon RF 28-70mm f/2 L USM Lens
$45.00 Daily Rate
Combining the versatility of a zoom with the speed typically reserved for a prime, the Canon RF 28-70mm f/2 L USM is a wide-angle to portrait-length lens distinguished by its impressively unique f/2 constant maximum aperture. This bright design yields excellent low-light performance along with enhanced control over depth of field for isolating subject matter. Ultra-Low Dispersion glass is employed in the optical design, and greatly reduces color fringing and chromatic aberrations in order to realize high clarity and color accuracy. Complementing the advanced optical properties is Canon’s proven ring-type Ultrasonic Motor, which delivers fast and quiet autofocus performance along with full-time manual focus control. Additionally, unique to RF lenses, this 28-70mm incorporates a configurable Control Ring for intuitively adjusting exposure settings, including ISO, aperture, and exposure compensation, from the lens itself.
$45
Canon RF 70-200mm f/2.8 L IS USM Lens
$50.00 Daily Rate
This impressive L-Series lens offers a telephoto zoom focal length for getting closer to faraway subjects. Canon’s lightest and shortest 70-200mm f/2.8 lens ever, the RF 70-200mm f/2.8 L IS USM is engineered to make traveling more comfortable, offering a compact and portable design that’s easy to pack and carry wherever you go.
$50
Canon RF 70-200mm f/2.8 L IS USM Z Lens
$50.00 Daily Rate
Redesigned for professionals who require quality and consistency in both photo and video applications, the Canon RF 70-200mm f/2.8 L IS USM Z Lens is an internally focusing, internally zooming telephoto workhorse that harnesses the power of the brand’s latest mirrorless cameras. Its hybridized construction is optimized to produce professional results whether hand-wielded on the sideline or balanced atop a gimbal. The lens’s internally focusing, internally zooming construction optimizes it for video shooters who intend to mount it on a gimbal. Two floating focus Nano USM motors drive the Dual Pixel CMOS autofocus and can operate independently of one another, resulting in fast and quiet autofocus that also benefits video. The construction also suppresses focus breathing, maintaining the integrity of the image as you move through the zoom range, and a manual, lockable iris ring ensures the integrity of the exposure as you shoot.
$50
Canon RF 100-500mm f/4.5-7.1 IS USM Lens
$50.00 Daily Rate
Covering a variety of telephoto focal lengths, the Canon RF 100-500mm f/4.5-7.1 L IS USM spans a short- to super-telephoto range within a sleek and portable form factor. The modest maximum aperture enables a relatively portable design that is well-suited to handheld, walkaround use and optical image stabilization also helps to steady photos and videos by up to five stops when working in difficult lighting conditions.
$50
Canon RF 200-800mm f/6.3-9 IS USM Lens
$50.00 Daily Rate
Distinguishing itself with an expansive and unique zoom range, the RF 200-800mm f/6.3-9 IS USM Lens from Canon provides superb optical performance while maintaining mobility. Its compact design is complemented by five and half stops of image stabilization to enable strong handheld performance. This lens provides a zoom range that excels in situations where you can’t get closer to your subject without compromising your shot, such as wildlife, nature, and outdoors sports. Swift and nearly silent autofocusing is achieved through Canon’s Nano USM drive system. A focus/control ring and two lens function buttons that are located on the barrel allow for greater control over settings adjustments. Also incorporated are three ultra-low dispersion elements to reduce chromatic and spherical aberrations as well as a Super Spectra coating to minimize ghosting and flare caused by lens surface reflection.
$50
NiSi
NiSi RF 250mm f/5.6 Reflex Lens
$30.00 Daily Rate
Benefit from distinctive bokeh and flattering background compression offered by the 250mm f/5.6 Reflex Lens from NiSi. Designed for RF-Mount Full-Frame camera systems, this compact telephoto lens is fully manual-focusing and features a Fixed f/5.6 aperture. Optically crafted to generate a unique donut-shaped bokeh, this lens naturally adds a unique look to your photography to greatly complement shooting applications such as portraiture or nature photography.
Integrated lens hood to reduce lens flare and provide added protection. 270° focus rotation for precise manual focusing. High reflection coating and ultra-low reflection coating for reduced chromatic aberration and improved image contrast. Minimum focusing distance: 6.6′.
$30
Sony – Primes
Sony FE 14mm f/1.8 GM Lens
$40.00 Daily Rate
Pairing an ultra wide-angle focal length with an especially bright design, the FE 14mm f/1.8 GM from Sony is a fast and dynamic lens well-suited to landscape, nature, architectural, and astrophotography applications. Its extremely wide perspective is complemented by an f/1.8 maximum aperture for excellent performance in low-light conditions and its impressively compact form factor makes it a portable and versatile option for everything from casual walkaround shooting to staged architectural shoots.
$40
Sony FE 24mm f/1.4 GM Lens
$40.00 Daily Rate
Combining a favored wide-angle focal length with an especially bright design, the FE 24mm f/1.4 GM from Sony is a fast, versatile lens well-suited to landscape, astrophotography, and street shooting applications. Its wide-but-usable perspective is complemented by the f/1.4 maximum aperture and the lens is also distinguished by a sleek, portable profile for all-day shooting.
$40
Sony FE 35mm f/1.4 GM Lens
$40.00 Daily Rate
A classic wide-angle prime with an updated, sleek form factor, the Sony FE 35mm f/1.4 GM is further characterized by its speed and advanced optical design. The versatile focal length suits everything from street shooting to landscape and documentary subjects, and the fast maximum aperture excels in low light and for controlling depth of field.
$40
Sony FE 50mm f/1.2 GM Lens
$40.00 Daily Rate
Combining speed, versatility, and quality, the Sony FE 50mm f/1.2 GM is a normal-length prime that flexes a bright f/1.2 design and advanced optics while remaining portable and lightweight for everyday shooting. As a G Master lens, resolution and bokeh are top priorities, and this 50mm f/1.2 goes on to also include a sophisticated focusing system to suit both stills and video needs and a reliable physical design that’s intuitive to use and durable enough for working in harsh environments.
$40
Sony FE 85mm f/1.4 GM Lens
$40.00 Daily Rate
Often referred to as the perfect focal length for portraiture, the Sony FE 85mm f/1.4 GM is a fast short-telephoto prime distinguished by its flattering field of view, advanced optics, and ability to isolate subjects with shallow depth of field. As a G Master lens, too, this lens offers refined sharpness and bokeh quality, championing a pleasing image quality well-suited for portraits, events, and and other situations where focus control is paramount.
$40
Sony FE 100mm f/2.8 STF GM OSS Lens
$40.00 Daily Rate
Delivering both smooth bokeh and fine sharpness, the FE 100mm f/2.8 STF GM OSS from Sony is a short-telephoto prime featuring a unique and sophisticated optical design. Separating itself from other portrait-length lenses, this 100mm f/2.8 features Smooth Trans Focus (STF) technology, which uses an apodization filter to realize notably smooth bokeh with rounded out-of-focus highlights in both the foreground and background.
$40
Sony FE 135mm f/1.8 GM Lens
$40.00 Daily Rate
Prized for its ability to isolate focus, the FE 135mm f/1.8 GM from Sony is a medium telephoto prime characterized by a bright and sophisticated design. Perfect for portraiture, this lens also excels in close-range sports shooting and as a unique focal length for landscape subjects. Its G Master design prioritizes both sharpness and bokeh quality and the lens also sports fast autofocus capabilities and a durable build quality.
$40
Sony – Zooms
Sony FE 12-24mm f/2.8 GM Lens
$50.00 Daily Rate
Comprising a range of ultra-wide fields of view, the Sony FE 12-24mm f/2.8 GM is an E-mount zoom characterized by an impressively bright and versatile design. Ideal for landscape, nature, architecture, and interior applications, the lens’s constant f/2.8 maximum aperture and advanced optical design make it a perfect choice for working in difficult shooting conditions while still offering well-corrected imagery.
$50
Sony FE 16-35mm f/2.8 GM Lens
$45.00 Daily Rate
Offering G Master performance in a compact, fast, and versatile form, the Sony FE 16-35mm f/2.8 GM is a wide-angle zoom covering ultra-wide to standard wide-angle fields of view. Ideal for a range of subjects, from landscape to lifestyle to architecture, the lens’s advanced optics and bright f/2.8 design pair with a flexible zoom design to suit working in a variety of shooting conditions.
$45
Sony FE 16-35mm f/2.8 GM II Lens
$50.00 Daily Rate
Combining G Master performance with the lightest and smallest form factor in its class, Sony rounds out its trinity of f/2.8 G Master zoom lenses with its latest wide-angle offering for video and stills shooters, the FE 16-35mm f/2.8 GM II Lens, which boasts a variety of optical, focusing, and handling upgrades.
$50
Sony FE 24-70mm f/2.8 GM Lens
$45.00 Daily Rate
A fast, standard zoom favored for its versatility, the Sony FE 24-70mm f/2.8 GM is a wide-angle to short telephoto lens featuring advanced G Master optics, a robust physical design, and a bright f/2.8 constant maximum aperture. A go-to lens for a variety of shooting situations, the 24-70mm f/2.8 is a perfect choice for anything from landscape to sports to portraiture subjects.
$45
Sony FE 24-70mm f/2.8 GM II Lens
$50.00 Daily Rate
A refined take on the fast standard zoom, the Sony FE 24-70mm f/2.8 GM II is not only smaller and lighter than the previous generation, it also features a variety of optical, focusing, and handling upgrades, catering to both photo and video applications, that make this the most well-rounded G Master zoom to date.
$50
Sony FE 24-105mm f/4 G OSS Lens
$45.00 Daily Rate
Designed for versatility, the FE 24-105mm f/4 G OSS Lens from Sony is a wide-angle to short-telephoto zoom designed to be an ideal one-lens solution for everyday shooting. The flexible focal length range pairs with a bright constant maximum aperture, impressive optics, and intuitive handling to make it a suitable option for walk-around shooting, street subjects, travel, and event photography.
$45
Sony FE 28-70mm f/2 GM Lens
$50.00 Daily Rate
A high-performance all-arounder, the Sony FE 28-70mm f/2 GM is a faster standard zoom compared to conventional f/2.8 options. This lens is Sony’s first GM zoom with a constant f/2 maximum aperture and spans a useful wide-angle to portrait-length range—it is a lens for photographers looking to replace a set of primes with a single zoom without sacrificing on speed. It covers some of the most frequently used focal lengths, offers impressively fast AF, and is a single, well-balanced option for photography and filmmaking needs.
$50
Sony FE 50-150mm f/2 GM Lens
$60.00 Daily Rate
Uniquely fast and versatile, the FE 50-150mm f/2 GM, from Sony, is a normal- to short-telephoto zoom distinguished by its impressively bright f/2 constant maximum aperture. Ideal for portraiture, weddings, events, and indoor and close-range sports, this lens is also a good choice for photographers and videographers looking to replace a handful of primes with a single fast zoom without sacrificing on speed.
$60
Sony FE 70-200mm f/2.8 GM OSS Lens
$45.00 Daily Rate
Boasting exceptional optics, intuitive handling, and outstanding speed in all aspects, the Sony FE 70-200mm f/2.8 GM OSS takes its place as a reliable, go-to telephoto zoom for professionals. A member of the G Master series, this 70-200mm delivers high sharpness alongside smooth, clean bokeh, and the bright f/2.8 constant maximum aperture and optical image stabilization also help to ensure sharp handheld shots in available lighting conditions.
$45
Sony FE 70-200mm f/2.8 GM OSS II Lens
$50.00 Daily Rate
Sony’s FE 70-200mm f/2.8 GM OSS II takes the classic fast zoom and elevates performance to a whole new level. This lens builds upon the best parts of the original and makes them even better while simultaneously reducing weight by 29%—making this lens the lightest in its class. Sony has also given this lens a brand-new AF system that promises up to four times the speed and has made plenty of optical optimizations that will appeal to video shooters, including improvements to focus breathing and focus shift. Whether you shoot portraits, sports, landscapes, or video, the 70-200mm f/2.8 will get the job done.
$50
Sony FE 100-400mm f/4.5 GM OSS Lens
$60.00 Daily Rate
A long-reaching and highly versatile lens, the Sony FE 100-400mm f/4.5 GM OSS is the super-telephoto zoom built without compromise; it’s designed to meet the needs of the professional wildlife, birding, sports, and journalism photographers. Thanks to a portable design with internal zoom and focus, as well as the renowned G Master optical capabilities, this constant maximum aperture zoom offers the performance and rendering required for photographing small and distant subjects at high speeds with high precision.
$60
Sony FE 100-400mm f/4.5-5.6 GM OSS Lens
$45.00 Daily Rate
Targeting sports, wildlife, and action shooters, this FE 100-400mm f/4.5-5.6 GM OSS Lens from Sony will satisfy many photographers and videographers who are looking for a bit of extra reach with their full-frame E-mount camera. As a member of the G Master line, it is designed with outstanding resolution and sharpness in mind, along with a relatively compact size, responsive autofocus, and Optical SteadyShot image stabilization for outstanding performance at all focal lengths.
$45
Sony FE 200-600mm f/5.6-6.3 G OSS Lens
$45.00 Daily Rate
Spanning a versatile telephoto range, the FE 200-600mm f/5.6-6.3 G OSS from Sony is a flexible zoom perfectly suited for nature, wildlife, and sports applications. Its long reach pairs with a modest maximum aperture range to render to a relatively lightweight and portable design and, as a G series lens, optical quality, focus speed, and attention to handling details are also priorities of this well-rounded super-tele zoom.
$45
Lens Accessories
Adapters
KipperTie Revolva RF to EF-Mount FSND Adapter
$60.00 Daily Rate
Mount filters directly on your camera sensor with the Revolva RF to EF-Mount Adapter by KipperTie. This lens mount adapter is designed for use with the RED KOMODO or V-RAPTOR camera. Includes Clear, FSND 0.6, 1.2, and 2.1
$60
Metabones Locking EF to E Mount T CINE Smart Adapter
$25.00 Daily Rate
Bring out your Canon EF and EF-S mount lenses for use on a variety of full-frame and APS-C format Sony E-mount cameras with this Metabones EF to E Mount T CINE Smart Adapter. This cinema-styled electronic adapter features a positive-lock lens mount that will ensure that your adapted lenses are secure. Further improving on previous generations of Smart Adapters, this fifth-generation model now features a rubber gasket to protect the camera’s mount from dust and moisture, offers a status notification LED light to check operation modes, and a dedicated switch that controls in-body image stabilization of select cameras. Also, this version is compatible with the Sony PXW-FS7 Mark II video camera.
$25
Metabones EF to E Mount T MK V Smart Adapter
$25.00 Daily Rate
Bring out your Canon EF and EF-S mount lenses for use on a variety of full-frame and APS-C format Sony E-mount cameras with this Metabones EF to E Mount T MK V Smart Adapter. Further improving on previous generations of Smart Adapters, this fifth-generation model now features a rubber gasket to protect the camera’s mount from dust and moisture, offers a status notification LED light to check operation modes, and a dedicated switch that controls in-body image stabilization of select cameras. Also, this version is compatible with the Sony PXW-FS7 Mark II video camera.
$25
Metabones PL to E Mount T Cine Adapter
$25.00 Daily Rate
Attach the Metabones PL to E Mount T CINE Adapter to use select full-frame PL lenses on your APS-C Sony E-mount camera or camera with APS-C capture mode, and take advantage of a near full-frame field-of-view and depth-of-field. The advanced optical design of five elements in four groups comprised of tantalum glass reduces the projected image circle while maintaining high optical sharpness and minimizing aberrations. Internal flaring is reduced by the application of internal anti-reflective black flocking. Because of the optical block inside, this adapter will only be compatible with lenses designed for full-frame sensor coverage, like the Zeiss Compact Primes.
$25
Metabones PL to RF Mount T Cine Adapter
$25.00 Daily Rate
The PL Lens to RF Mount T Cine Adapter from Metabones uses an advanced 5-element/4-group optical design, incorporating ultra-high index tantalum-based optical glass to achieve optical performance with improved corner sharpness, less distortion, and reduced vignetting. The Speed Booster ULTRA has a magnification of 0.71x and makes effective use of exotic materials at the furthest limit of glassmaking technology, and as a result, is well corrected for use with virtually all full-frame SLR/Prime lenses regardless of exit pupil distance.
$25
Canon EF to RF Mount Drop-In Filter Smart Adapter
$25.00 Daily Rate
Extending the range of compatible lenses, this Canon EF to RF Mount Drop-In Filter Smart Adapter is a unique lens adapter designed for attaching any EF or EF-S-mount lens to the EOS R mirrorless digital camera. This sophisticated adapter affords compatibility with select A-type drop-in filters, and includes a variable neutral density filter for greater control over your exposure settings.
$25
Canon EF to RF Mount Control Ring Smart Adapter
$20.00 Daily Rate
Extending the range of compatible lenses, the Canon Control Ring Mount Adapter EF-EOS R is a unique lens adapter designed for attaching any EF or EF-S-mount lens to the EOS R mirrorless digital camera. This sophisticated adapter incorporates a customizable Control Ring, the same as that on native RF-mount lenses, for intuitively adjusting exposure settings, such as ISO, aperture, and exposure compensation. This ring provides tactile feedback when being turned, making it easy to recognize and control your settings adjustments. It also retains full autofocus and image stabilization capabilities and contains no optical components, thereby maintaining the original optical quality of the mounted lens. Additionally, it is dust- and water-resistant, making it suitable for use in harsh weather conditions.
$20
Canon EF to RF Mount Smart Adapter
$20.00 Daily Rate
Extending the range of compatible lenses, the Canon Mount Adapter EF-EOS R is a lightweight, compact lens adapter designed for attaching any EF or EF-S-mount lens to the EOS R mirrorless digital camera. This simple adapter retains full autofocus and image stabilization capabilities and contains no optical components, thereby maintaining the original optical quality of the mounted lens. It is also dust- and water-resistant, making it suitable for use in harsh weather conditions.
$20
Fotodiox EF to EF-M Mount Smart Adapter
$10.00 Daily Rate
The EF / EF-S to EF-M Mount Smart Adapter from FotodioX is an all-metal adapter that allows you to use your Canon EOS DSLR lenses with Canon EOS M mirrorless bodies. The adapter features electronic components for full communication between the body and most lenses, enabling autofocus and giving you control of the aperture on your camera.
$10
Support
Wooden Camera 15mm LWS Universal Lens Support
$20.00 Daily Rate
Support heavier lenses with your 15mm LWS rig by attaching the Wooden Camera Universal Lens Support. When connected to a cinema lens’s support foot or a still photo lens’s tripod collar, the lens support removes the weight stress from the camera’s lens mount. Included with this support are 3 screw-on caps: one with a 1/4″-20 screw, a short 3/8″-16 screw, and a taller 3/8″-16 screw.
$20
Wooden Camera Universal Lens Support (19mm/15mm Studio)
$20.00 Daily Rate
The 19mm/15mm studio Universal Lens Support from Wooden Camera is designed to support heavy lenses with rigs using either 19mm or 15mm studio offset rod configurations. It includes a 1/4″-20 screw cap for attaching to tripod collars and select cinema lenses, a 3/8″-16 cap for attaching to cinema lenses with a standard ARRI support foot, and a Y-bracket with rubber rollers designed for use DSLR type lenses that lack a support foot. The lens support clamps onto 19mm or 15mm studio offset rods using thumbwheels found at the side of each rod port. To align the lens support, a thumbscrew is loosened which allows you to slide the tightening knob to the desired position. Extra lateral room is provided to help accommodate for skewed baseplates. The tightening knob also offers vertical adjustment to accommodate lenses of different heights. For smaller lenses, small and large support extensions are included.
$20
SmallRig 15mm LWS Universal Lens Support with 2.1″ Vertical Adjustment
$5.00 Daily Rate
Add support for longer lenses with this 15mm LWS Universal Lens Support with 2.1″ Vertical Adjustment from SmallRig, which is compatible with 15mm LWS rod systems. The Y-shaped lens support helps carry the weight of lenses with a diameter up to 150mm. You can adjust the height within a 2.1″ range via a quick release knob.
$5
Telephoto Lens Support
$10.00 Daily Rate
The Manfrotto Heavy Telephoto Lens Support is designed to allow a telephoto lens and camera combination weighing up to 44.1 lb to be easily tilted and locked into place.
$10
Teleconverters
Canon EF 2x Extender III
$20.00 Daily Rate
The EF 2X Extender III from Canon is designed for select Canon EF mount L-series telephoto lenses. It increases the focal length of a lens by a factor of 2x while still delivering superb image quality. To ensure the best possible image quality in all shooting conditions, it combines redesigned optics, improved data communication between lens and camera and enhanced environmental protection. It is ideal for photojournalists and wildlife, nature and sports photographers who need to get close to distant and challenging subjects and it reduces the need to carry heavy telephoto lenses.
$20
Canon RF 1.4x Extender
$20.00 Daily Rate
Extend the reach of select Canon RF-mount lenses with the Extender RF 1.4x. This teleconverter magnifies the image by 1.4x and retains full communication between the lens and camera body, enabling metering, autofocus, and image stabilization as well as the transmission of Exif data. Additionally, the Extender RF is dust and water resistant and has a heat shield exterior to ensure optimal performance in a range of conditions.
$20
Canon RF 2x Extender
$20.00 Daily Rate
Extend the reach of select Canon RF-mount lenses with the Extender RF 2x. This teleconverter magnifies the image by 2x and retains full communication between the lens and camera body, enabling metering, autofocus, and image stabilization as well as the transmission of Exif data. Additionally, the Extender RF is dust and water resistant and has a heat shield exterior to ensure optimal performance in a range of conditions.
$20
Sony FE 1.4x Teleconverter
$25.00 Daily Rate
Extending the effective focal length of select Sony E-mount telephoto lenses, the FE 1.4x Teleconverter increases the lens’s magnification by 1.4x for a narrower field of view. The dedicated design maintains full communication between the lens and E-mount mirrorless cameras, including auto-exposure metering, autofocus, and Optical SteadyShot image stabilization. Additionally, this teleconverter also features a dust- and moisture-resistant construction, matching the lens, to benefit working in harsh environmental conditions.
$25
Sony FE 2.0x Teleconverter
$25.00 Daily Rate
Extending the effective focal length of select Sony E-mount telephoto lenses, the FE 2x Teleconverter increases the lens’s magnification by 2x for a narrower field of view. The dedicated design maintains full communication between the lens and E-mount mirrorless cameras, including auto-exposure metering, autofocus, and Optical SteadyShot image stabilization. This teleconverter is dust and moisture resistant to benefit working in harsh environmental conditions.
$25
DZOFilm Marlin 1.6x PL Expander
$35.00 Daily Rate
Expand the angle of view of your S35 lens when using it on a full-frame or VistsaVision camera with this Marlin 1.6x Expander for PL Lens to PL-Mount Camera from DZOFilm. This durable aluminum expander is designed for your S35 PL-mount lens for use on a PL-mount camera without sacrificing the S35 angle of view. The expander magnifies the image by 1.6x.
$35
Filtration
Daily Rate
4×5.65″
Schneider
RHOdium Full Spectrum ND 10-Filter Kit
$120
Schneider RHOdium Full Spectrum ND 0.3
$15.00 Daily Rate
Designed for 4K, 6K and 8K productions, the Schneider 4 x 5.65″ RHOdium Full Spectrum Neutral Density 0.3 Filter features a 2x filter factor that provides a 1-stop exposure reduction. It helps you control IR contamination within the full visible and into the near infra-red spectrum. The neutral density material is sandwiched between two layers of white water glass, which prevents subtle color shifts that can occur with regular ND filters.
$15
Schneider RHOdium Full Spectrum ND 0.6
$15.00 Daily Rate
Designed for 4K, 6K and 8K productions, the Schneider 4 x 5.65″ RHOdium Full Spectrum Neutral Density 0.6 Filter features a 2x filter factor that provides a 2-stop exposure reduction. It helps you control IR contamination within the full visible and into the near infra-red spectrum. The neutral density material is sandwiched between two layers of white water glass, which prevents subtle color shifts that can occur with regular ND filters.
$15
Schneider RHOdium Full Spectrum ND 0.9
$15.00 Daily Rate
Designed for 4K, 6K and 8K productions, the Schneider 4 x 5.65″ RHOdium Full Spectrum Neutral Density 0.9 Filter features a 2x filter factor that provides a 3-stop exposure reduction. It helps you control IR contamination within the full visible and into the near infra-red spectrum. The neutral density material is sandwiched between two layers of white water glass, which prevents subtle color shifts that can occur with regular ND filters.
$15
Schneider RHOdium Full Spectrum ND 1.2
$15.00 Daily Rate
Designed for 4K, 6K and 8K productions, the Schneider 4 x 5.65″ RHOdium Full Spectrum Neutral Density 1.2 Filter features a 2x filter factor that provides a 4-stop exposure reduction. It helps you control IR contamination within the full visible and into the near infra-red spectrum. The neutral density material is sandwiched between two layers of white water glass, which prevents subtle color shifts that can occur with regular ND filters.
$15
Schneider RHOdium Full Spectrum ND 1.5
$15.00 Daily Rate
Designed for 4K, 6K and 8K productions, the Schneider 4 x 5.65″ RHOdium Full Spectrum Neutral Density 1.5 Filter features a 2x filter factor that provides a 5-stop exposure reduction. It helps you control IR contamination within the full visible and into the near infra-red spectrum. The neutral density material is sandwiched between two layers of white water glass, which prevents subtle color shifts that can occur with regular ND filters.
$15
Schneider RHOdium Full Spectrum ND 1.8
$15.00 Daily Rate
Designed for 4K, 6K and 8K productions, the Schneider 4 x 5.65″ RHOdium Full Spectrum Neutral Density 1.8 Filter features a 2x filter factor that provides a 6-stop exposure reduction. It helps you control IR contamination within the full visible and into the near infra-red spectrum. The neutral density material is sandwiched between two layers of white water glass, which prevents subtle color shifts that can occur with regular ND filters.
$15
Schneider RHOdium Full Spectrum ND 2.1
$15.00 Daily Rate
Designed for 4K, 6K and 8K productions, the Schneider 4 x 5.65″ RHOdium Full Spectrum Neutral Density 2.1 Filter features a 2x filter factor that provides a 7-stop exposure reduction. It helps you control IR contamination within the full visible and into the near infra-red spectrum. The neutral density material is sandwiched between two layers of white water glass, which prevents subtle color shifts that can occur with regular ND filters.
$15
Schneider RHOdium Full Spectrum ND 2.4
$15.00 Daily Rate
Designed for 4K, 6K and 8K productions, the Schneider 4 x 5.65″ RHOdium Full Spectrum Neutral Density 2.4 Filter features a 2x filter factor that provides a 8-stop exposure reduction. It helps you control IR contamination within the full visible and into the near infra-red spectrum. The neutral density material is sandwiched between two layers of white water glass, which prevents subtle color shifts that can occur with regular ND filters.
$15
Schneider RHOdium Full Spectrum ND 2.7
$15.00 Daily Rate
Designed for 4K, 6K and 8K productions, the Schneider 4 x 5.65″ RHOdium Full Spectrum Neutral Density 2.7 Filter features a 2x filter factor that provides a 9-stop exposure reduction. It helps you control IR contamination within the full visible and into the near infra-red spectrum. The neutral density material is sandwiched between two layers of white water glass, which prevents subtle color shifts that can occur with regular ND filters.
$15
Schneider RHOdium Full Spectrum ND 3.0
$15.00 Daily Rate
Designed for 4K, 6K and 8K productions, the Schneider 4 x 5.65″ RHOdium Full Spectrum Neutral Density 3.0 Filter features a 2x filter factor that provides a 10-stop exposure reduction. It helps you control IR contamination within the full visible and into the near infra-red spectrum. The neutral density material is sandwiched between two layers of white water glass, which prevents subtle color shifts that can occur with regular ND filters.
$15
Graduated Attenuator ND 3-Filter Kit
$36
Schneider Graduated Attenuator ND 0.6
$15.00 Daily Rate
The 4 x 5.65″ Neutral Density Attenuator Filter from Schneider is a unique filter for the still or MPTV shooter. Unlike traditional graduated ND filters that are 50% clear and 50% ND with a certain density factor, Attenuators are graduated over the entire surface of the filter. For example, the 0.3 (1 stop) attenuator will be clear glass at the bottom of the filter and 1 stop ND at the top with a gradual progression throughout the remainder – with probably a 1/2 stop ND somewhere in the middle – but the major difference between the two types of filters is that the transition in Attenuators is seamless.
$15
Schneider Graduated Attenuator ND 0.9
$15.00 Daily Rate
The 4 x 5.65″ Neutral Density Attenuator Filter from Schneider is a unique filter for the still or MPTV shooter. Unlike traditional graduated ND filters that are 50% clear and 50% ND with a certain density factor, Attenuators are graduated over the entire surface of the filter. For example, the 0.3 (1 stop) attenuator will be clear glass at the bottom of the filter and 1 stop ND at the top with a gradual progression throughout the remainder – with probably a 1/2 stop ND somewhere in the middle – but the major difference between the two types of filters is that the transition in Attenuators is seamless.
$15
Schneider Graduated Attenuator ND 1.2
$15.00 Daily Rate
The 4 x 5.65″ Neutral Density Attenuator Filter from Schneider is a unique filter for the still or MPTV shooter. Unlike traditional graduated ND filters that are 50% clear and 50% ND with a certain density factor, Attenuators are graduated over the entire surface of the filter. For example, the 0.3 (1 stop) attenuator will be clear glass at the bottom of the filter and 1 stop ND at the top with a gradual progression throughout the remainder – with probably a 1/2 stop ND somewhere in the middle – but the major difference between the two types of filters is that the transition in Attenuators is seamless.
$15
Hollywood Black Magic 5-Filter Kit
$60
Schneider Hollywood Black Magic 1/8
$15.00 Daily Rate
The Schneider 4 x 5.65″ Hollywood Black Magic 1/8 Filter can be applied to purposely reduce the appearance of blemishes and wrinkles. This can be useful for creating a more flattering image of a subject while highlight as well as mid-tone contrast is softened and glare is reduced. Additionally, a glowing effect around highlights is created, which can further enhance a subject’s appearance or produce a desired effect while overall sharpness is maintained.
$15
Schneider Hollywood Black Magic 1/4
$15.00 Daily Rate
The Schneider 4 x 5.65″ Hollywood Black Magic 1/4 Filter can be applied to purposely reduce the appearance of blemishes and wrinkles. This can be useful for creating a more flattering image of a subject while highlight as well as mid-tone contrast is softened and glare is reduced. Additionally, a glowing effect around highlights is created, which can further enhance a subject’s appearance or produce a desired effect while overall sharpness is maintained.
$15
Schneider Hollywood Black Magic 1/2
$15.00 Daily Rate
The Schneider 4 x 5.65″ Hollywood Black Magic 1/2 Filter can be applied to purposely reduce the appearance of blemishes and wrinkles. This can be useful for creating a more flattering image of a subject while highlight as well as mid-tone contrast is softened and glare is reduced. Additionally, a glowing effect around highlights is created, which can further enhance a subject’s appearance or produce a desired effect while overall sharpness is maintained.
$15
Schneider Hollywood Black Magic 1
$15.00 Daily Rate
The Schneider 4 x 5.65″ Hollywood Black Magic 1 Filter can be applied to purposely reduce the appearance of blemishes and wrinkles. This can be useful for creating a more flattering image of a subject while highlight as well as mid-tone contrast is softened and glare is reduced. Additionally, a glowing effect around highlights is created, which can further enhance a subject’s appearance or produce a desired effect while overall sharpness is maintained.
$15
Schneider Hollywood Black Magic 2
$15.00 Daily Rate
The Schneider 4 x 5.65″ Hollywood Black Magic 2 Filter can be applied to purposely reduce the appearance of blemishes and wrinkles. This can be useful for creating a more flattering image of a subject while highlight as well as mid-tone contrast is softened and glare is reduced. Additionally, a glowing effect around highlights is created, which can further enhance a subject’s appearance or produce a desired effect while overall sharpness is maintained.
$15
Radiant Soft 7-Filter Kit
$84
Schneider Radiant Soft 1/4
$15.00 Daily Rate
The Schneider 4 x 5.65″ Radiant Soft 1/4 Filter can be applied to purposely reduce the appearance of blemishes and wrinkles while a glowing effect is applied to skin tones. An array of small, two-dimensional particles distributed within the surface of this filter smooths fine lines and textures, which can be useful for creating a more flattering result of a subject.
$15
Schneider Radiant Soft 1/2
$15.00 Daily Rate
The Schneider 4 x 5.65″ Radiant Soft 1/2 Filter can be applied to purposely reduce the appearance of blemishes and wrinkles while a glowing effect is applied to skin tones. An array of small, two-dimensional particles distributed within the surface of this filter smooths fine lines and textures, which can be useful for creating a more flattering result of a subject.
$15
Schneider Radiant Soft 1
$15.00 Daily Rate
The Schneider 4 x 5.65″ Radiant Soft 1 Filter can be applied to purposely reduce the appearance of blemishes and wrinkles while a glowing effect is applied to skin tones. An array of small, two-dimensional particles distributed within the surface of this filter smooths fine lines and textures, which can be useful for creating a more flattering result of a subject.
$15
Schneider Radiant Soft 2
$15.00 Daily Rate
The Schneider 4 x 5.65″ Radiant Soft 2 Filter can be applied to purposely reduce the appearance of blemishes and wrinkles while a glowing effect is applied to skin tones. An array of small, two-dimensional particles distributed within the surface of this filter smooths fine lines and textures, which can be useful for creating a more flattering result of a subject.
$15
Schneider Radiant Soft 3
$15.00 Daily Rate
The Schneider 4 x 5.65″ Radiant Soft 3 Filter can be applied to purposely reduce the appearance of blemishes and wrinkles while a glowing effect is applied to skin tones. An array of small, two-dimensional particles distributed within the surface of this filter smooths fine lines and textures, which can be useful for creating a more flattering result of a subject.
$15
Schneider Radiant Soft 4
$15.00 Daily Rate
The Schneider 4 x 5.65″ Radiant Soft 4 Filter can be applied to purposely reduce the appearance of blemishes and wrinkles while a glowing effect is applied to skin tones. An array of small, two-dimensional particles distributed within the surface of this filter smooths fine lines and textures, which can be useful for creating a more flattering result of a subject.
$15
Schneider Radiant Soft 5
$15.00 Daily Rate
The Schneider 4 x 5.65″ Radiant Soft 5 Filter can be applied to purposely reduce the appearance of blemishes and wrinkles while a glowing effect is applied to skin tones. An array of small, two-dimensional particles distributed within the surface of this filter smooths fine lines and textures, which can be useful for creating a more flattering result of a subject.
$15
Schneider Clear True-Streak 4-Filter Kit
$48
Schneider Clear True-Streak 1mm
$15.00 Daily Rate
The Schneider 4 x 5.65″ 1mm Clear True-Streak Filter is designed to be used perpendicular to a point light source such as the sun, a light bulb, or a candle. Within the filter’s glass is a combination of fine line types whose action is limited to point light sources. Upon those light sources, those lines create the effect of a scene or image that has been recorded with an anamorphic lens and then displayed using a complementary reverse projection lens. This can result in prominent, elongated streaks that are symmetric and extend horizontally from each point light source for the purpose of drawing attention to a specific part of the frame, or to create a visually dramatic effect.
$15
Schneider Clear True-Streak 2mm
$15.00 Daily Rate
The Schneider 4 x 5.65″ 2mm Clear True-Streak Filter is designed to be used perpendicular to a point light source such as the sun, a light bulb, or a candle. Within the filter’s glass is a combination of fine line types whose action is limited to point light sources. Upon those light sources, those lines create the effect of a scene or image that has been recorded with an anamorphic lens and then displayed using a complementary reverse projection lens. This can result in prominent, elongated streaks that are symmetric and extend horizontally from each point light source for the purpose of drawing attention to a specific part of the frame, or to create a visually dramatic effect.
$15
Schneider Clear True-Streak 3mm
$15.00 Daily Rate
The Schneider 4 x 5.65″ 3mm Clear True-Streak Filter is designed to be used perpendicular to a point light source such as the sun, a light bulb, or a candle. Within the filter’s glass is a combination of fine line types whose action is limited to point light sources. Upon those light sources, those lines create the effect of a scene or image that has been recorded with an anamorphic lens and then displayed using a complementary reverse projection lens. This can result in prominent, elongated streaks that are symmetric and extend horizontally from each point light source for the purpose of drawing attention to a specific part of the frame, or to create a visually dramatic effect.
$15
Schneider Clear True-Streak 4mm
$15.00 Daily Rate
The Schneider 4 x 5.65″ 4mm Clear True-Streak Filter is designed to be used perpendicular to a point light source such as the sun, a light bulb, or a candle. Within the filter’s glass is a combination of fine line types whose action is limited to point light sources. Upon those light sources, those lines create the effect of a scene or image that has been recorded with an anamorphic lens and then displayed using a complementary reverse projection lens. This can result in prominent, elongated streaks that are symmetric and extend horizontally from each point light source for the purpose of drawing attention to a specific part of the frame, or to create a visually dramatic effect.
$15
Schneider Blue True-Streak 4-Filter Kit
$48
Schneider Blue True-Streak 1mm
$15.00 Daily Rate
The Schneider 4 x 5.65″ 1mm Blue True-Streak Filter is designed to be used perpendicular to a point light source such as the sun, a light bulb, or a candle. Within the filter’s glass is a combination of fine line types whose action is limited to point light sources. Upon those light sources, those lines create the effect of a scene or image that has been recorded with an anamorphic lens and then displayed using a complementary reverse projection lens. This can result in prominent, elongated streaks that are symmetric and extend horizontally from each point light source for the purpose of drawing attention to a specific part of the frame, or to create a visually dramatic effect.
$15
Schneider Blue True-Streak 2mm
$15.00 Daily Rate
The Schneider 4 x 5.65″ 2mm Blue True-Streak Filter is designed to be used perpendicular to a point light source such as the sun, a light bulb, or a candle. Within the filter’s glass is a combination of fine line types whose action is limited to point light sources. Upon those light sources, those lines create the effect of a scene or image that has been recorded with an anamorphic lens and then displayed using a complementary reverse projection lens. This can result in prominent, elongated streaks that are symmetric and extend horizontally from each point light source for the purpose of drawing attention to a specific part of the frame, or to create a visually dramatic effect.
$15
Schneider Blue True-Streak 3mm
$15.00 Daily Rate
The Schneider 4 x 5.65″ 3mm Blue True-Streak Filter is designed to be used perpendicular to a point light source such as the sun, a light bulb, or a candle. Within the filter’s glass is a combination of fine line types whose action is limited to point light sources. Upon those light sources, those lines create the effect of a scene or image that has been recorded with an anamorphic lens and then displayed using a complementary reverse projection lens. This can result in prominent, elongated streaks that are symmetric and extend horizontally from each point light source for the purpose of drawing attention to a specific part of the frame, or to create a visually dramatic effect.
$15
Schneider Blue True-Streak 4mm
$15.00 Daily Rate
The Schneider 4 x 5.65″ 4mm Blue True-Streak Filter is designed to be used perpendicular to a point light source such as the sun, a light bulb, or a candle. Within the filter’s glass is a combination of fine line types whose action is limited to point light sources. Upon those light sources, those lines create the effect of a scene or image that has been recorded with an anamorphic lens and then displayed using a complementary reverse projection lens. This can result in prominent, elongated streaks that are symmetric and extend horizontally from each point light source for the purpose of drawing attention to a specific part of the frame, or to create a visually dramatic effect.
$15
Schneider True-Net Black 3-Filter Kit
$38
Schneider True-Net Black Filter 1mm
$15.00 Daily Rate
The Schneider True-Net Black 4×5.65 Filter is designed to purposely create a net diffusion effect within an entire scene or image. Embedded inside this filter’s glass is a black-colored stocking material that softens focus and reduces glare, which can be useful for creating a more flattering image of a subject or scene. The stocking material’s black color can help maintain a scene’s existing color balance and contrast. By applying these filters instead of pulling a stocking directly over a lens, the desired net diffusion effect can be consistently and reliably obtained by eliminating the risk of overstretching or tearing the stocking material in use.
$15
Schneider True-Net Black Filter 2mm
$15.00 Daily Rate
The Schneider True-Net Black 4×5.65 Filter is designed to purposely create a net diffusion effect within an entire scene or image. Embedded inside this filter’s glass is a black-colored stocking material that softens focus and reduces glare, which can be useful for creating a more flattering image of a subject or scene. The stocking material’s black color can help maintain a scene’s existing color balance and contrast. By applying these filters instead of pulling a stocking directly over a lens, the desired net diffusion effect can be consistently and reliably obtained by eliminating the risk of overstretching or tearing the stocking material in use.
$15
Schneider True-Net Black Filter 3
$15.00 Daily Rate
The Schneider True-Net Black 4×5.65 Filter is designed to purposely create a net diffusion effect within an entire scene or image. Embedded inside this filter’s glass is a black-colored stocking material that softens focus and reduces glare, which can be useful for creating a more flattering image of a subject or scene. The stocking material’s black color can help maintain a scene’s existing color balance and contrast. By applying these filters instead of pulling a stocking directly over a lens, the desired net diffusion effect can be consistently and reliably obtained by eliminating the risk of overstretching or tearing the stocking material in use.
$15
Antique Suede 3-Filter Kit
$36
Schneider Antique Suede 1
$15.00 Daily Rate
The Schneider 4×5.65″ Solid Color Antique Suede 1 Glass Filter reduces greenish tint in complexion shadows. Outdoors, it helps accentuate foliage.
$15
Schneider Antique Suede 2
$15.00 Daily Rate
The Schneider 4×5.65″ Solid Color Antique Suede 2 Glass Filter reduces greenish tint in complexion shadows. Outdoors, it helps accentuate foliage.
$15
Schneider Antique Suede 3
$15.00 Daily Rate
The Schneider 4×5.65″ Solid Color Antique Suede 3 Glass Filter reduces greenish tint in complexion shadows. Outdoors, it helps accentuate foliage.
$15
Storm Blue Water White 3-Filter Kit
$36
Schneider Storm Blue Water White Filter 1
$15.00 Daily Rate
The Schneider 4×5.65″ Graduated Storm Blue 1 Glass Filter adds a grey-green color to ocean and sky for a stormy effect.
$15
Schneider Storm Blue Water White Filter 2
$15.00 Daily Rate
The Schneider 4×5.65″ Graduated Storm Blue 2 Glass Filter adds a grey-green color to ocean and sky for a stormy effect.
$15
Schneider Storm Blue Water White Filter 3
$15.00 Daily Rate
The Schneider 4×5.65″ Graduated Storm Blue 3 Glass Filter adds a grey-green color to ocean and sky for a stormy effect.
$15
Schneider Confetti True-Streak
$15.00 Daily Rate
The Confetti True-Streak Filter from Schneider adds a new level of creativity to still imaging and video content by using all of the True-Streak colors scattered randomly in one filter. This unusual filter produces random multi-colored bursts and streaks of varying length, thickness, and position, emanating from bright light points and highlights. The dynamic streak effects are created simply and easily in camera.
$15
Schneider Rainbow True-Streak
$15.00 Daily Rate
The Schneider 4 x 5.65″ Rainbow True-Streak Filter is designed to be used perpendicular to a point light source such as the sun, a light bulb, or a candle. Within the filter’s glass is a combination of fine line types whose action is limited to point light sources. Upon those light sources, those lines create the effect of a scene or image that has been recorded with an anamorphic lens and then displayed using a complementary reverse projection lens. This can result in prominent, elongated streaks that are symmetric and extend horizontally from each point light source to draw attention to a specific part of the frame, or to create a visually dramatic effect.
$15
Tiffen
Black Pro-Mist 7-Filter Kit
$84
Tiffen Black Pro-Mist 1/16
$15.00 Daily Rate
It is easy to see why the Black Pro-Mists have been such a success for over the past 30 or so years. Its unique layering of contrast combined with a gauzy paint like halation, function as a twist on the stand of the pro halation spill effect. Even at its lowest density, it delivers an effective increase in the halation which adds a pleasing depth of warmth, but is not transported to the skin tone values. These characteristics will become more apparent when you use densities of 1 quarter and above.
In the heavier densities the spill is quite aggressive from the practical light, with the warm tone becoming more apparent. Yet the subtle but effective look still continues to make the pro mist filter a staple filter for many cinematographers in the digital world.
$15
Tiffen Black Pro-Mist 1/8
$15.00 Daily Rate
It is easy to see why the Black Pro-Mists have been such a success for over the past 30 or so years. Its unique layering of contrast combined with a gauzy paint like halation, function as a twist on the stand of the pro halation spill effect. Even at its lowest density, it delivers an effective increase in the halation which adds a pleasing depth of warmth, but is not transported to the skin tone values. These characteristics will become more apparent when you use densities of 1 quarter and above.
In the heavier densities the spill is quite aggressive from the practical light, with the warm tone becoming more apparent. Yet the subtle but effective look still continues to make the pro mist filter a staple filter for many cinematographers in the digital world.
$15
Tiffen Black Pro-Mist 1/4
$15.00 Daily Rate
It is easy to see why the Black Pro-Mists have been such a success for over the past 30 or so years. Its unique layering of contrast combined with a gauzy paint like halation, function as a twist on the stand of the pro halation spill effect. Even at its lowest density, it delivers an effective increase in the halation which adds a pleasing depth of warmth, but is not transported to the skin tone values. These characteristics will become more apparent when you use densities of 1 quarter and above.
In the heavier densities the spill is quite aggressive from the practical light, with the warm tone becoming more apparent. Yet the subtle but effective look still continues to make the pro mist filter a staple filter for many cinematographers in the digital world.
$15
Tiffen Black Pro-Mist 1/2
$15.00 Daily Rate
It is easy to see why the Black Pro-Mists have been such a success for over the past 30 or so years. Its unique layering of contrast combined with a gauzy paint like halation, function as a twist on the stand of the pro halation spill effect. Even at its lowest density, it delivers an effective increase in the halation which adds a pleasing depth of warmth, but is not transported to the skin tone values. These characteristics will become more apparent when you use densities of 1 quarter and above.
In the heavier densities the spill is quite aggressive from the practical light, with the warm tone becoming more apparent. Yet the subtle but effective look still continues to make the pro mist filter a staple filter for many cinematographers in the digital world.
$15
Tiffen Black Pro-Mist 1
$15.00 Daily Rate
It is easy to see why the Black Pro-Mists have been such a success for over the past 30 or so years. Its unique layering of contrast combined with a gauzy paint like halation, function as a twist on the stand of the pro halation spill effect. Even at its lowest density, it delivers an effective increase in the halation which adds a pleasing depth of warmth, but is not transported to the skin tone values. These characteristics will become more apparent when you use densities of 1 quarter and above.
In the heavier densities the spill is quite aggressive from the practical light, with the warm tone becoming more apparent. Yet the subtle but effective look still continues to make the pro mist filter a staple filter for many cinematographers in the digital world.
$15
Tiffen Black Pro-Mist 2
$15.00 Daily Rate
It is easy to see why the Black Pro-Mists have been such a success for over the past 30 or so years. Its unique layering of contrast combined with a gauzy paint like halation, function as a twist on the stand of the pro halation spill effect. Even at its lowest density, it delivers an effective increase in the halation which adds a pleasing depth of warmth, but is not transported to the skin tone values. These characteristics will become more apparent when you use densities of 1 quarter and above.
In the heavier densities the spill is quite aggressive from the practical light, with the warm tone becoming more apparent. Yet the subtle but effective look still continues to make the pro mist filter a staple filter for many cinematographers in the digital world.
$15
Tiffen Black Pro-Mist 3
$15.00 Daily Rate
It is easy to see why the Black Pro-Mists have been such a success for over the past 30 or so years. Its unique layering of contrast combined with a gauzy paint like halation, function as a twist on the stand of the pro halation spill effect. Even at its lowest density, it delivers an effective increase in the halation which adds a pleasing depth of warmth, but is not transported to the skin tone values. These characteristics will become more apparent when you use densities of 1 quarter and above.
In the heavier densities the spill is quite aggressive from the practical light, with the warm tone becoming more apparent. Yet the subtle but effective look still continues to make the pro mist filter a staple filter for many cinematographers in the digital world.
$15
Glimmerglass 7-Filter Kit
$84
Tiffen Glimmerglass 1/16
$15.00 Daily Rate
Glimmerglass is a line of diffusion filters that produces a soft clean halation around practical and specular light sources, while keeping an apparent sharpness on the overall image. On close ups, the apparent sharpness and fine detail is kept as the effect of the filter lowers contrast while softly rolling into the shadow area. This low contrast affect moderately mutes bright colors. This makes the lower end of the glimmer glass diffusion line produce a non-destructive or invasive look.
$15
Tiffen Glimmerglass 1/8
$15.00 Daily Rate
Glimmerglass is a line of diffusion filters that produces a soft clean halation around practical and specular light sources, while keeping an apparent sharpness on the overall image. On close ups, the apparent sharpness and fine detail is kept as the effect of the filter lowers contrast while softly rolling into the shadow area. This low contrast affect moderately mutes bright colors. This makes the lower end of the glimmer glass diffusion line produce a non-destructive or invasive look.
$15
Tiffen Glimmerglass 1/4
$15.00 Daily Rate
Glimmerglass is a line of diffusion filters that produces a soft clean halation around practical and specular light sources, while keeping an apparent sharpness on the overall image. On close ups, the apparent sharpness and fine detail is kept as the effect of the filter lowers contrast while softly rolling into the shadow area. This low contrast affect moderately mutes bright colors. This makes the lower end of the glimmer glass diffusion line produce a non-destructive or invasive look.
$15
Tiffen Glimmerglass 1/2
$15.00 Daily Rate
Glimmerglass is a line of diffusion filters that produces a soft clean halation around practical and specular light sources, while keeping an apparent sharpness on the overall image. On close ups, the apparent sharpness and fine detail is kept as the effect of the filter lowers contrast while softly rolling into the shadow area. This low contrast affect moderately mutes bright colors. This makes the lower end of the glimmer glass diffusion line produce a non-destructive or invasive look.
$15
Tiffen Glimmerglass 1
$15.00 Daily Rate
Glimmerglass is a line of diffusion filters that produces a soft clean halation around practical and specular light sources, while keeping an apparent sharpness on the overall image. On close ups, the apparent sharpness and fine detail is kept as the effect of the filter lowers contrast while softly rolling into the shadow area. This low contrast affect moderately mutes bright colors. This makes the lower end of the glimmer glass diffusion line produce a non-destructive or invasive look.
$15
Tiffen Glimmerglass 2
$15.00 Daily Rate
Glimmerglass is a line of diffusion filters that produces a soft clean halation around practical and specular light sources, while keeping an apparent sharpness on the overall image. On close ups, the apparent sharpness and fine detail is kept as the effect of the filter lowers contrast while softly rolling into the shadow area. This low contrast affect moderately mutes bright colors. This makes the lower end of the glimmer glass diffusion line produce a non-destructive or invasive look.
$15
Tiffen Glimmerglass 3
$15.00 Daily Rate
Glimmerglass is a line of diffusion filters that produces a soft clean halation around practical and specular light sources, while keeping an apparent sharpness on the overall image. On close ups, the apparent sharpness and fine detail is kept as the effect of the filter lowers contrast while softly rolling into the shadow area. This low contrast affect moderately mutes bright colors. This makes the lower end of the glimmer glass diffusion line produce a non-destructive or invasive look.
$15
Soft FX
Tiffen Soft FX 1/2
$15.00 Daily Rate
The Tiffen 4 x 5.650″ Soft/FX Filter can be applied to purposely reduce the appearance of blemishes and wrinkles in portraits or to apply a general soft-focus effect while maintaining overall sharpness. An array of small lenses distributed within the surface of this filter smooths fine lines and textures, which can be useful for creating a more flattering result of a subject.
$15
Tiffen Soft FX 1
$15.00 Daily Rate
The Tiffen 4 x 5.650″ Soft/FX Filter can be applied to purposely reduce the appearance of blemishes and wrinkles in portraits or to apply a general soft-focus effect while maintaining overall sharpness. An array of small lenses distributed within the surface of this filter smooths fine lines and textures, which can be useful for creating a more flattering result of a subject.
$15
Low Contrast
Tiffen Low Contrast
$15.00 Daily Rate
The Tiffen Low Contrast Filter can be applied to purposely reduce contrast while photographing an image or while recording video. By redistributing illumination from brighter to darker areas within a scene, this filter is useful in helping to balance the tonal range among highlights and shadows. Detail is increased within shadow regions while a halation effect around highlights is created which can further enhance a scene’s appearance or produce a desired effect.
$15
Smoque
Tiffen Smoque 1
$15.00 Daily Rate
The Tiffen 4 x 5.65″ Smoque Filter can be applied to simulate the presence of smoke within a frame or scene. It can be used to substitute typical theatrical smoke generators such as smoke cookies, chips, pellets, grenades, or aerosols. This filter can also be used to supplement the use of such smoke generators to help provide a consistent appearance of smoke, particularly if wind or other conditions prevent physical smoke from settling or staying within a frame or scene. The use of physical smoke is associated with the release of solid particles into the air. By lessening or eliminating the release of those particles, a more predictable and comfortable photo or film set can be maintained.
$15
Sunrise
Tiffen Clear/Sunrise 2 Horizontal Filter
$15.00 Daily Rate
The Tiffen 4 x 5.65″ Clear Sunrise 2 Glass Filter can make a run-of-the-mill sunrise into a memorable image. This unique filter adds spectacular color to one half the photo while leaving the other half untouched.
If you like shooting landscapes at dusk, make them into breathtaking studies. Not only will it add color but it does so with a subtle and extremely gradual transition between the two halves of the filter.
$15
Combo IRND-BPM 1/4 4-Filter Kit
$48
Tiffen Combo IRND 0.6/BPM 1/4
$15.00 Daily Rate
Alleviating the need to use multiple filters at once, this filter combines three distinct effects to reduce the number of filter surfaces in use. IRND offers a stop exposure reduction to permit working with longer shutter speeds or wider aperture settings than normally required. Infrared attenuating design is proportionate to the neutral density value, and helps to ensure clean, accurate colors and true blacks. Improves the Skin Tone, Softens Wrinkles and Blemishes. Contrast is lowered, but with less lightening of shadows for a more delicate effect. Creates a soft light “pastel” effect. Delicate effect with contained highlight flare. Constructed from water white optical glass for maintained image quality.
$15
Tiffen Combo IRND 0.9/BPM 1/4
$15.00 Daily Rate
Alleviating the need to use multiple filters at once, this filter combines three distinct effects to reduce the number of filter surfaces in use. IRND offers a stop exposure reduction to permit working with longer shutter speeds or wider aperture settings than normally required. Infrared attenuating design is proportionate to the neutral density value, and helps to ensure clean, accurate colors and true blacks. Improves the Skin Tone, Softens Wrinkles and Blemishes. Contrast is lowered, but with less lightening of shadows for a more delicate effect. Creates a soft light “pastel” effect. Delicate effect with contained highlight flare. Constructed from water white optical glass for maintained image quality.
$15
Tiffen Combo IRND 1.2/BPM 1/4
$15.00 Daily Rate
Alleviating the need to use multiple filters at once, this filter combines three distinct effects to reduce the number of filter surfaces in use. IRND offers a stop exposure reduction to permit working with longer shutter speeds or wider aperture settings than normally required. Infrared attenuating design is proportionate to the neutral density value, and helps to ensure clean, accurate colors and true blacks. Improves the Skin Tone, Softens Wrinkles and Blemishes. Contrast is lowered, but with less lightening of shadows for a more delicate effect. Creates a soft light “pastel” effect. Delicate effect with contained highlight flare. Constructed from water white optical glass for maintained image quality.
$15
Tiffen Combo IRND 3/BPM 1/4
$15.00 Daily Rate
Alleviating the need to use multiple filters at once, this filter combines three distinct effects to reduce the number of filter surfaces in use. IRND offers a stop exposure reduction to permit working with longer shutter speeds or wider aperture settings than normally required. Infrared attenuating design is proportionate to the neutral density value, and helps to ensure clean, accurate colors and true blacks. Improves the Skin Tone, Softens Wrinkles and Blemishes. Contrast is lowered, but with less lightening of shadows for a more delicate effect. Creates a soft light “pastel” effect. Delicate effect with contained highlight flare. Constructed from water white optical glass for maintained image quality.
$15
Combo IRND-Glimmerglass 1/2 3-Filter Kit
$36
Tiffen Combo IRND 0.6/Glimmerglass 1/2
$15.00 Daily Rate
Combining three distinct effects within a single filter, the 4 x 5.65″ IRND Glimmerglass Filter from Tiffen offers a 2 stop exposure reduction, attenuates infrared wavelengths, and slightly softens skin details while adding a glowing quality to highlights. Intended for use with high definition video capture with CMOS and CCD sensors, this filter compensates for the extended red sensitivity of these sensor designs in order to produce cleaner, more accurate colors and also takes the over-sharpened “digital edge” off for a smoother image quality. The filter is constructed from water white optical glass for maintained clarity and measures 4 x 5.65″ / 101.6 x 143.5mm to pair well with lightweight or clip-on matte boxes.
$15
Tiffen Combo IRND 0.9/Glimmerglass 1/2
$15.00 Daily Rate
Combining three distinct effects within a single filter, the 4 x 5.65″ IRND Glimmerglass Filter from Tiffen offers a 2 stop exposure reduction, attenuates infrared wavelengths, and slightly softens skin details while adding a glowing quality to highlights. Intended for use with high definition video capture with CMOS and CCD sensors, this filter compensates for the extended red sensitivity of these sensor designs in order to produce cleaner, more accurate colors and also takes the over-sharpened “digital edge” off for a smoother image quality. The filter is constructed from water white optical glass for maintained clarity and measures 4 x 5.65″ / 101.6 x 143.5mm to pair well with lightweight or clip-on matte boxes.
$15
Tiffen Combo IRND 1.2/Glimmerglass 1/2
$15.00 Daily Rate
Combining three distinct effects within a single filter, the 4 x 5.65″ IRND Glimmerglass Filter from Tiffen offers a 2 stop exposure reduction, attenuates infrared wavelengths, and slightly softens skin details while adding a glowing quality to highlights. Intended for use with high definition video capture with CMOS and CCD sensors, this filter compensates for the extended red sensitivity of these sensor designs in order to produce cleaner, more accurate colors and also takes the over-sharpened “digital edge” off for a smoother image quality. The filter is constructed from water white optical glass for maintained clarity and measures 4 x 5.65″ / 101.6 x 143.5mm to pair well with lightweight or clip-on matte boxes.
$15
Combo IRND-Glimmerglass 1 3-Filter Kit
$36
Tiffen Combo IRND 0.6/Glimmerglass 1
$15.00 Daily Rate
Combining three distinct effects within a single filter, the 4 x 5.65″ IRND Glimmerglass Filter from Tiffen offers a 2 stop exposure reduction, attenuates infrared wavelengths, and slightly softens skin details while adding a glowing quality to highlights. Intended for use with high definition video capture with CMOS and CCD sensors, this filter compensates for the extended red sensitivity of these sensor designs in order to produce cleaner, more accurate colors and also takes the over-sharpened “digital edge” off for a smoother image quality. The filter is constructed from water white optical glass for maintained clarity and measures 4 x 5.65″ / 101.6 x 143.5mm to pair well with lightweight or clip-on matte boxes.
$15
Tiffen Combo IRND 0.9/Glimmerglass 1
$15.00 Daily Rate
Combining three distinct effects within a single filter, the 4 x 5.65″ IRND Glimmerglass Filter from Tiffen offers a 2 stop exposure reduction, attenuates infrared wavelengths, and slightly softens skin details while adding a glowing quality to highlights. Intended for use with high definition video capture with CMOS and CCD sensors, this filter compensates for the extended red sensitivity of these sensor designs in order to produce cleaner, more accurate colors and also takes the over-sharpened “digital edge” off for a smoother image quality. The filter is constructed from water white optical glass for maintained clarity and measures 4 x 5.65″ / 101.6 x 143.5mm to pair well with lightweight or clip-on matte boxes.
$15
Tiffen Combo IRND 1.2/Glimmerglass 1
$15.00 Daily Rate
Combining three distinct effects within a single filter, the 4 x 5.65″ IRND Glimmerglass Filter from Tiffen offers a 2 stop exposure reduction, attenuates infrared wavelengths, and slightly softens skin details while adding a glowing quality to highlights. Intended for use with high definition video capture with CMOS and CCD sensors, this filter compensates for the extended red sensitivity of these sensor designs in order to produce cleaner, more accurate colors and also takes the over-sharpened “digital edge” off for a smoother image quality. The filter is constructed from water white optical glass for maintained clarity and measures 4 x 5.65″ / 101.6 x 143.5mm to pair well with lightweight or clip-on matte boxes.
$15
Hard Edge Graduated ND
Tiffen Hard Edge Graduated ND 0.3
$15.00 Daily Rate
The Tiffen 4 x 5.650″ Hard Edge Graduated ND Filter Horizontal Orientation is a graduated neutral density filter that helps to specifically darken skies and other bright areas of the image. The filter is densest at the edge and tapers to clear by the middle, with a hard-edged line of transition between the density and clear areas. Neutral density filters do not affect the coloration of the image and the density provides reduction in light from entering the lens.
$15
Tiffen Hard Edge Graduated ND 0.6
$15.00 Daily Rate
The Tiffen 4 x 5.650″ Hard Edge Graduated ND Filter Horizontal Orientation is a graduated neutral density filter that helps to specifically darken skies and other bright areas of the image. The filter is densest at the edge and tapers to clear by the middle, with a hard-edged line of transition between the density and clear areas. Neutral density filters do not affect the coloration of the image and the density provides reduction in light from entering the lens.
$15
Multi Rota Tray Variable ND
Multi Rota Tray Variable Neutral Density Kit
$20.00 Daily Rate
The Tiffen Multi Rota Tray Variable Neutral Density Kit is a single geared rotating tray that allows the use and rotation of a 138mm Circular Polarizer filter and a 4×5.65″ Circular Polarizer simultaneously. The tray is designed for use with matte boxes that lack a rotating filter stage, or for instances where a secondary rotating filter stage is required in a non-rotating stage. It can be used with just the included geared 138mm Circular Polarizer, or paired with the included 4×5.65″ Circular Polarizer to function as a variable neutral density filter or to produce warm/cool effects, depending on the direction the tray and 4×5.65″ filter are facing. A spare 4×5.65″ Circular Polarizer is included.
$20
Prism Lens FX
Prism Lens FX Radiant 4×5.65 Filter
$15.00 Daily Rate
Create unique flares & refractions off of the strong highlights in frame. Always giving a fun and different look with the different colors and styles of light that hit the uniquely coated glass.
$15
Prism Lens FX Clear Solar Flare 4×5.65 Filter
$15.00 Daily Rate
The “Solar Flare FX” is a new lineup of filters that create stunning in camera flares! The ribbon like design reacts to bright highlights / point sources in frame and creates organic looking “solar flares” that change depending on the filters rotations & orientation!
$15
Prism Lens FX Amber Solar Flare 4×5.65 Filter
$15.00 Daily Rate
The “Solar Flare FX” is a new lineup of filters that create stunning in camera flares! The ribbon like design reacts to bright highlights / point sources in frame and creates organic looking “solar flares” that change depending on the filters rotations & orientation!
$15
Prism Lens FX Freeform Filter Handle
$2.00 Daily Rate
This is our Freeform Filter Handle, which now gives you a new way to use your 4×5.65 filters! For as long as 4×5.65 filters have existed, they’ve only served one utility… to fit into a 4×5.65 matte box. We wanted to design an accessory that lets you take those filters and turn them into a handheld filter!
$2
Prism Lens FX 82mm Freeform Filter Tray Adapter
$2.00 Daily Rate
The Freeform Filter Tray Adapter has receiving threads to allow a circular filter with the same thread size to be mounted. 4×5.65 Filter tray designed to fit directly into a cinema 4×5.65 matte box
$2
NiSi
NiSi Allure Mist Black 4×5.65 Filter 1/8
$15.00 Daily Rate
The NiSi Allure Mist Black 4×5.65 Filter reduces highlights and lowers contrast and softens wrinkles and blemishes. Numerous strategies have been developed for softening or diffusing images to create that special “atmosphere” by softening excess sharpness and contrast.
$15
NiSi Clear
$2.00 Daily Rate
The NiSi 4 x 5.65″ Pure Clear Filter is a simple, clear filter with a 1x filter factor and is designed to provide general protection for your lens. This optically clear filter does not affect exposure or overall image quality while helping to prevent dust, scratches, moisture, and other elements from reaching or damaging your lens.
$2
138mm
Schneider 138mm Full Field Diopter 7-Filter Kit
$84
Schneider 138mm Full Field Diopter +1/8
$15.00 Daily Rate
The Schneider 138mm Diopter Full +1/8 lens attachment reduces near focus distance, allowing you to capture macro images without using a special macro lens. This is done by increasing the magnification while the field of view decreases, but the depth of field is retained.
$15
Schneider 138mm Full Field Diopter +1/4
$15.00 Daily Rate
The Schneider 138mm Diopter Full +1/4 lens attachment reduces near focus distance, allowing you to capture macro images without using a special macro lens. This is done by increasing the magnification while the field of view decreases, but the depth of field is retained.
$15
Schneider 138mm Full Field Diopter +1/2
$15.00 Daily Rate
The Schneider 138mm Diopter Full +1/2 lens attachment reduces near focus distance, allowing you to capture macro images without using a special macro lens. This is done by increasing the magnification while the field of view decreases, but the depth of field is retained.
$15
Schneider 138mm Full Field Diopter +3/4
$15.00 Daily Rate
The Schneider 138mm Diopter Full +3/4 lens attachment reduces near focus distance, allowing you to capture macro images without using a special macro lens. This is done by increasing the magnification while the field of view decreases, but the depth of field is retained.
$15
Schneider 138mm Full Field Diopter +1
$15.00 Daily Rate
The Schneider 138mm Diopter Full +1 lens attachment reduces near focus distance, allowing you to capture macro images without using a special macro lens. This is done by increasing the magnification while the field of view decreases, but the depth of field is retained.
$15
Schneider 138mm Full Field Diopter +2
$15.00 Daily Rate
The Schneider 138mm Diopter Full +2 lens attachment reduces near focus distance, allowing you to capture macro images without using a special macro lens. This is done by increasing the magnification while the field of view decreases, but the depth of field is retained.
$15
Schneider 138mm Full Field Diopter +3
$15.00 Daily Rate
The Schneider 138mm Diopter Full +3 lens attachment reduces near focus distance, allowing you to capture macro images without using a special macro lens. This is done by increasing the magnification while the field of view decreases, but the depth of field is retained.
$15
Schneider 138mm True-Polarizing Water White Filter
$15.00 Daily Rate
The Schneider 138mm True-Polarizing Glass filter is by far the most effective polarizer for motion picture and television cameras. Having an extinction ratio of ER 374, the Schneider True-Pol is 12- times more effective than other polarizing filters, and is unmatched in its ability.
$15
Tiffen
Tiffen 138mm Variable ND Filter for 143mm Mattebox Mount
$35.00 Daily Rate
Tiffen’s 138mm Variable ND in Matte Box-Mountable Rubber Donut for 143mm Openings provides approximately six stops of variable neutral density control without taking up any filter tray space. The variable ND is incorporated within a rubber donut that fits into a wide variety of matte boxes with a 143mm rear opening. It features a minimum of two and a maximum of eight stops of light attenuation.
$35
Threaded
ND 3-Filter Kit
$5
Tiffen 82mm ND 0.6
$2.00 Daily Rate
The Tiffen 82mm ND 0.6 Filter is a solid ND filter with a filter factor of 2.5x that provides a 1.3-stop exposure reduction. Its 0.6 density creates a darkening of the entire image, allowing you to photograph with a wider aperture or slower shutter speed than normally required. By slowing your exposure time or increasing your aperture, you are able to control depth of field and convey movement more easily. Neutral density filters do not affect the coloration of the image and are ideal for pairing with other filters.
$2
Tiffen 82mm ND 0.9
$2.00 Daily Rate
The Tiffen 82mm ND 0.9 Filter is a solid ND filter with a filter factor of 2.5x that provides a 1.3-stop exposure reduction. Its 0.9 density creates a darkening of the entire image, allowing you to photograph with a wider aperture or slower shutter speed than normally required. By slowing your exposure time or increasing your aperture, you are able to control depth of field and convey movement more easily. Neutral density filters do not affect the coloration of the image and are ideal for pairing with other filters.
$2
Tiffen 82mm ND 1.2
$2.00 Daily Rate
The Tiffen 82mm ND 1.2 Filter is a solid ND filter with a filter factor of 2.5x that provides a 1.3-stop exposure reduction. Its 1.2 density creates a darkening of the entire image, allowing you to photograph with a wider aperture or slower shutter speed than normally required. By slowing your exposure time or increasing your aperture, you are able to control depth of field and convey movement more easily. Neutral density filters do not affect the coloration of the image and are ideal for pairing with other filters.
$2
Tiffen 82mm Color Grad ND 0.6
$4.00 Daily Rate
The82mm Color Graduated ND 0.6 Filter from Tiffen is a graduated neutral density filter that helps to specifically darken skies and other bright areas of the image. The filter is densest at the edge and tapers to clear by the middle, with a feathered line between the density and clear areas. Neutral density filters do not affect the coloration of the image and the 0.6 density provides a 2-stop reduction in light from entering the lens.
$4
NATural ND 8-Filter Kit
$50
Tiffen 82mm NATural ND 0.3
$8.00 Daily Rate
The Tiffen 82mm NATural ND 0.3 from Tiffen is a Neutral Density filter that darkens the image, allowing you to photograph with a longer shutter speed or wider aperture than normally required. Providing a 1-stop exposure reduction, this filter allows you to control depth of field and convey movement more easily. Filter does not affect coloration of the image and is ideal for use with other filters.
$8
Tiffen 82mm NATural ND 0.6
$8.00 Daily Rate
The Tiffen 82mm NATural ND 0.6 from Tiffen is a Neutral Density filter that darkens the image, allowing you to photograph with a longer shutter speed or wider aperture than normally required. Providing a 1-stop exposure reduction, this filter allows you to control depth of field and convey movement more easily. Filter does not affect coloration of the image and is ideal for use with other filters.
$8
Tiffen 82mm NATural ND 0.9
$8.00 Daily Rate
The Tiffen 82mm NATural ND 0.9 from Tiffen is a Neutral Density filter that darkens the image, allowing you to photograph with a longer shutter speed or wider aperture than normally required. Providing a 1-stop exposure reduction, this filter allows you to control depth of field and convey movement more easily. Filter does not affect coloration of the image and is ideal for use with other filters.
$8
Tiffen 82mm NATural ND 1.2
$8.00 Daily Rate
The Tiffen 82mm NATural ND 1.2 from Tiffen is a Neutral Density filter that darkens the image, allowing you to photograph with a longer shutter speed or wider aperture than normally required. Providing a 1-stop exposure reduction, this filter allows you to control depth of field and convey movement more easily. Filter does not affect coloration of the image and is ideal for use with other filters.
$8
Tiffen 82mm NATural ND 1.5
$8.00 Daily Rate
The Tiffen 82mm NATural ND 1.5 from Tiffen is a Neutral Density filter that darkens the image, allowing you to photograph with a longer shutter speed or wider aperture than normally required. Providing a 1-stop exposure reduction, this filter allows you to control depth of field and convey movement more easily. Filter does not affect coloration of the image and is ideal for use with other filters.
$8
Tiffen 82mm NATural ND 1.8
$8.00 Daily Rate
The Tiffen 82mm NATural ND 1.8 from Tiffen is a Neutral Density filter that darkens the image, allowing you to photograph with a longer shutter speed or wider aperture than normally required. Providing a 1-stop exposure reduction, this filter allows you to control depth of field and convey movement more easily. Filter does not affect coloration of the image and is ideal for use with other filters.
$8
Tiffen 82mm NATural ND 2.1
$8.00 Daily Rate
The Tiffen 82mm NATural ND 2.1 from Tiffen is a Neutral Density filter that darkens the image, allowing you to photograph with a longer shutter speed or wider aperture than normally required. Providing a 1-stop exposure reduction, this filter allows you to control depth of field and convey movement more easily. Filter does not affect coloration of the image and is ideal for use with other filters.
$8
Tiffen 82mm NATural ND 3.0
$8.00 Daily Rate
The Tiffen 82mm NATural ND 3.0 from Tiffen is a Neutral Density filter that darkens the image, allowing you to photograph with a longer shutter speed or wider aperture than normally required. Providing a 1-stop exposure reduction, this filter allows you to control depth of field and convey movement more easily. Filter does not affect coloration of the image and is ideal for use with other filters.
$8
Variable ND
Tiffen 67mm Variable ND
$8.00 Daily Rate
This 67mm Variable ND Filter from Tiffen offers a unique way of maintaining control over your depth of field and presents an efficient way to create special effects. Designed with a built-in rotating ring that controls neutral density ranging from 2 to 8 stops (0.6-2.4), it allows heavier density for a slower shutter speed. The longer exposure allows the shutter to remain open long enough to record the same amount of light, but will also create movement within the shot. It eliminates having to buy and carry around individual neutral density filters. With this one filter, you can rotate to the degree of ND you want, saving money and time.
$8
Tiffen 72mm Variable ND
$8.00 Daily Rate
The 72mm Variable Neutral Density Filter from Tiffen offers a unique way of maintaining total control over your depth of field as well as presenting an efficient way to create some special effects. The filter is designed with a built-in rotating ring that controls neutral density ranging from 2 – 8 stops (0.6- 2.4). The heavier the density, the slower your shutter speed will be. This longer exposure allows the shutter to remain open long enough to record the same amount of light but will also create movement within the shot. Another major benefit of this filter is the elimination of having to buy and carry around individual neutral density filters. With this one filter, you can rotate to the degree of ND you want – a real time and money saver.
$8
Tiffen 77mm Variable ND
$8.00 Daily Rate
The 77mm Variable Neutral Density Filter from Tiffen offers a unique way of maintaining total control over your depth of field as well as presenting an efficient way to create some special effects. The filter is designed with a built-in rotating ring that controls neutral density ranging from 2 – 8 stops (0.6- 2.4). The heavier the density, the slower your shutter speed will be. This longer exposure allows the shutter to remain open long enough to record the same amount of light but will also create movement within the shot. Another major benefit of this filter is the elimination of having to buy and carry around individual neutral density filters. With this one filter, you can rotate to the degree of ND you want – a real time and money saver.
$8
Tiffen 82mm Variable ND
$8.00 Daily Rate
The 82mm Variable Neutral Density Filter from Tiffen offers a unique way of maintaining total control over your depth of field as well as presenting an efficient way to create some special effects. The filter is designed with a built-in rotating ring that controls neutral density ranging from 2 – 8 stops (0.6- 2.4). The heavier the density, the slower your shutter speed will be. This longer exposure allows the shutter to remain open long enough to record the same amount of light but will also create movement within the shot. Another major benefit of this filter is the elimination of having to buy and carry around individual neutral density filters. With this one filter, you can rotate to the degree of ND you want – a real time and money saver.
$8
Tiffen 95mm Variable ND
$8.00 Daily Rate
This 95mm Variable ND Filter from Tiffen offers a unique way of maintaining control over your depth of field and presents an efficient way to create special effects. Designed with a built-in rotating ring that controls neutral density ranging from 2 to 8 stops (0.6-2.4), it allows heavier density for a slower shutter speed. The longer exposure allows the shutter to remain open long enough to record the same amount of light, but will also create movement within the shot. It eliminates having to buy and carry around individual neutral density filters. With this one filter, you can rotate to the degree of ND you want, saving money and time.
$8
Prism Lens FX 82mm Hard Stop Variable ND 0.3-1.5
$8.00 Daily Rate
5 stops of ND in a fully rotatable filter that maintains color accuracy throughout. Designed with hard stops at each end of the ND range, built to prevent X-Vignetting. Laser engraved ND Stop markings on the filter ring.
$8
Prism Lens FX 82mm Hard Stop Variable ND 0.9-2.1
$8.00 Daily Rate
5 stops of ND in a fully rotatable filter that maintains color accuracy throughout. Designed with hard stops at each end of the ND range, built to prevent X-Vignetting. Laser engraved ND Stop markings on the filter ring.
$8
Schneider 82mm True Match Variable ND MKII
$12.00 Daily Rate
The True-Match Vari-ND MKII Variable Neutral Density Filter from Schneider is a solid variable neutral density filter with an adjustable filter factor of 0.45 to 3.45 that provides a reduction of 1.5 to 11.5 stops. This 82mm filter darkens the entire image area, allowing for wider apertures or longer shutter speeds than usually required. The variable density is easily controlled by rotating the front filter ring, allowing the additional required exposure length to be determined. By slowing the exposure time, the level of image blur and sense of movement may be enhanced; and by adjusting the lens aperture, depth of field may be more precisely controlled. This is especially useful when shooting images in bright sunlight, where achieving long shutter speeds and wide apertures is otherwise impossible.
$12
Circular Polarizer
Tiffen 72mm Circular Polarizer
$2.00 Daily Rate
Tiffen 72mm Circular Polarizer Filters – Light rays which are reflected become polarized. Polarizing filters are used to select which light rays enter your camera lens. They can remove unwanted reflections from non-metallic surfaces such as water or glass and also saturate colors providing better contrast. The effect can be seen through the viewfinder and changed by rotating the filter. The filter factor varies according to how the filter is rotated and its orientation to the sun.
$2
Tiffen 77mm Circular Polarizer
$2.00 Daily Rate
Tiffen 77mm Circular Polarizer Filters – Light rays which are reflected become polarized. Polarizing filters are used to select which light rays enter your camera lens. They can remove unwanted reflections from non-metallic surfaces such as water or glass and also saturate colors providing better contrast. The effect can be seen through the viewfinder and changed by rotating the filter. The filter factor varies according to how the filter is rotated and its orientation to the sun.
$2
Tiffen 82mm Circular Polarizer
$2.00 Daily Rate
Tiffen 82mm Circular Polarizer Filters – Light rays which are reflected become polarized. Polarizing filters are used to select which light rays enter your camera lens. They can remove unwanted reflections from non-metallic surfaces such as water or glass and also saturate colors providing better contrast. The effect can be seen through the viewfinder and changed by rotating the filter. The filter factor varies according to how the filter is rotated and its orientation to the sun.
$2
Tiffen 82mm Digital HT Polarizing
$5.00 Daily Rate
The Tiffen 82mm Digital High Transmission (DHT) Circular Polarizing Multi-Coated Filter is a filter that contains the strength of a titanium coating along with high-end optical glass. Using their patented ColorCore technology, this filter represents the highest scratch-resistant durability available. There is no need to worry about cleaning this filter since the coating protects the surface thereby maintaining the optical quality of the glass.
$5
Prism Lens FX 82mm Circular Polarizer Filter
$5.00 Daily Rate
This filter features a rotating ring that allows precise control over reflections and glare, enhancing image quality. By selectively blocking polarized light, the CPL filter reduces reflections from non-metallic surfaces such as water, glass, and foliage, resulting in clearer, more vibrant images with improved contrast and color saturation.
$5
Schneider 82mm Circular Tru-Pol Polarizer
$15.00 Daily Rate
The Schneider Optics 68-013127 Circular True-Pol Rotating Filter (5″/127 mm) is designed for cameras which use polarizing elements in the beam-splitters of the viewing system, such as ARRI 435 and the Movie-Cam compact lenses. This filter can also be used on certain high-definition video cameras with complex optical blocks such as the Sony PMW-EX1, PMW-EX3, and PDW-700 cameras which polarize the red and blue channels more than other cameras and therefore require a circular polarizer to prevent cross polarization and associated color shift in the image.
$15
Black Pro-Mist 6-Filter Kit
$38
Tiffen 82mm Black Pro-Mist 1/8
$8.00 Daily Rate
The 82mm Tiffen Black Pro-Mist 1/8 Filter helps to reduce the value of the highlights while slightly lowering the overall contrast. This filter is especially useful for smoothing out and softening facial wrinkles and other blemishes. While designed for use with movies, this filter can also be used for fashion and beauty applications. Unlike a traditional diffusion or soft focus filter, Pro-Mist filters provide little loss of detail across the image. The 3 density provides more contrast and highlight reduction than the 2, but less than the 4, while still allowing for a soft, pastel-like quality of light.
$8
Tiffen 82mm Black Pro-Mist 1/4
$8.00 Daily Rate
The 82mm Tiffen Black Pro-Mist 1/4 Filter helps to reduce the value of the highlights while slightly lowering the overall contrast. This filter is especially useful for smoothing out and softening facial wrinkles and other blemishes. While designed for use with movies, this filter can also be used for fashion and beauty applications. Unlike a traditional diffusion or soft focus filter, Pro-Mist filters provide little loss of detail across the image. The 3 density provides more contrast and highlight reduction than the 2, but less than the 4, while still allowing for a soft, pastel-like quality of light.
$8
Tiffen 82mm Black Pro-Mist 1/2
$8.00 Daily Rate
The 82mm Tiffen Black Pro-Mist 1/2 Filter helps to reduce the value of the highlights while slightly lowering the overall contrast. This filter is especially useful for smoothing out and softening facial wrinkles and other blemishes. While designed for use with movies, this filter can also be used for fashion and beauty applications. Unlike a traditional diffusion or soft focus filter, Pro-Mist filters provide little loss of detail across the image. The 3 density provides more contrast and highlight reduction than the 2, but less than the 4, while still allowing for a soft, pastel-like quality of light.
$8
Tiffen 82mm Black Pro-Mist 1
$8.00 Daily Rate
The 82mm Tiffen Black Pro-Mist 1 Filter helps to reduce the value of the highlights while slightly lowering the overall contrast. This filter is especially useful for smoothing out and softening facial wrinkles and other blemishes. While designed for use with movies, this filter can also be used for fashion and beauty applications. Unlike a traditional diffusion or soft focus filter, Pro-Mist filters provide little loss of detail across the image. The 3 density provides more contrast and highlight reduction than the 2, but less than the 4, while still allowing for a soft, pastel-like quality of light.
$8
Tiffen 82mm Black Pro-Mist 2
$8.00 Daily Rate
The 82mm Tiffen Black Pro-Mist 2 Filter helps to reduce the value of the highlights while slightly lowering the overall contrast. This filter is especially useful for smoothing out and softening facial wrinkles and other blemishes. While designed for use with movies, this filter can also be used for fashion and beauty applications. Unlike a traditional diffusion or soft focus filter, Pro-Mist filters provide little loss of detail across the image. The 2 density provides more contrast and highlight reduction than the 1, but less than the 3, while still allowing for a soft, pastel-like quality of light.
$8
Tiffen 82mm Black Pro-Mist 3
$8.00 Daily Rate
The 82mm Tiffen Black Pro-Mist 3 Filter helps to reduce the value of the highlights while slightly lowering the overall contrast. This filter is especially useful for smoothing out and softening facial wrinkles and other blemishes. While designed for use with movies, this filter can also be used for fashion and beauty applications. Unlike a traditional diffusion or soft focus filter, Pro-Mist filters provide little loss of detail across the image. The 3 density provides more contrast and highlight reduction than the 2, but less than the 4, while still allowing for a soft, pastel-like quality of light.
$8
Glimmerglass 6-Filter Kit
$38
Tiffen 82mm Glimmerglass 1/8
$8.00 Daily Rate
The 82mm Glimmerglass Grade 1/8 Filter from Tiffen is a beauty filter whose function is two-fold: in addition to modifying the appearance of the image itself, it also features a sparkling appearance when viewed from the front, instilling more confidence in the model. The filter itself helps soften skin details, blemishes, and wrinkles. It also produces glowing highlights and a mild reduction in contrast for a more ethereal appearance. The grade 1/8 diffusion provides a minimal amount of softening and overall image alteration.
$8
Tiffen 82mm Glimmerglass 1/4
$8.00 Daily Rate
The 82mm Glimmerglass Grade 1/4 Filter from Tiffen is a beauty filter whose function is two-fold: in addition to modifying the appearance of the image itself, it also features a sparkling appearance when viewed from the front, instilling more confidence in the model. The filter itself helps soften skin details, blemishes, and wrinkles. It also produces glowing highlights and a mild reduction in contrast for a more ethereal appearance. The grade 1/8 diffusion provides a minimal amount of softening and overall image alteration.
$8
Tiffen 82mm Glimmerglass 1/2
$8.00 Daily Rate
The 82mm Glimmerglass Grade 1/2 Filter from Tiffen is a beauty filter whose function is two-fold: in addition to modifying the appearance of the image itself, it also features a sparkling appearance when viewed from the front, instilling more confidence in the model. The filter itself helps soften skin details, blemishes, and wrinkles. It also produces glowing highlights and a mild reduction in contrast for a more ethereal appearance. The grade 1/8 diffusion provides a minimal amount of softening and overall image alteration.
$8
Tiffen 82mm Glimmerglass 1
$8.00 Daily Rate
The 82mm Glimmerglass Grade 1 Filter from Tiffen is a beauty filter whose function is two-fold: in addition to modifying the appearance of the image itself, it also features a sparkling appearance when viewed from the front, instilling more confidence in the model. The filter itself helps soften skin details, blemishes, and wrinkles. It also produces glowing highlights and a mild reduction in contrast for a more ethereal appearance. The grade 1/8 diffusion provides a minimal amount of softening and overall image alteration.
$8
Tiffen 82mm Glimmerglass 3
$8.00 Daily Rate
The 82mm Glimmerglass Grade 3 Filter from Tiffen is a beauty filter whose function is two-fold: in addition to modifying the appearance of the image itself, it also features a sparkling appearance when viewed from the front, instilling more confidence in the model. The filter itself helps soften skin details, blemishes, and wrinkles. It also produces glowing highlights and a mild reduction in contrast for a more ethereal appearance. The grade 1/8 diffusion provides a minimal amount of softening and overall image alteration.
$8
Effects
Prism Lens FX 82mm Subtle Halo Filter
$6.00 Daily Rate
The Halo FX Filter is a circular FX filters that uniquely refracts and blurs the outer edges of your frame while leaving the center point of your frame unaffected. The way the glass of this filter is designed creates stylistic Halo refraction of the elements in the outer edges of your frame!
$6
Prism Lens FX 82mm Full Halo Filter
$6.00 Daily Rate
The Halo FX Filter is a circular FX filters that uniquely refracts and blurs the outer edges of your frame while leaving the center point of your frame unaffected. The way the glass of this filter is designed creates stylistic Halo refraction of the elements in the outer edges of your frame!
$6
Prism Lens FX 82mm Pinhole Filter
$6.00 Daily Rate
The “Pinhole FX Filter” is our new FX filter that uniquely creates an outer edge blur with subtle ghosting / refractions, while maintaining a strong unaffected focal point in the center!
$6
Prism Lens FX 82mm Ghost V1 Filter
$8.00 Daily Rate
We designed the Ghost FX Filter to recreate the effect of a long exposure shutter lag, producing a ghosting / motion blur / replicating effect within your images & footage. The Ghost FX Filter is for photographers / filmmakers / & videographers seeking visually author their images with bold one of a kind in camera FX.
$8
Prism Lens FX 82mm Ghost V2 Filter
$8.00 Daily Rate
We designed the Ghost FX Filter to recreate the effect of a long exposure shutter lag, producing a ghosting / motion blur / replicating effect within your images & footage. The Ghost FX Filter is for photographers / filmmakers / & videographers seeking visually author their images with bold one of a kind in camera FX.
$8
Prism Lens FX 82mm Full Macro Filter
$5.00 Daily Rate
• Turns any lens into a macro lens
• Easy to Thread on Design, fits on any lens with outer threads
• Available in 2 strengths
• Macro Half is equivalent to a +4 diopter
• Macro Full is equivalent to a +10 diopter
$5
Prism Lens FX 82mm Half Macro Filter
$5.00 Daily Rate
• Turns any lens into a macro lens
• Easy to Thread on Design, fits on any lens with outer threads
• Available in 2 strengths
• Macro Half is equivalent to a +4 diopter
• Macro Full is equivalent to a +10 diopter
$5
Prism Lens FX 82mm Freeform Filter Adapter
$3.00 Daily Rate
It features 77mm, 82mm and 90mm threads that allow you to mount any of our existing FX filters. And at the base is a 1/4 20 threaded hole which will now allow you to HOLD or MOUNT your favorite FX filters in any configuration. You can mount one of our handles/pro arms/or any accessories with a 1/4 20 screw! This accessory unlocks endless creative potential!
$3
Prism Lens FX 1/4-20 Filter Handle
$1.00 Daily Rate
Our handle with foam grip comes built with a male 1/4 -20″ to mount any of our handheld prisms. It also features a female 1/4 -20″ on the bottom so you can mount from the bottom or also attach our articulating arm for even more reach.
$1
Handheld
Prism Lens FX Handheld 150mm Kaleidoscope Filter
$8.00 Daily Rate
• Creates a replication effect of your subject when held in front of your lens
• 2 Finger handle, easily hold in front of the lens to manipulate effect
$8
Prism Lens FX Handheld 150mm Linear Prism Filter
$8.00 Daily Rate
• Creates an refracted replication effect, creating 3 subtle replications of your subject
• 2 Finger handle, easily hold in front of the lens to manipulate effect
• Includes 1/4-20 threaded hole for mounting
$8
Prism Lens FX Handheld 150mm Split Diopter Filter
$8.00 Daily Rate
• Creates a split focus blurry refraction effect
• Designed with +2 Diopter Glass
• 2 Finger handle, easily hold in front of the lens to manipulate effect
$8
Prism Lens FX Handheld 150mm Split Halo Filter
$8.00 Daily Rate
• Creates an organic in camera refracted motion effect
• 2 Finger handle, easily hold in front of the lens to manipulate effect
$8
Prism Lens FX Handheld 150mm Subtle Ghost Filter
$10.00 Daily Rate
• Creates a ghosting refraction shutter lag effect
• Includes 1/4-20 threaded hole for mounting
$10
Prism Lens FX Handheld 150mm Full Ghost Filter
$10.00 Daily Rate
• Creates a ghosting refraction shutter lag effect
• Includes 1/4-20 threaded hole for mounting
$10
Prism Lens FX Handheld 150mm Half Phantom Filter
$10.00 Daily Rate
• Creates a double sided ghosting motion blur / slow shutter effect
• Includes 1/4-20 threaded hole for mounting
$10
Prism Lens FX Handheld 150mm Split Phantom Filter
$8.00 Daily Rate
• Creates a double sided ghosting motion blur / slow shutter effect
• Includes 1/4-20 threaded hole for mounting
$8
Prism Lens FX Handheld 150mm Spectre Filter
$10.00 Daily Rate
• The Handheld Spectre FX is made of 4 sections and flat clear center – this allows you to create a motion blur ghosting effect around your center frames subject.
• Includes 1/4-20 threaded hole for mounting
$10
Prism Lens FX Handheld 150mm Full Phantom Filter
$10.00 Daily Rate
• Creates a double sided ghosting motion blur / slow shutter effect
• Includes 1/4-20 threaded hole for mounting
$10
Step Up Rings
49mm to 82mm Step-Up Ring
$1.00 Daily Rate
$1
52mm to 82mm Step-Up Ring
$1.00 Daily Rate
$1
55mm to 82mm Step-Up Ring
$1.00 Daily Rate
$1
58mm to 82mm Step-Up Ring
$1.00 Daily Rate
$1
62mm to 82mm Step-Up Ring
$1.00 Daily Rate
$1
67mm to 82mm Step-Up Ring
$1.00 Daily Rate
$1
72mm to 82mm Step-Up Ring
$1.00 Daily Rate
$1
77mm to 82mm Step-Up= Ring
$1.00 Daily Rate
$1
Camera Support
Daily Rate
Tripods
OConnor 2575D 2-Stage Tripod System
$150.00 Daily Rate
INCLUDES:
(1x) – OConnor Ultimate 2575D Fluid Head
(1x) – Euro Style Quick Release
(1x) – Pan Handle Extension
(1x) – Mitchell Base & Tiedown
(1x) – 150mm Ball Base & Tiedown
(1x) – Jason Cases Wheeled Case for Fluid Head
(1x) – OConnor Cine-HD 2-Stage Standard OR Baby Tripod Legs
(1x) – OConnor Cine-HD Ground Spreaders
(1x) – OConnor Molded Standard Tripod Case
The OConnor Ultimate 2575D Fluid Head includes the sinusoidal counterbalance system for true, accurate balance at any point in the tilt range and holds cameras up to 90 lb. It provides stepless, ultra-smooth pan and tilt fluid drag for improved control and stability for film-style shooting. The head comes with platform controls on the operator’s side of the head. The platform release lever with a one touch finger actuated safety release catch allows for one “finger” or hand action to undo the safety catch and open the lever. This package comes with The OConnor Cine HD 2-Stage Standard Tripod Legs, OConnor Cine HD Ground Spreaders, and OConnor Molded Standard Tripod Case for a full camera support package.
$150
OConnor 2560 2-Stage Carbon Fiber Tripod System
$125.00 Daily Rate
INCLUDES:
(1x) – OConnor 2560 Head with Mitchel Base
(1x) – Pan Handle
(1x) – Large Euro Quick Release Plate
(1x) – Mitchell Base Tie Down
(1x) – 150 Bowl Adapter
(1x) – 150 Bowl Tie Down
(1x) – 60l 2-Stage Carbon Fiber Legs
(1x) – Mid-Level Spreaders
The Ultimate 2560 Fluid Head & 60L Tripod from OConnor includes the Ultimate 2560 fluid head package, 60L two-stage tripod system with a 150mm bowl and a floor spreader. The fluid head is capable of supporting camera payloads up to 66 pounds at a 6″ center of gravity above the platform, and offers a ± 90° tilt range. The fluid head package comes with a 12″ pan handle with 30° bend and 11.5″ pan handle extension. It also comes packaged with both a Mitchell base and 150mm ball base with tie-downs for expanded tripod compatibility.
$125
OConnor 1040 Flowtech Tripod System
$100.00 Daily Rate
INCLUDES:
(x1) – Ultimate 1040 Fluid Head (C1265-0001)
(x1) – Large Euro Quick Release with Camera Plate (1030-268)
(x1) – Pan Handle for 1030 Range (1030-246)
(x1) – Pan Handle Extension (2575-135)
(x1) – 100mm Ball Base (08365)
(x1) – 100mm FT Tiedown (S2052-1100)
(x1) – Flowtech 100 Tripod & Feet (C1266-0002)
(x1) – Handle (S2051-1061)
The OConnor Ultimate 1040 Fluid Head is a lightweight fluid head that shares features with the other fluid heads in the OConnor Ultimate fluid head line. This allows operators to easily transition between lighter and heavier cameras without having to relearn or think about the differences between fluid heads. The head supports 45 pounds’ worth of camera and accessories at a center of gravity (COG) 5 inches above the camera platform. The counterbalance system helps prevent the camera from tilting forward or back on the head on its own and helps the camera to remain in the position the operator places it without requiring additional effort to hold it in place. The counterbalance system on the 1040 is a stepless system, so it is continuously variable from the maximum weight the head can support all the way down to zero. This makes the 1040 extremely versatile and suitable for use with heavy ENG-style cameras all the way down to lightweight cameras, while maintaining the same operational feel.
$100
Manfrotto 501HDV Tripod System
$15.00 Daily Rate
INCLUDES:
(1x) – Manfrotto 501HDV Tripod Head
(1x) – Manfrotto 3021N Tripod Legs
(1x) – Carrying Case
The Manfrotto 501HDV,351MVB2K is a kit which includes the 501HDV pro video head, 351MVB 1-stage tripod, 350SPRB mid-level spreader, and the MBAG90P tripod bag. This system works for handheld sized camcorders up to 13.2 lbs.
$15
Manfrotto 509HD Tripod System
$55.00 Daily Rate
INCLUDES:
(1x) – Manfrotto 509HD Tripod Head
(1x) – Manfrotto MVTTWING Tripod Legs
(1x) – Carrying Case
Steady your professional video system with this 509HD Video Head & 545GB Aluminum Tripod Pro Ground-Twin Kit 100 from Manfrotto. Able to hold up to 29.8 lb on the fluid head, users will have excellent stability and security for their shots. The 509HD head offers a sliding 509PLONG quick release plate and a four-step counterbalance system for a quick setup. The head also features easily accessed adjustments, easy-link connectors, and is lightweight. Also, it has Manfrotto Bridging Technology with a ball bearing drag system for smooth, precise movements well suited to stills and video. An Advanced Balancing Recorder feature can save the balancing position of your camera to help expedite your next setup.
$55
Manfrotto 504X Tripod System
$45.00 Daily Rate
INCLDUES:
(x1) – Manfrotto 504X Tripod Head
(x1) – Manfrotto MVTTWINMC Tripod Legs
(x1) – Carry Bag
The 504X Fluid Video Head with Flat Base from Manfrotto features an open bridge design that provides a stable, smooth performance while reducing weight. The head’s patented bridge technology allows for a wider top surface and longer sliding plate that add stability and balance. The head features a flat base with a 3/8″-16 female mounting thread that allows compatibility with a wide range of tripods, monopods, sliders, jibs, and dollies, and a variety of rigs.
$45
Manfrotto 502AH Tripod System
$25.00 Daily Rate
INCLUDES:
(x1) – Manfrotto 502AH Tripod Head
(x1) – Manfrotto MT055XPRO3 Tripod Legs
(x1) – Carrying Case
The Manfrotto 502AH Pro Video Head with Flat Base is an affordable yet remarkably fully featured professional head that represents an advance over the popular 501HDV, with sturdier construction and featuring Manfrotto’s patented bridging technology (inherited from the 509 and 504 heads). This head is designed for executing cinematic moves with compact camcorders and DSLR cameras. The 502AH includes the “AH” flat base version with a 3/8″-16 mounting hole.
$25
Vanguard 264TBH/TBH-100 Tripod System
$15.00 Daily Rate
INCLUDES:
(x1) – Vanguard Alta Pro 264AT Legs
(x1) – Vanguard TBH-100 Tripod Head
(x1) – Vanguard TBH Baseplate
(x1) – Vanguard TBH Bag
Take your photography and videography to new heights with the Vanguard Alta Pro 264AT 4-Section Aluminum Tripod with TBH-100 Head and Arca-Swiss Type QR Plate. This high-quality, durable tripod offers unmatched flexibility and stability, providing more angle possibilities than ever before.
The innovative Multi-Angle Central Column (MACC) system is a standout feature, allowing users to move the central column from zero to 180-degree angles in variable vertical and horizontal positions. This makes macro-photography and special wide-angle shots effortless and precise.
The Instant Swivel Stop-n-Lock (ISSL) System is another key feature, securely repositioning the central column in one simple movement in just a few seconds, while maintaining the tripod’s stability. This ensures your equipment is always secure and ready for the perfect shot.
Constructed from sturdy aluminum alloy, the tripod legs adjust to 25, 50, and 80-degree angles, providing versatility for any shooting scenario. The quick-flip leg locks, patented premium magnesium die-cast top spider, and non-rotating hexagon-shaped central column all contribute to the tripod’s exceptional stability.
The TBH-100 ball head, with a scratch-resistant, oxidized surface on the central ball, ensures ultra-smooth movements. It features a separate pan lock which allows the head to rotate 360 degrees, providing you with complete creative control. The Arca type quick release plate (QS-60) with a safety locking system, 2 bubble levels, and smooth control knobs enhance the user experience, while its outstanding load capacity can handle a wide range of camera equipment.
$15
Vanguard 263AT/GH Tripod System
$15.00 Daily Rate
INCLUDES:
(x1) – Vanguard Alta Pro 263AT Legs
(x1) – Vanguard GH-100 Tripod Head
(x1) – Vanguard GH-100 QR Plate
(x1) – Vanguard GH Bag
This Alta Pro 263AT Aluminum-Alloy Tripod Kit from Vanguard supports up to 13.2 lb, measures 28.5″ when folded, and includes a GH-100 Pistol Grip Ball Head with QS-65GH Quick Release Plate. Each of its 3-section legs features an independent spread as well as flip locks for fast deployment. Together, the three legs can be can be positioned for a minimum height of 56.1″ to a maximum height of 68.5″ with the center column fully raised. Using the GH-100 Pistol Grip Ball Head’s squeeze trigger, its integrated ball-and-socket joint can be quickly swiveled 360°, tilted +90°/-32° to the side, tilted +90°/-8° forwards and backwards, or returned to its upright position. Additionally, the cam lock assembly can be rotated 360° independently of the head, while generating 72 clicks at 5° intervals.
$15
Hi-Hat Mitchell Mount
$20.00 Daily Rate
$20
Low-Hat Mitchell Mount
$20.00 Daily Rate
$20
Hi-Hat 100mm Bowl
$20.00 Daily Rate
$20
Monopods
Manfrotto MVM500A Monopod
$15.00 Daily Rate
A versatile kit for nearly any videographer or filmmaker, the MVM500A can often travel places tripods cannot, providing additional stability and supporting heavy equipment when required. The 4-section design, paired with an aluminum construction, results in an easy-to-transport setup weighing just 4.6 lb. With a maximum height of 79.9″ and a minimum height of just 30.7″, the MVM500A can be adjusted to suit users of varying heights and for various different tasks.
The MVMX500UA Monopod from Manfrotto is a 4-section aluminum video support equipped with Manfrotto’s FLUIDTECH base and a 500-series fluid tilt head.
$15
Dollies
MovMax Rickshaw
$300.00 Daily Rate
Achieve smooth, tracking shots no matter the terrain using this All-Terrain Rickshaw Standard Combo from MOVMAX without needing to lay down a designated track, thanks to the rickshaw’s large front tires. The entire rig supports a total weight of 330.7 lb to accommodate both a seated operator and a large camera rig. Modular components make up the rickshaw’s design with detailed instructions and templates on the baseplate for assembly. Both the operator and the camera can be pushed or pulled by a grip to facilitate complex tracking shots.
$300
MovMax Rickshaw Wheels
Sand Wheels
$50.00 Daily Rate
The MOVMAX Sand Wheel Set includes four interchangeable wheels that can be attached to your All-Terrain Rickshaw for improved movement on sandy surfaces for smooth shots of actors on a beach. The wheels feature a wide design to evenly distribute weight on soft surfaces. They have a total load capacity of 485 lb, capable of supporting large gimbal arms, sliders, and Steadicams attached to the rickshaw.
$50
Bicycle Wheels
$50.00 Daily Rate
The MOVMAX Spoke Wheel Set includes two interchangeable wheels that can be attached to your All-Terrain Rickshaw for improved movement on grassy surfaces for smooth shots of players on the soccer pitch. The wheels feature a low-resistance design for faster push and pull motions. They have a total load capacity of 330.7 lb, capable of supporting large gimbal arms, sliders, and Steadicams attached to the rickshaw.
$50
Skate Wheels
$50.00 Daily Rate
The MOVMAX Rail Wheel Set includes four track assemblies that can be attached to your All-Terrain Rickshaw for use on a rail track in a soundstage or on set. The assemblies feature 16 skate-style wheels per unit and make for stable movements and fast transitions. They have a total load capacity of 485 lb, capable of supporting large gimbal arms, sliders, and Steadicams attached to the rickshaw.
$50
MovMax Grip Dolly + Travel Rails
$85.00 Daily Rate
INCLUDES:
(1x) – Mini Dolly
(1x) – Mini Dolly Middle Support
(2x) – Mini Dolly Side Support
(1x) – Mini Dolly Mitchell Mount
(1x) – Mini Dolly 150mm Bowl Mount
(1x) – Mini Dolly 100mm Bowl Mount
(1x) – Mini Dolly 65mm & 75mm Bowl Adapter
(2x) – Mini Dolly Low Riser
(6x) – Mini Dolly M8 Screw
(1x) – Mini Dolly Tool
(6x) – Mini Dolly M8-16 Screw
(3x) – Handle Screw
(2x) – Cable Clamp
(2x) – Mini Dolly Stop Clamp
(1x) – Mini Dolly Flightcase
Achieve smooth dolly shots with heavy cine rigs using this Grip Dolly Pro Kit from MOVMAX. The system includes a flat dolly plate with wheels, multiple adapters for tripod heads, middle and side supports, as well as mounting accessories to assemble it all. The pro kit can support loads up to 198 lb.
$85
Dana Dolly
$85.00 Daily Rate
INCLUDES:
(x1) – DanaDolly
(x2) – Universal Track Ends
(x1) – Center Support
(x1) – 75mm Bowl Adapter
(x1) – 100mm Bowl Adapter
(x1) – 150mm Bowl Adapter
(x1) – 3″ Washer
(x1) – T-Tool
(x1) – Monitor Mount
(x1) – 6′ SpeedRails
(x2) – Low Boy Combo Stands
(x1) – Flight Case
The DanaDolly Universal Rental Kit with universal track ends is a heavy duty camera dolly platform that rides on 16 custom modified soft polyurethane wheels that resist flat spotting and use ABEC-7 rated precision bearings providing you with extremely smooth dolly shots. This kit is complete with 75, 100 and 150mm bowl adapters and comes in a custom flight case. The wheel trucks swivel, allowing the dolly to ride on available straight or curved track, which you must source separately. The manufacturer recommends using standard speed rail or Schedule 80 aluminum pipe of compatible size. The dolly includes two universal track ends, which accept inch and a quarter pipe (standard speed rail) up to 1.9″ O.D. and fit into available standard Junior stand receivers or 5/8″ Baby pins. A center support is included for long track runs or when using heavy cameras.
$85
Dana Dolly Modular Track Kit (3-9′)
$35.00 Daily Rate
The kit comes with enough track sections to assemble 9′ of seamless dolly track. However, you can purchase additional kits to extend your track beyond 9′.
When assembling the track, Dana Dolly recommends that you mirror the angled seams to minimize bumps from track joins that are common with track that has track ends with straight seams.
Mirroring the seams mean that you assemble the sections of track into your track rails. Then flip one of the assembled rails so that the angled seams are in different direction The track rails are made from extruded 6061 aluminum that is treated with Type 3 black anodizing, which is a mil spec anodizing that is thicker, and more wear/corrosion resistant than common anodizing.
Fully assembling the track requires eight track splicers.
The End Adapters allow you to attach the track to available Dana Dolly Original and Universal Track Ends, which are not included and must be sourced separately.
Assembling the track only requires the use of the included “T” tool.
$35
Dana Dolly Pipe Kit
$30.00 Daily Rate
INCLUDES:
(x6) – Dana Dolly Portable 39″ Aluminum Pipe
(x1) – Dana Dolly Pipe Kit Bag
Add a durable pipe track to your Dana Dolly system with this Portable Aluminum Pipe Kit. The kit includes six pipe sections that store in a portable carry bag. Each schedule 80 pipe is made from durable aluminum, measures 39″ in length and 1.25″ in diameter, and features threading on each end to interconnect and create a longer track to support your original Dana Dolly. The carry bag features individual sleeves for each track and includes a removable shoulder strap and a carry handle.
$30
Proaim Alpine Vertical Camera Slider Kit
$85.00 Daily Rate
Proaim Alpine Tower Slider is a counterbalanced elevation tower that gives operators 26.7” of smooth vertical movement, as well as a complete 360° of rotation. Both movements are controlled by two independent locking levers, ensuring complete reliability. It works similarly to a Mitchell riser since you can simply extend your camera to different heights on any Mitchell gear
Alpine Tower Slider is designed to work with various camera platforms like Heavy-duty sliders, Doorway Dollies, Tripods, Pipe dollies, Hi-hats, Bazookas, or any other platform with an elemac mounting base. Its rugged design supports any camera/ fluid head combination up to 22.6 kg/50lb. Multiple 3/8″-16 threaded holes for mounting accessories.
$85
Miscellaneous
Tilta Hermit POV Camera Support Helmet (XL, Gold Mount) Kit
$180.00 Daily Rate
Get just the point of view you want for your videos with the extra-large Hermit POV Camera Support Helmet from Tilta. This versatile, carbon-fiber helmet provides five separate camera position choices including front, back, and side options, and includes a quick release plate, a Gold Mount battery plate, rosette extension arms, accessory mounts, and counterweights for optimal positioning and balancing. Tilta recommends using additional neck support when using heavier camera systems. Maximum camera rig weight of 15 to 20 lb is recommended.
$180
SHAPE Telescoping Handles Kit
$30.00 Daily Rate
INCLUDES:
(1x) – SHAPE Rod Block with Arri Rosette- 15mm LWS
(1x) – SHAPE Rod Block with Arri Rosette- 15mm Studio
(1x) – SHAPE Rod Block with Arri Rosette- 19mm Studio
(1x) – SHAPE Handgrip- Left
(1x) – SHAPE Handgrip- Right
(2x) – SHAPE Push Button with Arri- Style Rosette Mount
(1x) – SHAPE Telescopic Handle Arm- Left
(1x) – SHAPE Telescopic Handle Arm- Right
(1x) – SHAPE Telescoping Handle Case
(1x) – 3mm Hex/Allen Key
Add handles and rosette accessories to your rig with this Telescoping Handles with Rod Blocks Kit from SHAPE. The kit includes a pair of black telescoping handles, 15 and 19mm Studio rod blocks, a 15mm LWS rod block, and a carry case.
$30
Cinesaddle Marsupial Cinesaddle Camera Mount
$30.00 Daily Rate
The brown Cinesaddle Marsupial Cinesaddle Camera Mount supports ENG-sized cameras on a soft adaptable water-resistant canvas saddle. You can think of the Cinesaddle as a pillow to rest your camera on while operating it when not mounted on a tripod. The Cinesaddle is shaped to cradle your camera and works as a mounting platform that conforms to oddly shaped terrain, although you can use it on flat surfaces as well. The Cinesaddle is not a stabilizer; however, it will absorb vibrations, making it well suited for moving platforms such as cars.
The Marsupial Cinesaddle features a zippered internal storage pouch for small cameras or accessories. It also includes a semi-detachable shoulder strap, with a quick release buckle on one end. Three open pockets allow you to retrieve small items. Included with the Cinesaddle is a mounting kit that can be used to secure your camera to a support or moving object.
Although primarily designed to provide you with a way to operate a camera on the ground when not mounted on a tripod or other support, the Cinesaddle can conform to oddly-shaped platforms such as a car hood. The Marsupial pouch is used to hold small items, up to the size of a small camcorder, that won’t fit in the side pockets. The pouch features a drawstring to close it.
The included mounting kit contains mounting hardware and straps so you can secure your camera and Cinesaddle to moving vehicles such as cars, boats, and bikes. The stirrups and anchors are designed to work with your car hood or the inside of a car door.
The semi-detachable shoulder strap can be used to hang the Cinesaddle from or secure it to your body (like a shoulder pad). The quick release buckle allows you to disconnect the strap from the Cinesaddle on one end, useful in case the Cinesaddle gets snagged or caught and releasing the shoulder strap is the fastest way to extricate you or your gear from the situation.
$30
Cinesaddle Original Australian Cinesaddle Camera Mount
$25.00 Daily Rate
The brown Cinesaddle Original Australian Cinesaddle Camera Mount supports ENG-sized cameras on a soft adaptable water-resistant canvas saddle. You can think of the Cinesaddle as a pillow to rest your camera on while operating it when not mounted on a tripod. The Cinesaddle is shaped to cradle your camera and works as a mounting platform that conforms to oddly shaped terrain, although you can use it on flat surfaces as well. The Cinesaddle is not a stabilizer; however, it will absorb vibrations, making it well suited for moving platforms such as cars.
The Cinesaddle features a semi-detachable shoulder strap, with a quick release buckle on one end. Three open pockets allow you to retrieve small items. Included with the Cinesaddle is a mounting kit that can be used to secure your camera to a support or moving object.
Although primarily designed to provide you with a way to operate a camera on the ground when not mounted on a tripod or other support, the Cinesaddle can conform to oddly-shaped platforms such as a car hood.
The included mounting kit contains mounting hardware and straps so you can secure your camera and Cinesaddle to moving vehicles such as cars, boats, and bikes. The stirrups and anchors are designed to work with your car hood or the inside of a car door.
The semi-detachable shoulder strap can be used to hang the Cinesaddle from or secure it to your body (like a shoulder pad). The quick release buckle allows you to disconnect the strap from the Cinesaddle on one end, useful in case the Cinesaddle gets snagged or caught and releasing the shoulder strap is the fastest way to extricate you or your gear from the situation.
$25
Stabilizers
DJI RSC2
$30.00 Daily Rate
INCLUDED:
(1x) – DJI RSC 2 Gimbal Stabilizer
(1x) – DJI Ronin-S Extended Grip/Tripod
(1x) – DJI Ronin RavenEye Image Transmission System
(1x) – DJI Ronin Focus Motor
(1x) – DJI R Phone Holder
(1x) – DJI Ronin-S Focus Gear Strip
(1x) – DJI R Mini-HDMI to HDMI Cable (7.9″)
(1x) – DJI R Mini-HDMI to Mini-HDMI Cable (7.9″)
(1x) – DJI R Mini-HDMI to Micro-HDMI Cable (7.9″)
(3x) – DJI R Multicamera Control Cable (USB Type-C)
(1x) – DJI R Multicamera Control Cable (Sony Multi)
(1x) – DJI R Multicamera Control Cable (Micro-USB)
(1x) – DJI R Multicamera Control Cable (Mini-USB)
(1x) – DJI R USB Charging Cable (USB Type-A)
(1x) – USB Charging Block
(1x) – DJI R Quick Release Plate (Lower)
(1x) – DJI R Quick Release Plate (Upper)
(1x) – 12mm Rod
(1x) – Nanuk 930 Case for DJI RSC 2/RSC 2 Pro Combo
(1x) – Raven Eye 1/4-20 adapter
The DJI RSC 2 is designed for mirrorless and DSLR cameras and supports up to 6.6 lb camera and accessories loads. The motors of the RSC 2 are 50% more powerful than those of the Ronin-SC, which is the predecessor of this redesigned gimbal. A key feature of the RSC 2 is a foldable design that allows switching to underslung mode.
$30
DJI RS3 Pro
$70.00 Daily Rate
INCLUDES:
(1x) – DJI RS 3 Pro Gimbal
(1x) – DJI Ronin BG30 Grip for RS 2 & RS 3 Pro Gimbals
(1x) – Lens Support
(1x) – Extended Grip/Tripod
(1x) – Quick Release Plate (Arca-Type/Manfrotto) –
(1x) – Lower Extended Quick Release Plate
(1x) – DJI Ronin RavenEye Image Transmission System for RS 2 & RSC 2
(1x) – DJI RS Focus Motor (2022)
(1x) – Focus Motor Rod Mount Kit Combo
(1x) – Focus Gear Strip
(1x) – Phone Holder
(1x) – USB Power Cable (7.9″)
(1x) – USB Type-C Charging Cable (15.7″)
(1x) – USB Type-C Multi-Control Cable (11.8″)
(1x) – Mini-HDMI to HDMI Cable (7.9″)
(1x) – Mini-HDMI to Micro-HDMI Cable (7.9″)
(1x) – Carry Case
(1x) – Screw Kit
(3x) – Hook-and-Loop Strap
The DJI RS3 Pro Gimbal Stabilizer has been redesigned to be sleeker and more powerful than the Ronin RS 2 gimbal, with its carbon fiber body weighing only 3.3 lb and a payload of up to 10 lb. This tiny gimbal is tough enough to support and stabilize midsize cameras such as the RED Komodo-X or Canon R5C with a 24-70mm zoom lens attached. With a larger full-color OLED display, a new fine-tuning knob, and greater stability, the RS3 can become an essential part of your professional camera kit.
$70
DJI RS4 Pro
$75.00 Daily Rate
INCLUDES:
(1x) – DJI RS4 Pro Gimbal Assembly
(1x) – BG30 Battery Grip
(1x) – HDMI Mini (C) to Micro HDMI (D)
(1x) – HDMI (A) to HDMI Mini (C)
(1x)- HDMI Mini (C) to HDMI Mini (C)
(2x) – USB-C to USB-C (Straight)
(1x) – USB-C to USB-C (Right Angle)
(1x) – USB-A to USB-C
(1x) – Raveneye Wireless Video Transmitter
(1x) – Rod Adapter Plate
(1x) – Quick Release Plate- Lower
(1x) – Quick Release Plate- Upper
(1x) – Quick Release Plate- Lower Extended
(1x) – Extended Tripod Grip
(1x) – Focus Pro Motor
(1x) – Motor Rod Mount
(1x) – Briefcase Handle
(1x) – Phone Holder
(1x) – Screw Kit
(2x) – Focus Gear Strip
(1x) – Lens Support
(1x) – USB Power Charging Block
(1x) – Hard Shell Carrying Case
(1x) – 12mm Rod
Enhanced operation efficiency, native vertical shooting, and an expanded accessory ecosystem make the DJI RS 4 Pro a powerful tool for the mirrorless camera shooter. The gimbal only weighs around 2.74 lb and sports a load capacity of 10 lb capable of supporting your compact camera build. The combo includes a Focus Pro Motor with a rod mount kit, a Ronin Image Transmitter, a focus gear strip, a briefcase handle, and a carrying case. Teflon-coated axes reduce friction for a smoother balancing and operating experience. Other intuitive features include a fine-tuning knob, auto-locking OLED screen, and RSA communication port for use with expanded accessories.
$75
DJI Ronin 2 Gimbal
$350.00 Daily Rate
INCLUDES:
(1x) – Ronin 2 Gimbal
(1x) – Ronin 2 Ring Grip
(1x) – Remote Control
(2x) – TB50 Battery
(1x) – TB50 Battery Mount
(1x) – TB50 Charger
(1x) – Camera Top Cross
(1x) – Base Plate
(1x) – AKS Mount
(2x) – 15mm Rod – 9.5″
(1x) – 15mm Focus Rod Mount
(1x) – Ronin 2 Universal Mount
(1x) – Top Mounting Black
(1x) – Motion Block
(1x) – Arri Alexa Power Cable
(1x) – Arri Alexa Run/Stop Cable
(1x) – RED Power Cable
(1x) – RED Control Cable
(1x) – Gimbal Power Cable
(1x) – DC Power Cable
(1x) – D-Tap Breakout Cable
(1x) – SDI Input Cable
(1x) – SDI Output Cable
(1x) – USB-C Data Cable
(1x) – UART to D-BUS Cable
(1x) – Hard Case
(2x) – Hex Tool
(2x) – Tilt Arms Extension Stage 1
(2x) – Tilt Arms Extension Stage 2
(1x) – Remote Control Panel
(1x) – Control Panel Harness
The versatile Ronin 2 gimbal from DJI is suitable for use either handheld or mounted in a variety of ways including onto a drone, Steadicam, vehicle mount, and more. An update from the original Ronin, this motorized stabilization system is suitable for a range of camera and lens configurations, boasting a payload capacity of 30 pounds. This means it can be used for everything from DSLRs up to cinema cameras such as the ARRI ALEXA Mini or Sony FS7.
$350
Tilta Advanced Ring Grip for DJI RS Gimbals
$40.00 Daily Rate
INCLUDES:
(1x) – Top Grip
(1x) – Bottom Grip
(1x) – Wireless Control Receiver Module
(1x) – Dual-Channel Wireless Lens Control Handle
(1x) – Tilta Advanced Ring
(1x) – Carrying Case
Add stability and control to your DJI handheld gimbal stabilizer to achieve smooth, steady, creative shots with the Advanced Ring Grip from Tilta. The advanced ring grip lets you grip your gimbal from nearly any angle on its four sides, providing stability, taking the load off your arm, and creating two-handed operation when you’re shooting for longer periods of time. It also allows you to control your gimbal and camera right from the left and right powered handgrips, and to add a variety of other accessories to your rig.
$40
Tilta Float Gimbal Support System (V-Mount)
$100.00 Daily Rate
INCLUDES:
(1x) – Tilta Float Handheld Gimbal Support System for DJI RS 2 (V-Mount)
(1x) – Support Vest
(1x) – Stabilizer Arm
(1x) – Mounting Post
(1x) – Monitor Bracket
(1x) – Power Supply Baseplate
(1x) – 2-Pin to 2-Pin LEMO-Type Cable
(1x) – D-Tap to 2-Pin LEMO-Type Cable
(1x) – Wireless Thumb Controller
(1x) – Wireless Control Module Receiver
(1x) – V-Mount Battery Plate
(1x) – Tilta Adjustable Cold Shoe Phone Mounting Bracket (Black)
(1x) – Tool Kit
(1x) – Carry Case
Create dramatic, smooth cinematic moves using your DJI RS 2 handheld gimbal without back or arm strain with the Float Handheld Gimbal Support System from Tilta. The Float system features an adjustable vest, stabilizer arm, adjustable gimbal extension post, wireless thumb controller, wireless receiver module, V-mount battery plate, monitor bracket, power and control cables, smartphone mounting bracket, tool kit, and a carry case to store and transport the entire system.
$100
FLOWCINE 2-Axis Puppeteer
$95.00 Daily Rate
* Note: This kit includes the Handle Bar Grip. If you would like the Top Handle Grip please send us a message.
INCLUDES:
(1x) – FLOWCINE 2-Axis Puppeteer
(1x) – FLOWCINE Puppeteer Handle Bar Grip *
(1x) – 1/4″-20 eyebolt
(1x) – Kong Frog Carabiner
Designed to support a handheld motorized gimbal from an EasyRig system, the 2-Axis Puppeteer from Flowcine enables smooth and vibration-free operation by removing unwanted tilt and roll axis motion caused from the EasyRig cord while walking or running. Isolating the motorized gimbal from the cord also allows you to easily tilt your motorized gimbal when shooting in follow or majestic modes without having to fight against the tension of the EasyRig cord. The 2-Axis Puppeteer is compatible with the Freefly MoVI, DJI Ronin, and similar models when paired with the separately-available top handle or handlebar grips.
$95
Freefly Movi Pro Gimbal
$225.00 Daily Rate
INCLUDES:
(1x) – Freefly MoVI Pro Gimbal
(1x) – Freefly MoVI Pro Ring
(1x) – Ignite Digi TB50 Battery Adapter
(1x) – DJI TB50 Intelligent Battery
(1x) – DJI TB50 Charging Hub
(1x) – DJI TB50 180W Power Adapter
(1x) – Ignite Digi Power Expansion Pack
(1x) – Freefly MoVI Pro Adjustable Camera Plate
(1x) – Freefly Movi Pro Adjustable Camera Top Plate
(1x) – CineMilled MoVI Pro PRO Dovetail (Lower)
(1x) – 2.5mm Allen Wrench
(1x) – 2mm Allen Wrench
(1x) – MoVI Hard Case
Get up and ready to shoot smooth handheld footage with FREEFLY‘s MōVI Pro Handheld Bundle. Consisting of the MōVI Pro motorized gimbal stabilizer, MōVI Ring Pro handle, and the MIMIC controller, this kit can perform in either single or dual-operator configurations.
$225
Ken-Lab Kenyon 6×6 Gyro Kit
$200.00 Daily Rate
INCLUDES:
(1x) – Kenyon 6×6 Gyro
(1x) – Kenyon Battery
(1x) – Kenyon Battery Charger
(1x) – Kenyon Car Adapter Cable
(1x) – Round-Edge Power Cable
(1x) – Manfrotto Sled
(1x) – Manfrotto Plate
(1x) – 1/4″-20 Camera Screw
(1x) – 3/8″-16 Camera Screw
If you’re searching for a gyro, you already know how useful they are for removing unwanted camera movement. There are practical applications for both stills and video capture. In the realm of still photographs, a gyro gives you the ability to shoot at much lower shutter speeds when use of a tripod is inconvenient or impossible. Such applications would be shooting from a vehicle (car, boat, plane, helicopter) or structures that are inherently unstable & prone to vibration such as a bridge. Shooting car to car tracking shots is possible at shutter speeds below 1/30th of a second which results in beautiful background blur.
Gyros have a wide range of applications for video. Most obvious is stabilization while shooting from helicopters or aircraft. The thing to remember with Gyros is that they are designed to be stable and lock-on to a heading. When utilizing them for video, it is important to make any camera movements slow and deliberate. If you try to pan or tilt too quickly the unit will kick back destabilizing your shot. Smooth and deliberate movements are the key to getting great footage.
$200
Inertia Wheels MAX 3-Axis Pro Kit
$300.00 Daily Rate
INCLUDES:
(1x) – Inertia Wheels MAX 2-Axis Controller
(1x) – Third Axis Wheel
(1x) – Accessory Bracket
(1x) – Wireless Receiver
(1x) – 24v Power Supply and Cable
(1x) – XLR Power Cable
(1x) – D-Tap Power Cable
(1x) – 6″ Third Axis Cable
(1x) – 12′ Third Axis Cable
(2x) – Inertia Wheels Freefly Com Cable
(2x) – Inertia Wheels Ronin Cable
(1x) – 20ft Hardwire Cable
(1x) – 900 MHz TX Antenna
(1x) – 900 MHz RX Antenna
(1x) – 2.4 GHz TX Antenna
(1x) – 5′ USB-A to USB-Micro Cable
(1x) – 5′ USB-C to USB-Micro Cable
The NODO Inertia Wheels MAX 2-Axis is a wireless long-range digital camera controller featuring proprietary, patented MAX Inertia Motors™ inside the wheels. Operators can use both mass and drag to help both creatively and technically to achieve difficult and creative shots. The Inertia Wheels are compatible with Freefly MōVI, DJI Ronin, and more gimbals. The controller has dual-band, long-range 400-950MHz+2.4GHz wireless communication beyond 1 mile with a fast refresh rate of 100Hz. Optional hardwire connection of up to 2000ft.
$300
MOVMAX N2 Air Arm Car Mounting System
$300.00 Daily Rate
Compatible with DJI Ronin 2 and FREEFLY MÅ VI Pro gimbals, the MOVMAX N2 Air Arm Car Mounting System allows you to mount your gimbal on a vehicle for smooth car-mounted shots. The system features the main N2 Air arm and horizontal compensation vibration isolator to facilitate both horizontal and vertical adjustments, offsetting any unwanted movement. Roller bearings and a hydraulic air pump with a maximum pressure of 300 Pa accommodates rough terrain and jostling during vehicle movement.
The system has an 88 lb load capacity and 11.8″ maximum arm length. Its Mitchell mounting plate secures your gimbal of choice in both underslung and upright orientations, while an integrated safety tether keeps everything secure. Also included in the system are a battery mounting bracket and a wireless transmission mounting bracket to keep your footage rolling and monitor it remotely. A flight case stores all the components for transport to your next shoot
$300
Rigs
EasyRig MiniMax
$70.00 Daily Rate
INCLUDES:
(1x) – EasyRig Quick Release System with Threaded Ball Studs
(1x) – Carrying Case
Ideal for documentaries, news, events, and more, the Easyrig Minimax with Quick Release is designed for productions requiring extensive handheld camerawork with cameras weighing 4.4 to 15.4 lb. Rather than uncomfortably handholding your camera and supporting the weight with your arms, the Minimax redistributes the weight of your camera setup through the body harness. Taking the weight off your arms enables you to hold the camera steady for longer periods of time while reducing fatigue.
$70
EasyRig Boom Rig
$100.00 Daily Rate
INCLUDES:
(1x) – Easyrig Boom Rig
(1x) – Carrying Case
Transfer the weight of your boompole to your hips and make long shoot days more bearable using the Easyrig Boom Rig. The rig features a vest with breathable material and an upper support arm with both height and weight adjustment capabilities to accommodate poles weighing between 5.5 and 22 lb and up to 19.7′ long. Your boompole slides easily into the boom hook, where integrated rollers ensure smooth movements within a 41.7″ pivot range. When not in use, your boompole can be secured to your side with the side hook. A mixer holder can secure your mixer unit to the front of the vest for easy access.
$100
EasyRig Vario 5 with 9″ Extended Arm
$150.00 Daily Rate
INCLUDES:
(1x) – Easyrig Vario 5 w/Cinema 3 Vest
(1x) – 5″ Extended Arm
(1x) – Carrying Case
(1x) – EasyRig Standard Camera Hook
The Easyrig Vario 5 with Cinema 3 Vest and 9″ Extended Arm is a body-worn support system that is adjustable to support camera rigs weighing 11 to 38 lb. The system works by using a suspension line to support the weight of the gimbal rig, taking the load off your shoulder, neck, and arm muscles, and distributing it across your torso. The tension line is adjustable by turning a screw in the back, letting you dial in the appropriate amount of tension for your rig. The system consists of the Cinema 3 double shoulder vest, a Vario 5 standard support bar, and a 9″ extended support arm. A carrying bag is also included for convenient storage and transport of the Easyrig system.
$150
EasyRig Vario 5 with Serene Arm
$175.00 Daily Rate
INCLUDES:
(1x) – Easyrig Vario 5 w/Gimbal Rig Vest
(1x) – 5″ Extended Arm w/Flowcine Serene
(1x) – Carrying Case
(1x) – Kong Frog Clamp and Eye Bolt
The ERIG-V-SE Vario 5 from Easyrig is a body-worn support system that takes the weight off your back, neck, and shoulders and distributes it to your hips. Designed for supporting cameras or even entire rigs ranging from 11 to 38 lb, this system enables you to capture steady handheld shots in comfort for hours while giving you the ability to relax your arms. The ERIG-V-SE Vario 5 comes with a standard Cinema vest and a standard arm. Additionally, it comes with a FLOWCINE Serene two-axis spring arm stabilizer preinstalled.
$175
Ready Rig GS Vega Kit
$140.00 Daily Rate
INCLUDES:
(1x) – Ready Rig GS VEGA + ProArm Kit
(2x) – Shoulder Mounts
(2x) – Carbon Fiber Support Rods
(2x) – Rear Tension Cables
(2x) – Universal Gimbal Attachments
(1x) – Carrying Case
Use the Ready Rig GS Stabilizer + ProArm Kit to transfer the weight of a gimbal-mounted camera away from an operator’s arms and shoulders. By redistributing the load to the user’s hips and core, this rig enables you to extend your shooting time and lessens operator fatigue. It also reduces the bounce motion sometimes seen during handheld gimbal shots. The Ready Rig GS Stabilizer works with any gimbal in standard or underslung mode. This rig has been fitted with The Ready Rig VEGA Upgrade v2 which adds an improved lift system that ensures better shock absorption, better stability, and more balanced boom action. At the same time, it redistributes the weight of your load to your legs and core, so you also get reduced fatigue and can shoot for longer times.
$140
Ready Rig Nimbus Crossbar Upgrade
$35.00 Daily Rate
Add the Nimbus Crossbar Upgrade Kit to your preexisting Ready Rig support vest configuration to capture floaty yet precise handheld shots. The kit features a crossbar with multiple 1/4″-20 and 3/8″-16 threads to mount your equipment and a locking quick-connect module with interchangeable 1/4″-20 and 3/8″-16 threaded ball heads for camera mounting. Switch between short and long composite rope lengths. The kit supports loads up to 40 lb, easily accommodating cine rigs. An independent monitor mount ensures you can visualize your shots even when the camera is not at eye level.
$35
Ready Rig Quick Connects v2 Upgrade
$15.00 Daily Rate
The ultimate solution for effortless and precise camera control. Our Quick Connects v2 allows you to easily connect your Ready Rig to your gimbal ring, making hooking up and operating your gear quicker and more efficient than ever before.
$15
Cinema Devices Ergo Rig
$100.00 Daily Rate
INCLUDES:
(1x) – Ergorig
(1x) – Undersling Accessory
(1x) – Carrying Bag
The Ergorig Lightweight Body-Mounted Harness from Cinema Devices is an innovative body vest for shoulder-mounting a camera without putting any stress on the spine. It supports heavy-duty loads, such as a fully-accessorized ARRI ALEXA 65, and 100% of the weight is distributed to the hips.
$100
Motion Control
Kessler CineShooter+ Motion Control Kit
$300.00 Daily Rate
INCLUDES:
(1x) – Kessler CineShooter+ Pan & Tilt Head (Gold Mount)
(1x) – Kessler Adjustable Arca-Swiss Mounting L-Bracket
(1x) – Kessler CineShooter 12V 5A Power Supply
(1x) – Kessler CineShooter 3″ USB-C Cable
(2x) – Kessler Kwik Release V2
(1x) – Kessler CineShooter Smart Handle
(1x) – Kessler Kwik Stand XL
(1x) – Kessler Kwik Stand 15mm Rod Adapter w/ Height Adjustment Bracket
(1x) – Kessler CineShooter Caddy for NODO Inertia Wheels
(1x) – Kessler CineShooter Cable for NODO Inertia Wheels
(2x) – 1/4-20 Mounting Screw
(2x) – 3/8-16 Mounting Screw
(2x) – 1/8 Mounting Screw for NODO Caddy
(1x) – 5/32 Allen Key
CineShooter+ is the strongest, most precise, and quietest motion control system in its class. It’s a natural evolution of the previous generation high-end motion control head, CineShooter. Built on the same form factor, its ability has been increased while retaining a similar price point. The gearbox has been upgraded to a modified helical planetary design that is 40% stronger than the previous version with virtually no lash (less than .01 degree). It also includes an OLED display that is bigger, daylight visible, and does not distort in extreme temperatures. A huge milestone for CineShooter+ is that it is now optimized for Unreal Engine with kOS Premium’s tracker-less integration feature expanding its potential to a whole new level.
$300
Kessler Crane Second Shooter Kit
$70.00 Daily Rate
INCLUDES:
(1x) – Kessler Crane Second Shooter Pan/Tilt Head
(1x) – Kessler Crane Second Shooter AC Power Supply
(1x) – Kessler Crane Second Shooter Cat 5 Cable (1′)
(4x) – Kessler Crane Second Shooter Cat 5 Cable (6′)
(1x) – Kessler Crane Second Shooter Controller
(1x) – Kessler Crane Second Shooter Slider Motor
(1x) – Kessler Second Shooter Cineslider/Stealth Motor Mount
(1x) – Kessler Second Shooter D-Tap to 12 VDC Adapter Cable
(1x) – Kessler Kwik Short Camera Plate
(1x) – Kessler Second Shooter Cat 5 Extender
(1x) – Kessler Crane Second Shooter Hard Case
(1x) – 1/4-20 Mounting Screw
(1x) – 3/8-16 Mounting Screw
(2x) – 10/32×1/2″ Thumbscrew
(1x) – Large Hex Stickered Pulley
(1x) – Small Hex Stickered Pulley
The Second Shooter PRO Slide/Pan/Tilt System features the Kessler Crane Second Shooter controller, a slider motor, and pan/tilt head combo, altogether allowing 3-axis repeatable motion control with up to 10 keyframes on each axis. The slider motor is compatible with the Kessler CineSlider, Stealth, and Philip Bloom sliders. The pan/tilt head mounts on the slider via mounting threads on the bottom. Both connect to the controller using included Cat 5 cables. A companion iOS/Android app works from up to 200′ away over Wi-Fi and lets you adjust settings and remotely operate the system. Also, optional camera-specific Kessler cables, such as MFR#s MC1017 and MC1035, can be used for time-lapse and stop-motion capture.
$70
Kessler CineShooter Heavy Duty Support Module Kit
$40.00 Daily Rate
The Heavy Duty Support Module is an add-on accessory for the CineShooter Pan & Tilt Head that increases the maximum camera weight capacity from 15lbs to 25lbs. Even at max weight, users can shoot perfectly smooth and repeatable camera motion without stutter, jitter or hardware crashing common with other heads on the market.
$40
Kessler CineShooter Roll Axis Upgrade
$75.00 Daily Rate
The CineShooter Roll Axis adds the ability to perform roll movements with your CineShooter Head adding another level of creative options to the already powerful and feature-rich CineShooter platform. It requires the use of the Heavy Duty Support Module.
The Heavy Duty Support Module is an add-on accessory for the CineShooter Pan & Tilt Head that increases the maximum camera weight capacity from 15lbs to 25lbs. Even at max weight, users can shoot perfectly smooth and repeatable camera motion without stutter, jitter or hardware crashing common with other heads on the market.
Barrel rolls, Dutch angles, and more become possible with this add-on.
$75
Additional Axis
Kessler Lens Control Motor
$50.00 Daily Rate
The Lens Control Motor allows for external lens focus, iris, or zoom (FIZ) control with CineShooter or Second Shooter (any generation). Featuring rails on each side of the motor which allow you to not only slide the clamp but also rotate 180 degrees for tons of configurations. Includes Lens Control Motor, (1) Adjustable Lens Gear, and (1) CAT5 Cable.
$50
Kessler Crane Standard Slider Motor
$50.00 Daily Rate
The Slide Motor is compatible with both our Second Shooter and CineShooter Motion Control systems and eliminates the need for additional motors due to its quick-change pulley system.
$15
Kessler High Torque 500 Series Motor
$50.00 Daily Rate
The High Torque Slide Motor is compatible with both our Second Shooter and CineShooter Motion Control systems and is recommended for inclined and/or vertical slider moves with heavier camera rigs up to 50 lbs.
$50
Kessler High Speed / Ultra Quiet Slide Motor
$50.00 Daily Rate
The High Speed/ Ultra Quiet Slide Motor is compatible with both our Second Shooter and CineShooter Motion Control systems and is built with a gearing ratio that will allow for higher speeds and Ultra Quiet operations. However, this faster gearing ratio does result in a loss of motor torque, limiting this motor to purely horizontal slider setups. The High Speed/Ultra Quiet Slide Motor is near silent at normal interview speeds. *High Speed/ Ultra Quiet Slide Motor is only intended for horizontal slider configurations.
$50
Sliders
Kessler Traveler Stealth Slider (28.5″)
$50.00 Daily Rate
INCLUDES:
(x1) – Kessler Crane Traveler Length Stealth Slider (28.5″)
(x1) – Kessler Crane Rigid Slider Case (Mini/Traveler)
(x1) – 5/32″ Hex Key
(x4) – 1/4″-20 Flathead Countersunk Screw
(x1) – Kessler Crane Flat Mount Adapter
The Traveler Length Stealth Slider from Kessler Crane combines the lightweight portable rail and carriage system of the standard Pocket Dolly with the adjustable drag control of the CineSlider. Supporting loads up to 15 lb, this slider offers 19″ of camera travel. It can be center mounted on a tripod or supported by two tripods or stands using mounting threads at the ends of the slider.
$45
Kessler 3′ CineSlider
$40.00 Daily Rate
INCLUDES:
(1x) – CineSlider 3′
(1x) – Crank
(2x) – All-Terrain Outrigger Feet
(1x) – Flat Mount Adapter
(1x) – SporTube Hard Shell
The CineSlider from Kessler Crane is a belt-driven, heavy-duty camera slider supporting up to 80 lb, and this model measures a total length of 40.5″, it has a total weight of 9.1 lb, and a travel distance ofno-search 35.5″. The slider is made of reinforced aluminum, and the slide rails are on the inside, where they’re better protected.
$40
Kessler 5′ CineSlider
$40.00 Daily Rate
INCLUDES:
(1x) – CineSlider 5′
(1x) – Crank
(2x) – All-Terrain Outrigger Feet
(1x) – Flat Mount Adapter
(1x) – Protective Case
The CineSlider from Kessler Crane is a belt-driven, heavy-duty camera slider supporting up to 80 lb, and this model measures a total length of 60.5″, it has a total weight of 12 lb, and a travel distance of 51″. The slider is made of reinforced aluminum, and the slide rails are on the inside, where they’re better protected.
$50
Kessler Crane Parallax for 5′ CineSlider
$20.00 Daily Rate
Achieve shots that were once only possible with advanced motorized setups with the Kessler Crane Parallax. This model is sized to fit the 5′ Cineslider and provides fixed-point shooting capability. Using a flexible bar and a mechanical linkage, the Parallax can easily facilitate inward and outward panning motions to accompany the horizontal slider movement. This can be used, for example, to fix the camera on one subject during the slide; great for interviews and other shots of still subjects. Setting up is as easy as setting your camera’s position at each end of the move’s travel.
$20
Accessories
Daily Rate
Monitoring
Production Monitors
SmallHD
SmallHD Focus 5″ SDI Monitor Kit
$25.00 Daily Rate
The SmallHD FOCUS SDI monitor provides a daylight viewable display in a convenient form factor. Easily attach the FOCUS to your camera or rig using the included SmallHD Tilt Arm: a lightweight, camera-top mounting solution.
$25
SmallHD Indie 5 Monitor Kit
$65.00 Daily Rate
Indie 5’s hyper-responsive touchscreen display, with 1080p resolution, is backed by PageOS 5. With Indie 5, you’ll be able to access our intuitive UI/UX for at-a-glance adjustments and effortless navigation, integrated tools for more accurate exposure and color control, Look-Around Camera Control, EL Zone, Advanced Teradek RT overlays, and so much more.
$65
RED RCP2 (DSMC3) Control for SmallHD Indie 5 Monitor
$25.00 Daily Rate
Our Indie 7 RED® RCP2™ Kit bundles everything you need to control your RED® KOMODO® or RED® V-RAPTOR™ (DSMC3™) camera from SmallHD’s Indie 7 monitor. Each component of the kit has been designed to pair our Indie 7 with your camera, helping simplify shoots by giving you camera control from the touchscreen monitor.
$25
SmallHD 503 Monitor Kit
$65.00 Daily Rate
The 503 Ultrabright On-Camera Monitor, a monitor built for every environment, features a daylight viewable screen, durable design, professional software toolset, and two user function buttons. The 503 Ultrabright is made of a mill aluminum housing with optically bonded gorilla glass display, making this one of the most durable monitors in the field.
$65
SmallHD Ultra 5 Bright Touchscreen Monitor Kit
$65.00 Daily Rate
Add an ultra-bright monitor to your production rig with the SmallHD ULTRA 5 Bright Touchscreen Monitor, which features a 3000 bright cd/m² display for viewing in just about any indoor or outdoor environment. The 5″ 1920 x 1080 touchscreen LCD provides a sharp image and 10-bit 4:2:2 Rec. 709 color processing, ideal for focus pulling and image analysis on set and in the field.
The ULTRA 5 features HDMI and 3G-SDI inputs and outputs, and it also features physical buttons for use in conditions that might require gloves. It can also be used to control your camera, features a 5-pin USB port for optional RED camera control, and has an Ethernet port for optional ARRI and Sony VENICE camera control. All the functionality of the monitor is available via PageOS 5, which provides advanced functionality with a simple and efficient graphical user interface.
$65
SmallHD Indie 7 Monitor Kit
$75.00 Daily Rate
Indie 7 is the vivid, lightweight entry model into SmallHD’s professional 7-inch touchscreen monitor series. This hyper-responsive touchscreen monitor is powered by the user-customizable PageOS 4 software, with a host of internal imaging assistance tools such as Focus Assist, Exposure Assist, and more. Housed in a lightweight, rugged, and thin aluminum chassis, the Indie 7 is designed for heavy production use. Indie 7 provides a personalized viewing experience designed to improve your workflow. Backed by 1000 nits of brightness, the Indie 7 can be viewed in direct sunlight, allowing you to monitor your production regardless of environment or time of day.
$75
RED RCP2 (DSMC3) Control for SmallHD Indie 7 Monitor
$25.00 Daily Rate
The lightweight INDIE 7 Touchscreen On-Camera Monitor from SmallHD provides professional monitoring in a sharp 7″ IPS LCD with 1920 x 1200 resolution, 10-bit color processing, 1000 cd/m² brightness, 1000:1 contrast ratio, touchscreen control, and updated SmallHD PageOS 4 firmware. It features HDMI and 3G-SDI inputs and outputs, and it supports up to UHD 4K video input via HDMI.
The INDIE 7 is powered using the included L-series battery plate or using the 2mm barrel input with a DC adapter. It can also be powered using separately available Gold mount or V-mount battery plates. An SD card slot allows you to import custom 3D LUTs and a micro-USB port to provide upgrades to the display. Four 1/4″-20 threads allow you to mount the monitor in a variety of configurations. The 3.5mm headphone jack allows you to monitor the embedded audio from the HDMI or 3G-SDI inputs. Control the RCP2 functions on your RED DSMC3, V-RAPTOR, DSMC2, or KOMODO camera when using a breakout box such as a Wooden Camera B-Box with this Monitor/Camera Control Cable from SmallHD. This purpose-built cable allows your RED camera to be controlled via a breakout box using a SmallHD monitor such as the FOCUS Pro when it has the RED control software installed. It can be used with other RED-compatible SmallHD monitors with a micro-USB control port when using an optional micro-USB to 5-pin LEMO-type adapter
$25
SmallHD Cine 7 Monitor Kit
$100.00 Daily Rate
Cine 7 is the ultimate 7” on-camera HD monitor for cinematographers, offering a color accurate wide-gamut display, cinema camera control, and 4K and HDR compatibility. View your production in full sunlight thanks to 1800 nits of brightness and save your favorite tools, functions, and setting pages in one tap with PageOS 4. The Full HD 7-inch IPS LCD display with 1920×1200 resolution ensures a clear look at your production, while 10-bit color processing in 100% DCI-P3 offers color accuracy. This guarantees the image on screen reflects what’s being captured by the camera. No matter the time of day, environment, or sunlight, you’ll get a clear, glare-free view of your monitor thanks to 1800 nits of brightness.
$100
Sony Control for SmallHD Cine 7 Monitor
$25.00 Daily Rate
This kit comes with a Cine 7 Monitor, Sony BURANO, FX6, VENICE and VENICE 2 Camera Control Software License, and Control Cable (Ethernet). Unlock access to Sony VENICE and VENICE 2 with this software license for Cine 7 monitors. Tap into the internal camera settings with intuitive touchscreen configuration tools.
$25
SmallHD Cine 7 Monitor 500 TX Kit
$125.00 Daily Rate
The lightweight 7″ SmallHD Cine 7 On-Camera 500 TX Monitor provides professional monitoring in a sharp 7″ display suitable for outdoor use. The Cine 7 supports up to UHD 4K HDMI output as well as various HD and SD formats via one full-size HDMI input, one HDMI output, one 3G-SDI input, and one 3G-SDI selectable input/output.
$125
RED DSMC2 Control for SmallHD Cine 7 TX Monitor
$25.00 Daily Rate
Our Cine 7 RED® DSMC2™ Kit bundles everything you need to control your RED® DSMC2™ camera from SmallHD’s Cine 7 monitor. Each component of the kit has been designed to pair our Cine 7 with your camera, helping simplify shoots by giving you camera control from the touchscreen monitor.
$25
SmallHD 703 Monitor Kit
$150.00 Daily Rate
The 703 Ultrabright On-Camera Monitor is built for every environment, featuring a daylight viewable screen, durable design, professional software toolset, and five user function buttons. The 703 Ultrabright is made of an aluminum housing with optically bonded gorilla glass display, making this one of the most durable monitors in the field.
$150
SmallHD ULTRA 10 Bolt 6 RX 1500 Monitor (Gold Mount) Kit
$300.00 Daily Rate
Integrate a large, ultra-bright monitor into your production with this ULTRA 10 Bolt 6 RX 1500 Monitor from SmallHD. Boasting a 2000 cd/m² display for viewing in just about any indoor or outdoor environment, the 10″ monitor features a 1920 x 1200 touchscreen QD-LCD, an integrated Bolt 6 receiver with a wireless range up to 1500′, HDMI 2.0, and 6G-SDI inputs/outputs supporting up to 4K30 resolutions. Easily control ARRI, Sony, and RED cinema cameras from the monitor thanks to the 5-pin USB and Ethernet control ports (requires separately available licenses and cables). The device powers via 2-pin LEMO ports using an optional battery attached to the integrated Gold mount battery plate.
$300
SmallHD Cine 13″ 4K Monitor Kit
$175.00 Daily Rate
Cine 13 is an agile, brilliantly bright, and pixel-dense 4K production monitor designed for those on-set creatives who require critical focusing capability and a large display. Low-profile in design, this field companion can be rigged for almost any situation. And, weighing in at only 6.8lbs, the Cine 13 is making monitoring in 4K more portable than ever. The Cine 13” 4K High-Bright Monitor boasts over 1500nits of brightness, ensuring an unobstructed look at your production in full sunlight without the need for a sunhood or viewing tent. The 13-inch screen has a 3840 x 2160 resolution and full 4K clarity, as well as 10-bit color depth for color-accurate images.
$175
SmallHD 1703 P3X Monitor Kit
$225.00 Daily Rate
See beyond the restricted color and contrast of conventional monitoring with the SmallHD 1703 P3X 17″ Production Monitor. Featuring wide color gamut (P3) and true 10-bit color with calibration capabilities, the 1703 can display a large brightness range, encompassing log formats and other expanded-range picture styles.
$225
SmallHD Cine 18″ 4K Monitor Kit
$200.00 Daily Rate
Add a professional UHD 4K monitor to your DIT station, video village, or studio with the Cine 18″ 4K High-Bright Production Monitor from SmallHD. Featuring the updated SmallHD OS4.1, the monitor provides a crisp 4K image with 3840 x 2160 resolution, 10-bit (8+2 FRC) color intelligence, 1300:1 contrast ratio, and 1100 cd/m² brightness for use outdoors.
$200
SmallHD Cine 24″ 4K Monitor Kit
$250.00 Daily Rate
Add a professional UHD 4K monitor to your studio with the Cine 24″ 4K High Bright Pro Monitor from SmallHD. Featuring the updated SmallHD OS4.1, the monitor provides a crisp image with 10-bit DCI-P3 color intelligence, 1350 cd/m² brightness, and a 1000:1 contrast ratio.
$250
SmallHD 3203 HDR Monitor Kit
$200.00 Daily Rate
See beyond the restricted color and contrast of conventional monitoring with the SmallHD 3203 HDR 32″ Production Monitor. Featuring true HDR rendering backed by a 10-bit Color Intelligence engine with calibration capabilities, the 3203 can display a large brightness range, encompassing log formats and other expanded-range picture styles.
$200
Atomos
Atomos Ninja V 5” Recording Monitor Kit
$50.00 Daily Rate
If you’re shooting with an 8K camera, then why not The Atomos Ninja V 5″ 4K HDMI Recording Monitor is a 5″ on-camera monitor/recorder that records and plays back up to DCI 4K and records to purpose-built mini-SSDs. This monitor can record Apple ProRes RAW up to DCI 4K60 directly from the sensor of select cameras. Display features include a 10-bit screen with a brightness of 1000 cd/m² AtomHDR technology for accurate monitoring of your log gamma footage, plus support for popular log formats from Sony, ARRI, Canon, JVC, Panasonic, Nikon, RED, Sony, and Z CAM cameras.
$50
Atomos Ninja V+ Recording Monitor Kit
$65.00 Daily Rate
If you’re shooting with an 8K camera, then why not record in 8K raw format using the Ninja V+ 5.2″ 8K HDMI H.265 Raw Recording Monitor from Atomos. The Ninja V+ is the same on-camera monitor/recorder as its predecessor the Ninja V 5″, but the Ninja+ now features a 5.2″ display and records and plays back up to 8K30 raw video to and from purpose-built mini-SSDs.
The Ninja V+ can record Apple ProRes RAW up to 8K30 or DCI 4K120 directly from the sensor, and it is compatible with an array of cameras. Display features include a 10-bit screen with a brightness of 1000 cd/m² AtomHDR technology for accurate monitoring of your log gamma footage and support for popular log formats from Sony, Canon, JVC, Panasonic, Nikon, RED, Sony, and Z CAM cameras.
$65
Atomos Ninja Inferno 7″ Monitor Kit
$45.00 Daily Rate
Able to record DCI and UHD 4K signals at up to 60 fps, the Atomos Ninja Inferno makes a great companion to cameras and camcorders that output uncompressed video over HDMI. The monitor itself features 10-bit FRC processing and AtomHDR display technology that supports a 10-stop brightness range, allowing you to more accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor offers built-in presets to accurately translate popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remained unaltered.
$45
Atomos Shogun Flame 7″ Monitor Kit
$65.00 Daily Rate
The Atomos Shogun Flame is a 7″, 1920 x 1200 on-camera recording monitor that combines 4K recording with a 10-bit FRC panel that supports native display of HDR (log) footage as well as high brightness viewing of Rec. 709 footage. It utilizes 4K HDMI and 12G-SDI inputs to support clean output signals at resolutions up to UHD 4K (3840 x 2160), recording it to 2.5″ SSDs using 10-bit, 4:2:2 Apple ProRes and Avid DNxHR codecs. It even supports DCI 4K (4096 x 2160) raw video streams over SDI from select Sony and Canon cameras, encoding it as ProRes/DNxHR files.
$65
Atomos SUMO 19″ Monitor Kit
$125.00 Daily Rate
With an upgraded 19″ 1920 x 1080 IPS touchscreen display and 1200 cd/m² brightness, the Atomos Sumo 19″ SE HDR Monitor, Recorder, and Switcher maintains the same 4K recording, monitoring, and switching capabilities of its predecessor with a sharper and brighter display.
$125
Accessories
Decimator DMON-QUAD Kit
$25.00 Daily Rate
The DMON-QUAD from DECIMATOR is a compact 4-channel 3G-SDI multiviewer and multiplexer for use in studios, post houses, and other professional video applications. It supports a variety of resolutions and formats up to 1080p60 over SDI, and can arbitrarily mix formats and aspect ratios. The four SDI inputs can be output simultaneously over the HDMI or SDI outputs for a quad-view display. Tally information can be supplied via the RJ-45 connector.
$25
AJA U-TAP USB 3.0 (3.2 Gen 1) Powered SDI Capture Device
$20.00 Daily Rate
Capture 3G-SDI video on your computer or laptop with this U-TAP USB 3.0 (3.2 Gen 1) Powered SDI Capture Device from AJA. The compact converter fits in your pocket and features a 3G-SDI input and a 3G-SDI output, and it features a USB 3.0 (3.2 Gen 1) Type-B output, which is also backward compatible. The U-TAP SDI supports frame rates up to 1080p60 and supports auto-scaling. The SDI loop-through outputs the source SDI signal to monitors, switchers, and other destinations. Embedded stereo audio is also supported and sent through the USB output to your computer. A wide range of Windows, macOS, and Linux software is supported, and no additional drivers are required. The unit is powered over the USB Type-B connection using the included cable.
$20
Avinair Spitfire Pro 1×2 HDMI Splitter
$8.00 Daily Rate
The Spitfire Pro 1×2 HDMI Splitter from Avinair splits a single HDMI input signal into two HDMI output signals without compression. The Spitfire Pro splitter supports video resolutions up to UHD 4K, 12-bit Deep Color, 3D, and Dolby TrueHD, as well as DTS-HD Master audio formats.
$8
Atomos Connect 4K
$15.00 Daily Rate
The Atomos Connect 4K provides HDMI to USB conversion for live streaming applications. It allows you to run an HDMI signal to your Mac or Windows computer’s USB port for use in streaming applications such as OBS, Twitch, and YouTube Live. Connect 4K accepts up to a UHD 4K30 HDMI signal and outputs up to a 1080p60 signal over USB. You can connect an HDMI camera to use as a webcam, gaming systems for live streaming gameplay, monitor signals, and signals from various other devices. When used with the Atomos Shogun 7 monitor, which is capable of recording and switching four 1080p60 signals, Connect 4K allows you to send the switched feed to your computer for streaming.
Connect 4K automatically converts your HDMI input to the universal USB Video Class standard (UVC) for compatibility with popular CDN platforms that supports UVC, such as Skype, MS Teams, Zoom, Twitch, YouTube, and many more. It can also be used with professional streaming applications such as OBS, StreamLabs OBS, Wirecast, and X-Split for enhanced multimedia streaming. The pocket-size design of Connect 4K makes it a handy and very easy-to-use device. Connect 4K is powered from your computer’s USB port and requires no external power supply. It supports up to 49′ HDMI AWG26 certified cables.
$15
Atomos Connect Split | SDI
$10.00 Daily Rate
With the Atomos Connect Split | SDI you can distribute a single SD, HD, or 3G-SDI signal to up to four separate displays or recorders. This is especially useful for sending the same signal to a director’s monitor, client monitor, recorder, and analyzer simultaneously.
$10
Blackmagic Design ATEM SDI Pro ISO Switcher
$45.00 Daily Rate
The ATEM ATEM SDI Pro ISO Switcher from Blackmagic Design is a four-input live-production switcher with an integrated control panel designed for multi-camera live streaming up to HD video to the internet via Ethernet output. It features a USB output that allows you to record the program output as well as record the individual 3G-SDI inputs to an external USB drive (not included). In addition to recording the program stream and individual inputs, the ATEM Mini Pro ISO also records the embedded audio and analog audio inputs, generating a DaVinci Resolve project file of your live stream. This allows you to take your live production into DaVinci Resolve to make tweaks or adjustments using the source material that is already on your USB drive.
$45
Blackmagic Design Mini Converter Heavy Duty – HDMI to SDI
$20.00 Daily Rate
The Mini Converter Heavy Duty – HDMI to SDI from Blackmagic Design is an extremely rugged device that accepts an HDMI signal converts it to a 3G/HD/SD-SDI output (a second loop-through SDI output is also provided). To the SDI output signal you can choose to embed the HDMI audio or the signals from the balanced AES/EBU or L/R analog audio inputs. Use this device to convert video from sources such as prosumer camcorders, or add SDI outputs to computers with HDMI or DVI outputs (DVI input via converter – not included) so you can integrate it into your SDI-based video system. Converters in the Mini Converter Heavy Duty range are machined from a solid block of aircraft-grade aluminum and are generally designed to resist damage from rough use, whether outdoors or just in the course of live production. This super-strong Heavy Duty converter can withstand being run over by a truck and keep working. Its BNC and audio connections are protected by outcroppings of the aluminum body, unlike those on the standard Mini Converter line. The converter features scratch-resistant laser-etched labeling, non-slip rubber feet, and a dust-resistant rubber boot that covers the mini configuration switches from dust and dirt.
$20
Blackmagic Mini Converter HDMI to SDI 4K
$15.00 Daily Rate
The Mini Converter HDMI to SDI 4K from Blackmagic Design allows you to convert HDMI to SD, HD, 3G, or 6G-SDI in resolutions up to Ultra HD 4K (3840 x 2160) and DCI 4K (4096 x 2160). This is useful for connecting consumer devices that output HDMI signals with professional SDI video equipment. With a compact form factor and easy-to-use controls, the Mini Converter is ideal for a variety of broadcast, post production, and professional AV applications. Using 4K HDMI and 6G-SDI technologies, the Mini Converter supports resolutions up to UHD 4K at up to 30 fps and DCI 4K at 24 fps. It automatically detects the input video format and instantly changes between SD, HD, and UHD/DCI 4K formats. The two 6G-SDI outputs also support SD and HD-SDI signals for integration into existing workflows. Both 6G-SDI outputs send duplicate signals. Audio is embedded in the SDI output from either the HDMI input or from the two 1/4″ input jacks which support 2-channel AES/EBU digital audio or balanced analog audio. The Mini Converter’s settings are controlled using the built-in DIP switches or via USB using the control software for Max OS X or Windows computers, which can be downloaded on Blackmagic Design’s website. The USB port also enables the firmware to be updated. For powering the device, a 12V power supply is included with international socket adapters.
$15
Blackmagic Mini Converter 6G-SDI to HDMI 4K
$15.00 Daily Rate
The Mini Converter 6G-SDI to HDMI 4K from Blackmagic Design allows you to convert single link SD/HD/3G/6G-SDI to a single 4K HDMI output. This allows you to use professional SDI equipment which outputs Ultra HD 4K (3840 x 2160) and DCI 4K (4096 x 2160) video signals with projectors and televisions that support 4K over HDMI. With a compact form factor and easy-to-use controls, the Mini Converter is ideal for a variety of broadcast, post production, and professional AV applications. Using 4K HDMI and 6G-SDI technologies, the Mini Converter supports resolutions up to UHD 4K at up to 30 fps and DCI 4K at 24 fps. The Mini Converter also supports single link SD, HD, and 3G-SDI signals and automatically detects the input video format and instantly changes. When connecting to UHD sources and the HDMI output detects an HDTV or HD monitor, the output signal is automatically down-converted from UHD to HD. A redundant SDI input is provided as an optional back up, and an SDI loop-through output is available for sending the SDI signal to an additional device. SDI input audio is de-embedded and available via the HDMI output or the 1/4″ output jacks as AES/EBU digital audio or balanced analog audio. The Mini Converter’s settings are controlled using the built-in DIP switches or via USB using the included software for Max OS X or Windows computers. The USB port also enables the firmware to be updated. For powering the device, a 12V power supply is included with international socket adapters.
$15
Blackmagic Design Micro Converter HDMI to SDI
$10.00 Daily Rate
With the Blackmagic Design HDMI to SDI Micro Converter you can convert a single high-definition HDMI signal into two 3G-SDI signals for ensuring workflow compatibility in professional video environments. Input signals are detected automatically, so the converter knows the resolution and format to output.
$10
Blackmagic Design Micro Converter SDI to HDMI
$10.00 Daily Rate
Connect your professional video equipment to any HDMI monitor or consumer television with the Blackmagic Design SDI to HDMI Micro Converter. This miniscule Micro Converter accepts an SD, HD, or 3G-SDI signal and converts it to an HDMI signal while retaining the original image quality and resolution. An SDI loop output sends out a re-clocked SDI signal for connecting to other down-stream equipment. The converter’s small size allows it to be placed nearly anywhere, and it can be powered via any standard USB power source, including separately available USB battery packs.
$10
Blackmagic Design Micro Converter BiDirectional SDI/HDMI
$10.00 Daily Rate
The Micro Converter BiDirectional SDI/HDMI from Blackmagic Design simultaneously converts SDI to HDMI and vice versa, supporting 3G/HD/SD-SDI video signals up to 1080p60. Mix and match your sources—each conversion can be a different standard. Reclocking on the SDI output reduces jitter, improving performance over longer cable lengths. This pocket-sized converter features a sturdy metal housing, with power and signal LED status indicators. With an integrated micro-USB port, the BiDirectional SDI/HDMI converter may be easily connected to and powered by large-screen monitors, routers, laptops, or projectors. Alternatively, the converter may be powered using the included 110-240V AC power supply.
$10
INOGENI SDI to USB 3.0 Video Capture Card
$40.00 Daily Rate
The INOGENI SDI to USB 3.0 Video Capture Card allows you to capture uncompressed video with audio from your camera or deck’s SDI output on your PC for recording, editing, videoconferencing, and streaming applications. No driver installation is necessary and it will work on all motherboard and USB 3.0 chipsets. It features a 3G-SDI input and output and a USB 3.0 output. Compact in size and powered directly from a USB 3.0 port, the converter is a practical and easy-to-use USB 3.0 capture solution. It is compatible with Windows, Mac OS X, Linux, and Android operating systems, and is UVC-compliant, so it will work with all DirectShow compatible software. This capture card is backward compatible with USB 2.0 devices. However, due to bandwidth restrictions, the card will only be able to operate at resolutions below 1080p. The converter supports SD and HDTV video formats up to 1080p60. All SD and HD resolution signals are converted to 4:2:2 8-bit color space over USB 3.0. The embedded audio in the SDI signal is extracted and output as two-channel LPCM. A USB 3.0 cable comes included.
$40
INOGENI HDMI to USB 3.0 4K Video Capture Card
$12.00 Daily Rate
Find the ultimate solution for your video capturing needs with the INOGENI 4K HDMI to USB 3.0 Converter. This high-quality, innovative tool effortlessly captures uncompressed video along with audio from your camera’s HDMI output, making it perfect for a variety of applications such as recording, editing, video conferencing, and streaming. With no need for driver installation, this efficient converter is compatible with all motherboards and USB 3.0 chipsets, providing a user-friendly experience. It boasts a single HDMI input and USB 3.0 output, supporting both SD and HDTV video formats. Experience the power of ultra-high-definition with its support for Ultra HD 4K (4096×2160) and most computer graphic formats.
$12
3G SDI Cable – 25′
$3.00 Daily Rate
$3
3G SDI Cable – 50′
$5.00 Daily Rate
$5
HDMI to HDMI Cable – 25′
$3.00 Daily Rate
$3
12G SDI Cable – 3′
$3.00 Daily Rate
$3
12G SDI Cable – 25′
$5.00 Daily Rate
$5
12G SDI Cable – 50′
$8.00 Daily Rate
$8
12G SDI Cable – 100′
$12.00 Daily Rate
$12
Computer Monitors
Apple
Apple 27″ Studio Display + Mount (Standard Glass, Tilt & Height Adjustable Stand)
$150.00 Daily Rate
Choice of one:
-Standard Glass, Tilt & Heigh Adjustable Stand
-Nano-Texture Glass, VESA Mount Adapter
-Standard Glass, VESA Mount Adapter
Fully immerse yourself in creativity, entertainment, and more with the 27″ Apple Studio Display. With its 27″ active viewing area and exceptionally thin bezels that allow you to fully focus on the 5120 x 2880 resolution 5K Retina screen, the Studio Display is designed to elevate your computing experience. Support for 1.07 billion colors and wide P3 color delivers lifelike photos and videos. At the same time, true tone technology uses a built-in ambient light sensor to automatically adjust the color temperature to match your environment. However, the Studio Display doesn’t just enhance your creative workflow—it boosts your collaboration and entertainment experiences. Inside is an A13 Bionic chip that powers integrated features such as the 12MP Ultra Wide camera with Center Stage technology to keep you and other video call participants in frame while the studio-quality three-microphone array helps to ensure that everyone is heard with minimal background noise interference. There is also a six-speaker audio system comprised of four woofers and two tweeters that immerses you in music and videos using Dolby Atmos virtual surround sound.
$150
Wireless Video
Teradek
Teradek Bolt 6 LT MAX 1:1 Kit with Array (V-Mount)
$500.00 Daily Rate
INCLUDES:
(1x) – Teradek Bolt 6 LT MAX Transmitter
(1x) – Teradek Bolt 6 LT MAX Receiver – V-Mount
(1x) – Teradek Bolt 4K Antenna Array
(5x) – Array Antenna Cable
(8x) – Teradek 6GHz V Antenna
(3x) – Teradek 6GHz Flexible H Antenna
(2x) – 3G SDI Cable – Coiled – 10″
(2x) – Thin HDMI 4K Cable – 18″
(1x) – Bolt 6 2-Pin to D-Tap Power Cable
(1x) – 2-Pin to 2-Pin Cable
(1x) – Teradek 2-pin Lemo to AC Adapter
(1x) – USB-C Cable – USB 3.0 to USB-C
(1x) – Micro-USB to USB-A Cable
(1x) – Wooden Camera Offset Mount
(1x) – Threaded Stand Adapter – Impact 1/4-20 to Baby
(1x) – 1/4-20 to Cold Shoe Mount
(1x) – Teradek Bolt 6 Hard Case
(1x) – 1.3mm Hex Key
(1x) – 3/16 Hex Key
(1x) – Blue RX Label Band
(1x) – Blue TX Label Band
(1x) – Red RX Label Band
(1x) – Red TX Label Band
(1x) – Green RX Label Band
(1x) – Green TX Label Band
(1x) – Yellow RX Label Band
(1x) – Yellow TX Label Band
Additional Receivers Available
Transmit and receive lossless HD video from up to 5000′ line of sight with the Bolt 6 LT MAX Kit from Teradek. The kit includes a wireless transmitter and receiver that can wirelessly receive up to 4K30 video with 10-bit HDR support, and this new line supports the 6 GHz wireless band, which is now freely available. The transmitter inputs up to UHD 4K30 video over HDMI or up to 1080p60 video via 3G-SDI, and the receiver outputs video via HDMI and 3G-SDI. A V-mount battery plate is included to power the receiver. The transmitter unit provides a powerful signal that can travel up to a 5000′ line of sight. The transmitter sends up to 4K30 video to any Bolt 4K series receiver, and it can also simultaneously transmit to up to six receivers. The system features improved metadata, range, and compatibility over its predecessors. The built-in AES-256 encryption with RSA 1024 key pairing protects your video from prying eyes, while noise rejection keeps your video clean no matter how many devices are using the wireless spectrum. Though it can transmit visually lossless video to any Bolt 4K series receiver with zero delay using the 5 GHz band, it requires a Bolt 6 device to transmit over the 6 GHz band.
$500
Teradek Bolt 6 LT 750 1:1 Kit (V-Mount)
$300.00 Daily Rate
INCLUDES:
(1x) – Teradek Bolt 6 LT 750 Transmitter
(1x) – Teradek Bolt 6 LT 750 Receiver – V-Mount
(7x) – Teradek 6GHz Flexible V Antenna
(2x) – 3G SDI Cable – Coiled – 10″
(2x) – Thin HDMI 4K Cable – 18″
(1x) – Bolt 6 2-Pin to D-Tap Power Cable
(1x) – 2-Pin to 2-Pin Cable
(1x) – Teradek 2-pin Lemo to AC Adapter
(1x) – USB-C Cable – USB 3.0 to USB-C
(1x) – Micro-USB to USB-A Cable
(1x) – Wooden Camera Offset Mount
(1x) – 1/4-20 to Cold Shoe Mount
(1x) – Threaded Stand Adapter – Impact 1/4-20 to Baby
(1x) – 3/16 Hex Key
(1x) – Blue RX Label Band
(1x) – Blue TX Label Band
(1x) – Red RX Label Band
(1x) – Red TX Label Band
(1x) – Green RX Label Band
(1x) – Green TX Label Band
(1x) – Yellow RX Label Band
(1x) – Yellow TX Label Band
Additional Receivers Available
Transmit and receive lossless HD video from up to 750′ line-of-sight with the Bolt 6 LT 750 Kit from Teradek. The kit includes a wireless transmitter and receiver that can wirelessly receive up to 4K30 video with 10-bit 4:2:2 HDR support. The transmitter inputs up to 4K video over HDMI or up to 1080p60 video via 3G-SDI, and the receiver outputs video via HDMI and 3G-SDI. A V-mount battery plate is included to power the receiver. Though it can transmit visually lossless video to any Bolt 4K series receiver with zero delay using the 5 GHz band, it requires a Bolt 6 device to transmit over the 6 GHz band. The transmitter sends up to 4K30 video to any Bolt 6 or 4K series receiver, and it can also simultaneously transmit to up to six receivers. The system features improved metadata, range, and compatibility over its predecessors. The built-in AES-256 encryption with RSA 1024 key pairing protects your video from prying eyes, while noise rejection keeps your video clean no matter how many devices are using the wireless spectrum. The Bolt 4K LT units are all cross-compatible, so you can transmit to different Bolt 6K or 4K series receiver models. The Bolt LT system also supports the transmission of timecode and start/stop triggers from the camera.
$300
Teradek Bolt 3000 Kit
$350.00 Daily Rate
INCLUDES:
(x1) – Teradek Bolt Pro 3000 Wireless Video Transmitter
(x1) – Teradek Bolt Pro 3000 Wireless Video Receiver
(x2) – Wireless Antennas (for Transmitter)
(x5) – Wireless Antennas (for Receiver)
(x2) – SDI Cables (10″)
(x2) – 2-Pin LEMO to D-Tap
(x2) – PSU 2-Pin LEMO to AC Adapter Cable (6′)
(x1) – Carrying Case
Additional Receivers Available
The Bolt XT satisfies the needs of the most discerning professionals, from powerful software tools and rock-solid performance to smart power options and backward compatibility. A key feature of the Bolt XT is its backward compatibility with any Bolt of the same range, Sidekick II / LT / XT, and 703 Bolt, giving users more flexibility building onto their existing systems or linking with others already on set. Unlike alternative wireless video systems, Bolt XT includes a unique AES 128 encryption algorithm to protect your video footage, ensuring that only authorized receivers can connect to your transmitter.
$350
Teradek Bolt 2000 Kit
$325.00 Daily Rate
INCLUDES:
(x1) – Teradek Bolt 2000 Transmitter
(x1) – Teradek Bolt 2000 Receiver
(x2) – Teradek 2-Pin Lemo AC Power Supply
(x2) – Short 3G-SDI Cable for Bolt 2000
(x2) – Teradek 5GHz High Gain V Antenna
(x5) – Teradek 2.4/5GHz V Antenna
(x2) – Teradek 2-Pin to 2-Pin Lemo Cable
(x2) – Teradek 2-Pin Lmeo to D-Tap Cable
(x1) – 1/4″-20 Stand Adapter
(x1) – Pelican 1600 Hard Case for Bolt 2000
Additional Receivers Available
The Teradek Bolt 2000 is a zero delay wireless video system that transmits uncompressed 1080p60, 4:2:2 video up to 2000ft over the unlicensed 5GHz band. Bolt 2000 is multicast capable up to 4 receivers and comes in 3G-SDI, HDMI, and dual input/output varieties. All Bolt systems include the new GRAB engine, which allows users to output over USB 3.0 directly into a DIT cart or laptop.
$325
Teradek Bolt 500 Kit
$150.00 Daily Rate
INCLUDES:
(x1) – Bolt 500 XT Wireless Transmitter
(x1) – Bolt 500 XT Wireless Receiver
(x2) – Wireless Antennas (for Transmitter)
(x2) – SDI Cables
(x2) – HDMI Cables
(x2) – 2-Pin LEMO to D-Tap
(x2) – PSU 2-Pin LEMO to AC Adapter Cable
(x1) – Dual Direct Mount Plate for L- Series
(x1) – Carrying Case
Additional Receivers Available
The Bolt XT satisfies the needs of the most discerning professionals, from powerful software tools and rock-solid performance to smart power options and backward compatibility. A key feature of the Bolt XT is its backward compatibility with any Bolt of the same range, Sidekick II / LT / XT, and 703 Bolt, giving users more flexibility building onto their existing systems or linking with others already on set. Unlike alternative wireless video systems, Bolt XT includes a unique AES 128 encryption algorithm to protect your video footage, ensuring that only authorized receivers can connect to your transmitter.
$150
Teradek Serv Pro
$60.00 Daily Rate
INCLUDES:
(1x) – Teradek SERV Pro
(2x) – Wireless Antennas (2dBi 2.4/5.8 Ghz)
(1x) – 2-pin Connector to 30W AC Power Adapter
(1x) – SDI Cable (BNC to BNC)
(1x) – HDMI Cable (Full Type A to Full Type A)
(1x) – Ethernet Cable
(1x) – Hot Shoe Adapter
Designed to be used on set for single or multicam productions, the Teradek Serv Pro is the foundation of Teradek’s network-based video monitoring system. Connect the Serv Pro unit to your camera’s SDI or HDMI port, and up to 10 iOS, Android, or macOS devices running the free Vuer app can monitor the camera’s video signal in resolutions up to 1080p with minimal 2-frame latency.
$60
Teradek Bolt Sidekick XT Kit
$50.00 Daily Rate
INCLUDES:
(1x) – Teradek Bolt Sidekick XT Universal Wireless Receiver
(1x) – Teradek 2-pin Lemo to AC Adapter
(1x) – HDMI to HDMI Cable – Short (<3′)
(1x) – 3G SDI Cable – Hyperthin – Short (<3′) – Right-Angle
(1x) – Threaded Stand Adapter – Impact 1/4-20 to Baby
With the Teradek Bolt Sidekick XT Universal Wireless Receiver you can receive visually lossless 3G-video or HDMI signals from a Bolt 500 transmitter with zero latency. The Bolt XT is compatible with existing 3rd-generation Bolt systems, such as the Bolt 500, 1000, 3000, XT, and LT. The receiver unit itself can be secured via built-in 1/4″-20 or M3 threaded holes. For convenience, a standard HDMI cable is included so you can plug in right out of the box. Power can be provided using the integrated 2-pin connector. The receiver can share the transmitter with up to three other receivers. It features built-in AES 128 encryption that protects your video from prying eyes, while noise rejection helps keep your video clean even when working around 2.4 and 5.8 GHz signals.
$50
Teradek Bolt Sidekick II Kit
$40.00 Daily Rate
INCLUDES:
(1x) – Teradek Bolt Sidekick II 3G-SDI Video Receiver
(1x) – Teradek 2-pin Lemo to AC Adapter
(1x) – HDMI to HDMI Cable – Short (<3′)
(1x) – 3G SDI Cable – Hyperthin – Short (<3′) – Right-Angle
(1x) – Threaded Stand Adapter – Impact 1/4-20 to Baby
The Teradek Bolt Sidekick II 3G-SDI Video Receiver is designed with handheld director’s monitors in mind. The low-profile chassis keeps the monitor configuration lightweight. Use the SDI output to connect to your monitor of choice, and connect the Teradek-standard 2-pin LEMO connector to either the included power supply or to a battery pack with a separately available cable. Additionally, the SDI connection can output test signals and supports timecode and start/stop metadata. This device is compatible with the Bolt 500, 1000, and 3000 transmitters, maintaining a consistent 300′ line-of-sight range, regardless of the transmitter used.
$40
Teradek Multipanel Antenna Array Kit
$50.00 Daily Rate
INCLUDES:
(1x) – Teradek Bolt 3000 Multipanel Antenna Array
(5x) – Teradek N-Male to RP-SMA Cable for Antenna Array
(1x) – Teradek Tomahawk2 Dual V-Mount Bracket
(1x) – Teradek 2-Pin to LP-E6 Battery Plate
(1x) – Teradek 2-Pin to NP-F Battery Plate
(1x) – Threaded Stand Adapter – Impact 3/8-16 to Baby
This Antenna Array from Teradek is a panel antenna designed to enhance wireless video transmission to Bolt receivers. This MIMO (Multiple In/Multiple Out) antenna focuses the RF signal and reduces interference, producing a more resilient transmission. It offers a boost in reception but does not increase the maximum transmission range.
$50
Teradek Bolt 6 LT MAX Additional Receiver Kit
$150.00 Daily Rate
Compatible with Bolt 6 series devices using the newly available 6 GHz frequency band. Cross-compatible with all Bolt 4K series devices over the 5 GHz signal spectrum.
***Receiver only, Transmitter not included***
This receiver supports transmissions of up to UHD 4K30 video from any Bolt 6 or Bolt 4K series transmitter, which can simultaneously transmit to up to six receivers. Other features include HDMI/SDI signal cross-conversion; HDR workflows that support HDR-10, PQ, and HLG standards; LUT control on outputs; and extended metadata, timecode, and start/stop trigger transmission over wireless. The built-in AES-256 encryption and RSA 1024 key pairing protect your video from prying eyes, while noise rejection keeps your video clean no matter how many devices are using the wireless spectrum.
$150
Teradek Bolt 6 LT 750 Additional Receiver Kit
$90.00 Daily Rate
Receive lossless HD video from up to 750′ away along line of sight with the Bolt 6 LT 750 3G-SDI/HDMI Wireless Receiver from Teradek. The unit can wirelessly receive up to 4K30 video with 10-bit HDR support, features a bright OLED display, and features HDMI and 3G-SDI outputs. With the same form factor as the Bolt 4K LT 750, this new line supports the 6 GHz wireless band, which is now freely available. The receiver supports transmissions of up to 4K30 video from any Bolt 6 or Bolt 4K series transmitter, which can simultaneously transmit to up to six receivers and has an improved long-range mode. It features improved metadata, range, and compatibility over its predecessors. The built-in AES-256 encryption and RSA 1024 key pairing protect your video from prying eyes, while noise rejection keeps your video clean no matter how many devices are using the wireless spectrum. The Bolt 6 LT system also supports the transmission of time code and start/stop triggers.
$90
Teradek Bolt 3000 Additional Receiver Kit
$105.00 Daily Rate
Transmit uncompressed 1080p video wirelessly over 3000 feet line-of-sight with the Teradek Bolt Pro 3000 Wireless Video Transmitter/Receiver Set. Included in this set are a Teradek Bolt Pro 3000 transmitter and receiver, both equipped with 3G-SDI input/output. The transmitter can pair with and multicast to up to four receivers (additional receivers not included). When transmitting uncompressed video, latencies of less than one millisecond can be achieved if no other video processing is necessary. Transmitting across the 5 GHz frequency range, the pair utilizes Dynamic Frequency Selection (DFS) to find a clean signal between the transmitter and receiver. This is desirable when working in areas with crowded frequencies. The transmitter and receiver are equipped with SDI ports, and the transmitter features a loop-through SDI output. The USB GRAB engine streams the uncompressed video straight out of the receiver and into a PC for immediate recording. The included waterproof case with custom-cut foam carries the components during transport and storage. ——- PRODUCT HIGHLIGHTS: Uncompressed Video & Audio Transmission Supports Resolutions up to 1080p60 3000′ Distance with <1 ms Latency Multicast to up to Four Receivers Uses 5 GHz Frequency Dynamic Frequency Selection 3G-SDI Input & Loop; 3G-SDI Output Cross Convert HDMI/SDI via Transmission Video Output via USB 3.0 GRAB Engine Waterproof Case Contains Set Components
$105
Teradek Bolt 2000 Additional Receiver Kit
$95.00 Daily Rate
Teradek Bolt 2000 Additional Receiver Kit to be paired with the Teradek Bolt 2000 Kit.
$95
Teradek Bolt 500 Additional Receiver Kit
$50.00 Daily Rate
Wirelessly transmit lossless SDI video to two locations, each up to 500′ away with this Teradek Bolt 500 SDI Video Transmitter and Two Receiver Set. Supporting HD resolutions up to 1080p60 with near-zero latency, the Bolt 500 system can find its way into studio and field video productions. A single transmitter can support up to four receivers, so multiple monitors or recorders can receive the same signal. In addition to SDI, Teradek’s USB 3.0 GRAB Engine is onboard as another output option. It sends an uncompressed video signal over USB 3.0 for capture or direct streaming via a compatible PC.
$50
Hollyland
Hollyland Mars 300 Kit
$30.00 Daily Rate
INCLUDES:
(x1) – Transmitter
(x1) – Receiver
(x1) – 1/4″-20 Screw Mount
(x4) – Antennas
(x1) – Cold Shoe Mount
(x1) – DC Adapter
The Hollyland MARS 300 Pro HDMI Wireless Video Transmitter and Receiver Set features a multi-functional clickable thumbwheel, OLED display & HDMI loop out on TX, NP-F/USB Type-C/DC power supply, multi-channels & stable transmission, 300ft transmission range, 0.1s ultra-low latency, and automatic reconnection.
$30
CamRanger
CamRanger 2 Kit
$20.00 Daily Rate
INCLUDES:
(x1) – CamRanger 2
(x1) – Case
(x1) – USB Cable
(x1) – Ethernet Cable
The CamRanger 2 creates its own dual-band WiFi network (2.4 GHz / 802.11n and 5 GHz / 802.11ac) with a connection range of up to 500 feet, offering a connection that’s about five times faster and more stable than the original CamRanger. It allows users to wirelessly capture images or trigger from the camera, with thumbnails automatically appearing at the top of the screen after each shot. Tapping a thumbnail lets you view the image instantly, or you can configure it to auto-display, with all images saved to the camera card and optionally to your device. You can pinch-zoom or double-tap to view full-resolution images up to 200% to check focus and detail. The CamRanger 2 also supports a variety of overlays including gridlines, histograms, EXIF data, highlight and shadow clipping, and more. Remotely control essential camera settings such as shutter speed, aperture, ISO, metering mode, drive/shooting mode, white balance, image format, focus mode, auto exposure mode, exposure compensation and bracketing, and toggle between autofocus/manual focus.
* Available options can vary by camera
$20
Talent Assist
Prompter People Proline Plus Teleprompter Kit
$250.00 Daily Rate
The Prompter People Proline Plus 24″ HB Teleprompter with 22.5″ Reversing Monitor features a 22.5″ 1000 cd/m² reversing monitor, 60/40 beamsplitter glass, and a 27′ reading range. The teleprompter supports nearly any camcorder, ranging from MiniDV to ENG. The teleprompter comes with an aluminum extrusion frame, which enables mounting the camera to the prompter without requiring counterweights. Height and angle adjustments allow the 60/40 glass to be tuned to ensure that the camera is centered and suited to the presenter’s viewing angle and can be folded down for transport and storage. The removable camera rail makes for easy storage. You can mount the camera to the prompter and mount that setup to your tripod in a traditional manner, or with an optional FreeStanding kit, you can mount your camera to your tripod and separately mount the prompter to a stand in front of your camera. The fully built unit is 22lbs on its own; please make sure you have sufficient support in your stand/tripod system.
$250
Prompter People ProLine Plus Reimagined 17″ Trapezoidal Teleprompter Kit
$185.00 Daily Rate
The Railmount Series 17″ Proline Plus 15mm Teleprompter with Trapezoidal Glass from Prompter People comes completely assembled and ready to use. The 60/40 trapezoidal beamsplitter glass tapers from 20″ wide at the top to 14″ at the bottom, allowing for off-axis viewing. Just add your 15mm Mounting System and camera (mounting system and camera not included). When you are done prompting, the beamsplitter folds flat for instant breakdown.
$185
Neewer X12 Teleprompter
$20.00 Daily Rate
Set up your teleprompter shoot almost anywhere, fast, without requiring a truckload of gear with this Neewer X12 Aluminum Alloy Teleprompter with Remote, App, and Carry Case sets up easily on a separately available lightstand, supporting a mirrorless or DSLR camera and using a separately available tablet up to 9.8″ as the text monitor.
$20
Eye Direct MKII Kit
$100.00 Daily Rate
The Mark II offers a flexible way of maintaining the eye contact with on-camera talent/interview subjects with your camera, and it can be used as a teleprompter that feeds your on-camera subject lines to read. Suitable for use with cameras from DSLR or mirrorless up to full-size camcorders or digital cinema cameras with large lenses.
$100
Projectors
Soundcore Nebula X1 Pro Mobile Theater + Screen Bundle
$325.00 Daily Rate
Designed to be paired together, experience the magic of portable cinema with the Nebula X1 Pro 4K Projector and the 200″ Inflatable Screen!
$325
Soundcore Nebula X1 Pro Mobile Theater System Kit
$250.00 Daily Rate
World’s First Mobile Theater Station with 4K Laser Projection and 7.1.4 Spatial Sound
Most projectors only come with 2 basic speakers that sound thin and flat. The Nebula X1 Pro is built with 4 speakers and a powerful subwoofer, delivering deep bass and crystal-clear highs from every direction. Not just louder, but richer, deeper, and truly cinematic.
The X1 Pro’s 2nd-gen U-shaped laser engine boosts brightness by 10% and delivers richer, more vibrant colors. Its advanced optical design reduces speckle for a smoother, cleaner picture, making every movie, game, or show look crisp and lifelike.
The X1 Pro’s 6-blade dynamic iris and localized dimming deliver precise, content-adaptive brightness, producing 5,000:1 native contrast and up to 56,000:1 dynamic contrast. Shadows gain depth, night scenes come alive, and every hidden detail is revealed with true cinematic clarity.
With a 14-element all-glass lens, the X1 Pro delivers sharper, more precise visuals that stay clear over time – no distortion, no blurring, just pure clarity in every scene. The proprietary algorithm dynamically adjusts HDR tone mapping in real time – adapting to screen size, ambient light, and content type to deliver vivid, well-balanced visuals in any setting.
Calibrated with a high-precision 3D LUT mapping over 1 billion color values, each projector delivers lifelike, faithful color reproduction that reflects the creator’s intent.
With X1 Pro, there’s no need for manual adjustments – focus, angle, use keystone correction, and set the optimal size with a single click.
Enjoy big-screen viewing without limits in any room, thanks to 0.9:1 – 1.5:1 motorized optical zoom.
$250
Soundcore Nebula 16.7′ Inflatable Projector Screen Kit
$75.00 Daily Rate
Enjoy a speckle-free, high-gain screen surface that restores true brightness and full contrast, for vibrant colors and deep detail at every angle.
Enjoy a true 200″ inflatable screen that delivers 3.5x more viewing area than typical screens, for a bigger, more immersive movie experience anywhere.
Our wireless pump comes with a built-in battery and LED light, so you can inflate anywhere – no outlets, set up quicker than ever – even in the dark.
Crafted with thickened high-grade PVC mesh and manufactured under rigorous quality standards, soundcore screen delivers 4 times the durability of other screens, giving you years of worry-free outdoor movie nights.
$75
Power
Batteries
V-Mount
FXLION Nano One 50 Wh
$10.00 Daily Rate
The NANO ONE 50Wh 14.8V V-Mount Battery from Fxlion is an ultra-compact, lightweight 50Wh battery that can support up to an 8A draw at a nominal 14.8V. This travel-friendly battery is approved as a carry-on item and is suitable for powering handheld cameras, drones, and gimbals. The NANO ONE provides four accessory ports, including one 14.8V D-Tap for powering various accessories or mobile devices. USB ports include a USB-A output, one USB-C input/output, and one micro-USB input/output.
$10
Core SWX Powerbase Edge Link
$15.00 Daily Rate
Power your camera and its accessories for more than eight hours with the Powerbase EDGE LITE 47Wh Battery Pack from Core SWX. This 14.8V battery has a maximum continuous draw of 8A. Featuring a quick release plate and multiple 1/4″-20 threads, the battery can easily attach and disengage from your camera for a modular fit. The EDGE LITE’s top plate is also compatible with the legacy EDGE model quick release plate to integrate into your preexisting Powerbase configuration.
$15
Core SWX NANO Micro 98Wh
$20.00 Daily Rate
Power your monitor, recorder, wireless equipment, or drone with the V-mount NANO Micro 98Wh Lithium-Ion Battery from Core SWX. The lightweight, ultracompact battery features a 14.8V, 98Wh capacity and supports a continuous 10A draw.
$20
Core SWX NANO Slim 98wh
$20.00 Daily Rate
Add a high-capacity compact battery to your kit with this Core SWX Nano Slim 98Wh that the Machina team recommends!
$20
Core SWX SNAP Mighty 45wh Battery
$15.00 Daily Rate
The SNAP™ Mighty packs professional-grade power into a compact, 45Wh form factor that’s lightweight, hot-swappable, and travel-friendly. Built for mobile creators and run-and-gun productions, it enables continuous power by allowing you to stack multiple packs without shutting down your rig. The integrated magnetic mounting system provides a fast and secure attachment to the included Snap-QRL plate, allowing quick swaps and low-profile mounting on camera cages or rigs. The built-in wraparound LED gauge gives you instant visibility on remaining runtime from any angle, so you’re never caught off guard. Each SNAP-MTY kit includes the Snap-QRL lightweight plate and a USB-C cable, making it a ready-to-go power solution right out of the box.
$15
Core SWX Quad 98Wh V-Mount Kit
$80
Core SWX Dual 98wh V-Mount Kit
$40
Core SWX Hypercore NEO 9 Mini
$20.00 Daily Rate
The Hypercore NEO 9 Mini, in a V-mount, from Core SWX is a compact 14.8V, 98Wh lithium-ion battery that supports a constant 12A draw and peak draw of 16A. With this high output, the battery is designed for cine and broadcast applications, but, of course, it can be used for virtually all other applications as well. At only 4.7″ in height and weighing just 1.4 lb, it’s also highly suited for gimbal, drone, and other mobile applications. The Hypercore NEO 9 Mini has the ergonomic design, large backlit LCD, and protective over-molded rubberized housing that Hypercore batteries have come to be known for over their past releases, but this NEO 9 Mini version is a lot more advanced.
$20
Core SWX Quad 150Wh V-Mount Kit
$100
Core SWX Dual 150Wh V-Mount Kit
$50
Core SWX Hypercore NEO 150 Mini
$25.00 Daily Rate
The Hypercore NEO 150 Mini from Core SWX is a compact 14.8V, 147Wh lithium-ion battery that features a V-mount, and it supports a constant 12A draw with a peak draw of 16A. With this high output, the battery is designed for cine and broadcast applications, as well as mobile and field applications. The battery is ultra-compact, so it’s also highly suited for gimbal, drone, and other mobile applications. The Hypercore NEO 150 Mini has the ergonomic design, large backlit LCD, and protective overmolded rubberized housing that Hypercore batteries are known for over their past releases.
$25
IndiPRO Tools Field Power Station
$20.00 Daily Rate
The Field Power Station from IndiPRO Tools provides two V-mount battery bays and two XLR outputs for powering your cameras, lights, and other gear on set and nearly anywhere else. The compact, durable, and portable hard case has locking latches and a solid ergonomic carry handle. Its internal LCD provides battery status and monitoring.
$20
RED Brick 153WHr
$20.00 Daily Rate
RED BRICKs provide long term battery power for your RED ONE, DSMC®, or DSMC2™ camera. REDBRICK batteries can be fastened to one of our V-Mount battery plates, belt clips, and other accessories..
Ideal for shooting on the go, RED BRICKs provide long lasting power support for any shoot.
$20
Anton Bauer 190
$30.00 Daily Rate
A high quality V-Mount battery line with significant improvements made to the traditional V-Mount design, setting a new standard for the industry.
The Digital Battery Series is designed to power contemporary digital productions and offers world-class levels of safety, performance and reliability in a sleek, ergonomic design.
$30
Gold Mount
Core SWX 98wh Quad Gold Mount Kit
$80
Core SWX HyperCore NEO 9 Mini
$20.00 Daily Rate
The Hypercore NEO 9 Mini, in a V-mount, from Core SWX is a compact 14.8V, 98Wh lithium-ion battery that supports a constant 12A draw and peak draw of 16A. With this high output, the battery is designed for cine and broadcast applications, but, of course, it can be used for virtually all other applications as well. At only 4.7″ in height and weighing just 1.4 lb, it’s also highly suited for gimbal, drone, and other mobile applications. The Hypercore NEO 9 Mini has the ergonomic design, large backlit LCD, and protective over-molded rubberized housing that Hypercore batteries have come to be known for over their past releases, but this NEO 9 Mini version is a lot more advanced.
$20
Core SWX 150wh Quad Gold Mount Kit
$100
Core SWX Hypercore NEO 150 Mini
$25.00 Daily Rate
The Hypercore NEO 150 Mini from Core SWX is a compact 14.8V, 147Wh lithium-ion battery that features a gold mount, and it supports a constant 12A draw with a peak draw of 16A. With this high output, the battery is designed for cine and broadcast applications, as well as mobile and field applications. The battery is ultra-compact, so it’s also highly suited for gimbal, drone, and other mobile applications. The Hypercore NEO 150 Mini has the ergonomic design, large backlit LCD, and protective overmolded rubberized housing that Hypercore batteries are known for over their past releases.
$25
Core SWX Quad Helix Max 150 Dual-Voltage Gold Mount Kit
$115
Core SWX Helix Max 150 (Gold Mount)
$28.00 Daily Rate
This Gold Mount Helix Max 147Wh Lithium-Ion Dual-Voltage Battery from Core SWX expands upon the features of the Hypercore NEO series by adding simultaneous, 14 and 28V dual-voltage capabilities for a complete onboard system with high-voltage performance. A nearly lossless transmission and a maximum load of 20A at 16.8V or 10A at 33.6V makes this battery ideal for powering more demanding equipment builds in cine and broadcast applications.
$28
Anton Bauer Dionic XT 90 Quad Gold Mount Kit
$110
Anton Bauer Dionic XT 90 Gold Mount Battery
$30.00 Daily Rate
Use the Anton/Bauer Dionic XT90 Gold Mount Battery to power your Gold mount camera or other pro video gear. The lightweight lithium-ion chemistry can provide up to 12A of current on a continuous draw and supports peaks up to 20A for two seconds. The side of the chassis has a backlit LCD with battery capacity information so you know when you have to swap out one battery for a fresh one. Using the P-Tap and USB ports, you can power essential accessories on your rig or other small electronics.
$30
DJI
DJI CrystalSky Battery
$5.00 Daily Rate
Compatible with CrystalSky monitors and the Cendence remote controller, this 2s 4920 mAh battery has excellent discharge performance at low temperatures and charges quickly. One battery offers four to five hours of operating time for a 7.85″ CrystalSky monitor, five to six hours for a 5.5″ CrystalSky monitor, and four hours for a Cendence remote controller.
$5
DJI Mavic 3 Intelligent Battery
$15.00 Daily Rate
Film longer using the Intelligent Flight Battery for Mavic 3 from DJI. These LiPo batteries have a capacity of 5000mAh, which equates to up to 46 minutes of flight time or 40 minutes of hovering when used with the Mavic 3. Please note that it is recommended by DJI to only recharge these batteries with compatible DJI chargers.
$15
DJI TB50 Intelligent Battery
$25.00 Daily Rate
The DJI TB50 Intelligent Flight Battery is a replacement battery for your Inspire 2 quadcopter and is also compatible with the Ronin 2 gimbal. Like the battery that came with your Inspire 2, this is a 4280mAh, lithium-ion polymer (LiPo) battery that yields between 25 and 27 minutes of flight time, depending on conditions and which Zenmuse system you use.
$15
DJI TB51 Intelligent Battery
$20.00 Daily Rate
Designed to work with the DJI Inspire 3, the DJI TB51 Intelligent Flight Battery has a 4280mAh capacity for up to 28 minutes of flight per charge. With support for extreme temperatures from -4 to 104°F, the TB51 can keep your Inspire 3 flying during demanding productions. In order to provide adequate power in temperatures below 50°F, DJI incorporates a built-in heating function. You can have the Inspire 3 automatically turn it on if the temperature drops below 50°F, or you can manually activate it via an app.
$20
MotoCrane Revolt PRO Bundle for DJI Ronin 2
$100.00 Daily Rate
MotoCrane’s Revolt TB50 to 3-Pin XLR Smart Adapter for DJI Ronin 2 is a simple yet effective solution for providing limitless power source options for your DJI Ronin 2. The Revolt slides effortlessly into the Ronin’s TB50 battery slot and accepts 28V power via 3-pin XLR.
$100
Sony
Sony NP-F970
$5.00 Daily Rate
This rechargeable Li-ion battery has a capacity of 4000 mah and provides about 5-6 hours of full power operation.
$5
Sony NP-F770
$5.00 Daily Rate
This rechargeable Li-ion battery has a capacity of 4000 mah and provides about 5-6 hours of full power operation.
$5
Sony NP-F550
$5.00 Daily Rate
This battery pack features a capacity of 2200mAh and 7.4V of output power. Small and lightweight, lithium-ion batteries can be charged or discharged at any time without developing memory effects.
$5
Sony NP-FW50
$5.00 Daily Rate
The Sony NP-FW50 Lithium-Ion Rechargeable Battery is unique in its design since it not only supplies power to your camera but will display the remaining battery capacity. Small and lightweight, lithium-ion batteries can be charged or discharged at any time without developing memory effects.
$5
Sony NP-FZ100
$5.00 Daily Rate
The 7.2 VDC, 2280mAh NP-FZ100 Rechargeable Lithium-Ion Battery from Sony is a high-capacity Z-series power source for select digital cameras. This battery has InfoLITHIUM support for displaying the remaining charge of the battery on the camera’s LCD screen.
$5
Sony NP-SA100 Battery
$5.00 Daily Rate
Dedicated to select Sony cameras, the NP-SA100 Battery is a 2670 mAh rechargeable lithium-ion battery. This high-capacity battery can be charged inside compatible cameras or is compatible with the BC-SAD1 Battery Charger.
$5
Canon
RED Komodo REDVolt BP
$25.00 Daily Rate
Boost your KOMODO 6K S35 runtime with the REDVOLT BP battery pack from RED DIGITAL CINEMA. This battery features a longer-lasting, 6300mAh capacity and in-camera display of the remaining battery time. Designed in conjunction with battery-maker Core SWX, the compact REDVOLT BP is hot-swappable and mounts directly onto your KOMODO’s battery plate.
$10
Jupio ProLine BP-975 Batt
$15.00 Daily Rate
Designed with a built-in chip that supports all the functions of the KOMODO, the Jupio ProLine BP-975 10,050mAh Battery is officially approved by RED for use with the KOMODO camera. On the rear of the battery where it’s easily visible, there’s a battery-level gauge with a check button for quickly checking the remaining runtime.
$10
Canon LP-E6
$2.00 Daily Rate
The Canon LP-E6 Rechargeable Lithium-ion Battery Pack (7.2V), has a capacity of 1800mAh, making it possible to shoot up to 850 shots at normal temperatures on a single battery charge. The battery is also more compact and lightweight than previous battery models.
$5
Canon LP-E17
$3.00 Daily Rate
The LP-E17 Lithium-Ion Battery Pack from Canon is designed for select EOS DSLR cameras and storage devices. It is compatible with the LC-E17 Charger, offers a capacity of 1040mAh, and has an output voltage of 7.2V. The battery is supplied with select cameras and is offered here as a spare or replacement.
$5
Tilta
Tilta LP-E6P 4-Battery Kit with Charging Station
$20.00 Daily Rate
This LP-E6P Kit from Tilta comes with four rechargeable Tilta LP-E6P batteries, a power charging station, and a USB-C cable.
The portable charging station requires a separately available power adapter with at least 45W of charging power to achieve the fastest quick-charge times. Portable Charging Station for LP-E6 Batteries
The Portable Charging Station for LP-E6 Batteries from Tilta features four integrated battery charging slots that support Canon and third-party LP-E6 batteries. The charger is powered using a USB-C PD input that provides fast 45W power input to simultaneously charge four batteries quickly, while real-time status indicators show you the charging progress of each bay. The charger is lightweight and highly portable, making it easy to take with you on the go.
Tilta LP-E6P USB-C Battery (2400mAh)
Power any camera that uses LP-E6P batteries with this 2400mAh LP-E6P USB-C Battery from Tilta. The USB-C port allows you to charge the battery even when you don’t have a dedicated charger on hand. It supports up to 2 hours of video recording or up to 529 still images and is fully decoded to allow full communication with your camera and prevent unnecessary error messages.
$20
GoPro
GoPro Enduro Rechargeable Li-Ion Battery
$3.00 Daily Rate
Boost your MAX camera with Enduro, a 1600mAh rechargeable lithium-ion battery that improves your camera’s cold weather performance while extending recording times across a wide temperature range. Now you can power through ski, snowboard and other winter shots at lower temperatures than ever before.
$3
Chargers
V-Mount
Core SWX Fleet Micro Quad Charger
$50.00 Daily Rate
Featuring four independent charge bays, the Core SWX Fleet Micro 3A Digital Quad Charger for V-Mount Batteries is capable of simultaneously charging four batteries at 3A each. This means that four 98Wh batteries can be charged in under 2.5 hours. The on-board LCD display screen allows you to easily monitor your battery’s smart battery data without needing to connect to a computer. The micro-USB connector allows for firmware updates and for connection to a computer.
$50
Gold Mount
Core SWX Fleet Q Quad Charger
$50.00 Daily Rate
Featuring four independent charge bays, the Core SWX Fleet Micro 3A Digital Quad Charger for Gold Mount Batteries is capable of simultaneously charging four batteries at 3A each. This means that four 98Wh batteries can be charged in under 2.5 hours. The on-board LCD display screen allows you to easily monitor your battery’s smart battery data without needing to connect to a computer. The micro-USB connector allows for firmware updates and for connection to a computer.
$50
XLR Power Supply
Wooden Camera 15 VDC 4-Pin XLR Power Supply
$10.00 Daily Rate
This 4-Pin XLR Female Camera Power Cable from Wooden Camera provides up to 10A.
$50
Accessories
Canon BG-R10 Vertical Battery Grip
$18.00 Daily Rate
Dedicated to the Canon EOS R5, R5 C, R6, and R6 Mark II mirrorless cameras, the BG-R10 Battery Grip offers extended shooting times as well as improved handling, especially when using it in the vertical-shooting orientation. The grip’s design permits working with two LP-E6P/LP-E6NH/LP-E6N/LP-E6 batteries to effectively double battery life.
Additionally, the extended design of the grip facilitates a more stable hold and secondary controls, dials, and an additional shutter release permit effective control over the camera. The grip is designed to the same weather-resistant standards as the camera bodies for use in inclement conditions.
$18
Canon BG-R20EP Vertical Battery Grip with Ethernet Port
$20.00 Daily Rate
Designed for use with the Canon EOS R5 Mark II, the BG-R20EP Battery Grip with Ethernet Port offers fast-paced tethered shooting, extended shooting times, and improved handling in the vertical-shooting orientation. The ethernet connection enables large numbers of still photos and videos to be transmitted quickly from event venues to editorial offices via its stable wired connection, especially when operating in Dual Shooting mode. The grip’s design permits working with two LP-E6P batteries to effectively double battery life. Additionally, the extended design of the grip facilitates a more stable hold and provides an improved multi-controller position. The grip is designed to the same weather-resistant standards as the camera body for use in wet or dusty conditions.
$20
Core SWX Shark-Fin Battery Mount
$10.00 Daily Rate
The CoreSWX Short Form Factor Hotswap Shark-Fin Mount Battery Mount mounts on you camera’s V-mount plate and enables simultaneous mounting of two V-mount batteries. The batteries are mounted in parallel, which allows the two batteries to act as one larger battery with increased capacity while maintaining the voltage. As one battery becomes exhausted, you can remove it and swap it for a charged battery without having to power down your camera. The Shark-Fin also incorporates four D-Taps for accessory power. These D-Taps are unregulated, and will deliver from 11 to 17 VDC, which will power most cinema accessories.
$10
FREEFLY D-Tap to RED DSMC2 Power Cable
$25.00 Daily Rate
This cable allows users to power their RED Epic/Weapon/Scarlet from the Mōvi Pro’s camera power port. The cable features a custom thin and flexible cable with high quality connectors. Users will enjoy the convenience of unlimited up-time with this setup by utilizing the battery hot-swap capabilities of the Mōvi Pro. The Mōvi Pro will power a fully rigged RED setup for ~1 hour.
$25
FREEFLY RED D-Tap Power Cable for MoVI Pro (9.8″)
$25.00 Daily Rate
The FREEFLY D-Tap Cable for FRX Pro is for powering the FRX Pro Wireless Control when installed on a MoVI Controller. This is the same cable that comes included with the FRX Pro and can be used as a spare or replacement.
$25
Gold Mount Battery to V-Mount Adapter
$10.00 Daily Rate
Expand your battery power options with the Pro Gold-Mount Battery to V-Mount Adapter from Wooden Camera. Designed in conjunction with Anton Bauer, this aluminum plate enables your V-mount camera to use a Gold mount battery. Features include secure battery mounts and three D-Tap ports for powering accessories. A processor-controlled amp limit eliminates the need to carry spare fuses and enables the plate to be reset with the press of a button. This versatile adapter will disable the accessory outputs if the load is exceeded, enabling your camera to continue to run.
$10
Kondor Blue D-Tap to USB-C Power Delivery Cable for Mirrorless Cameras (16″)
$5.00 Daily Rate
Power your wireless follow focus motor from a DC barrel power source with the raven black D-Tap to USB-C Power Delivery Cable from Kondor Blue. This 16″ long cable features a D-Tap connector on one end and a USB-C connector on the other, and it allows you to power a mirrorless camera, laptop, or accessory with a USB-C power input, such as a Canon R5 C or Sony FX3, from a battery or plate with a D-Tap output. The cable supports up to 65W output using a smart PD device.
$5
Kondor Blue D-Tap to Canon LP-E6 Dummy Battery Cable (16-36″)
$5.00 Daily Rate
The Kondor Blue D-Tap to Canon LP-E6 Dummy Battery Cable lets you power compatible devices from a brick battery with a D-Tap port or other D-Tap sources. With a stylish braided blue coiled cable, it allows you to keep a neat setup at 16″ in length or extend it up to 36″ to run it to the back of your camera rig to power monitors, cameras, lights, and other devices that run on LP-E6 batteries.
$5
Kondor Blue D-Tap Power Cable to Sony L-Series Dummy Battery
$5.00 Daily Rate
Power your L-series gear from a professional battery source with this D-Tap Power Cable to Sony L-Series Dummy Battery from Kondor Blue. The cable is designed as an extended power solution for a monitor, light, or camera that uses an L-series battery. The D-Tap connector plugs into a separately available brick battery or other D-Tap power sources, and it provides 12 to 17 VDC input and regulated 8 VDC output. The coiled cable extends from 16 to 36″ in length and is braided to prevent snagging and knotting.
$5
Kondor Blue D-Tap To Sony a7S III Dummy Battery NP-FZ100 Cable
$10.00 Daily Rate
This D-Tap To Sony a7S III Dummy Battery NP-FZ100 Cable from Kondor Blue allows you to power the Sony a7S III series cameras from any power source with a D-Tap input. When relaxed, the cable is 16″ long and can be easily managed, and it stretches to 36″ long when you need the additional length. It supports an input voltage range of 10 to 18V, and it outputs a power-regulated 8V. The power regulator is neatly tucked away in the dummy battery, so it doesn’t interfere with the cable.
$10
RED DIGITAL CINEMA D-Tap-to-Power Cable (6′)
$15.00 Daily Rate
The D-Tap-to-Power Cable enables you to power your RED DIGITAL CINEMA KOMODO camera from a battery with a D-Tap 7 to 17 VDC output. This cable sports a D-Tap connector on one end and a 2-pin connector on the other, and it measures 6′ including the connectors.
$15
Sony VG-C4EM Vertical Battery Grip
$20.00 Daily Rate
The VG-C4EM Vertical Grip offers both extended battery and a more comfortable grip when shooting in the vertical orientation with select Sony cameras.
The grip accepts up to two NP-FZ100 batteries to increase the effective battery life for longer shooting sessions, and the batteries can be charged in the grip while attached to the camera via the body’s USB port. The grip’s design maintains the same layout as the camera body itself, and includes a secondary shutter button and Multi-Selector for intuitive use.
$20
Sony VG-C6 Vertical Grip
$18.00 Daily Rate
Dedicated to the Sony A7R VI mirrorless camera, the VG-C6 Vertical Grip offers both extended battery and a more comfortable grip when shooting in the vertical orientation. The grip accepts either one or two NP-SA100 batteries to increase the effective battery life for longer shooting sessions, and the batteries can be charged in the grip while attached to the camera via the body’s USB port. Compared to previous-generation vertical grips, the VG-C6 also has refined circuitry that supports parallel power supply to provide even longer effective operation times and and the remaining battery life for both batteries can be indicated on the camera display.
$18
Tether Tools ONsite D-Tap to AC Power Supply (110V)
$10.00 Daily Rate
The ONsite D-Tap to AC Power Supply from Tether Tools is intended to power up your devices wherever you are. This mobile power supply is designed for U.S. AC outlets with its two 110 VAC outputs and four 2.1A USB Type-A ports. The ONsite D-Tap to AC Power Supply is compatible with Tether Tools’ ONsite D-Tap Battery with V-Mount, which work together to integrate with Tether Tools’ Tether Table Aero Laptop Mounting System with the help of the ONsite Aero V-Mount. Furthermore, this streamlined mounting solution secures the power supply to the Tether Table Aero, which allows you to charge a laptop during long shoots while keeping it safe and secure.
$10
V-Mount Battery to Gold Mount Adapter
$10.00 Daily Rate
Expand your battery power options with the Pro V-Mount Battery to Gold-Mount Adapter from Wooden Camera. Designed in conjunction with Anton Bauer, this aluminum plate enables your Gold mount camera to use a V-mount battery. Features include secure battery mounts and three D-Tap ports for powering accessories. A processor-controlled amp limit eliminates the need to carry spare fuses and enables the plate to be reset with the press of a button. This versatile adapter will disable the accessory outputs if the load is exceeded, enabling your camera to continue to run.
$10
Wooden Camera 36″ Komodo to D-Tap
$10.00 Daily Rate
A special flexible version of the D-Tap to RED Komodo that allows you to power the camera.
$10
Media
RED Mags
960GB RED Mini-Mag
$180.00 Daily Rate
This RED DIGITAL CINEMA RED MINI-MAG has a capacity of 960GB, is compatible with most RED cameras (may require SSD module), and on select cameras can attain write speeds as high as 300 MB/s. The RED MINI-MAG can support simultaneous R3D and Apple ProRes recording, when used with DSMC2 camera systems.
$180
CFast
1TB CFast 2.0
$150.00 Daily Rate
The 1TB AV Pro CF CFast 2.0 Memory Card from Angelbird is designed for use with Atomos, Blackmagic Design, Phantom, Canon, Hasselblad, and other devices that are compatible with the CFast 2.0 standard, which utilizes the SATA III 6 Gb/s interface. It can handle raw video and features maximum read speeds of 560 MB/s, maximum write speeds of 525 MB/s, sustained write speeds of 480 MB/s, Stable Stream technology, over provisioning of ~7.6%, TRIM, EDC/ECC for data reliability, EMS protection, a built-in cache, SMART technology, an MTBF of 2.4 million hours.
$150
512GB RED CFast 2.0
$100.00 Daily Rate
The 512GB RED PRO CFAST 2.0 Memory Card from RED DIGITAL CINEMA provides reliable recording for the KOMODO 6K and KOMOD ST digital cinema cameras. This CFast 2.0 card features data rates up to 280 MB/s and a durable build that is both X-ray and magnet proof. Each card is resistant to extreme temperatures, humidity, shock, and vibration.
$100
256GB CFast 2.0
$80.00 Daily Rate
For those working in high-performance industries such as broadcasting, cinema, and photography, the 256GB Extreme PRO CFast 2.0 Memory Card from SanDisk combines the speed, capacity, and performance needed to record uninterrupted DCI 4K video, which has a resolution of 4096 x 2160 and a 17:9 aspect ratio. It features a SATA III 6 Gb/s bus, a maximum read speed of up to 525 MB/s (3500x), a maximum write speed of up to 450 MB/s (2933x), and a minimum write speed of 130 MB/s. Its minimum write speed is backed up by the Video Performance Guarantee 130 standard (VPG-130), meaning that its minimum write speed will never drop below 130 MB/s. This card has been tested to work in temperatures of -4 to 158°F, and in the case of card errors or accidental deletions, this card comes with a RescuePRO Deluxe data recovery software download offer. Additionally, thanks to ARRI’s Software Update Package (SUP) 5.2, this card is also compatible with select ARRI digital cinema cameras.
$80
128GB CFast 2.0
$50.00 Daily Rate
For those working in high-performance industries such as broadcasting, cinema, and photography, the 128GB Extreme PRO CFast 2.0 Memory Card from SanDisk combines the speed, capacity, and performance needed to record uninterrupted DCI 4K video, which has a resolution of 4096 x 2160 and a 17:9 aspect ratio. It features a SATA III 6 Gb/s bus, a maximum read speed of up to 525 MB/s (3500x), a maximum write speed of up to 450 MB/s (2933x), and a minimum write speed of 130 MB/s. Its minimum write speed is backed up by the Video Performance Guarantee 130 standard (VPG-130), meaning that its minimum write speed will never drop below 130 MB/s. This card has been tested to work in temperatures of -4 to 158°F, and in the case of card errors or accidental deletions, this card comes with a RescuePRO Deluxe data recovery software download offer. Additionally, thanks to ARRI’s Software Update Package (SUP) 5.2, this card is also compatible with select ARRI digital cinema cameras.
$50
CFexpress A
160GB CFexpress A
$60.00 Daily Rate
Offering both strength and speed, the 160GB CFexpress Type A TOUGH Memory Card from Sony provides fast read speeds up to 800 MB/s along with write speeds up to 700 MB/s. This quick performance benefits recording a variety of video resolutions, bit-rates, and compressions as well as high-resolution continuous raw photo shooting. Beyond its speed, this TOUGH memory card also has a reinforced physical design to withstand falls from up to 15′ and has been rigidity tested to 70 N of force. It’s also resistant to extreme temperatures, X-rays, electrostatic, and UV lighting. Offering further protection, File Rescue recovery software can be downloaded for recovering lost or even accidentally deleted files and Media Scan Utility can be used to automatically scan CFexpress cards and inform you of the flash memory condition.
$60
CFexpress B
1920GB Sony TOUGH G series CFexpress Type B
$150.00 Daily Rate
Offering both strength and speed, the CFexpress Type B TOUGH Memory Card from Sony provides fast read speeds up to 1850 MB/s as well as write speeds up to 1750 MB/s that won’t drop below 400 MB/s, thanks to the VPG-400 spec. This quick performance benefits recording a variety of video resolutions, bit-rates, and compressions, including 8K30p and 6K60p, as well as high-resolution continuous raw photo shooting. Beyond its speed, this TOUGH memory card also has a reinforced physical design to withstand drops from up to 16.4′ and has been rigidity tested to 70 N of force. It’s also resistant to extreme temperatures of -13 to 185°, X-rays, electricity, and UV rays. Two shock-resistant thermal diffusion sheets help absorb shock and dissipate heat. Offering further protection, File Rescue recovery software can be downloaded for recovering lost or even accidentally deleted files and Media Scan Utility can be used to automatically scan CFexpress cards and inform you of the flash memory condition.
$150
1TB RED CFexpress B
$150.00 Daily Rate
Certified for RED V-RAPTOR and KOMODO-X camera systems, the 1TB PRO CFexpress 2.0 Type B Memory Card from RED offers protection from overheating, operates with a reduced power draw, and helps to ensure high bitrate capture. This card can capture all frame rates and resolutions, including Full HD and raw 4K, 6K, 8K, and 12K video. It features a capacity of 1TB and uses the PCIe 3.0 x2 bus to deliver maximum read/write speeds of 1785 MB/s.
$150
960GB Sony TOUGH G series CFexpress Type B
$75.00 Daily Rate
Offering both strength and speed, the CFexpress Type B TOUGH Memory Card from Sony provides fast read speeds up to 1850 MB/s as well as write speeds up to 1750 MB/s that won’t drop below 400 MB/s, thanks to the VPG-400 spec. This quick performance benefits recording a variety of video resolutions, bit-rates, and compressions, including 8K30p and 6K60p, as well as high-resolution continuous raw photo shooting. Beyond its speed, this TOUGH memory card also has a reinforced physical design to withstand drops from up to 16.4′ and has been rigidity tested to 70 N of force. It’s also resistant to extreme temperatures of -13 to 185°, X-rays, electricity, and UV rays. Two shock-resistant thermal diffusion sheets help absorb shock and dissipate heat. Offering further protection, File Rescue recovery software can be downloaded for recovering lost or even accidentally deleted files and Media Scan Utility can be used to automatically scan CFexpress cards and inform you of the flash memory condition.
$75
256GB CFexpress B
$45.00 Daily Rate
Designed to deliver speeds necessary for working with smooth, raw 4K video captures at resolutions up to 4096 x 2160, the 256GB Extreme PRO CFexpress Card Type B from SanDisk provides read speeds of up to 1700 MB/s and write speeds of up to 1200 MB/s, which enables low latency during high-speed recording and an enhanced workflow efficiency. This card is also backward compatible with select XQD cameras that adopt firmware to enable CFexpress
$45
AXS
Sony 512GB AXS Memory A-Series Card
$100.00 Daily Rate
Capture demanding 4K and 2K 16-bit linear raw video using the 512GB AXS Memory A-Series Card from Sony. This card has a capacity of 512GB, delivers write speeds of 4.8 Gb/s, and is also able to capture High Frame Rate (HFR) video up to 120 fps in 4K and up to 240 fps in 2K.
$100
Compact Flash
128GB Compact Flash
$20.00 Daily Rate
The 128GB Extreme Pro CompactFlash Memory Card from SanDisk features enhanced data read speeds of up to 160MB/s along with data write speeds up to 150MB/s. This Extreme Pro CompactFlash Card is designed to support both full HD and 4K video as it is VPG-65 certified. VPG-65 (video performance guarantee) offers sustained data write speeds of 65MB/s ensuring a smooth flow of data keeping video streams crisp and clean. This CompactFlash card is also compatible with both RAW and JPEG file formats and comes equipped with an RTV silicone coating and writable label.
$20
64GB Compact Flash
$10.00 Daily Rate
The 128GB Extreme Pro CompactFlash Memory Card from SanDisk features enhanced data read speeds of up to 160MB/s along with data write speeds up to 150MB/s. This Extreme Pro CompactFlash Card is designed to support both full HD and 4K video as it is VPG-65 certified. VPG-65 (video performance guarantee) offers sustained data write speeds of 65MB/s ensuring a smooth flow of data keeping video streams crisp and clean. This CompactFlash card is also compatible with bothThe 64GB Extreme Pro CompactFlash Memory Card from SanDisk features enhanced data read speeds of up to 160MB/s along with data write speeds up to 150MB/s. This Extreme Pro CompactFlash Card is designed to support both full HD and 4K video as it is VPG-65 certified. VPG-65 (video performance guarantee) offers sustained data write speeds of 65MB/s ensuring a smooth flow of data keeping video streams crisp and clean. This CompactFlash card is also compatible with both RAW and JPEG file formats and comes equipped with an RTV silicone coating and writable label.RAW and JPEG file formats and comes equipped with an RTV silicone coating and writable label.
$10
DJI SSD
1TB DJI PROSSD
$20.00 Daily Rate
Take advantage of the high data rates your Ronin 4D is capable of capturing with this PROSSD 1TB from DJI. Supporting 8K resolution at up to 60 fps in ProRes RAW, this SSD is custom-built for the Ronin 4D and mounts on the optional PROSSD Mount. The PROSSD 1TB has an integrated USB Type-C port, which allows it to be powered and accept data from the dock, making a secure connection that won’t shift as your Ronin 4D moves. To get the footage off the SSD, merely remove it from the PROSSD mount and attach it to a computer using the included USB Type-C cable; no special reader or software is required.
$20
960GB DJI CINESSD
$20.00 Daily Rate
The 960GB DJI CINESSD allows you to record video from your Inspire 2 at write speeds of up to 4.7 Gbps. When used with your Inspire 2, you can choose to record to CinemaDNG or Apple ProRes formats, but please note that either format requires an additional license key purchase from DJI. The CINESSD uses an NVMe logical device interface specification, features four PCI Express ports, and supports FAT32/exFAT file formats. Once the CINESSD is installed in your Inspire 2, settings and information can be accessed through the DJI GO 4 application, including resolution and field-of-view options.
$20
SD
256GB UHS-II SDXC
$25.00 Daily Rate
The 256GB Professional 1667x UHS-II SDXC Memory Card from Lexar features a storage capacity of 256B and takes advantage of the UHS-II bus to support advanced DSLR functions such as continuous shutter bursts and rapid shooting, as well as raw and JPEG captures. This card is also well-suited for video capture, including 4K, 3D, and Full HD video, and can achieve maximum read speeds of up to 250 MB/s and maximum write speeds of up to 120 MB/s. Thanks to its V60 speed class rating, minimum write speeds are guaranteed not to drop below 60 MB/s.
$25
128GB UHS-II SDXC
$20.00 Daily Rate
The 128GB Professional 1667x UHS-II SDXC Memory Card from Lexar features a storage capacity of 128GB and takes advantage of the UHS-II bus to support advanced DSLR functions such as continuous shutter bursts and rapid shooting, as well as raw and JPEG captures. This card is also well-suited for video capture, including 4K, 3D, and Full HD video, and can achieve maximum read speeds of up to 250 MB/s and maximum write speeds of up to 120 MB/s. Thanks to its V60 speed class rating, minimum write speeds are guaranteed not to drop below 60 MB/s.
$20
64GB SD
$3.00 Daily Rate
Designed for SD devices that can capture Full HD, 3D, and 4K video, as well as raw and burst photography, the 64GB Extreme PRO UHS-I SDXC Memory Card from SanDisk has a capacity of 64GB, is compatible with the UHS-I bus, and features a speed class rating of V30, which guarantees minimum write speeds of 30 MB/s. If your device does not support the V30 standard, this card also supports the U3 standard, which likewise guarantees minimum write speeds of 30 MB/s. Read speeds are supported up to 200 MB/s and write speeds max out at 90 MB/s. A built-in write-protect switch helps to safeguard against the accidental erasure of card data.
$3
32GB SD
$2.00 Daily Rate
Designed for SD devices that can capture Full HD, 3D, and 4K video, as well as raw and burst photography, the 32GB Extreme PRO UHS-I SDXC Memory Card from SanDisk has a capacity of 32GB, is compatible with the UHS-I bus, and features a speed class rating of V30, which guarantees minimum write speeds of 30 MB/s. If your device does not support the V30 standard, this card also supports the U3 standard, which likewise guarantees minimum write speeds of 30 MB/s. Read speeds are supported up to 100 MB/s and write speeds max out at 90 MB/s. A built-in write-protect switch helps to safeguard against the accidental erasure of card data.
$2
MicroSD
256GB MicroSD
$1.00 Daily Rate
Designed for action cameras, drones, and Android smartphones, the 256GB Professional 1066x UHS-I microSDXC Memory Card from Lexar features a storage capacity of 256GB and supports maximum read speeds of up to 160 MB/s and maximum write speeds of up to 120 MB/s. This card has also been designed with the V30 Video Speed Class rating, which guarantees minimum write speeds of at least 30 MB/s. All of this provides the speed and storage you need to capture more adventures on the go.
$10
128GB MicroSD
$5.00 Daily Rate
Designed for action cameras, drones, and Android smartphones, the 128GB Professional 1066x UHS-I microSDXC Memory Card from Lexar features a storage capacity of 128GB and supports maximum read speeds of up to 160 MB/s and maximum write speeds of up to 120 MB/s. This card has also been designed with the V30 Video Speed Class rating, which guarantees minimum write speeds of at least 30 MB/s. All of this provides the speed and storage you need to capture more adventures on the go.
$5
64GB MicroSD
$3.00 Daily Rate
Designed for SD devices that can capture Full HD, 3D, and 4K video, as well as raw and burst photography, the 64GB Extreme PRO UHS-I SDXC Memory Card from SanDisk has a capacity of 64GB, is compatible with the UHS-I bus, and features a speed class rating of V30, which guarantees minimum write speeds of 30 MB/s. If your device does not support the V30 standard, this card also supports the U3 standard, which likewise guarantees minimum write speeds of 30 MB/s. Read speeds are supported up to 100 MB/s and write speeds max out at 90 MB/s. A built-in write-protect switch helps to safeguard against the accidental erasure of card data.
$3
32GB MicroSD
$2.00 Daily Rate
Designed for SD devices that can capture Full HD, 3D, and 4K video, as well as raw and burst photography, the 32GB Extreme PRO UHS-I SDXC Memory Card from SanDisk has a capacity of 32GB, is compatible with the UHS-I bus, and features a speed class rating of V30, which guarantees minimum write speeds of 30 MB/s. If your device does not support the V30 standard, this card also supports the U3 standard, which likewise guarantees minimum write speeds of 30 MB/s. Read speeds are supported up to 100 MB/s and write speeds max out at 90 MB/s. A built-in write-protect switch helps to safeguard against the accidental erasure of card data.
$2
16GB MicroSD
$1.00 Daily Rate
Designed for action cameras and mobile devices, the 16GB Ultra microSDHC Memory Card from SanDisk features a storage capacity of 16GB and supports maximum write speeds of 150 MB/s. This card has also been designed with the V30 Video Speed Class rating, which guarantees minimum write speeds of at least 30 MB/s.
$1
Follow Focus
Teradek
Teradek RT CTRL.3 3-Motor Follow Focus Kit
$200.00 Daily Rate
INCLUDES:
(x1) – Controller Neckstrap
(x3) – LP-E6 Duracell 1600mAh Li-ion Battery
(x1) – LP-E6 Battery Charger
(x1) – Receiver Rail Clamp for 15/19mm rods
(x5) – White Disc Type B
(x1) – Pre-Marked focus Ring – 10″ minimum focus
(x1) – Pre-Marked focus Ring – 20″ minimum focus
(x1) – Pre-Marked focus Ring – 3’6″ minimum focus
(x1) – Pre-Marked focus Ring – 6′ minimum focus
(x1) – Pre-Marked focus Ring – 10′ minimum focus
(x1) – MDR.X (x1) – MOTR.X
(x1) – Teradek RT Pre-Marked focus Ring – 0.25m minimum focus
(x1) – Teradek RT Pre-Marked focus Ring – 0.5m minimum focus
(x1) – Teradek RT Pre-Marked focus Ring – 1m minimum focus
(x1) – Teradek RT Pre-Marked focus Ring – 2m minimum focus
(x1) – Teradek RT Pre-Marked focus Ring – 3m minimum focus
(x1) – Teradek RT Pre-Marked focus Ring – 10in minimum focus
(x1) – Teradek RT Pre-Marked focus Ring – 20in minimum focus
(x1) – Teradek RT Pre-Marked focus Ring – 3ft, 6in minimum focus
(x1) – Teradek RT Pre-Marked focus Ring – 6ft minimum focus
(x1) – Teradek RT Pre-Marked focus Ring – 10ft minimum focus
(x1) – Teradek RT Pre-Marked Iris Ring – 1-32
(x1) – Teradek RT CTRL.3
(x1) – Teradek RT Monitor Bracket for Hand Controllers
(x3) – Teradek RT Quick-release Motor Extension Rod Clamp
(x2) – 2pin Conn. to PowerTap – 18in Cable
(x2) – 2pin Conn. to 2pin Conn. (Alexa) 18in Cable
(x1) – Mini-USB (5pin) to USB – 18in Cable
(x3) – Teradek RT Motor Cable – ST to ST (0.2m / 8in)
(x3) – Teradek RT Motor Cable – Straight to Straight (0.4m / 16in)
(x1) – Teradek RT Motor Cable – Straight to Straight (60cm / 24in)
(x1) – MDR.X ARRI R/S Cable
(x1) – MDR.X Sony F55 R/S Cable
(x1) – MDR.X RED CTRL Cable – 40cm
(x1) – SmallHD Monitor Interface Cable – 5pin to USB Micro (0.4m)
(x1) – SmallHD Monitor Interface Cable – 5pin to 703 Bolt 5pin 0.25m
(x1) – SmallHD Monitor Interface Cable – 5pin to USB Type A (1m)
(x1) – Teradek Case XLarge – Black with RT Motion CTL3 Controller Set Foam
(x1) – Teradek Vinyl Zipper Bag 250x150mm
CTRL.3 is a feature-rich, powerful 3-axis wireless controller with built-in lens mapping and data storage. Paired with any SmallHD monitor, CTRL.3 displays critical lens data as overlays directly on the monitor, allowing camera assistants to pull focus and keep eyes on the image.
$200
Tilta
Add’l motors available upon request.
Tilta Nucleus-M II 2-Motor Follow Focus Kit
$100.00 Daily Rate
INCLUDES:
(x1) – Nucleus-M II FIZ Hand Unit
(x2) – Nucleus-M II Lens Motor
(x1) – Nucleus-M II Handgrip (Left)
(x1) – Nucleus-M II Handgrip (Right)
(x2) – Nucleus-M II Handgrip to ARRI Rosette Adapter
(x1) – Nucleus-M II Zoom Module for Handgrip
(x1) – Nucleus-M II Electronic Focus Marking Disk
(x5) – Nucleus-M II Follow Focus Marking Disk
(x1) – Nucleus-M II Monitor Mounting Bracket for FIZ Hand Unit
(x1) – Nucleus-M II Baby-Pin Adapter for Monitor Bracket
(x1) – Nucleus-M II FIZ Hand Unit Lanyard
(x1) – Nucleus-M II 7-Pin to 7-Pin Cable (11.8″)
(x1) – Nucleus-M II 7-Pin to 7-Pin Cable (19.7″)
(x1) – Nucleus-M II D-Tap to 7-Pin Power Cable (27.6″)
(x2) – Nucleus-M II Motor Rod Mount (15mm)
(x2) – Nucleus-M II Motor Rod Mount (19mm)
(x1) – Nucleus-M II Hard-Shell Waterproof Case
(x2) – Nucleus-M II Rubber Gear Rings
(x2) – Sony NP-F Battery – Battery Pack for NP-F550
(x1) – Sony NP-F Single Battery Charger
(x1) – Nucleus-M II 0.5 MOD Motor Gear
(x2) – Nucleus-M II 0.8 MOD Motor Gear
(x1) – 3mm Allen Key
(x1) – 3/16 Allen Key
(x1) – Nucleus-M II Lanyard Quick Connect
The Tilta Nucleus-M II Wireless Lens Control System Ultimate Kit provides advanced, four-channel lens control for cine-style shooters. Compatible with first-gen Nucleus-M components, this enhanced version features more reliable transmission, greater precision, a 2.4″ display, updated algorithms, and L-series battery power.
$100
Tilta Nucleus-M 2-Motor Follow Focus Kit
$70.00 Daily Rate
INCLUDES:
(x1) – Tilta Nucleus-M Wireless Lens Control System
(x1) – Wireless FIZ Hand Unit
(x2) – Wireless Motors
(x2) – 19mm Motor Rod Clamps
(x2) – 19 to 15mm Bushings
(x1) – Wireless Left Handle (Focus)
(x1) – Wireless Right Handle (Iris, Zoom)
(x4) – Follow Focus Disks
(x1) – 7-Pin to D-Tap Motor Power Cable (29″)
(x1) – 7-Pin to 7-Pin Straight Motor Cable (11.7″)
(x1) – 7-Pin to 7-Pin Straight Motor Cable (7″)
(x2) – Handle to ARRI Rosette Adapter
(x2) – Handle to Gimbal Bar Adapter (25 to 30mm Compatibility)
(x1) – Four-Slot 18650 Battery Charger
(x1) – AC Power Cord for Charger
(x1) – Wireless FIZ Hand Unit Strap
(x1) – Hard-Shell Waterproof Safety Case
(x4) – 18650 Rechargeable Battery
The Tilta Nucleus-M Wireless Lens Control` System features a 1000′ transmission range and comes with two lens drive motors with built-in wireless receivers, a FIZ hand controller, and two handgrips—one to control focus, and the other iris and zoom. The lens drive motors each feature a cine standard 0.8 MOD drive gear and two 7-pin connectors, enabling you to freely swap or interchange each motor. The motors power by daisy-chaining using the 7-pin cables, and each motor includes a 19mm rod clamp with 19 to 15mm reducing bushing.
$70
Tilta Nucleus-M RED DSMC2 Run/Stop Cable (27″)
$5.00 Daily Rate
The 27″ Nucleus-M RED DSMC2 Run/Stop Cable from Tilta is used to connect a Nucleus-M motor to a RED DSMC2 camera. The cable is designed with one 7-pin LEMO-type connector and one 4-pin LEMO-type connector, both straight-angled. This cable will trigger the run/stop function on the camera.
$5
Tilta Nucleus-M KOMODO 9-Pin Run/Stop Cable
$5.00 Daily Rate
This run stop cable allows to trigger-start/stop the Komodo camera from Tilta Nucleus-M Focus Motor Plug A: 7 Pin Male. Plug B: EXT 9 Pin
$5
Tilta Left-Side Advanced Power Handle for Sony R/S (NATO)
$10.00 Daily Rate
Add stability, accessory powering options, and the ability to start/stop your camera with this Type VI Tiltaing Left-Side Advanced Power Handle with Run/Stop for F570 Battery from Tilta. Designed with a black finish for Tiltaing camera cages, it features a button for triggering recording on/off over an optional Tilta R/S cable connection to compatible cameras. Multiple R/S cables are available to suit your camera.
$10
Wooden Camera
Wooden Camera UFF-1 Pro
$50.00 Daily Rate
INCLUDES:
(1x) – Wooden Camera UFF-1 Universal Follow Focus
(1x) – Adjustable Bridge with Rod Clamps
(2x) – Handwheel
(2x) – Hard Stop Disk
(10x) – Standard Marking Disks
(1x) – Handwheel Extension
(1x) – Focus Whip
(1x) – Speed Crank
(5x) – Focus Drive Gears
(1x) – Hard Carrying Case
UFF-1 Universal Follow Focus is the first follow focus to be compatible with 15mm LW, 15mm Studio, and 19mm rods without the use of adapters. Simply unlock the clamps and slide to the appropriate rod position. Notches in the bottom of the bridge indicate when the clamp is in the correct position.
The included swing arm and lens gears can be flipped to the front or back position which is helpful for compact lens configuration and the bridge has the lowest height in the industry so it will work with larger zoom lens barrels.
$50
Wooden Camera Zip Focus (15mm)
$25.00 Daily Rate
INCLUDES:
(1x) – Hard Stop Disk
(2x) – Marking Disks
(1x) – Friction Gear
(1x) – 8 Mod 35 Tooth
(1x) – 15mm Adapter Bushing
If you require a follow focus that can fit compact camera setups, check out the Wooden Camera Zip Focus Single-Rod Follow Focus. As the name implies, the Zip Focus only requires a single rod to secure to your camera rig. The short design of this follow focus works best with 15mm LWS configurations. A central joint allows for flexible pivoting to fit a wide range of lenses. The rubberized focus knob is textured for a sure grip. At the center of the knob is an ARRI-standard accessory port for attaching separately available accessories such as a whip or a crank.
$25
Wooden Camera Zip Focus
(19/15mm Studio)
$25.00 Daily Rate
INCLUDES:
(1x) – Hard Stop Disk
(2x) – Marking Disks
(1x) – Friction Gear
(1x) – 8 Mod 35 Tooth
(1x) – 15mm Adapter Bushing
If you require a follow focus that can fit compact camera setups, check out the Wooden Camera Zip Focus Single-Rod Follow Focus. As the name implies, the Zip Focus only requires a single rod to secure to your camera rig. The short design of this follow focus works best with 15mm LWS configurations. A central joint allows for flexible pivoting to fit a wide range of lenses. The rubberized focus knob is textured for a sure grip. At the center of the knob is an ARRI-standard accessory port for attaching separately available accessories such as a whip or a crank.
$25
Matteboxes
Bright Tangerine
Bright Tangerine Misfit Atom Mattebox
$45.00 Daily Rate
INCLUDES:
(x1) – Bright Tangerine Misfit Atom 4×5.65″/4×4″ Ultra Lightweight 2-Stage Clip-On Matte Box
(x1) – Bright Tangerine Carbon Fiber Top Flag for Misfit Atom Matte Box Mounting Hardware
(x1) – Bright Tangerine Anti-Reflective Filter Tilt Control for Misfit Atom & Misfit Atom Pola+
The Misfit Atom 4 x 5.65″ / 4 x 4″ Ultra Lightweight 2-Stage Clip-On Matte Box from Bright Tangerine is a small, lightweight yet strong, clamp-on matte box for lenses with an outer diameter of up to 114mm. It holds up to two 4 x 4″ or 4 x 5.65″ filters without using filter trays, and provides a wide field of view suitable for many wide-angle lenses even with two filters mounted.
The removable flexible hood is built to hold its shape over time, even in temperature extremes. The matte box with hood weighs in at under 7 ounces, only 3.5 ounces without the hood. This makes the matte box suitable for use with gimbals and Steadicams, and the removable hood makes the matte box an excellent choice for aerial shooting.
$45
Bright Tangerine Misfit Atom Pola+ Mattebox
$50.00 Daily Rate
INCLUDES:
(x1) – Bright Tangerine Misfit Atom Pola+ Matte Box
(x1) – Bright Tangerine Rota Ring for Misfit Atom Pola+ Matte Box
(x1) – Bright Tangerine Carbon Fiber Top Flag Cover for Misfit Atom Pola+ Matte Box
(x1) – Bright Tangerine 143 to 114mm Clamp-On Ring for Misfit & Strummer DNA Matte Box
(x1) – Bright Tangerine 143 to 95mm Clamp-On Ring for Misfit & Strummer DNA Matte Box
(x1) – Bright Tangerine 143 to 80mm Clamp-On Ring for Misfit & Strummer DNA Matte Box
(x1) – Bright Tangerine 143mm Black Hole Donut for Viv, Viv 5″, Misfit, and Strummer DNA
(x1) – Bright Tangerine 15mm LWS Rod Bracket
(x1) -Bright Tangerine Strummer 19mm Studio Bracket
The Bright Tangerine Misfit Atom Pola+ Matte Box is a lightweight grab-and-go matte box. With its 143mm OD lens clamp, the Misfit Atom Pola+ can be adapted to fit on the front of most cinema lenses while keeping a thin profile due to the front-mounting filter trays. Up to two 4 x 4″ or 4 x 5.65″ filters can be used this way. Additionally, using the included 138mm Rota Ring, +1 and +2 diopters or round filters can be implemented in this lightweight setup. This matte box can be configured to fit on 15mm LWS or 19mm studio rods using separately available accessories.
$50
Wooden Camera
Wooden Camera UMB-1 Mattebox
$50.00 Daily Rate
INCLUDES:
(1x) – Swing Away Bracket
(2x) – Rotating 4×5.65 filter stages
(1x) – Folding French Flag
(1x) – 143mm Rubber Bellows with 138mm Round Filter Slot
(1x) – Swing Away Insert Set
(1x) – NATO Standard Accessory Rails on Left, Right, and Top
(1x) – Universal Cloth Donut
(1x) – Left and Right Side Flags
(1x) – Bottom Flag
(1x) – Reduction Rings: 80mm 87mm 95mm 104mm 110mm
(1x) – Clamp On Adapters: 80mm 87mm 95mm 104mm 110mm 114mm 125mm 134mm 136mm
The Wooden Camera UMB-1 Universal Matte Box (Pro) mounts to 15mm LWS rods using a height-adjustable swing-away bracket and features two rotating 4 x 5.65″ filter stages, with an optional third stage available as an add-on. It has a 143mm diameter opening and includes an ARRI-style rubber bellows with a standard 114mm opening, a set of bellows reduction rings, and a universal cloth donut for non-standard lens diameters. The reduction rings snap into the bellows quickly for fast lens changes and are compatible with all third party 114mm threaded bellows. For accessory mounting, the matte box includes NATO accessory rails on the left, right, and top. Completing the package is a folding top flag. The UMB-1 is designed to be user upgradable and can quickly transition between Swing Away 15mm rod and Clamp On configurations.
$50
Wooden Camera Zip Box Pro
Clamp-On Mattebox
$20.00 Daily Rate
INCLUDES:
(1x) – Zip Box 4×5.65 (90-95mm)
The clamp-on Wooden Camera Zip Box Pro 4 x 5.65″ Matte Box for lenses with a 114mm front fills out the Wooden Camera matte box lineup, fitting in neatly between the UMB-1 line and the original rubber Zip Box. A lightweight yet durable matte box with interchangeable mounting systems, the Zip Box Pro accepts up to three 4 x 5.65″ (Panavision-style) filters without the use of filter trays. If reflections from light sources in frame are a concern, they you can tilt up to two filters in the matte box to help move the reflections out of picture area.
$20
Wooden Camera Zip Box Pro Swing Away Mattebox
$40.00 Daily Rate
INCLUDES:
(1x) – Mattebox with Three 4×5.65 Filter Stages
(1x) – Swing Away Back
(1x) – Top Flag
(1x) – Cloth Donut
(1x) – Swing Away Reduction Rings Set
The swing-away Wooden Camera Zip Box Pro 4 x 5.65″ Matte Box mounts on 15mm LWS support rods (not included) and features a rear opening of 114mm. A lightweight yet durable matte box with interchangeable mounting systems, the Zip Box Pro accepts up to three 4 x 5.65″ (Panavision-style) filters without the use of filter trays. If reflections from light sources in the frame are a concern, you can tilt up to two filters in the matte box to help move the reflections out of the picture area.
$40
Underwater
Aquatech
Housing
AquaTech EDGE Sports Housing for Sony Mirrorless
$100.00 Daily Rate
Use your Sony a7R IV, a1, a7S III, or a9 II camera to capture photos and video in the surf, at the pool, or in any other aquatic environment with the AquaTech EDGE Sports Housing, in gray. The EDGE Sports housing features a depth rating of 33′ and offers tactile push-button controls for accessing important camera functions, and its small profile and ergonomic design allow for easy handling in the water.
$100
Aquatech M3 Shutter Grip
$10.00 Daily Rate
With the AQUATECH M3 Shutter Grip on your underwater camera housing, you’ll be able to hold your rig, focus, and shoot, all with one hand. The grip’s trigger controls both focus and shutter in the same way a shutter button does on a camera, press halfway to focus, press all the way to release the shutter. The trigger can also be set to turn video recording on and off. The grip’s design is based on the one used in AQUATECH’s popular AxisGO line of housings for iPhones. It features pronounced finger grooves for control and has a rubberized exterior for a secure, comfortable grip.
AQUATECH Lens Ports feature a threaded system that is interchangeable with all AQUATECH Water Housings. No tools are required to attach or remove the port.
*Please note that this product will only work with the Base, Compac, Elite, Delphin, REFLEX, EDGE & EVO models.
$10
Zoom Gear
AquaTech 10901 CZ 16-35mm Zoom Gear
$18.00 Daily Rate
Enjoy smooth, seamless lens operation underwater when using AquaTech’s 10901 CZ 16-35mm Zoom Gear for the Canon 16-35mm f/2.8 L, f/2.8 L II or f/4 IS Lens. Mount the gear on the zoom ring of your lens, then connect it to the zoom control knob of your AquaTech Delphin or Elite Sport Housing. When you’re ready to shoot, you’ll be able to zoom the lens back and forth from outside the housing.
$18
AquaTech 10903 CZ 24-70mm Zoom Gear
$15.00 Daily Rate
Enjoy smooth, seamless lens operation underwater when using AquaTech’s 10903 CZ 24-70mm Zoom Gear for the Canon 24-70mm f/2.8 L II or 24-105mm f/4 IS Lens. Mount the gear on the zoom ring of your lens, then connect it to the zoom control knob of your AquaTech Delphin or Elite Sport Housing. When you’re ready to shoot, you’ll be able to zoom the lens back and forth from outside the housing.
$15
AquaTech 10904 CZ 70-200mm Zoom Gear
$16.00 Daily Rate
Enjoy smooth, seamless lens operation underwater when using AquaTech’s 10904 CZ 70-200mm Zoom Gear for the Canon 70-200mm f/2.8 IS and IS II Lenses. Mount the gear on the zoom ring of your lens, then connect it to the zoom control knob of your AquaTech Delphin or Elite Sport Housing. When you’re ready to shoot, you’ll be able to zoom the lens back and forth from outside the housing.
$16
Aquatech Zoom Gear 10996 SZ 16-35mm
$10.00 Daily Rate
AquaTech lens zoom designed to work with the Sony 16-35mm f2.8 GM. Each AquaTech lens Port Zoom Gear is designed to work with a dedicated lens. The Zoom Gear will allow full zoom control on either the Relfex, Edge, Delphin, Evo, Base or Elite Water Housing and should operate in a smooth and responsive manner. This lightweight Zoom Gear is made from Delrin and will not lose its shape over time or with use. The Zoom Gear pitch is matched perfectly to the Zoom Control on the Water Housing for fast, responsive control in those critical situations when quick changes are needed.
$10
Aquatech Zoom Gear 10997 SZ 24-70mm
$10.00 Daily Rate
AquaTech lens zoom designed to work with the Sony 16-35mm f2.8 GM. Each AquaTech lens Port Zoom Gear is designed to work with a dedicated lens. The Zoom Gear will allow full zoom control on either the Relfex, Edge, Delphin, Evo, Base or Elite Water Housing and should operate in a smooth and responsive manner. This lightweight Zoom Gear is made from Delrin and will not lose its shape over time or with use. The Zoom Gear pitch is matched perfectly to the Zoom Control on the Water Housing for fast, responsive control in those critical situations when quick changes are needed.
$10
Aquatech Zoom Gear 10999 SZ 12-24mm
$10.00 Daily Rate
AquaTech lens zoom designed to work with the Sony 16-35mm f2.8 GM. Each AquaTech lens Port Zoom Gear is designed to work with a dedicated lens. The Zoom Gear will allow full zoom control on either the Relfex, Edge, Delphin, Evo, Base or Elite Water Housing and should operate in a smooth and responsive manner. This lightweight Zoom Gear is made from Delrin and will not lose its shape over time or with use. The Zoom Gear pitch is matched perfectly to the Zoom Control on the Water Housing for fast, responsive control in those critical situations when quick changes are needed.
$10
Aquatech Zoom Gear 11911 Sony 16-35/24-70mm
$10.00 Daily Rate
The AQUATECH Zoom Gear 11911 for Sony 16-35 f/2.8, 24-70 f/2.8 Lens allows full zoom control on compatible AQUATECH water housings. The Delrin zoom gear pitch is matched perfectly to the zoom control on the inside of the water housing for fast, responsive control in those critical situations when quick changes to the focal length are needed. For more information on which zoom gears are compatible with multiple options, please refer to your housing’s Port Reference Chart.
$10
Aquatech Zoom Gear 11912 Sony 70-200mm
$10.00 Daily Rate
The AQUATECH Zoom Gear 11912 for Sony 70-200mm allows full zoom control on compatible AQUATECH water housings. The Delrin zoom gear pitch is matched perfectly to the zoom control on the inside of the water housing for fast, responsive control in those critical situations when quick changes to the focal length are needed. For more information on which zoom gears are compatible with multiple options, please refer to your housing’s Port Reference Chart.
$10
Flat Port
AquaTech P-Series P-65 Flat Port
$25.00 Daily Rate
Get your shot in wet and wild conditions using the AquaTech P-Series P-65 Lens Port with a range of Canon, Nikon or other short to medium length prime lenses. Featuring a depth rating of 33′, AquaTech ports are designed for shallow water and surface use, and shouldn’t be operated at depths beyond 15′ for longer than five minutes.
$25
AquaTech P-Series P-80 Flat Port
$25.00 Daily Rate
Get your shot in wet and wild conditions using the AquaTech P-80 Lens Port with Canon, Nikon, Sony, and other short and medium prime lenses. Featuring a depth rating of 33′, AquaTech ports are designed for shallow water and surface use and shouldn’t be operated at depths beyond 15′ for longer than five minutes.
$25
AquaTech P-Series P-100 Flat Port
$25.00 Daily Rate
Get your shot in wet and wild conditions using the AquaTech P-Series P-100 Lens Port with a range of Canon, Nikon or other medium length primes and wide-angle zoom lenses. Featuring a depth rating of 33′, AquaTech ports are designed for shallow water and surface use, and shouldn’t be operated at depths beyond 15′ for longer than five minutes.
$25
AquaTech P-Series P-110 Flat Port
$25.00 Daily Rate
The AquaTech P-110 Lens Port is used with a range of Canon, Nikon, Sony, and other lenses. It is designed for use with medium-length prime lenses and short zooms. The P-110 features a threaded system interchangeable with all AquaTech water housings. No tools are required to attach or remove the port.
$25
AquaTech P-Series P-120 Flat Port
$25.00 Daily Rate
Get your shot in wet and wild conditions using the AquaTech P-120 Lens Port. Featuring a depth rating of 33′, AquaTech ports are designed for shallow water and surface use, and shouldn’t be operated at depths beyond 15′ for longer than five minutes.
$25
AquaTech P-Series P-145 Flat Port
$25.00 Daily Rate
Get your shot in wet and wild conditions using the AquaTech P-Series P-145 Lens Port with your Canon 24-70 mm f/2.8 II or 24-105mm f/4 IS zoom lenses. Featuring a depth rating of 33′, AquaTech ports are designed for shallow water and surface use, and shouldn’t be operated at depths beyond 15′ for longer than five minutes.
$25
AquaTech P-Series P-215 Flat Port
$25.00 Daily Rate
Get your shot in wet and wild conditions using the AquaTech P-Series P-215 Lens Port with your Canon or Nikon 70-200 mm f/2.8 telephoto zoom lenses. Featuring a depth rating of 33′, AquaTech ports are designed for shallow water and surface use, and shouldn’t be operated at depths beyond 15′ for longer than five minutes.
$25
AquaTech PD-85 Dome Lens Port
$25.00 Daily Rate
The PD-85 Dome Lens Port from AquaTech fits various Nikon, Canon, Tokina, Schneider and Sigma lenses. Compatible models range in focal length from 11-50mm and feature maximum apertures of f/1.2. Zoom and focus gears for the different lenses are available separately. The port screws onto Elite, Delphin and Meridian Underwater Sport Housings for cameras. It has a depth rating of 33′ and its body and front element are constructed from acrylic.
$25
AquaTech P-30Ex 30mm Extension Ring
$25.00 Daily Rate
The AQUATECH P-30 EX 30mm Extension Ring is designed for a wide range of lenses to aid in the performance of your Dome Ports, and to create extra length in standard flat ports.
AQUATECH Lens Ports feature a threaded system that is interchangeable with all AQUATECH Water Housings. No tools are required to attach or remove the port.
*Please note that this product will only work with the Base, Compac, Elite, Delphin, REFLEX, EDGE & EVO models.
$25
AquaTech P-50Ex 50mm Extension Ring
$25.00 Daily Rate
The AQUATECH P-50 EX 50mm Extension Ring is designed for a wide range of lenses to aid in the performance of your Dome Ports, and to create extra length in standard flat ports.
AQUATECH Lens Ports feature a threaded system that is interchangeable with all AQUATECH Water Housings. No tools are required to attach or remove the port.
*Please note that this product will only work with the Base, Compac, Elite, Delphin, REFLEX, EDGE & EVO models.
$25
AquaTech P-70Ex 70mm Extension Ring
$25.00 Daily Rate
The P-70Ex 70mm Extension Ring from AquaTech increases the length of compatible P-series lens ports by 70mm to allow them to accommodate longer lenses. The ring screws directly onto the housing and the port screws into the ring.
$25
Lighting
Daily Rate
Aputure
Electro Storm
Aputure Electro Storm XT26 Bi-Color LED Monolight
$300.00 Daily Rate
INCLUDES:
1x – Aputure Electro-Storm XT26 Bi-Color LED Monolight
1x – Ballast Control Box
1x – Handcart for Ballast
1x – Head Cable (24.6″)
1x – AC Power Cable (19.7″)
1x – 35º Reflector
1x – Barndoors
1x – Protection Cover
Designed with power and durability for film and television professionals, the Electro Storm XT26 Bi-Color LED Monolight from Aputure is a bi-color point-source fixture offering 2600W of dynamic white CCT from 2700 to 6500K and tint control, dual accessory mounts, advanced connectivity options, and a rugged IP65 dust and weather resistant construction to withstand demanding filming environments. The XT26’s innovative electronic modifiers provide enhanced optimization and motorized control. This XT26 version comes with a 60A Bates connector.
$300
Aputure Electro Storm CS15 RGB LED Monolight
$275.00 Daily Rate
INCLUDES:
1x – Aputure Electro-Storm CS15 RGB LED Monolight
1x – Ballast Control Box
1x – Handcart for Ballast
1x – Head Cable (24.6″)
1x – AC Power Cable (19.7″)
1x – 35º Reflector
1x – Barndoors
1x – Protection Cover
Designed with power and durability for film and television professionals, the Electro Storm CS15 RGB LED Monolight from Aputure is a full-color point-source fixture offering 1500W of ultra-high color quality. The CS15 provides 2000-10,000K CCT and tint control, dual accessory mounts, advanced connectivity options, and a rugged IP65 dust- and weather-resistant construction to withstand demanding filming environments. Made with optimization and versatility in mind, filmmakers and lighting technicians will appreciate this powerful, color-accurate, RGB fixture that is ideal for illuminating large areas. This CS15 version comes with a US plug.
$275
Aputure CS15/XT26 Reflector Kit
$20.00 Daily Rate
Aputure CS15/XT26 Reflector Kit
$20
Aputure CS15/XT26 Motorized Yoke
$50.00 Daily Rate
The Motorized Yoke for Electro Storm CS15 and XT26 LED Monolights from Aputure makes it possible to adjust a light source faster and more accurately than ever. The pan and tilt of the LED monolight can be adjusted directly from the control box or remotely via the Sidus Link app or DMX controls. Whether suspended or rigged in hard-to-reach areas, the motorized yoke allows for smooth, remote operation of 360° pan and tilt adjustments, allowing you to craft the perfect shot, even when your light is rigged in hard-to-reach places. This self-contained unit does not require additional cables or a power supply.
$50
Aputure F14 Motorized Fresnel
$50.00 Daily Rate
The F14 Fresnel from Aputure is an electronic light modifier with a large 14″ diameter lens and a motorized 18 to 45° spot-flood adjustable beam angle range. The F14 incorporates an Aputure Mount that communicates with the ELECTRO STORM light instruments (CS15/XT26) to relay calibration data that the mounted fixtures can use to optimize the accuracy of their light engine output. The included detachable yoke provides better balance when mounting the fixture on a stand. It also has a safety chain for added rigging security. The barndoors provide finer control over beam spread, making it possible to flag areas for more control.
$50
STORM
Aputure STORM 1200x Bi-Color LED Monolight
$225.00 Daily Rate
Pioneering a new approach to conventional bi-color lighting, Aputure‘s latest point-source workhorse, the STORM 1200x Bi-Color LED Monolight, matches a powerful and innovative full-spectrum chipset with advanced dimming technology, professional color accuracy, a widely adaptable Bowens mount, and a robust, IP65-rated construction for high-end set work under any circumstance.
$225
Aputure STORM 1000c LED Monolight
$200.00 Daily Rate
Expanding Aputure’s line of BLAIR-CG LED chipset lights, the STORM 1000c BLAIR-CG LED Monolight is a versatile point-source workhorse offering exceptional brightness while maintaining extremely high color accuracy. It pairs a powerful and innovative full-spectrum chipset with advanced white-point control, professional color accuracy, a secure ProLock accessory mount, and robust, IP65-rated construction for high-end set work under any circumstance. The STORM 1000c’s BLAIR-CG chipset features blue, lime, amber, indigo, and red LEDs to deliver higher brightness levels and color accuracy levels. Rated 97 for both CRI and TLCI standards, the light also scores an 88 SSI rating at 3200 and 86 at 5600K color temperatures. App controls via Bluetooth and the Sidus Link and Sidus Link Pro apps enable you to integrate the light into professional lighting workflows.
$200
Aputure STORM 1000c/1200x Reflector Kit
$12.00 Daily Rate
INCLUDES:
(1x) – Aputure STORM Narrow 15º Reflector
(1x) – Aputure STORM Medium 30º Reflector
(1x) – Aputure STORM Reflector Case
The STORM 1000c/1200x Reflector Kit adds two additional reflectors to the 45º wide reflector included with the STORM 1000c and STORM 1200x. The 15º narrow reflector and 30º medium reflector are tuned for optimal performance with the STORM lights, producing even beams with no color fringing.
$12
Aputure CF12 Fresnel
$30.00 Daily Rate
Designed for the STORM 1000c and 1200x light fixture, the CF12 Fresnel from Aputure intensifies the light output by up to nine times, producing up to 60,000 lux at 3200K. It focuses the light’s beam spread from a tight 15° to a 45° medium flood with smooth falloff from the center to the edge. Compatible with select other Aputure lights and CF12 barndoors, the CF12 Fresnel has a Bowens ProLock mount and comes with a carrying case that can also fit the separately available barndoors.
$30
Aputure CF12 Barndoors
$10.00 Daily Rate
The CF12 Barndoors for CF12 Fresnel from Aputure are specifically designed for the CF12 Fresnel that fits on STORM 1200x and 1000c lights. These eight-leaf barndoors enable you to quickly shape and/or cut the light output. They also have a holder for a 13″ metal scrim.
$10
Aputure STORM 700x LED Monolight
$125.00 Daily Rate
The STORM 700x Tunable White LED Monolight arrives as Aputure‘s latest point-source LED, offering a tunable-white engine that provides high output in a more compact form factor. Aputure developed the STORM 700x upon similar characteristics of the STORM 1200x, XT52, and 400x—keeping the brand’s proprietary and innovative BLAIR chipset. Meaning not only spectral quality, but superior accuracy in white light reproduction. It combines 700W with smooth dimming technology, multiple control methods, a convenient ProLock Bowens accessory mount, a smart cooling system, and finally, a robust IP65-rated construction for high-end set work under any circumstance. A great lighting solution for filmmakers, cinematographers, and lighting professionals in need of high output and precision white light color performance in a weather-resistant body. The STORM 700x ships with a 35° reflector, a control box, a clamp, head and power cables, and a soft rolling case that packs it all.
$125
Aputure STORM 400x LED Monolight
$100.00 Daily Rate
Expanding the Aputure tunable white lighting lineup, the compact STORM 400x LED Monolight is a point-source workhorse, matching a powerful full-spectrum chipset with advanced dimming, professional color accuracy, a widely adaptable Bowens mount, and robust, IP65 construction for high-end set work under any circumstance.
The STORM family of LED monolights features Aputure’s breakthrough BLAIR chipset with blue, lime, amber, indigo, and red LEDs that deliver higher brightness levels and color accuracy levels. Rated 95 for both CRI and TLCI standards, the STORM 400x light also scores an 87 SSI rating at 3200 and 5600K color temperatures, and the multicolor diodes improve the light’s color-matching abilities. The full CCT range of 2500 to 10,000K is enhanced with green-magenta color correction for advanced white-point control, and the unit’s daylight 5600K output reaches 64,600 lux at 3.3′ when used with the included 35° reflector.
$100
Aputure STORM 80c 3-Light Kit
$100.00 Daily Rate
Introducing the Aputure STORM 80c 3-Light Kit, the ultimate portable lighting solution for professionals and creatives. This comprehensive kit features three powerful 80W full-color STORM 80c fixtures, boasting an impressive 1,800K-20,000K CCT range and exceptional color accuracy. Built with the cutting-edge BLAIR-CG LED chipset, these lights cover over 90% of the Rec.2020 color space and are IP65 weather resistant, ensuring reliability in any environment.
The kit includes a variety of light-shaping tools like CF4 Fresnels, a Light Dome 40, Mini Lantern Diffusers, and Hyper Reflectors, providing both hard and soft lighting options. Power is flexible with AC adapters and D-Tap to DC cables for V-Mount batteries. Rigging is made easy with Super Clamps and Magic Arms, plus a Bowens Mount Adapter for expanded compatibility.
$100
Aputure STORM 80c LED Monolight
$35.00 Daily Rate
Adding a go-anywhere option to Aputure’s line of BLAIR-CG LED chipset lights, the STORM 80c BLAIR-CG LED Monolight is a compact point-source fixture offering a tunable palette with extremely high color accuracy. It pairs a powerful and innovative full-spectrum chipset with advanced white-point control, professional color accuracy, a secure Mini ProLock Bowens accessory mount, and sealed-seam IP65-rated construction for working in extreme conditions. The STORM 80c’s BLAIR-CG chipset features blue, lime, amber, indigo, and red LEDs to deliver higher brightness levels and color accuracy levels. Rated 97 for CRI and 99 for TLCI standards, this light also scores an 88 SSI rating at 3200 and 84 at 5600K color temperatures. The STORM 80c produces an impressive CCT range of 1800 to 20,000K. App control via Bluetooth and the Sidus Link and Sidus Link Pro apps enables you to integrate the light into professional lighting workflows.
$35
Light Storm
Aputure LS 1200d Pro Light Kit
$200.00 Daily Rate
INCLUDES:
(x1) – Aputure Light Storm 1200d Pro Lamp Head
(x1) – Ballast Control Box
(x1) – 7-Pin Weatherproof Head Cable (7.5m)
(x1) – AC Power Cable (6m)
(x1) – Ballast Clamp
(x1) – Rolling Case
(x1) – Narrow Hyper Reflector
(x1) – Medium Hyper Reflector
(x1) – Wide Hyper Reflector
(x1) – Reflector Carrying Case
The LS 1200d Pro LED Light from Aputure is a powerful COB LED fixture with expansive power, control options, and output comparable to a 1600W HMI. The precision fixture has a solid 5600K color temperature with a high CRI/TLCI rating of 95 that is great for location shooting outdoors, or in areas dominated by other daylight-balanced fixtures such as HMIs. Besides power, control is a driving force in the design of the 1200d Pro. The light supports multiple wireless control methods, including the Sidus Link mobile app and the built-in wireless DMX control. The 1200d Pro is also compatible with LumenRadio CRMX, Art-net, and sACN via an etherCON connector. It also has 5-pin DMX512 connectivity for seamlessly integrating into any professional DMX interface.
$200
Aputure LS 600c Pro Light Kit
$125.00 Daily Rate
The Light Storm 600c Pro is Aputure’s first-ever full-color point-source light fixture, complete with Bowens Mount Compatibility, custom color-blending optics, intense output, weather resistance, and professional level connectivity. Its immensely powerful RGBWW LED chipset is capable of 600W of total output, positioning the LS 600c Pro as one of the brightest full-color point-source light fixtures on the market and as having the highest wattage RBGWW chipset in any point-source LED for filmmaking. And with its Bowens Mount compatibility, the LS 600c Pro is uniquely positioned as one of the most adaptable fixtures on the market.
$125
Aputure LS Reflector Disk Kit
$10.00 Daily Rate
INCLUDES:
(1x) – Aputure Light Storm Narrow 15º Reflector
(1x) – Aputure Light Storm Medium 30º Reflector
(1x) – Aputure Light Storm Wide 45º Reflector
(1x) – Aputure Light Storm Reflector Case
$10
Aputure F10 Fresnel Lens
$15.00 Daily Rate
Aputure F10 Fresnel Lens
$15
Aputure F10 Barndoors
$10.00 Daily Rate
Aputure F10 Barndoors
$10
Aputure Barndoors
$10.00 Daily Rate
Aputure Barndoors
$10
Aputure LS60 Softbox
$8.00 Daily Rate
Aputure LS60 Softbox
$8
Aputure LS 60x Light Kit
$30.00 Daily Rate
The LS 60x Bi-Color LED Focusing Flood Light from Aputure is a precision fixture with beam spread, power, color balance, and light intensity options. The light has an expansive color range of 2700 to 6500K to meet any ambient light challenge or match other fixtures. The light’s beam spread range of a tight 15 degrees to medium flood of 45 degrees can be further modified by the included 8-way barndoors for selective lighting. Light intensity is adjustable too from 0 to 100%.
$30
Aputure LS60 Softbox
$8.00 Daily Rate
Aputure LS60 Softbox
$8
Nova
Aputure Nova P600c Dual Head Kit
$200.00 Daily Rate
Designed for studio use and professional applications, this Aputure Dual Head Yoke allows you to mount mount two Nova P600c lamp heads onto a single yoke, providing the equivalent surface area of a 2 x 2′ light fixture. Both lamp heads feature independent 360° tilt adjustment so you can achieve a wider spread of light or a high-intensity push in a single direction. By stacking the two units and utilizing vertical space, this dual head yoke conserves valuable space on set and allows you to consolidate stands for fast-paced shoots or to minimize rigging for long-term installations.
$200
Aputure Nova P600c 2×1 Light Kit
$100.00 Daily Rate
Brightness, flexibility, and control are key to the design of the Nova P600c RGB LED Light Panel from Aputure. This 2×1 LED soft light panel provides twice the brightness of the P300c with twice the number of light engines, producing a massive 17,520 lux at 3.3′ in 5600K CCT mode. It also features 19 lighting effects and a new control box with wired support for DMX512 and wireless support for LumenRadio CRMX and the Sidus Link smartphone app.
$100
Aputure Nova Panel 45º Metal Grid
$4.00 Daily Rate
Aputure Nova Panel 45º Metal Grid
$4
Aputure Nova Panel Space Light Diffuser Kit
$10.00 Daily Rate
The Aputure Space Light Diffuser is designed for the Nova P600c and P300c LED Panels and features a cylindrical design, which is achieved by mounting the light into a suspended circular-shaped frame. This allows the panel to spread light 360° over a wider area, reducing edge shadows, and making it suitable for soft light environments. Offering 360° illumination with an adjustable light control skirt, the inner layer of the light control skirt is slightly reflective, and in combination with the black outer layer, it completely eliminates spill light. A versatile modifier with multiple creative applications, when only one side of the skirt is rolled down, the soft light is given direction. Meanwhile, when the skirt has been completely closed, the resulting light is projected downwards through a circular aperture for dramatic effect.
$10
Aputure Nova P600c Dual Head Yoke
$15.00 Daily Rate
Designed for studio use and professional applications, this Aputure Dual Head Yoke allows you to mount mount two Nova P600c lamp heads onto a single yoke, providing the equivalent surface area of a 2 x 2′ light fixture. Both lamp heads feature independent 360° tilt adjustment so you can achieve a wider spread of light or a high-intensity push in a single direction. By stacking the two units and utilizing vertical space, this dual head yoke conserves valuable space on set and allows you to consolidate stands for fast-paced shoots or to minimize rigging for long-term installations.
$15
B7c
Aputure B7c 8-Light Kit
$45.00 Daily Rate
This Accent B7C RGBWW LED 8-Light Kit from Aputure is a location lighting solution in a convenient carrying case. It includes eight of the versatile RGBWW LED bulbs in a rugged polymer carrying case that features an integrated multi-voltage AC charger, flip-lock latches, and a pressure release valve. This dustproof case features a molded handle and accepts user-supplied padlocks for security.
$45
MC
Aputure MC Pro 8-Light RGB LED Kit
$75.00 Daily Rate
Designed for filmmakers and creators in need of advanced control, the MC Pro Production 8-Light Kit from Aputure offers expanded connectivity options, an IP65 rating, and RGBWW capability, while providing eight lights in a sturdy charging case to cover your entire scene. The kit is packed with a vast number of mounting accessories and magnetic modifiers for more possibilities to adapt and rig an array of MC Pros. This Pro version utilizes a similar compact, pocket-sized form factor to the brand’s original MC fixture while bringing professional functionalities. With an upgraded optical design and LED chipset, the MC Pro has an impressive color temperature range from 2000 to 10,000K and a tighter beam spread of 45° for increased intensity. Each multifunction light allows you to add color to your productions and can be used for in-camera practical effects or as a portable fill or accent light. You can control it onboard with a TFT color display, remotely using the Sidus Link app, or via advanced wired and wireless methods, including DMX/RDM and LumenRadio CRMX.
$75
Aputure MC 4-Light Kit
$25.00 Daily Rate
Designed for filmmakers and creators in need of advanced control, the MC Pro Production 8-Light Kit from Aputure offers expanded connectivity options, an IP65 rating, and RGBWW capability, while providing eight lights in a sturdy charging case to cover your entire scene. The kit is packed with a vast number of mounting accessories and magnetic modifiers for more possibilities to adapt and rig an array of MC Pros. This Pro version utilizes a similar compact, pocket-sized form factor to the brand’s original MC fixture while bringing professional functionalities. With an upgraded optical design and LED chipset, the MC Pro has an impressive color temperature range from 2000 to 10,000K and a tighter beam spread of 45° for increased intensity. Each multifunction light allows you to add color to your productions and can be used for in-camera practical effects or as a portable fill or accent light. You can control it onboard with a TFT color display, remotely using the Sidus Link app, or via advanced wired and wireless methods, including DMX/RDM and LumenRadio CRMX.
$25
INFINIBAR
Aputure INFINIBAR PB12 8-Light Kit (4′)
$200.00 Daily Rate
INCLUDE:
(8x) – INFINIBAR PB12
(8x) – 48W DC Power Adapter (3m)
(1x) – AC Locking Power Cable (4m)
(8x) – AC Locking Power Cable (1.5m)
(1x) – 330W Power Adapter with 8-Way Splitters
(16x) – Magnetic Spacer
(8x) – INFINIBAR Clamp to Baby Pin Adapter
(8x) – INFINIBAR Straight Connector
(1x) – 5mm Hex Wrench
(8x) – INFINIBAR PB12 45º Light Control Grid
(1x) – Flight Case
Versatile and precise, the 4′ INFINIBAR PB12 RGB LED Light Panel from Aputure is a professional’s choice for dynamic and colorful lighting designs. Featuring 96 pixels of CRI 96/TLCI 98 color quality throughout its multiple color modes, the INFINIBAR is designed to be a key light, built directly into sets, or used with its connector ecosystem to create new shapes and designs. The unit’s proprietary RGBWW chipset produces color temperature light of 2000 to 10,000K with full green-magenta adjustment, and it has advanced hue, saturation, and intensity controls for a wide gamut of precise and accurate colors. Connect multiple INFINIBAR panels of any size with up to ten different connectors, available separately, then synchronize them via the Sidus Link app, LumenRadio CRMX, or through wired DMX with an optional USB-C to DMX adapter.
$200
Aputure INFINIBAR PB12 4-Light Kit (4′)
$125.00 Daily Rate
INCLUDE:
(4x) – Aputure INFINIBAR PB12 RGB LED Light Panel (4′)
(4x) – Aputure INFINIBAR 48W (24V) DC Power Adapter (3m)
(8x) – Aputure INFINIBAR Magnetic Spacer
(4x) – Aputure INFINIBAR Clamp to Baby Pin Adapter
(4x) – Aputure INFINIBAR Straight Connector
(4x) – Aputure INFINIBAR PB12 45º Light Control Grid
(1x) – Aputure INFINIBAR PB12 Rolling Hard Case (4-Light)
(4x) – INFINIBAR Straight Connector
Expand the possibilities of your production with the 4′ INFINIBAR PB12 RGB LED Light Panel 4-Light Kit from Aputure, which includes additional power cables, adapters, and light control grids in a sturdy flight case. Versatile and precise, the 4′ INFINIBAR PB12 RGB LED Light Panel from Aputure is a professional’s choice for dynamic and colorful lighting designs. Featuring 96 pixels of CRI 96/TLCI 98 color quality throughout its multiple color modes, the INFINIBAR is designed to be a key light, built directly into sets, or used with its connector ecosystem to create new shapes and designs. The unit’s proprietary RGBWW chipset produces color temperature light of 2000 to 10,000K with full green-magenta adjustment, and it has advanced hue, saturation, and intensity controls for a wide gamut of precise and accurate colors.
$125
Aputure INFINIBAR PB6 8-Light Kit (2′)
$200.00 Daily Rate
INCLUDE:
(8x) – INFINIBAR PB6
(8x) – 48W DC Power Adapter (3m)
(1x) – AC Locking Power Cable (4m)
(8x) – AC Locking Power Cable (1.5m)
(1x) – 330W Power Adapter with 8-Way Splitters
(16x) – Magnetic Spacer
(8x) – INFINIBAR Clamp to Baby Pin Adapter
(8x) – INFINIBAR Straight Connector
(1x) – 5mm Hex Wrench
(8x) – INFINIBAR PB6 45º Light Control Grid
(1x) – Flight Case
Versatile and precise, the 2′ INFINIBAR PB6 RGB LED Light Panel from Aputure is a professional’s choice for dynamic and colorful lighting designs. Featuring 48 pixels of CRI 96/TLCI 98 color quality throughout its multiple color modes, the INFINIBAR is designed to be a key light, built directly into sets, or used with its connector ecosystem to create new shapes and designs. The unit’s proprietary RGBWW chipset produces color temperature light of 2000 to 10,000K with full green-magenta adjustment, and it has advanced hue, saturation, and intensity controls for a wide gamut of precise and accurate colors. Connect multiple INFINIBAR panels of any size with up to ten different connectors, available separately, then synchronize them via the Sidus Link app, LumenRadio CRMX, or through wired DMX with an optional USB-C to DMX adapter.
$150
Aputure INFINIBAR PB6 4-Light Kit (2′)
$90.00 Daily Rate
INCLUDE:
(4x) – Aputure INFINIBAR PB6 RGB LED Light Panel (2′)
(4x) – Aputure INFINIBAR 48W (24V) DC Power Adapter (3m)
(8x) – Aputure INFINIBAR Magnetic Spacer
(4x) – Aputure INFINIBAR Clamp to Baby Pin Adapter
(4x) – Aputure INFINIBAR Straight Connector
(4x) – Aputure INFINIBAR PB6 45° Light Control Grid
(1x) – Aputure INFINIBAR PB6 Rolling Hard Case (4-Light)
(4x) – IEC AC Power Cable – Locking
Expand the possibilities of your production with the 4′ INFINIBAR PB12 RGB LED Light Panel 4-Light Kit from Aputure, which includes additional power cables, adapters, and light control grids in a sturdy flight case. Versatile and precise, the 4′ INFINIBAR PB12 RGB LED Light Panel from Aputure is a professional’s choice for dynamic and colorful lighting designs. Featuring 96 pixels of CRI 96/TLCI 98 color quality throughout its multiple color modes, the INFINIBAR is designed to be a key light, built directly into sets, or used with its connector ecosystem to create new shapes and designs. The unit’s proprietary RGBWW chipset produces color temperature light of 2000 to 10,000K with full green-magenta adjustment, and it has advanced hue, saturation, and intensity controls for a wide gamut of precise and accurate colors.
$90
Aputure INFINIBAR PB12 RGB LED Light Panel (4′)
$40.00 Daily Rate
Versatile and precise, the 4′ INFINIBAR PB12 RGB LED Light Panel from Aputure is a professional’s choice for dynamic and colorful lighting designs. Featuring 96 pixels of CRI 96/TLCI 98 color quality throughout its multiple color modes, the INFINIBAR is designed to be a key light, built directly into sets, or used with its connector ecosystem to create new shapes and designs. The unit’s proprietary RGBWW chipset produces color temperature light of 2000 to 10,000K with full green-magenta adjustment, and it has advanced hue, saturation, and intensity controls for a wide gamut of precise and accurate colors. Connect multiple INFINIBAR panels of any size with up to ten different connectors, available separately, then synchronize them via the Sidus Link app, LumenRadio CRMX, or through wired DMX with an optional USB-C to DMX adapter.
$40
Aputure INFINIBAR PB6 RGB LED Light Panel (2′)
$30.00 Daily Rate
Versatile and precise, the 2′ INFINIBAR PB6 RGB LED Light Panel from Aputure is a professional’s choice for dynamic and colorful lighting designs. Featuring 48 pixels of CRI 96/TLCI 98 color quality throughout its multiple color modes, the INFINIBAR is designed to be a key light, built directly into sets, or used with its connector ecosystem to create new shapes and designs. The unit’s proprietary RGBWW chipset produces color temperature light of 2000 to 10,000K with full green-magenta adjustment, and it has advanced hue, saturation, and intensity controls for a wide gamut of precise and accurate colors. Connect multiple INFINIBAR panels of any size with up to ten different connectors, available separately, then synchronize them via the Sidus Link app, LumenRadio CRMX, or through wired DMX with an optional USB-C to DMX adapter.
$30
Aputure INFINIBAR PB3 RGB LED Light Panel (1′)
$20.00 Daily Rate
Versatile and precise, the 1′ INFINIBAR PB3 RGB LED Light Panel from Aputure is a professional’s choice for dynamic and colorful lighting designs. Featuring 24 pixels of CRI 96/TLCI 98 color quality throughout its multiple color modes, the INFINIBAR is designed to be a key light, built directly into sets, or used with its connector ecosystem to create new shapes and designs. The unit’s proprietary RGBWW chipset produces color temperature light of 2000 to 10,000K with full green-magenta adjustment, and it has advanced hue, saturation, and intensity controls for a wide gamut of precise and accurate colors. Connect multiple INFINIBAR panels of any size with up to ten different connectors, available separately, then synchronize them via the Sidus Link app, LumenRadio CRMX, or through wired DMX with an optional USB-C to DMX adapter.
$20
Aputure INFINIBAR Multi-Light Shaping Kit
$75.00 Daily Rate
Combine connectors and build custom lighting fixture shapes with the INFINIBAR Multi-Light Shaping Kit from Aputure, which features nine different connectors for joining the PB3, PB6, and PB12 light panels in production-tailored designs. The connectors also feature DC power passthrough, allowing connected INFINIBARs to share the same power supply. The all-metal fixture-building hardware comes in a hard case along with the requisite 1/4-20″ eye-bolts and a 5mm hex wrench.
$75
amaran
300c
amaran 300c RGB LED Monolight Kit
$30.00 Daily Rate
INCLUDES:
(1x) – amaran 300c RGB LED Monolight
(1x) – Protection Cover
(1x) – Hyper Reflector
(1x) – AC Power Supply
(1x) – AC Power Cable
(1x) – Carry Case
A powerful point-source light that combines RGBWW full-color control and Bowens mount versatility, the gray 300c RGB LED Monolight from amaran is a variable color temperature light fixture ideal for filmmakers, photographers, and creators. You get modifiability for magnified or diffused output and full-color control throughout its expanded 2500 to 7500K CCT range. Featuring highly accurate color reproduction, the 300c also ensures high-quality light output with up to 26,580 lux at 3.3′ using its included reflector. The 300c provides nine built-in special effects for paparazzi, fireworks, lightning, faulty bulb, TV, pulsing, strobe, explosion, and fire. You can find the right level of illumination for your scene with 0 to 100% stepless dimming.
$30
Aputure 2x Fresnel Lens
$14.00 Daily Rate
Aputure 2x Fresnel Lens
$14
F22c
amaran F22c Light Mat Kit
$50.00 Daily Rate
INCLUDES:
(1x) – amaran F22c 2 x 2′ RGB LED Flexible Light Mat (V-Mount)
(1x) – Control Box with V-Mount Battery Plate
(1x) – 9.8′ Head Extension Cable
(1x) – Support Bracket
(1x) – Tilting Stand Mount
(1x) – F22 Softbox Frame
(1x) – F22 Diffusion Cloth 1 (1/2 Grid Cloth)
(1x) – F22 Diffusion Cloth 2 (2.5 Stop)
(1x) – F22 45 ° Light Control Grid
(1x) – Multi-Voltage AC Power Supply
(1x) – AC Power Cable
(1x) – Carrying Case
The F22c RGBWW LED Mat from amaran is a powerful, versatile, and flexible LED mat that measures 2 x 2′. It offers outstanding light output and color rendering suitable for a variety of users, from filmmakers to videographers, content creators, and still photographers. Providing 200W of power, it features RGBWW LEDs for complete color control, as well as tunable CCT from 2500 to 7500K, providing endless possibilities for creative lighting selections through 360° HSI control, 46 color gel presets, and 15 unique customizable lighting effects. It has stellar CRI and TLCI scores of 95+ and 97+, and stepless dimming from 0 to 100%. An included folding X-frame stretches the mat to a rigid panel that can be attached directly to a C-stand grip head using the straight Baby Pin adapter, or onto any standard light stand with the included right angle Baby Pin and tilting stand mount. The included foldable softbox has two strengths of diffusion, and a fabric grid that uses an integrated hook-and-loop fabric to instantly turn this flexible mat into an ultrathin soft light that will add beautifully controlled soft light to a scene.
$50
amaran F22c Lantern
$10.00 Daily Rate
INCLUDES:
(1x) – amaran Lantern for F22 LED Lights
(1x) – Control Box with V-Mount Battery Plate
(1x) – Carrying Case
The Lantern for F22 is a lightweight, omnidirectional, soft light modifier that converts the amaran F22x or F22c flexible LED light into a dome-shaped, overhead fixture ideal for illuminating large spaces. The 2.5-stop diffusion cloth softens the light output while minimizing light loss, and the removable hook-and-loop skirt provides directional control and prevents light spill. The modifier weighs just 2.1 lb and comes with a carrying bag for convenient storage and transport.
$10
F21c
amaran F21c Light Mat Kit
$40.00 Daily Rate
INCLUDES:
(1x) – amaran F21c 2 x 1′ RGB LED Flexible Light Mat (V-Mount)
(1x) – Control Box with V-Mount Battery Plate
(1x) – 9.8′ Head Extension Cable
(1x) – Support Bracket
(1x) – Right-Angle Baby Pin Adapter
(1x) – Straight Baby Pin Adapter
(1x) – Tilting Stand Mount
(1x) – F21 Softbox Frame
(1x) -F21 Diffusion Cloth 1 (1/2 Grid Cloth)
(1x) – F21 Diffusion Cloth 2 (2.5 Stop)
(1x) – F21 45 ° Light Control Grid
(1x) – Multi-Voltage AC Power Supply
(1x) – AC Power Cable
(1x) – Carrying Case
The F21c RGBWW LED Mat from amaran is a powerful, versatile, and flexible LED mat that measures 2 x 1′. It offers outstanding light output and color rendering suitable for a variety of users, from filmmakers to videographers, content creators, and still photographers. Providing 100W of power, it features RGBWW LEDs for complete color control, as well as tunable CCT from 2500 to 7500K, providing endless possibilities for creative lighting selections through 360° HSI control, 46 color gel presets, and 15 unique customizable lighting effects. It has stellar CRI and TLCI scores of 95+ and 97+, and stepless dimming from 0 to 100%. An included folding X-frame stretches the mat to a rigid panel that can be attached directly to a C-stand grip head using the straight Baby Pin adapter, or onto any standard light stand with the included right angle Baby Pin and tilting stand mount. The included foldable softbox has two strengths of diffusion, and a fabric grid that uses an integrated hook-and-loop fabric to instantly turn this flexible mat into an ultrathin soft light that will add beautifully controlled soft light to a scene.
$40
amaran F21 Lantern
$10.00 Daily Rate
INCLUDES:
(1x) – amaran Lantern for F21 LED Lights
(1x) – Light Control Skirt
(1x) – Carrying Case
The Lantern for F21 is a lightweight, omnidirectional, soft light modifier that converts the amaran F21x or F21c flexible LED light into a dome-shaped, overhead fixture ideal for illuminating large spaces. The 2.5-stop diffusion cloth softens the light output while minimizing light loss, and the removable hook-and-loop skirt provides directional control and prevents light spill. The modifier weighs just 2.1 lb and comes with a carrying bag for convenient storage and transport.
$10
Creamsource
Vortex 8
Creamsource Vortex 8 Light Kit
$300.00 Daily Rate
Add this 650W Vortex8 RGB LED Light Panel from Creamsource to your high-end production for a wide range of colors, effects, and powerful illumination that rivals a 1200W HMI light. The Vortex8 features a massive 14,000 lux in daylight at 9.8′, a color temperature range of 2200 to 15,000K, full RGBW spectrum LEDs, full hue/saturation control, 0 to 100% dimming control, and a CRI/TLCI of 95.
$300
Vortex 4
Creamsource Vortex 4 Light Kit
$150.00 Daily Rate
The Vortex4’s 1×1 RRGBBW system, with CCT ranging from 2200K to 15000K and four independently controllable pixel zones, delivers a directional hard punch light to bounce or push through diffusion.
$150
LitePanels
Gemini
Litepanels Gemini 2×1 Light Kit
$200.00 Daily Rate
This Gemini 2×1 Soft RGB LED Light Panel from Litepanels is an aluminum-constructed, 25 x 6.5 x 12.5″ fixture with three lighting modes. The CCT color temperature control has six factory presets in increments from 2700 to 10,000K. There are also six presets for user-defined color temperature and plus/minus green control. The HSI color mode allows you to adjust the hue, saturation, and intensity, while Gel mode permits your choice from a library of often-used filters. A firmware update adds a Lighting Effects mode that includes TV simulation, hue burst, paparazzi, strobe, fire, squares, fireworks, emergency lights, pulse, and party lights. The light has a CRI/TLCI rating of 97 for daylight balance and 99 for tungsten balance, indicating a very accurate rendition of color. The Gemini is dimmable from 100 to 0% without flicker or color shift. Settings and features are displayed on the rear LCD screen.
$200
Litepanels Gemini 1×1 Light Kit
$100.00 Daily Rate
Stability, rugged construction, flexibility, and control are hallmarks of the Litepanels Gemini 1×1 Hard RGB LED Light Panel with Standard Yoke and US Power Cord. Similar in design to the Gemini 2×1, the LED layout has been reconfigured with the Gemini 1×1, allowing it to create 60% of the output of the Gemini 2×1 with a medium-wide beam angle of 46 degrees. The aluminum-constructed, 12.6 x 12.6 x 4.6″ RGBWW fixture has multiple lighting modes including CCT, Hue, Saturation, Gel Presets, as well as an effects mode. The CCT color temperature control has six factory presets in increments from 2700 to 10,000K. There are also six presets for user-defined color temperature and plus/minus green control. The HSI Color mode allows you to adjust the hue, saturation, and intensity, while Gel mode permits your choice from a library of filters favored by filmmakers, and an effects mode provides nine different effects to work with. The light has a CRI/TLCI rating of 98, indicating an accurate rendition of color. The Gemini is dimmable from 100 to 0.1% without flicker or color shift, and settings and features are displayed on the rear LCD screen.
$100
Litepanels Gemini 2×1 DMX Module
$20.00 Daily Rate
Gemini Wireless DMX Dongle is a plug and play accessory that picks up DMX signals with no lag time from an optional transmitter or transceiver.
$20
Litepanels Wireless DMX Communications Module for Gemini Light
$20.00 Daily Rate
Gemini Wireless DMX Dongle is a plug and play accessory that picks up DMX signals with no lag time from an optional transmitter or transceiver.
$20
Litepanels Universal/Lykos Bluetooth Dongle
$15.00 Daily Rate
Litepanels Universal/Lykos Bluetooth Dongle
$15
Astra
Litepanels Astra 6X Bi-Color Light Kit
$50.00 Daily Rate
The Astra 6X Bi-Color LED Light Panel from LitePanels offers significantly brightness due to the use of tightly-binned LEDs and fine-tuned TIR (Total Internal Reflection) optics, resulting in a longer throw over a wider field. It offers flicker-free 0-100% dimming with no visible color shift, and has a high CRI of 95 for accurate color rendering
$50
Litepanels Astra 1×1 Bluetooth Module
$5.00 Daily Rate
The Bluetooth Communication Module for Astra 1×1 from Litepanels is a handy way to wirelessly control your Astra 1×1 panel. Optimized for iPhone 5, 6 and 6 Plus as well as other iOS devices running iOS 7.0 or later, the free SmartLite app allows for graphic control of most functions of the Astra line. You can control light intensity and color temperature; or name and group multiple fixtures together so they can be controlled in unison. You can also view the real-time operating temperature and firmware version in addition to on/off fan control of the complete Astra line except the EP or E series.
$5
Caliber
Litepanels Caliber LED Fresnel 3-Light Kit
$45.00 Daily Rate
The Litepanels Caliber 3-Light Kit is the portable, out-of-the-box lighting solution that today’s professional videographers have been waiting for. Ideal for webcasting, blogging and professional content creators, the compact Caliber 3-Light Kit enables easy travel and fast setup. The latest addition to Litepanels’ award-winning line of LED Fresnels, the Caliber is a true Fresnel fixture with wide focus range that can be powered via AC or with AA batteries. Each fixture offers focusable output comparable to a 150W tungsten yet requires only 17W to power it. The fixture’s compact size and high intensity output make it a valuable production tool in the field. Weighing in at less than 13 pounds, each kit contains (3) Caliber fixtures, (3) AC Adapters with international plug sets, (3) multi-jointed flexible tripods, and a compact stand with stand adapter, offering additional placement options. Everything comes packaged in a fully customizable soft case, with plenty of additional storage space for batteries, camera lenses and other items.
$45
HIVE
Hornet 200-C
HIVE Hornet 200-C Kit
$50.00 Daily Rate
The Hornet 200-C Adjustable Fresnel Omni-Color LED Light from Hive is a versatile 2.6 lb LED light source that measures 9″ in length and 4″ in diameter, making it a great choice for tight spaces with minimal support requirements. The light has a 15-50″ beam spread for flooding out a silk or for long throw work and selective lighting. The beam can be further modified by the included 4-way barndoors.
Control is the key word in the construction of the 200-C. Hive uses what they call Perfect S.H.O.T controls which is an umbrella term for complete control and adjustment of every aspect of light output. Part of the success of the system is due to the use of 7 LED-chip blending. Instead of the traditional 3 colors, Hive uses red, amber, lime, cyan, green, blue, and sapphire for nearly infinite color combinations with a high CRI/TLCI rating of 98 and 97. Color can be adjusted from a very warm amber 1650K to an icy blue 8000K. But control doesn’t stop there. There’s 360-degree hue adjustment around the color wheel as well as 0-100% saturation control. The 200-C can also be dimmed from 0-100%. While of course you can make all these adjustments manually, you can also make them remotely via your smartphone or onboard wired or wireless DMX.
Thanks to its 100-240 VAC power supply, the 200-C is ready for worldwide use but it will also run on optional, identical 14.4V batteries in series using a HIVE Y-cable adapter, for situations where main power is unavailable.
$50
Softboxes
amaran Light Dome Mini SE
$10.00 Daily Rate
$10
Aputure Light Dome Mini III
$10.00 Daily Rate
$10
Aputure 90 Lantern Softbox
$15.00 Daily Rate
$15
Aputure LightBox 30120
$10.00 Daily Rate
$10
Aputure LightBox 6090
$10.00 Daily Rate
$10
Aputure Light Box 4545
$8.00 Daily Rate
$10
Aputure Light Dome SE Softbox
$10.00 Daily Rate
$10
Aputure Light Dome 150 Softbox
$15.00 Daily Rate
$15
Aputure Light Dome III
$18.00 Daily Rate
$18
Aputure LS60 Softbox
$8.00 Daily Rate
$8
Glow EZ Lock 20″ Deep Parabolic Softbox
$8.00 Daily Rate
$8
Impact Luxbanx 12×36 Strip Softbox
$10.00 Daily Rate
$10
Spotlights
Aputure Spotlight Mount Kit (19º, 26º, or 36º)
$50.00 Daily Rate
The Aputure Spotlight Mount is a versatile light modifier for producing dramatic yet clean beams of light with a high degree of control. Featuring a Bowens mount, this modifier can be easily attached to a variety of lights, and its integrated yoke has a dual junior/baby mount for attaching to anything from a C-stand to a lighting grid.The spotlight attachment’s design incorporates a dual drop-in slot, which can accept the included B-size gobo holder, included gel holder, or an optional adjustable iris for further control over the shape and size of the light beam. Like a conventional ellipsoidal light, the included lens can be easily swapped to achieve a different beam angle and enables hard cuts with minimal chromatic fringing. The Spotlight Mount has a durable aluminum alloy housing, and this kit is delivered in a hard travel case to protect the housing, lens, and accessories during transport.
$50
Aputure Spotlight Max Kit with 19º Lens
$75.00 Daily Rate
INCLUDES:
(1x) – Aputure Spotlight Max Mount
(1x) – 19º, 36º, or 50º Lens
(1x) – Rotatable Gobo Clip
(3x) – A-Sized Gobo
(1x) – Rolling Hard Case
Built for high-output LED fixtures, Aputure introduces its most powerful projection lens, the Spotlight Max. This optical modifier instantly transforms Bowens mount LED lights with 600 to 2600W of power output into a perfectly circular spotlight. Optimized to work with the brand’s LS 600 Series, LS 1200d Pro, and the Electro Storm CS15 and XT26 fixtures, this is the spotlight filmmakers and lighting technicians have been waiting for.
$75
Aputure Spotlight Mini Kit
$25.00 Daily Rate
Featuring a Mini ProLock mount, this Spotlight Mini Kit from Aputure is a compact ellipsoidal projector specifically designed for the brand’s separately available STORM 80c. With a rotating barrel that allows for orientation of the integrated 4-leaf cutter, this Spotlight Mini version comes with a 19° and 36° interchangeable lens. Versatile and suitable for a variety of setups, this kit also includes a gobo holder and 10 M-sized gobos for unique light projection shapes. The Spotlight Mini has a durable all-metal housing and this kit is packed in a case to store and protect the housing, lens, and included accessories.
$25
Aputure Spotlight Mini Zoom Kit
$20.00 Daily Rate
Designed for the LS 60d and 60x LED lights, this Spotlight Mini Zoom from Aputure is a 2X optical projection lens. When mounted to the LS 60d or 60x, the combined fixture gives you the ability to completely redefine the shape of the light output by using the built-in shutters and drop-in iris. The Spotlight Mini Zoom also accepts m-size gobos. The 2X optical zoom lens can project a beam angle of 15 to 30° and provides a wide range of flexibility with a single tool. At a distance of 16.4′ the Spotlight Mini Zoom can project an image circle of 4.6 to 9.2′ depending on the zoom setting. The Spotlight Mini Zoom also pairs well with modern reflector technology, focusing the pin-point accuracy of the projection lens onto reflectors for unique lighting designs.
$20
Gobo
Aputure M-Sized Gobo Kit
$15.00 Daily Rate
$15
Aputure Spotlight Gobo Firework
$1.00 Daily Rate
$1
Aputure Spotlight Gobo Linear
$1.00 Daily Rate
$1
Aputure Spotlight Gobo Dot
$1.00 Daily Rate
$1
Aputure Spotlight Gobo Fire
$1.00 Daily Rate
$1
Aputure Spotlight Gobo Church Window
$1.00 Daily Rate
$1
Aputure Spotlight Gobo Modern Window
$1.00 Daily Rate
$1
Aputure Spotlight Gobo Scatter
$1.00 Daily Rate
$1
Aputure Spotlight Gobo Lightning
$1.00 Daily Rate
$1
Aputure Spotlight Gobo Ripple
$1.00 Daily Rate
$1
Aputure Spotlight Gobo Grille
$1.00 Daily Rate
$1
Profoto
Pro-11
Profoto Pro-11 Dual Head Strobe Kit
$225.00 Daily Rate
The Profoto Pro-11 Dual Head Strobe Kit includes two Profoto ProHead Plus Flash Heads and the Profoto Pro-11 Power Pack which is capable of quick bursts up to 50 flashes per second, and has a super-short minimum flash power of 1/80,000 second for the ultimate in action-stopping whether your subject is dance, fashion, or splash shots.
$225
Profoto Pro-11 Single-Head Strobe Kit
$180.00 Daily Rate
The Profoto Pro-11 Single-Head Strobe Kit includes one Profoto ProHead Plus Flash Head and the Profoto Pro-11 Power Pack which is capable of quick bursts up to 50 flashes per second, and has a super-short minimum flash power of 1/80,000 second for the ultimate in action-stopping whether your subject is dance, fashion, or splash shots.
$180
Profoto Magnum Reflector – Silver
$10.00 Daily Rate
$10
Profoto OCF Magnum Reflector
$15.00 Daily Rate
Profoto OCF Magnum Reflector
$15
Profoto Zoom Reflector
$8.00 Daily Rate
Profoto OCF Zoom Reflector
$8
Profoto OCF Zoom Reflector
$10.00 Daily Rate
Profoto OCF Zoom Reflector
$10
Profoto Zoom Reflector Grid Kit
$10.00 Daily Rate
(1x) – Profoto 5° Grid
(1x) – Profoto 10° Grid
(1x) – Profoto 20° Grid
(1x) – Profoto Grid Bag
$10
Profoto 3′ RFi Octa Softbox
$35.00 Daily Rate
The Profoto RFi 3′ Octa Softbox is an octagonal light-shaping tool that is ideally suited to groups, portraiture, fashion work, or any field that requires the unique wrap-around qualities of an 8-sided light source. This size makes it a good choice for location work and other work where lightness and compactness are of benefit. The RFi softboxes are compatible with more than 20 different flash brands through a wide range of Speed Ring adapters.
$35
Profoto 5′ RFi Octa Softbox
$30.00 Daily Rate
The Profoto RFi 5′ Octa Softbox is an octagonal light-shaping tool that is ideally suited to groups, portraiture, fashion work, or any field that requires the unique wrap-around qualities of an 8-sided light source. This size makes it a good choice for location work and other work where lightness and compactness are of benefit. The RFi softboxes are compatible with more than 20 different flash brands through a wide range of Speed Ring adapters.
This Profoto 50° Softgrid for RFi 5.0′ Octa Softbox is an ideal way to add directionality while maintaining the soft light quality of your light source. Collapsible, portable, and extremely lightweight, these fabric grids have no supporting frame of their own. They attach quickly via touch fasteners to the recessed lip of the RFi softbox and fold down flat to a fraction of their in-use size. The grid includes a fabric storage bag.
$30
Profoto Beauty Dish Reflector Kit – Silver
$20.00 Daily Rate
$20
Profoto Beauty Dish Reflector Kit – White
$20.00 Daily Rate
$20
Profoto 2′ OCF Beauty Dish – Silver
$12.00 Daily Rate
$12
Profoto 2′ OCF Beauty Dish – White
$12.00 Daily Rate
$12
Profoto to Bowens Mount Converter
$5.00 Daily Rate
This high-quality, durable adapter is designed for the discerning Profoto strobist who appreciates the Swedish origins but seeks a more cost-effective solution for light shaping. This compact yet robust converter opens up the vast world of Bowens “S” Type accessories, including those from Glow and other brands, without the hefty price tag. The popular modifier mount effortlessly slides into the familiar three-tap channel and locks securely with a short clockwise turn, ensuring a firm hold on your chosen Bowens mount light shaper. Featuring a spring bolt mechanism, this converter allows for easy attachment and detachment of accessories. Simply retract the bolt to release the accessory from the adapter. The design ensures virtually no loss of bulb-to-modifier distance, maintaining the integrity of your light path even with the adapter in place. This versatile adapter is compatible with a wide range of Profoto brand strobes, making it a valuable addition to any photographer’s toolkit. The Profoto to Bowens Mount Converter is a testament to meticulous craftsmanship, meeting the needs of Profoto users with a quality mount device that stands up to rigorous use.
$5
Calumet 45″ Soft Bounce Umbrella
$10.00 Daily Rate
An excellent general purpose umbrella featuring white, satin-textured reflective fabric positioned under the rib structure, removing the ribs from the path of light and eliminating their ghost image on the subject. A removable black fabric cover fastens easily over the structure to contain any light from penetrating the white fabric,eliminating bounce light which could contaminate color balance. For high key lighting, remove cover to allow light (approximately 25%) to pass through and bounce around studio.
$10
Calumet 46″ Silver/White Umbrella
$10.00 Daily Rate
These dual-purpose umbrella feature a white interior surface backed by a removable silver fabric with a black backing which provides a soft, but highly efficient bounced light source. For close-up lighting, the silver/black backing can be removed, allowing you to get closer to the subject while lighting through the umbrella. Unique ten-panel design provides maximum reflectance and a circular pattern of light.
$10
Calumet 60″ Silver/White Umbrella
$10.00 Daily Rate
This dual-purpose umbrellas feature a white interior surface backed by a removable silver fabric with a black backing which provides a soft, but highly efficient bounced light source. For close-up lighting, the silver/black backing can be removed, allowing you to get closer to the subject while lighting through the umbrella. Unique ten-panel design provides maximum reflectance and a circular pattern of light.
$10
B1
Profoto B1 500 AirTTL 2-Light Kit
$100.00 Daily Rate
Profoto continues to impress and surprise us, this time with an enhanced version of the B1 battery-powered monolight, the B1X, introduced with the B1X 500 AirTTL 1-Light To-Go Kit with an improved battery that will give you an impressive 325 full-power flashes. All of the familiar professional and convenience features we’ve come to expect from Profoto are onboard. The B1X has the same dense, durable polymer housing, integrated 77-degree reflector, built-in receiver compatible with Air Remote TTL remotes and intuitive highly visible controls and display.
$100
Air Remote
TTL-C for Canon
$25.00 Daily Rate
Connect your Profoto AirTTL light to your camera wirelessly by attaching the remote to your camera’s hot shoe. Then, point and shoot in TTL mode, and the Air Remote TTL communicates with the flash. You get perfect exposure. Automatically. Using Profoto AirTTL, you can even leave your light meter at home and get your shot faster. For more precise control, first shoot in TTL mode to get perfect exposure, then switch to Manual Mode while keeping the same settings, and finally creatively fine-tune and tweak the light just as you want it. The AirTTL remotes are equipped with Profoto High-Speed Sync (HSS), which allows you to use your flash at shutter speeds up to 1/8,000s. HSS ensures you can control and shape light in broad daylight, and it enables you to get crisp images without motion blur when mixing flash with available light.
$25
TTL-S for Sony
$25.00 Daily Rate
Requires 2x AAA Batteries – NOT Included
Connect your Profoto AirTTL light to your camera wirelessly by attaching the remote to your camera’s hot shoe. Then, point and shoot in TTL mode, and the Air Remote TTL communicates with the flash. You get perfect exposure. Automatically. Using Profoto AirTTL, you can even leave your light meter at home and get your shot faster. For more precise control, first shoot in TTL mode to get perfect exposure, then switch to Manual Mode while keeping the same settings, and finally creatively fine-tune and tweak the light just as you want it. The AirTTL remotes are equipped with Profoto High-Speed Sync (HSS), which allows you to use your flash at shutter speeds up to 1/8,000s. HSS ensures you can control and shape light in broad daylight, and it enables you to get crisp images without motion blur when mixing flash with available light.
$25
Impact
Impact Photo Pro LED Booth 400
$25.00 Daily Rate
Ideal for full length and head-and-shoulder portraiture, garments, textiles, parties, and weddings, the roomy 48.5 x 41.5 x 80.5″ Photo Pro LED Booth 400 from Impact is also just plain fun to use. Designed for portability, stability and fast setup and breakdown, steel tubing is employed to create a sturdy framework for the booth.
Provided with their own dimmer/power supplies, the eight 99-LED strips attach to the frame magnetically and allow you to place them anywhere in the booth to produce your lighting style. The LEDs have a daylight-balanced color temperature of 5600K with a high CRI/TLCI rating 95.8/98.2, which is especially important when working with fabrics. The entire interior of the booth is constructed from textured silver fabric that maximizes the output of the LEDs. White, black, and blue vinyl backgrounds are included to vary your look or mood. You can even hang a background of your own choosing.
Thanks to an intelligent design, you can shoot from three sides of the Photo Booth. Each side features a large flap that can be unzipped for access while a full-length front diffuser allows use of separate light sources from outside the booth. Side vertical diffusers are provided to soften the output of the bright LEDs and when combined with the dimmers allow you to manipulate the ratio between light and shadow. The Photo Pro LED Booth 400 is ready for worldwide use via its universal multi-voltage dimmer/power supplies. Just add an adapter that matches the outlets of the country you’re traveling to. The Photo Booth quickly disassembles and packs into the provided bag for storage and transport.
$25
Godox
KNOWLED
Godox KNOWLED M600R Kit
$125.00 Daily Rate
Designed to withstand demanding filming environments, the KNOWLED M600R RGB LED Monolight from Godox is a robust 600W fixture with full RGBWW color that gives you complete control over its operation. The M600R features advanced connectivity options, silent operation, 1800-10,000K CCT, and an IP54 rating to stand up to wet weather conditions. Users can easily access a range of 14 lighting effects to achieve different looks or modify the fixture thanks to its widely compatible Bowens front accessory mount. Made with flexibility in mind, lighting technicians will appreciate a 26.2′ long power cable that facilitates installation and positioning on set. This kit also includes a soft case for transportation.
$125
Godox KNOWLED F200R Light Mat Kit
$55.00 Daily Rate
Color and flexibility combine with the KNOWLED F200R RGB Flexible LED Light Mat from Godox. Expanding the brand’s F series of foldable LEDs, the F200R will add a variety of colors to your video or photo productions. Not only is this 2 x 2′ LED mat physically flexible, but it has also been designed for flexible RGB color control. This 250W LED light has a wider CCT range that is adjustable from 1800 to 10,000K compared to the bi-color F series. The light also brings more creative options than its previous version, with 14 effects for easy lighting simulations. It offers ample power and control methods as well. The F200R is a lightweight and portable solution that can literally be bent or folded to suit different environments. The light comes with the controller, a connector cable, a power cable, a metal bracket and adapter holder for mounting, a standard softbox for diffusion, and a bag for storage.
$55
Quasar Science
Crossfade X
4′ Quasar Science Crossfade X Linear Bi-Color LED Light
$20.00 Daily Rate
This Crossfade X Linear Bi-Color LED Light Tube from Quasar Science measures 4′ long and is a low-profile linear light source that offers a simple, broad spectrum and tunable white light from a beautifully warm 2000K to a crisp 6000K. Whether for lighting actors or environments, its simplicity delivers versatility at an exceptional value.
$20
2′ Quasar Science Crossfade X Linear Bi-Color LED Light
$10.00 Daily Rate
This Crossfade X Linear Bi-Color LED Light Tube from Quasar Science measures 2′ long and is a low-profile linear light source that offers a simple, broad spectrum and tunable white light from a beautifully warm 2000K to a crisp 6000K. Whether for lighting actors or environments, its simplicity delivers versatility at an exceptional value.
$10
Lighting Control
Aputure Sidus One Wireless DMX Transceiver
$50.00 Daily Rate
Aputure’s Sidus One Wireless DMX Transceiver is a battery-powered single-universe transmitter and receiver for CRMX, DMX512, RDM, Art-Net, and sACN protocols, designed to expand the breadth and scope of Aputure’s DMX console, the Sidus Link Pro app. Its three antennas boost its transmitting and receiving power, which lasts up to 18 hours on a single USB-C charge. The CRMX wireless range extends to 985′, while the Wi-Fi operates on the 5.8 GHz frequency to avoid interference and communicate data faster. The Sidus One also converts CRMX wireless data into a wired DMX512 signal for non-CRMX units. When using Sidus Link Pro, users can access up to four universes with four Sidus One transceivers. Sidus One units also enhance the range and stability of the Sidus Mesh network when controlling Aputure lights. The unit’s durable, IP54-rated construction makes it available for use in any filmmaking environment.
$50
Luminex LumiNode 1
$25.00 Daily Rate
The LumiNode 1 from Luminex is a unit in a system that allows you to have up to 16 processing engines and up to 12 DMX ports. Network communication requires processing power, which is currently solely related to the DMX port and its limits on merging, controlling, routing possibilities, and more. The LumiNode 1 has processing capacity and more flexibility for your shows, with the possibility of merging up to four input sources now and easily adapted to protocols in the future.
Includes one USB Type-B 2.0 connector, one DMX/RDM 5-pin connector (fully isolated), one EtherCon network port (1 Gb/s), status and DMX/RDM LED indication, robust steel enclosure with protection ears, and a hole for Kensington lock.
$25
Litepanels Universal/Lykos Bluetooth Dongle
$15.00 Daily Rate
Add wireless connectivity to Manfrotto LYKOS LED panels with the LYKOS Bluetooth Dongle. Download the iPhone LYKOS App to enable full control of one or more LED panels or use with Manfrotto Digital Director.
$15
Grip
Daily Rate
Stands
Lightweight Stand
$3.00 Daily Rate
$3
Mini Preemie Baby Double Riser Stand
$3.00 Daily Rate
$3
Preemie Baby Double Liner Stand
$5.00 Daily Rate
$5
Beefy Baby Double Riser Stand
$5.00 Daily Rate
$5
Beefy Baby Triple-Riser Stand
$5.00 Daily Rate
$5
Mini Slider Stand
$3.00 Daily Rate
$3
Low Boy Slider Stand
$5.00 Daily Rate
$5
Low Boy Combo Double Riser Stand
$5.00 Daily Rate
$5
Combo Double Riser Stand
$6.00 Daily Rate
$6
Triple Riser Combo Stand
$6.00 Daily Rate
$6
Sky High Triple Riser Combo Stand
$15.00 Daily Rate
$6
Mombo Combo Quad Riser Stand
$20.00 Daily Rate
$20
Lightweight Manfrotto 1051BAC Stand Quad Kit
$30.00 Daily Rate
This is the Lightweight Manfrotto 1051BAC Stand Kit. With a patented Quick Stack System (QSS), ease of transport is optimized. Connecting the stands together saves a lot of room while storing them in the studio or in a location case. Each stand rises to a maximum height of 7′ (2.1 m) and can hold up to 8.8 lb (4 kg).
$32
Lightweight Manfrotto 1004BAC Stand Trio Kit
$32.00 Daily Rate
The 12′ Manfrotto Alu Master Air-Cushioned Stand is a lightweight support with an impressive load capacity. A clever design feature called QSS (Quick Stack System) allows the stand to fold flat, enabling several stands to be clipped together to save space in the studio or on the road. The Alu Master comes with a 5/8″ (16mm) “Baby” stud, a 1/4″-20 screw, and a 3/8″-16 screw. It features air cushioning to ensure the soft descent of fragile equipment when the locking knob is loosened.
$32
C-Stands
20″ Sliding Leg C-Stand w/ Arm
$5.00 Daily Rate
$5
20″ Turtle Base C-Stand w/ Arm
$5.00 Daily Rate
$5
40″ Sliding Leg C-Stand w/ Arm
$5.00 Daily Rate
$5
40″ Turtle Base C-Stand w/ Arm
$5.00 Daily Rate
$5
Rollers
Double Riser Baby Roller Stand
$5.00 Daily Rate
$5
Triple Riser Baby Roller Stand
$5.00 Daily Rate
$5
Double Riser Combo Roller Stand
$5.00 Daily Rate
$5
Triple Riser Combo Roller Stand
$5.00 Daily Rate
$5
Overhead Junior Triple Riser Roller Stand
$5.00 Daily Rate
$5
Rolling Monitor Stand II
$10.00 Daily Rate
$10
SHAPE Montreal Combo Wheels (Set of 3)
$10.00 Daily Rate
These Montreal Combo Wheels from SHAPE come in a set of three and are made to fit 1 x 1″ stand legs. They feature a soft braking system that allows you to apply the desired amount of pressure while moving your stand into position, then fully press to lock them in place. The non-marking wheels help to prevent damage to floors.
$10
SHAPE Montreal Big Wheel (Set of 3)
$10.00 Daily Rate
The set of three Montreal Big Wheel casters from SHAPE adds mobility to light stands with 1″ wide legs. These wheels feature 8″ diameter inflatable pneumatic tires for smooth movement on rugged terrain. Each leg mount provides a 360° adjustable swivel range and features a sturdy brake to lock the light stand in place.
$10
Crank
Avenger Wind-Up 39 Roller Stand (12 ft)
$30.00 Daily Rate
The 12′ Avenger Wind-Up 39 Stand with Braked Wheels is a heavy-duty, chrome-plated steel stand that rises to a maximum height of 12′ feet. It features a fold-away crank handle (wind-up), and a leveling leg for uneven terrain.
$30
Matthews Rolling Panel Stand (11 ft)
$30.00 Daily Rate
The Panel Stand from Matthews is a heavy-duty, wheeled crank support with a maximum height of 11′, a minimum working height of 55″, and a load capacity of 80 lb. Ideal for the ARRI SkyPanel S120, Kino Flo Celeb 850, Litegear LiteMat8+, or a TV monitor from 45 to 85″, the stand’s main column can be lowered at the leg base while its wheeled base makes it possible to roll underneath furniture, vehicles, or any situation with low clearance. The Panel Stand has a 1 1/8″ junior receiver, a 5/8″ baby pin, and an ergonomic handle for comfortable carrying
$30
Backdrops
Impact Pro Backdrop Kit
$10.00 Daily Rate
$10
Impact 12′ Backdrop System Kit
$15.00 Daily Rate
The lightweight and portable BGS-S12-V2 Background Support System from Impact consists of two support stands, which extend to a maximum height of 10.5′. Four 3′ crossbar sections are included, so you can assemble a crossbar that extends 6, 9, or 12′ wide. The support system holds up to 9′ x 12 yd seamless paper rolls or backdrops weighing up to 20 lb. This system becomes ideal for shooting portraiture or tabletop photography and can break down to a folded length of 3.5′ to always be ready to go. For added functionality, the support stands convert to a pair of light stands when the top adapters are removed. Both stands feature an industry-standard 5/8ʺ spigot with a 3/8ʺ threaded post, so you can mount lights, LEDs, or flashes as well as light-shaping accessories like umbrellas or reflectors. The included canvas bag makes it convenient to carry and store the background support system.
$15
Impact 5×7′ Collapsible B/W Background
$10.00 Daily Rate
$10
Impact 5×7 Collapsible Mottled Gray Backdrop
$10.00 Daily Rate
$10
Impact Pop-Up Blue Green Screen
$10.00 Daily Rate
$10
Impact 10×12 Muslin – White
$15.00 Daily Rate
$15
Impact 10×12 Muslin – Black
$15.00 Daily Rate
$15
Impact 10×24 Charcoal Backdrop
$15.00 Daily Rate
The Charcoal 10 x 24 Backdrop from Impact is made from a seamless piece of high-quality cotton fabric. Suitable for video or still photography, The textured, crinkled surface helps to absorb light and eliminate reflections. The combination of a 3″ rod pocket and five eyelets on the top allow for easy attachment to a background frame or other crossbar option.
$15
Impact 10×24 Green Chroma Muslin
$15.00 Daily Rate
$15
Angler 10×24 Muslin Backdrop – White
$12.00 Daily Rate
$12
Angler PortaScreen V2- Matte White
$20.00 Daily Rate
$20
Angler PortaScreen V2- Chroma Green
$20.00 Daily Rate
$20
Angler PortaScreen V2- Matte Black
$20.00 Daily Rate
$20
Manfrotto Complete Deluxe Autopole-2 Expan Kit
$50.00 Daily Rate
(2x) – Manfrotto Deluxe Autopole 2
(2x) – Manfrotto Background Holder Hooks
(2x) – Mafer Clamp (No Pin)
(6x) – Manfrotto Expan Drive Insert
(3x) – Manfrotto Aluminum Pull Chain
This complete Manfrotto Deluxe Autopole 2 Expan Drive background support system allows the raising and lowering of up to three cored backgrounds without climbing a ladder. The Deluxe Autopoles are held in place between a floor and ceiling as high as 12.1′ with a powerful spring lock. Three Expan Drive sets work with their metal color-coded drive chains. The Expan Drives are held by the background hook set, which is clamped to the Autopoles. If your backgrounds do not have cardboard cores, simply add the Alu-Core crossbars, available separately. This system has a black finish.
$50
Flags + Rags
18×24″
18×24″ Black Solid
$4.00 Daily Rate
$4
18×24″ Silk
$4.00 Daily Rate
$4
18×24″ Double Net
$4.00 Daily Rate
$4
18×24″ Single Net
$4.00 Daily Rate
$4
18×24″ Cello Cookie
$3.00 Daily Rate
$3
18×24″ Wood Cookie
$3.00 Daily Rate
$3
18×48″
18×48″ Cutter
$5.00 Daily Rate
$5
24×74″
24×74″ Cutter
$10.00 Daily Rate
$5
40×40″
40×40″ Black Solid
$6.00 Daily Rate
$6
40×40″ Artificial Silk
$6.00 Daily Rate
$6
40×40″ Top-Hinge Floppy
$6.00 Daily Rate
$6
40×40″ Matthboard
$8.00 Daily Rate
$30
40×40″ Matthbounce
$6.00 Daily Rate
$6
2×3′
2×3′ Black Solid
$10.00 Daily Rate
$4
2×3′ Silk
$4.00 Daily Rate
$4
2×3′ Single Net
$4.00 Daily Rate
$4
2×3′ Double Net
$4.00 Daily Rate
$4
2×3′ Cello Cookie
$3.00 Daily Rate
$3
2’x3′ Wood Cookie
$3.00 Daily Rate
$3
4×4′
4×4′ Black Solid
$10.00 Daily Rate
$10
4×4′ Matthbounce
$10.00 Daily Rate
$10
4×4′ Top-Hinge Floppy
$10.00 Daily Rate
$10
4×4′ Bottom-Hinge Floppy
$10.00 Daily Rate
$10
4×4′ Artificial Silk
$10.00 Daily Rate
$10
4×4′ China Silk
$10.00 Daily Rate
$10
4×4′ 1/4 Stop Silk
$10.00 Daily Rate
$10
4×4′ Knife Blade Frame
$10.00 Daily Rate
$10
4×4′ Ultrabounce 3-Sided Floppy Tent
$20.00 Daily Rate
$20
4×4′ Ultrabounce 4-Sided Floppy Tent
$20.00 Daily Rate
$20
6×6′
6×6′ Black Solid
$15.00 Daily Rate
$15
6×6′ White Artificial Silk
$15.00 Daily Rate
$15
6×6′ Ultrabounce
$15.00 Daily Rate
$15
6×6′ 1/4 Silent Gridcloth
$15.00 Daily Rate
$15
6×6′ Lite Silent Gridcloth
$15.00 Daily Rate
$15
8×8′
8×8′ Black Solid
$20.00 Daily Rate
$20
8×8′ White Artificial Silk
$15.00 Daily Rate
$15
8×8′ Magic Cloth
$20.00 Daily Rate
$20
8×8′ Ultrabounce
$20.00 Daily Rate
$20
8×8′ Chroma Green
$30.00 Daily Rate
$30
8×8 Fabric – Chroma Green/Blue
$30.00 Daily Rate
$30
12×12′
12×12′ Black Solid
$20.00 Daily Rate
$35
12×12′ White 1/4 Stop Silk
$35.00 Daily Rate
$35
12×12′ Silent 1/2 Grid
$35.00 Daily Rate
$35
12×12′ White Artificial Silk
$20.00 Daily Rate
$35
12×12′ Ultrabounce
$20.00 Daily Rate
$35
20×20′
20×20′ Black Solid
$45.00 Daily Rate
$45
20×20′ Ultrabounce
$45.00 Daily Rate
$45
20×20′ Digital Green
$125.00 Daily Rate
$125
V-Flat World
Light Cone – Large
$10.00 Daily Rate
If you’ve ever been frustrated when photographing faceted, shiny, or polished items then the large Light Cone from V-FLAT WORLD is your effortless solution. Ideal for e-commerce, catalog, and website photography, the cone-shaped diffuser is a flat, sheet of translucent polypropylene that assembles instantly via the side snap buttons.
$10
Light Cone – Medium
$6.00 Daily Rate
If you’ve ever been frustrated when photographing faceted, shiny, or polished items then the medium Light Cone from V-FLAT WORLD is your effortless solution. Ideal for e-commerce, catalog, and website photography, the cone-shaped diffuser is a flat, sheet of translucent polypropylene that assembles instantly via the side snap buttons.
$6
Light Cone – Phone
$4.00 Daily Rate
If you’ve ever been frustrated when photographing faceted, shiny, or polished items then the Light Cone for Phone from V-FLAT WORLD is your effortless solution. Ideal for e-commerce, catalog, and website photography, the cone-shaped diffuser is a flat, sheet of translucent polypropylene that assembles instantly via the side snap buttons.
$4
Foldable Black/White V-Flat Kit
$18.00 Daily Rate
Lightweight and easy to transport, the Foldable Black/White V-Flat from V-Flat World is a fresh take on the venerable flat. The V-Flat is white on one side to reflect, and black on the opposite side to block light. Each board is 40.0 x 80.0 x 0.5″. Opened fully yields an 80.0 x 80.0″ surface. And for travel, the 7.0 lb V-Flat folds to a compact 40.0 x 40.0 x 2.0″. The hinged design offers a variety of useful positions.
$18
Kits
4×4′ RoadFlag II Kit
$25.00 Daily Rate
INCLUDES:
(x2) – Collapsible Frames
(x1) – Single Scrim
(x1) – Silk
(x1) – Silver Lame
(x1) – Solid Black
(x1) – 15 x 49″ Carry Bag
$25
2×3′ RoadRags II Kit
$25.00 Daily Rate
INCLUDES:
(2x) – Matthews RoadRag Frame
(1x) – Matthews RoadRag Solid
(1x) – Matthews RoadRag Silk
(1x) – Matthews RoadRag Single Net
(1x) – Matthews RoadRag Double Net
This Matthews RoadRags II Kit is a portable lighting modification system that helps you to quickly and easily duplicate studio lighting effects on location, using your portable lights. The elastic corded frames easily fold for storing and transporting. A simple “flick of the wrist” is all that’s required to quickly open the frame making it ready to use. By using the different materials, you are able to quickly create contrasts, different light ratios, diffusion or block the light. The RoadRags Kit fits easily into most lighting bags. Additional fabrics are available separately. RoadRags are designed for use under a controlled environment. Wind and/or other weather conditions may cause damage to this product
$25
Fingers & Dots Kit
$50.00 Daily Rate
INCLUDES:
(12x) – Fingers
(18x) – Dots
(1x) – Carrying Bag
This is a well-furnished dot-and-finger kit. Shape, soften or diminish the light from your fixtures. Sizes range from 3 to 10″, suitable for small to medium product setups, or full-length portraits.
$50
18×24″ Flag Kit
$18.00 Daily Rate
INCLUDES:
(1x) – 18×24″ Single Scrim
(1x) – 18×24″ Double Scrim
(1x) – 18×24″ Black Solid
(1x) – 18×24″ Floppy
(1x) – 18×24″ Artificial Silk
(1x) – 18×24″ Flag Bag
This ON-THE-GO Kit from Modern Studio Equipment features one of each basic 18×24″ scrim/cutter that you’d need in one convenient carrying case.
$18
2×3′ Flag Kit
$22.00 Daily Rate
INCLUDES:
(1x) – 2×3′ Single Scrim
(1x) – 2×3′ Double Scrim
(1x) – 2×3′ Artificial Silk
(1x) – 2×3′ Floppy
(1x) – 2×3′ Black Solid
(1x) – 2×3′ Flag Carrying Case
This ON-THE-GO Kit from Modern Studio Equipment features one of each basic 2×3′ scrim/cutter that you’d need in one convenient carrying case.
$22
Wag Flag Kit
$80.00 Daily Rate
INCLUDES:
(1x) – Modular Wag Flag Frame
(1x) – 4×4′ Ultrabounce Wag Flag Fabric
(1x) – 4×4′ Black Rip Stop Wag Flag Fabric
(1x) – 4×4′ Silent 1/2 Gridcloth Wag Flag Fabric
(1x) – 6×6′ Ultrabounce Wag Flag Fabric
(1x) – 6×6′ Black Rip Stop Wag Flag Fabric
(1x) – 6×6′ Silent 1/2 Gridcloth Wag Flag Fabric
(1x) – 8×8′ Ultrabounce Wag Flag Fabric
(1x) – 8×8′ Black Rip Stop Wag Flag Fabric
(1x) – 8×8′ Silent 1/2 Gridcloth Wag Flag Fabric
(1x) – Wag Flag Kit Carrying Case
This ON-THE-GO Kit from Modern Studio Equipment features three different flags in standard sizes of 4×4, 6×6, and 8×8 ft as well as a compact modular frame within a carrying case.
$80
Speedrail
Length
1′ Speedrail
$3.00 Daily Rate
$3
2′ Speedrail
$3.00 Daily Rate
$3
4′ Speedrail
$3.00 Daily Rate
$3
6′ Speedrail
$3.00 Daily Rate
$3
8′ Speedrail
$3.00 Daily Rate
$3
10′ Speedrail
$3.00 Daily Rate
$3
12′ Speedrail
$4.00 Daily Rate
$4
14′ Speedrail
$4.00 Daily Rate
$4
20′ Speedrail
$5.00 Daily Rate
$5
1 1/4″ Telescopic Grip Rail Short (26-42″)
$9.00 Daily Rate
$9
1 1/4″ Telescopic Grip Rail Long (41-72″)
$10.00 Daily Rate
$10
Couplers
Standard Speedrail Coupler
$3.00 Daily Rate
$3
Medium Speedrail Coupler
$3.00 Daily Rate
$3
Short Speedrail Coupler
$3.00 Daily Rate
$3
Swivel Tee Speedrail Coupler
$3.00 Daily Rate
$3
Speedrail Coupler Ear
$3.00 Daily Rate
$3
Baby Pin Slider Speedrail Coupler
$3.00 Daily Rate
$3
Wide Over/Under Speedrail Coupler
$3.00 Daily Rate
$3
Cross Speedrail Coupler
$3.00 Daily Rate
$3
Short Barrel Cross Speedrail Coupler
$3.00 Daily Rate
$3
Split Cross Speedrail Coupler
$3.00 Daily Rate
$3
Elbow Speedrail Coupler
$3.00 Daily Rate
$3
Tee-E Speedrail Coupler
$3.00 Daily Rate
$3
Baby to Junior Speedrail Coupler
$3.00 Daily Rate
$3
Speedrail Corner
$5 .00 Daily Rate
$5
Modern ON-THE-GO 1-1/4″ Speedrail Kit
$50.00 Daily Rate
$50
Trailer Hitch Adapter for 1-1/4″ Speedrail
$6.00 Daily Rate
$6
Frames
Sizes
Matthews 6×6′ Overhead Frame Kit
$10.00 Daily Rate
$10
Matthews 8×8′ Overhead Frame Kit
$15.00 Daily Rate
$15
Matthews 12×12′ Overhead Frame Kit
$20.00 Daily Rate
$20
Westcott 6×6′ Scrim Jim Frame Kit
$25.00 Daily Rate
INCLUDES:
(4x) – Westcott Scrim Jim Cine Frame Tube (46″)
(4x) – Westcott Scrim Jim Cine Frame Tube (22″)
(4x) – Westcott Scrim Jim Cine 2D Corner Frame Connector
(4x) – Westcott Scrim Jim Cine 2″ Straight Frame Connector
This Scrim Jim Cine Frame Set from Westcott includes all of the necessary frame tubes and connectors to construct your own 6 x 6′ frame for attaching fabrics in order to create diffusion panels, flags, or other light control tools. This specific kit includes four 46″ tubes, four 22″ tubes, four 2″ straight connectors, and four 2D frame connectors. Each tube is constructed from anodized aluminum alloy, features riveted heavy-duty hook-and-loop tape on two sides for attaching fabrics, and incorporates a 3/8″-16 threaded mount for mounting atop stands. The included self-locking connectors are used to combine the individual tube pieces in order to create a flat 2D frame.
$25
6×6’ ½ Diffusion Fabric
$12
6×6’ ¼ Diffusion Fabric
$12
6×6’ ¾ Diffusion Fabric
$12
6×6’ Full Diffusion Fabric
$12
6×6’ 1-¼ Diffusion Fabric
$12
6×6’ Silver/White Fabric
$12
6×6’ Single Net Fabric
$12
6×6’ Solid Fabric
$12
Westcott 8×8′ Scrim Jim Frame Kit
$30.00 Daily Rate
INCLUDES:
(8x) – Westcott Scrim Jim Frame Tube – (46″)
(4x) – Westcott Scrim Jim 2D Corner
(4x) – Westcott Scrim Jim Straight Connector
(1x) – Westcott Scrim Jim Deluxe Wheeled Travel Case
This Scrim Jim Cine Frame Set from Westcott includes all of the necessary frame tubes and connectors to construct your own 8 x 8′ frame for attaching fabrics in order to create diffusion panels, flags, or other light control tools. This specific kit includes eight 46″ tubes, four 2″ straight connectors, and four 2D frame connectors. Each tube is constructed from anodized aluminum alloy, features riveted heavy-duty hook-and-loop tape on two sides for attaching fabrics, and incorporates a 3/8″-16 threaded mount for mounting atop stands. The included self-locking connectors are used to combine the individual tube pieces in order to create a flat 2D frame.
$30
8×8’ ¼ Diffusion Fabric
$18
8×8’ ¾ Diffusion Fabric
$18
8×8’ Full Diffusion Fabric
$18
8×8’ 1-¼ Diffusion Fabric
$18
8×8’ Silver/White Fabric
$18
8×8’ Single Net Fabric
$18
8×8’ Solid Fabric
$18
Digital Juice 8×8′ Butterfly Overhead Frame Kit
$25.00 Daily Rate
INCLUDES:
(1x) – Digital Juice Butterfly Frame – 8×8′
(1x) – Digital Juice Butterfly Screen Kit for 8×8′ Frame (Black/White)
(2x) – Digital Juice Butterfly C-Stand Frame Clamps
The Digital Juice Butterfly Frame – 8×8′ has an ingenious design that will have you up, running and shooting in seconds. Unlike conventional frames there’s no assembly of the 4 aluminum sides of this frame. Hinged corners allow it to “pop up” just like the smaller PVC frames but with greater structural integrity – a quality you’ll appreciate in adverse conditions like windy days. Use the optional white silk diffusion material either overhead to soften harsh sunlight or vertically for a reflector or to punch strobe, tungsten or HMI light through.
The Digital Juice Butterfly C-Stand Frame Clamps (Pair) make mounting the 8×8′ Butterfly frame to C-Stands easy. Made of the same sturdy aluminum that the frame is, each clamp slides on to the frame and is secured by 2 hefty polycarbonate knobs. Pressure plates are built into the jaws of the clamp so that there’s no danger of the tightened screw denting the frame. The 5/8″ diameter stud at the end of the clamp fits neatly into a grip head atop the C- stand. The frame can then tilt 360 degrees between the stands.
$25
1-1/4″ Speedrail Frame Kit
$35.00 Daily Rate
$35
Grip Hardware
Baby
Rigging + Mounting
Baby Pin – 1/4″-20 Male
$1.00 Daily Rate
$1
Baby Pin – 1/4″-20 Female
$1.00 Daily Rate
$1
Baby Pin – 3/8″-16 Male
$1.00 Daily Rate
$1
Baby Pin – 3/8″-16 Female
$1.00 Daily Rate
$1
Baby Pipe Clamp
$2.00 Daily Rate
$2
Scissor Clamp
$2.00 Daily Rate
$2
Mini Baby Double Header
$2.00 Daily Rate
$2
Baby Double Header
$5.00 Daily Rate
$5
Baby Triple Header
$2.00 Daily Rate
$2
3-Way Baby Pin Adapter
$2.00 Daily Rate
$2
Gobo Head
$3.00 Daily Rate
$3
Double Gobo Head
$4.00 Daily Rate
$4
Chain Vice Grip w/ 2x Baby Pin
$4.00 Daily Rate
$4
Clamps
Baby Pin Grid Clamp
$3.00 Daily Rate
$3
Cardellini Mini w/ 3/8″-16 Stud
$2.00 Daily Rate
$2
2″ End Jaw Cardellini Clamp
$3.00 Daily Rate
$3
6″ End Jaw Cardellini Clamp
$4.00 Daily Rate
$4
3″ Center Jaw Cardellini Clamp
$3.00 Daily Rate
$3
Mafer Clamp w/ Pin
$3.00 Daily Rate
$3
Quacker Clamp
$3.00 Daily Rate
$3
Plates
BabySitt’r Mini
$5.00 Daily Rate
$5
3/8″-16 Female Threaded Nail-On Plate
$4.00 Daily Rate
$4
2″ Baby Nail-On Plate
$4.00 Daily Rate
$4
3″ Baby Nail-On Plate
$4.00 Daily Rate
$4
6″ Baby Nail-On Plate
$4.00 Daily Rate
$4
12″ Baby Nail-On Plate
$4.00 Daily Rate
$4
90º Baby (Short) Nail-On Plate
$4.00 Daily Rate
$4
90º Baby (Tall) Nail-On Plate
$4.00 Daily Rate
$4
Baby Receiver Nail-On Plate
$4.00 Daily Rate
$4
D-Ring Nail-On Plate
$4.00 Daily Rate
$4
Junior
Rigging + Mounting
Junior Offset Arm w/ 1-1/8″ Receiver
$8.00 Daily Rate
$8
Spud Adapter
$3.00 Daily Rate
$3
Lollipop
$3.00 Daily Rate
$3
Clamps
C-Clamp
$3.00 Daily Rate
$3
Big Ben Grid Clamp
$3.00 Daily Rate
$3
Junior Receiver Grid Clamp
$3.00 Daily Rate
$3
Junior/Baby Receiver Grid Clamp
$3.00 Daily Rate
$3
T-Style Junior Grid Clamp
$3.00 Daily Rate
$3
Ear Grid Clamp
$3.00 Daily Rate
$3
Swivel Grid Clamp
$3.00 Daily Rate
$3
Nail-On Plates
Junior Receiver Nail-On Plate
$4.00 Daily Rate
$4
Junior Nail-On Plate
$4.00 Daily Rate
$4
Square Floor Flange Speedrail End
$2.00 Daily Rate
$2
Oval Floor Flange Speedrail End
$2.00 Daily Rate
$2
Offset Mount Speedrail End
$2.00 Daily Rate
$2
Overhead
Manfrotto Super Boom w/ Rolling Stand
$35.00 Daily Rate
The Manfrotto 025BS Super Boom features coaxial geared controls at the end of the boom, which permits movement of 180°. The two section stand has black painted aluminum construction and is fitted with wheels. The stand section supports light fixture loads up to 66 lbs (30kg), to a maximum height of 7′ (2.1 m). The boom supports loads of up to 15 lbs (6.8kg) fully extended. Double leg bracing provides extra stability, giving the stand more strength. It is fitted with a universal mount with 1 1/8″ (28mm) Junior socket plus either 5/8″ socket or “pop-up” 5/8″ Baby spigot. Equipped with a rocky mountain leg to level the stand on uneven terrain.
$25
Manfrotto Heavy Duty Boom Arm
$25.00 Daily Rate
This black, heavy duty Manfrotto Heavy Duty Boom without stand consists of three sections of 39.5″. The sections may be linked together with the included hex-nut key. Load Capacity: 13.2 lb / 6 kg Length: Up to 9.2′ / 2.8 m
$25
Junior Boom Arm
$25.00 Daily Rate
$25
Baby Boom Arm
$20.00 Daily Rate
$20
Mini Boom Arm
$15.00 Daily Rate
$15
Menace Arm Kit
$10.00 Daily Rate
INCLUDES:
(1x) – Ear with 9.5″ Anti-Sag Center Post
(1x) – Dual Baby Pin Front Mount
(1x) – Rear Counterweight Receiver with D-Ring on Top and Bottom
This Matthews Menace Arm Kit enables you to boom a lighting fixture attached to a 1 1/4″ Schedule 40 aluminum pipe speed rail, sold separately, while keeping the light stand out of camera view. The kit includes an ear with a 9.5″ anti-sag center post, dual baby pin front mount, and a rear counterweight receiver with a D-ring on top and bottom for connecting a ratchet strap to the bottom of the stand instead of a counterweight bar.
$10
2×4′ Wall Spreader Kit
$6.00 Daily Rate
$6
Speedrail Wall Spreader Kit
$8.00 Daily Rate
$8
10lbs Counter Balance Weight
$5.00 Daily Rate
$5
15lbs Counter Balance Weight
$5.00 Daily Rate
$5
25lbs Counter Balance Weight
$5.00 Daily Rate
$5
Suction Cups
Suction Cup – 10″ w/ Cheese Plate + 1-1/4″ Starters Cup w/ 3″ Baby Pin
$12.00 Daily Rate
$12
3″ Suction Cup with 5/8″ Baby Pin (1/4″ Thread on Cup)
$10.00 Daily Rate
$10
Suction Cup – 10″ w/ Cheese Plate + 1-1/4″ Starters
$10.00 Daily Rate
$10
Suction Cup w/ 3″ Baby Pin
$6.00 Daily Rate
$6
Suction Cup w/ Flat Threaded Base
$6.00 Daily Rate
$6
Suction Cup w/ 5/8″ Socket
$6.00 Daily Rate
$6
Safety
D-Ring 3/8″-16 Male
$1.00 Daily Rate
$1
D-Ring 3/8″-16 Female
$1.00 Daily Rate
$1
Safety Cable
$1.00 Daily Rate
$1
5/8ths
Modern ON-THE-GO 5/8″ Kit
$75.00 Daily Rate
INCLUDES:
(3x) – 5/8″ Aluminum Rod 3″
(3x) – 5/8″ Aluminum Rod 6″
(3x) – 5/8″ Aluminum Rod 8″
(3x) – 5/8″ Aluminum Rod 12″
(3x) – 5/8″ Aluminum Rod 14″
(3x) – 5/8″ Aluminum Rod 16″
(3x) – 5/8″ Aluminum Rod 18″
(3x) – 5/8″ Aluminum Rod 24″
(3x) – 5/8″ Aluminum Rod 30″
(3x) – 5/8″ Aluminum Rod 36″
(3x) – 5/8″ Stainless Steel Rod 3″
(3x) – 5/8″ Aluminum Rod 10″
(3x) – 5/8″ Stainless Steel Rod 6″
(3x) – 5/8″ Stainless Steel Rod 8″
(3x) – 5/8″ Stainless Steel Rod 10″
(3x) – 5/8″ Stainless Steel Rod 12″
(3x) – 5/8″ Stainless Steel Rod 14″
(3x) – 5/8″ Stainless Steel Rod 16″
(3x) – 5/8″ Stainless Steel Rod 18″
(3x) – 5/8″ Stainless Steel Rod 24″
(3x) – 5/8″ Stainless Steel Rod 30″
(3x) – 5/8″ Stainless Steel Rod 36″
(8x) – Cross for 5/8 in.
(8x) – Tee for 5/8 in.
(4x) – Sleeve for 5/8 in.
(4x) – Tee Receiver for 5/8 in.
(4x) – Over and Under for 5/8 in.
(4x) – Combination Camera Rod Starter for 5/8 in.
(1x) – Mini 5/8 in. Speed C
(1x) – Mini 5/8 in. Wallspreader
(1x) – 3-Fold Deluxe 5/8 Rod Bag (Charcoal Gray)
The Modern 5/8″ Diameter Rod On the Go Rigging Kit features 5/8″ diameter aluminum rod and 5/8″ diameter stainless steel rod for rigging cameras, cars, lights and more. Rods in lengths from 3″ to 36″ with tees, connectors, speed c-clamp, wall spreader and camera starters. All contained in an organized soft bag.
$75
Clamps
Plastic A-Clamp
$1.00 Daily Rate
$1
0.5″ Spring Clamp
$1.00 Daily Rate
$1
1″ A-Clamp
$1.00 Daily Rate
$1
2″ A-Clamp
$1.00 Daily Rate
$1
3″ A-Clamp
$1.00 Daily Rate
$1
1″ C-Clamp
$3.00 Daily Rate
$3
2″ C-Clamp
$3.00 Daily Rate
$3
3″ C-Clamp
$3.00 Daily Rate
$3
4″ C-Clamp
$3.00 Daily Rate
$3
6″ C-Clamp
$3.00 Daily Rate
$3
8″ C-Clamp
$3.00 Daily Rate
$3
Wood
Apple Box Full
$3.00 Daily Rate
$3
Apple Box Half
$2.00 Daily Rate
$2
Apple Box Quarter
$2.00 Daily Rate
$2
Apple Box Pancake
$2.00 Daily Rate
$2
Bags
15lbs Sandbag
$3.00 Daily Rate
$3
25lbs Sandbag
$3.00 Daily Rate
$3
35lbs Sandbag
$3.00 Daily Rate
$3
25lbs Shotbag
$5.00 Daily Rate
$5
Reflectors
LightBridge CRLS-C 7 Diffusion Set
$20.00 Daily Rate
$20
LightBridge CRLS-C 15 Diffusion Set
$30.00 Daily Rate
$30
LightBridge CRLS-C 25 Diffusion Set
$50.00 Daily Rate
$50
LightBridge CRLS-C 50 Diffusion Set
$75.00 Daily Rate
$75
LightBridge CRLS C-100 Double Sided Reflector Diffusion 1&2
$145.00 Daily Rate
$145
LightBridge CRLS C-100 Double Sided Reflector Diffusion 3&4
$145.00 Daily Rate
$145
LightBridge CRLS C-Drive Kit
$175.00 Daily Rate
INCLUDES:
(5x) – 2.7 x 2.7″ C-Reflector with Cordura Bag
(5x) – 5.9 x 5.9″ C-Reflector with Cordura Bag
(5x) – 19.6 x 19.6″ C-Reflector with Cordura Bag
(3x) – Grip Bag
(1x) – Flight Case
(1x) – Cleaning Kit
The Lightbridge C-Drive + Kit contains versatile range of high-tech cine reflectors, ranging from diffusion 0 to 4. They give you full control of your diffused light without using flags or frames, while having a minimal footprint, and can be placed close to the subjects since they don’t generate heat.
$175
Godox LiteFlow 100 Reflector Diffusion 1&2
$125.00 Daily Rate
$125
Godox LiteFlow 100 Reflector Diffusion 3&4
$125.00 Daily Rate
$125
Godox KNOWLED LiteFlow K1 Reflector Kit
$105.00 Daily Rate
INCLUDES:
(4x) – LiteFlow 50 Panels
(4x) – LiteFlow 25 Panels
(4x) – LiteFlow 15 Panels
(4x) – LiteFlow 7 Panels
(2x) – Rail Mount Receivers
(2x) – Rail Mount Studs
(1x) – Tool Kit Pouch
(1x) – Gloves
(2x) – Safety Cables
(1x) – Cleaning Spray & Cloths
(1x) – Cleaning Kit Pouch
(1x) – Soft Carrying Case
The KNOWLED LiteFlow Cine Lighting Reflector System is a new and innovative cinematic light control system, that introduces a fresh perspective on illumination. With outstanding reflectivity, and coming in a Multitude of Sizes and Various Degrees of Diffusion, the LiteFlow Cine Light Reflector Syetm is highly versatile. The LiteFlow system offers remarkable light quality, convenience, and control designed to streamline your workflow on set.
$105
Godox GK7 Multi-Reflector Grip Kit for KNOWLED LiteFlow
$25.00 Daily Rate
INCLUDES:
(4x) – Extension Rod 25cm
(2x) – Extension Rod 75cm
(1x) – Extension Rod 100cm
(4x) – Ball Joint Arm
(4x) – Single Knob Gobo
(2x) – Dual Knob Gobo
(4x) – Nano Clamp
The Godox GK7 Multi-Reflector Array Grip Kit empowers photographers and videographers to create dynamic lighting setups using the KNOWLED LiteFlow system. Whether you’re shooting portraits, product photography, or video content, this kit provides the tools you need for creative illumination. Key Features – Godox Multi-Refector Array Grip Kit GK7 for Godox KNOWLED LiteFlow – Holds Multiple LiteFlow Reflector Boards – Dedicated Mounting System – One 19.6″ Long Extension Rod
$25
Godox GK25 Multi-Reflector Grip Kit for KNOWLED LiteFlow
$25.00 Daily Rate
INCLUDES:
(4x) – 25cm Extension Rod
(3x) – 50cm Extension Rod
(4x) – Ball-Joint Arm
(4x) – Single Gobo
(2x) – Dual Gobo
(4x) – Nano Clamp
(1x) – Carrying Case
From the renowned brand Godox, comes the innovative and versatile Multi-Refector Array Grip Kit GK25, specifically designed for the Godox KNOWLED LiteFlow. This high-quality, durable grip kit is an essential tool for professional photographers and videographers seeking to enhance their lighting setups.
The GK25 Multi-Reflector Array Grip Kit offers unparalleled flexibility and control over your lighting arrangements. It features four sturdy, adjustable arms that can be securely locked into place to hold lights or other equipment at varying angles. This unique design allows for a multitude of lighting configurations, enabling you to achieve the perfect lighting effect for every shot.
$25
Godox GK50 Multi-Reflector Grip Kit for KNOWLED LiteFlow
$25.00 Daily Rate
INCLUDES:
(4x) – 25cm Extension Rod
(2x) – 75cm Extension Rod
(1x) – 100cm Extension Rod
(4x) – Ball-Joint Arm
(4x) – Single Gobo
(2x) – Dual Gobo
(4x) – Clamp
(1x) – Carrying Case
A versatile and innovative solution for your lighting needs, the Godox Multi-Reflector Array Grip Kit GK50 is specifically designed for the Godox KNOWLED LiteFlow. This high-quality, durable grip kit is an essential tool for both photographers and videographers, offering unparalleled control over your lighting setup.
Crafted by the reputable brand Godox, known for its superior photography equipment, this sturdy grip kit is engineered to hold and position your lighting equipment precisely. Whether you’re working with flashes or strobes, the Godox GK50 ensures your lighting is always spot-on.
The kit features four adjustable arms, providing the flexibility to position your lighting equipment at various angles. This versatility allows for a wide range of lighting effects, enabling you to achieve the perfect shot every time. Made from robust materials, the Godox Multi-Reflector Array Grip Kit GK50 is designed for longevity and consistent performance.
$25
Neewer 43″ Circular Reflector
$3.00 Daily Rate
$3
Impact 5-in-1 Collapsible 32″ Reflector
$5.00 Daily Rate
$5
Impact 5-in-1 Collapsible 42″ Reflector
$5.00 Daily Rate
$5
Impact Panel Reflector Gold/Silk Reversible Fabric
$5.00 Daily Rate
$5
Angler CatchLight Reflector V2 Kit
$15.00 Daily Rate
The CatchLight Reflector V2 from Angler is a simple solution to a lighting problem. A common technique for achieving a glamorous portrait is lighting the subject on-axis from above to bring out the modeling of the face and details in the hair, makeup, etc. But what to do about the hard shadows under the nose and around the eyes other than add additional lights to complicate the subject? The Catchlight V2 is a modifier with a width of 58.5″ wide and an open “U” shape which forms an arc to surround your subject. It has tightly-stretched reflective silver material to offer a consistent effect.
The included bracket fits standard light stands and allows the reflector to be tilted to the ideal angle for bouncing light from the main source and slightly flatten the contrast, while maintaining a three-dimensional look. This versatile reflector removes the shadows to the desired degree without adding another source. The CatchLight V2’s name is derived from the natural-looking reflections that are created in your subject’s eyes, and because of its unbroken arc shape doesn’t have the gaps seen when using multiple reflectors. The CatchLight V2 can be used with any light source, be it a tungsten, LED, or flash fixture, or even outdoors with ambient sunlight. The CatchLight V2 sets up and breaks down in minutes, the silver fabric reflector features zippered closures that add tension to create a wrinkle-free reflective surface. A carry case is included for storage and transport.
$15
Angler CatchLight Reflector V1 Kit
$15.00 Daily Rate
The CatchLight Reflector V1 from Angler is a simple solution to a lighting problem. A common technique for achieving a glamorous portrait is lighting the subject on-axis from above to bring out the modeling of the face and details in the hair, makeup, etc. But what to do about the hard shadows under the nose and around the eyes other than add additional lights to complicate the subject? The Catchlight V1 is a modifier with a width of 58.5″ wide and an open “U” shape which forms an arc to surround your subject. It has tightly-stretched reflective silver material to offer a consistent effect.
The included bracket fits standard light stands and allows the reflector to be tilted to the ideal angle for bouncing light from the main source and slightly flatten the contrast, while maintaining a three-dimensional look. This versatile reflector removes the shadows to the desired degree without adding another source. The CatchLight V1’s name is derived from the natural-looking reflections that are created in your subject’s eyes, and because of its unbroken arc shape doesn’t have the gaps seen when using multiple reflectors. The CatchLight V1 can be used with any light source, be it a tungsten, LED, or flash fixture, or even outdoors with ambient sunlight. The CatchLight V1 sets up and breaks down in minutes, the silver fabric reflector features zippered closures that add tension to create a wrinkle-free reflective surface. A carry case is included for storage and transport.
$15
Electric
Daily Rate
Distribution
Stinger 10′
$3.00 Daily Rate
Known in the theatrical and film industry as a “stinger,” this heavy duty extension cord is built by hand and features heavy duty all weather AC plugs and receptacles wired to all-weather neoprene rubber 12/3 AC power cable. Designed for studio use and rated for rugged field in the harshest environments.
$3
Stinger 15′
$3.00 Daily Rate
Known in the theatrical and film industry as a “stinger,” this heavy duty extension cord is built by hand and features heavy duty all weather AC plugs and receptacles wired to all-weather neoprene rubber 12/3 AC power cable. Designed for studio use and rated for rugged field in the harshest environments.
$3
Stinger 25′
$4.00 Daily Rate
Known in the theatrical and film industry as a “stinger,” this heavy duty extension cord is built by hand and features heavy duty all weather AC plugs and receptacles wired to all-weather neoprene rubber 12/3 AC power cable. Designed for studio use and rated for rugged field in the harshest environments.
$3
Stinger 50′
$4.00 Daily Rate
Known in the theatrical and film industry as a “stinger,” this heavy duty extension cord is built by hand and features heavy duty all weather AC plugs and receptacles wired to all-weather neoprene rubber 12/3 AC power cable. Designed for studio use and rated for rugged field in the harshest environments.
$4
Stinger 100′
$6.00 Daily Rate
Known in the theatrical and film industry as a “stinger,” this heavy duty extension cord is built by hand and features heavy duty all weather AC plugs and receptacles wired to all-weather neoprene rubber 12/3 AC power cable. Designed for studio use and rated for rugged field in the harshest environments.
$6
Squid
$3.00 Daily Rate
Male Edison plug to 4 Female Edison outlets.
$3
Power Strip
$2.00 Daily Rate
$4
Cube Tap
$1.00 Daily Rate
Male Edison Plug to 3 Female Edison outlets.
$1
1k Dimmer
$5.00 Daily Rate
$5
Edison to Light Socket Adapter
$1.00 Daily Rate
3-Prong Edison Outlet to Light Socket Adapter
$1
Generators
Honda Generator EU2200i
$65.00 Daily Rate
FEATURES:
Running Wattage – 1800
Starting Wattage – 2200
Recoil Start 120 volts
2 Outlets
Built-in Inverter
Fuel Tank Capacity – 0.95 Gallons
Full Load Fuel Consumption – 0.24 Gallons/Hour
Operational Volume – 57dB
$65
Goal Zero Yeti 500X Portable Power Station
$40.00 Daily Rate
Whether you are in the woods camping, on the jobsite working, or dealing with a power outage at home, the Yeti 500X Portable Power Station from GoalZero is a solid choice to power your small to medium electronics and appliances from phones & cameras to tablets & laptops to CPAP machines, TVs, and small refrigerators. This power pack is an environmentally-friendly alternative to traditional loud and smelly backup generators. using a 505Wh Li-ion NMC battery this addition to the venerable Yeti series is 20% smaller and lighter with 20% more power than previous models, works without noise, and produces no exhaust. The Yeti can be charged from 110 VAC house current, 12 VDC car/vehicle power, or from compatible GoalZero solar panels. Multiple power and charging management systems optimize the input and output to protect your gear and its battery while being extremely efficient. The front display panel provides readouts of incoming/outgoing power and battery status in 20% increments. This real time feedback enables precise power management. The Yeti provides an array of output options for any energy need including: 110 VAC grounded wall outlets, a 60W USB Type-C Power Delivery (PD) port, two standard USB ports, an 18W USB Type-C port, a 12 VDC car/vehicle port, and a 6mm 12 VDC plug port.
$40
Goal Zero Yeti 1500X Portable Power Station
$80.00 Daily Rate
Charge or power everything from phones, tablets, laptops, TVs, fridges, and more with the Yeti 1500X Portable Power Station from GoalZero. Off the grid, on a job site, or at home when the power’s out, the Yeti 1500X supplies power for electronics and appliances without the noise and fumes of traditional generators. Add the optional Goal Zero Home Integration Kit with professional assistance, and the Yeti 1500X becomes a back-up home power supply to run lights, medical equipment, and other critical gear. The included 120W power supply will charge the unit in 14 hours, but you can cut that to 3 hours with the optional 600W Power Supply.
$80
Goal Zero Yeti 6000X Portable Power Station
$175.00 Daily Rate
FEATURES:
With a lithium-ion battery at its core, the Goal Zero Yeti X equips you with safe, clean, portable power
2000W AC (3500W Surge) inverter
Power a wide range of devices with seven different port options including fast-charging 60W USB-C Power Delivery, multiple USB-A ports, regulated 12V, and two 120V AC ports.
$175
GOAL ZERO Boulder 200 Briefcase Solar Panel
$35.00 Daily Rate
Use the clean, free, and renewable power of the sun to charge your Goal Zero power pack with the Boulder 200 Briefcase Solar Panel. It consists of two panels chained and joined by a hinge, so you can fold them together and carry them by the handle. Measuring 40 x 53.5 x 1.75″ unfolded, this panel produces up to 200 watts of power that can be stored in any Goal Zero station, but it is most effective with the Yeti and Sherpa models. You can chain the Boulder 200 Briefcase together with other Boulder panels for increased power production. The panel is covered with scratch-resistant tempered glass and is supported by an aluminum frame with extra corner protection, and it features an integrated kickstand that supports it at the optimum angle for charging. The weather-resistant Boulder 200 Briefcase is rugged enough to be permanently installed, but its size, handle, and carry bag make it portable enough for car camping, RV use, and other outdoor activities.
$35
Audio
Daily Rate
PA Speaker System
JBL EON ONE Portable Compact PA System Kit
$40.00 Daily Rate
The JBL EON ONE Compact is an all-in-one rechargeable personal PA system well suited for singer-songwriters, fitness instructors, corporate speaking engagements, and educational presentations. The self-powered speaker sports an 8″ woofer and 1″ tweeter, which combine to offer a frequency response of 37.5 Hz to 20 kHz at a respectable 112 dB SPL. The enclosure is lightweight at under 20 lb and features a handle for ease in transport.
$40
JBL EON 208P Portable PA System Kit
$100.00 Daily Rate
The JBL EON208P is a portable PA system you can carry in one hand, and it’s perfect for solo artists, small musical groups, public speaking, DJ gigs, and more. It weighs less than 40 pounds, but its dual speakers driven with 300 total watts of power provide clear, dynamic sound with excellent projection. Solo musicians at Sweetwater know the convenience you get from a compact all-in-one PA system, especially in smaller rooms like coffee shops or art studios.
$100
Microphones
RODE NTG4+ Shotgun
$20.00 Daily Rate
Customize your tone and capture quality sound indoors or outside for your next indie film, TV shoot, or documentary project with the RODE NTG4+ battery- or phantom-powered shotgun microphone. Specialized features such as low-noise circuitry, digitally switchable pad and frequency settings, and minimal handling noise reduce the need to repair and restore audio in post production.
$20
RODE VideoMic Pro
$20.00 Daily Rate
Offering lower noise, higher sensitivity, and more adjustable settings than the VideoMic, the RODE VideoMic Pro camera-mount shotgun microphone is ideal for mobile journalists, vloggers, budget filmmakers, and run-and-gun shooters looking for a cost-effective way to step up to the next level in quality.
$20
RODE Stereo VideoMic Pro
$20.00 Daily Rate
The Stereo VideoMic Pro Rycote from RODE builds on the success of the Stereo VideoMic Pro with a few improved upgrades such as a Rycote Lyre shockmount, higher-sensitivity X/Y capsules, denser foam windscreen, better RF shielding, and a thicker Kevlar braided cable. The microphone retains all of the switch locations and other features as the previous model, for use as an on-camera DSLR and camcorder microphone for video applications.
$20
Rode VideoMic
$15.00 Daily Rate
Compared to the smaller VideoMic GO, the RODE VideoMic camera-mount shotgun microphone offers battery powering, extended low-end response, and customizable audio settings. Its switchable pad and bass roll-off optimize it for mobile journalists, vloggers, and run-and-gun shooters in loud or rumble-heavy environments.
$15
RODE NT-USB Mini Microphone Kit
$15.00 Daily Rate
Record high-quality podcasts or stream sterling audio with the RODE NT-USB Mini, a USB microphone that punches above its class in terms of sound, reliability, and ease of use. Whether you’re recording content on a computer or a tablet, this USB microphone can ensure a professional sound, as its capsule is specifically tuned for the spoken word, and its construction is tailored to provide as little handling noise as possible. Plus, with free RODE Connect software, you can simultaneously use up to four NT-USB Mini mics with a single Mac/Windows computer and unlock special features optimized for podcasting.
$15
RODE NT-USB
$10.00 Daily Rate
The NT-USB USB Microphone from RODE is a cardioid, side-address USB microphone that is capable of capturing audio in up to 16-bit/48kHz resolution. It has an integrated headphone amplifier and 1/8″ stereo headphone jack that allows for monitoring.
$10
Sennheiser MKH 416 Shotgun Microphone
$25.00 Daily Rate
Achieve superb audio capture in demanding conditions for your next professional film, TV, or location recording with the Sennheiser MKH 416-P48U3 moisture-resistant shotgun microphone. Mix-ready sound quality is provided by its sharp directivity, low noise, and strong output. Plus, there are no controls to worry about; the MKH 416-P48U3 delivers the reliability you need for high-pressure gigs.
$25
Sony ECM-M1 Camera-Mount Shotgun Microphone
$20.00 Daily Rate
Featuring an even more compact form factor than its predecessors and four diamond-patterned capsules, the Sony ECM-M1 is a camera-mount digital shotgun microphone designed for creators using Sony cameras equipped with the Multi Interface Shoe needing to switch between interview shooting and social media content all in one device. Internal digital signal processing and advanced beamforming render clear recordings with the ability to toggle noise-cut and low-cut filters. Superdirectional pickup pattern with both front and rear pickup has eight selectable modes for the ultimate recording flexibility.
$20
Wooden Camera VX Skateboard Mic
$15.00 Daily Rate
Spruce up the sound of your skateboarding videos with the VX Skateboard Camera Mic from Wooden Camera. For use with modern cameras, the VX emulates the legendary sound of the Sony VX1000’s built-in microphone. The VX’s design incorporates four microphone capsules arranged in the same orientation as those of the VX1000 and a digital signal processor designed to recreate the VX1000’s frequency filtering and compression.
$15
512 Audio Limelight Dynamic XLR Mic
$15.00 Daily Rate
Brought about by Warm Audio’s team of expert engineers specifically for podcasters, live streamers, and broadcasters, the 512 AUDIO Limelight dynamic vocal XLR microphone offers build quality, tone, and features that extend beyond its price class. Like all of Warm Audio’s pro audio gear, the Limelight mic is designed to produce a great sound without gratuitous tweaking after the recording.
$15
Mixers + Recorders
Zoom F8n
$55.00 Daily Rate
-Location recording and filmmaking, look-ahead limiters prevent clipping, 8x high gain, low noise mic preamps, picks up 8 inputs and stereo mix
-Capture any location recording cleanly and redundantly with the Zoom F8n, a soundbag-friendly, multi-track field recorder with look-ahead limiters for distortion-free 24-bit audio, and up to 8-input/10-track recording for professional and enthusiastic on-set and in-field applications
-Like other F series recorders like F4 and F6, you can slide it into a sound bag, carry it over your shoulder or mount it to a camera. The F8n packs quantity and quality into a robust frame that is more than ready for filmmaking, production/location sound mixing, sound effect recording, and electronic news collection (ENG).
-From the large, informative colour display and easy-to-use controls to the flexible power supply options and precise timecode functionality, the F8n is properly equipped to satisfy beginners and discerning veterans alike. Whether you need long stereo recordings for an interview, redundant recording of multi-microphone setups for a video shoot, or Ambisonics sound files for virtual reality and 360 audio projects, the F8n has the modes, resolutions and media support to tackle your important audio tasks.
$55
Zoom H6
$30.00 Daily Rate
While the original gray H6 is bundled with two mic capsules and premium accessories, the Zoom H6 All Black portable handheld recorder features a sleek black finish and a single mic capsule, making ideal for bands, multi-instrumentalists, and podcasters who don’t immediately need the extras. With its X/Y stereo microphone capsule, six versatile mic/line inputs, and up to 6-track recording, the H6 All Black is both user-friendly and easily expandable.
$30
Zoom H5
$20.00 Daily Rate
Ideal for documentaries, podcasting, audio for video, and professional sound design, the Zoom H5 portable handheld recorder lets you quickly record up to four input signals regardless of your audio experience. With a swappable stereo microphone capsule, versatile 2-channel inputs, and up to 4-track recording, the H5 is both user-friendly and easily expandable.
$20
Zoom H4
$10.00 Daily Rate
Whether you’re recording a live performance, a podcast, a class or workshop, a rehearsal, a songwriting session or even a sizzling performance of your band, the Zoom H4 has more recording tools available than any device ever made. Weighing a mere 6.7 ounces (190g), the H4 puts a remarkable amount of recording power in the palm of your hand.
Underneath its sleek exterior are built-in studio effects such as compression, limiting and mic modeling. Use the combination XLR-1/4-inch inputs for external mics, guitars, bass or keyboards. Also onboard are Zoom’s most incredible microphone, guitar and bass modeling, accurately reproducing the tone of the most famous microphones and amps ever made. Audio can be recorded as WAV or MP3 files and moved to a computer via USB for easy editing, mixing and mastering.
$10
Zoom H2
$5.00 Daily Rate
It’s a simple idea: provide brilliant stereo recording in an easy-to-use, ultra-portable device. Now everyone can record pristine audio in an infinite variety of applications. From seminars and conferences, to electronic news gathering (ENG) and podcasting, to musical performances, songwriting sessions and rehearsals, the Zoom H2 provides amazing recording quality. And no matter what kind of music you perform or the instrument you play, the H2 can effortlessly record it in high-quality stereo.
$5
Wireless
Comtek FPM-216 2-RX IFB Kit
$70.00 Daily Rate
INCLUDED:
(1x) – Comtek M-216 TX
(1x) – Standard Antenna
(2x) – Comtek PR-216 RX
(1x) – CB-36 ST 3.5mm Stereo Mini Cable
(2x) – Belt Clip
(1x) – Carrying Case
(1x) – Flat Head Nudger
(2x) – Sony MDR-ZX110 Headphones
(1x) – F-Stop Cube Case
The Comtek FPM-216 bundles together several items into a field monitoring kit. These items include the M-216 Transmitter (Option P7)—which provides a 3.5mm line-level mini input and up to 40 hours of in-the-field operation off a single 9V battery—and two PR-216 beltpack receivers for hearing the incoming audio from the M-216 transmitter.
$70
Sennheiser EW-DP SK Wireless Lavalier Kit (Q1-6)
$45.00 Daily Rate
Purpose-built for content creators, videographers, and newsgatherers looking for a stress-free wireless experience, the Sennheiser EW-DP ME 2 SET with ME 2 Omnidirectional Lavalier is a camera-mount, fully digital wireless microphone system that utilizes professional UHF transmission to reliably deliver Sennheiser’s pristine, broadcast-quality audio directly to your camera. This configuration includes an EW-DP EK camera-mount, single-channel receiver with mounting kit, a lightweight EW-D SK bodypack transmitter with unobtrusive ME 2 omnidirectional lavalier mic, plus 3.5mm and XLR output cables to connect the receiver to a DSLR/mirrorless camera or to a recorder or mixer.
$45
Sennheiser EW-DP SKP Wireless Plug-On Kit (Q1-6)
$45.00 Daily Rate
Purpose-built for content creators, videographers, and newsgatherers looking for a stress-free wireless experience, the Sennheiser EW-DP SKP Kit is a camera-mount, fully digital wireless system that utilizes professional UHF transmission to reliably deliver Sennheiser’s pristine, broadcast-quality audio directly to your camera. This configuration includes an EW-DP EK camera-mount, single-channel receiver with mounting kit, and an EW-DP SKP plug-on transmitter with built-in recorder and +48V phantom power. Also included are 3.5mm and XLR output cables to connect the receiver to a DSLR/mirrorless camera or to a recorder or mixer.
$45
Sennheiser G3 Wireless Lavalier Kit
$30.00 Daily Rate
INCLUDED:
(1x) – G3 Diversity Receiver
(1x) – G3 Bodypack Transmitter
(1x) – ME 2 Clip-on Omni-Directional Condenser Microphone
(1x) – CA2 Hotshoe Mount for Transmitter
(1x) – XLR Cable
(1x) – Mini Camera Input Cable
The Sennheisser G3 Wireless Lav Kit includes a transmitter, receiver as well as a coldshoe mount for the receiver. Packaged with a Sennheiser ME2 lavalier microphone. Includes an XLR and a stereo mini to keep compatibility to a multitude of audio destinations.
$30
Tentacle Sync E mk1 Timecode Kit
$40.00 Daily Rate
INCLUDED:
(4x) – Tentacle Sync E mk1 Timecode Generator
(8x) – Soft Velcro Pad
(4x) – Locking Clip
(4x) – USB-C to USB-A Cable
(4x) – 3.5mm to 3.5mm Cable
(2x) – Carrying Case
(1x) – Tentacle Sync to 3-Pin XLR Cable (16″)
(1x) – Tentacle Sync to Straight BNC Cable
(1x) – Tentacle 3.5mm TRS to 5-Pin Male Cable
The Tentacle Sync E mkII Timecode Generator dual set pairs two lightweight, super-compact Sync E mk2 timecode generators with two downloadable Tentacle Sync Studio software licenses (macOS). These updates to the Tentacle Sync E feature Bluetooth 5.0 setup and battery management improvements. Designed for vlogging, events, multicamera setups, and post-syncing, the Sync E mkII can generate any SMPTE timecode or jam-sync to an external timecode source.
$40
Sennheiser EW-DP 835 Wireless Stick Microphone Kit
$35.00 Daily Rate
INCLUDED:
(1x) – Sennheiser EW-DP EK Wireless Receiver (R1-6)
(1x) – Sennheiser EW-D SKM-S 835 Wireless Cardioid Microphone
(3x) – Sennheiser BA 70 Battery Pack
(1x) – Sennheiser L 70 USB Charger for BA 70 Battery Packs
(1x) – USB-C 5v Power Supply
(1x) – USB-C Cable – Sennheiser (4′)
(1x) – Magnetic Mounting Plate
(1x) – Cold Shoe Mount
(1x) – Belt Clip
(1x) – Foam Windscreen
(1x) – Instruction Manual
(1x) – 4mm Allen Key
(1x) – Frequency Information Sheet
(2x) – 1/4-20 x 1/4″ Socket Cap Screw
(2x) – 1/4-20 x 1/2″ Captive Socket Cap Screw
Purpose-built for video content creators, presenters, and newsgatherers looking for a stress-free wireless experience, the Sennheiser EW-DP 835 SET with Handheld Mic is a camera-mount, fully digital wireless microphone system that utilizes professional UHF transmission to reliably deliver Sennheiser’s pristine, broadcast-quality audio directly to your camera. This configuration includes an EW-DP EK camera-mount, single-channel receiver with mounting kit, a lightweight EW-D SKM-S handheld transmitter with mute switch and MMD 835 dynamic cardioid mic capsule, plus 3.5mm and XLR output cables to connect the receiver to a DSLR/mirrorless camera or to a recorder or mixer.
$35
RODE Wireless GO II 2-Person Wireless Mic/Recorder Kit
$30.00 Daily Rate
INCLUDED:
(2x) – Clip-On Transmitters
(1x) – G3 Bodypack Transmitter
(3x) – USB Type-A to USB Type-C Cables
(1x) – 3.5mm TRS Memory Cable
(3x) – Furry Windshields
(1x) – Carry Pouch
(1x) – Auray Wireless Charger for Rode Wireless GO and Wireless GO II
(1x) – Storage Case
(2x) – Lavalier Microphone
(2x) – Lavalier Microphone Clip
Expanding on the original Wireless GO with updates allowing for two-person shoots, onboard recording, a greatly extended range, and flexible output options, the black Rode Wireless Go II system lets videographers, vloggers, and mobile journalists confidently and quickly incorporate wireless audio into their setup regardless of their experience level or what device they’re recording to.
$30
VocoPro UHF-5805-9 Wireless Microphone System Kit A
$28.00 Daily Rate
INCLUDED:
(4x) – VocoPro UHF Rechargeable Wireless Microphone
(1x) – VocoPro UHF-5805-9 4-Channel Wireless Receiver System
(2x) – VocoPro UHF-5805 Antenna
(3x) – VocoPro 13.5V AC Adapter
(2x) – VocoPro Universal Mic Charger
(1x) – VocoPro 3′ 1/4″ Male to Male Cable
(1x) – VocoPro UHF-5805 Travel Case
The UHF-5805-9 Professional Rechargeable 4-Channel UHF Wireless Handheld Mic System from VocoPro comprises a four-channel rackmount wireless receiver, four rechargeable wireless handheld microphones, each with its own fixed UHF channel and volume control, and two dual-microphone chargers. Also included are a pair of antennas, power adapters for the receiver and chargers, and an aluminum travel case. This 4-channel system can be used to capture audio for live stage, conference, and meeting applications.
$28
VocoPro UHF-5805-9 Wireless Microphone System Kit B
$28.00 Daily Rate
INCLUDED:
(4x) – VocoPro UHF Rechargeable Wireless Microphone
(1x) – VocoPro UHF-5805-10 4-Channel Wireless Receiver System
(2x) – VocoPro UHF-5805 Antenna
(3x) – VocoPro 13.5V AC Adapter
(2x) – VocoPro Universal Mic Charger
(1x) – VocoPro 3′ 1/4″ Male to Male Cable
(1x) – VocoPro UHF-5805 Travel Case
The UHF-5805-9 Professional Rechargeable 4-Channel UHF Wireless Handheld Mic System from VocoPro comprises a four-channel rackmount wireless receiver, four rechargeable wireless handheld microphones, each with its own fixed UHF channel and volume control, and two dual-microphone chargers. Also included are a pair of antennas, power adapters for the receiver and chargers, and an aluminum travel case. This 4-channel system can be used to capture audio for live stage, conference, and meeting applications.
$28
Hollyland LARK MAX 2-Person Wireless Mic Kit
$15.00 Daily Rate
INCLUDED:
(1x) – Hollyland LARK MAX Wireless Receiver
(2x) – Hollyland LARK MAX Clip-On Wireless Microphone Transmitter
(1x) – Hollyland LARK MAX Charging Case
(1x) – Hollyland LARK MAX USB-C to Lightning Cable
(1x) – Hollyland LARK MAX USB-C to USB-C Cable
(1x) – Hollyland LARK MAX USB-C to USB-A Cable
(1x) – Hollyland LARK MAX 3.5mm TRS Cable
(2x) – Hollyland LARK MAX Furry Windscreen
(2x) – Hollyland LARK MAX Clip Magnet
(1x) – Hollyland LARK MAX Carrying Case
Featuring enhanced sound quality and MaxTimbre mic technology, the black LARK MAX Duo Wireless Microphone System from Hollyland can adapt to any run-and-gun journalism or content creation application thanks to its wide compatibility with cameras and smartphones. Two clip-on transmitters with built-in omnidirectional microphones can record up to two subjects and offer backup recording for extra security in the field. The system features a 820′ line-of-sight maximum transmission distance. Keep it all going with the included charging case to extend the system’s battery life.
$15
Hollyland LARK M2 2-Person Wireless Mic Kit
$12.00 Daily Rate
INCLUDED:
(2x) – Hollyland LARK M2 Wireless Microphone Transmitter
(1x) – Hollyland LARK M2 Wireless Receiver with Lightning Connector
(1x) – Hollyland LARK M2 Wireless Receiver with USB-C Connector
(1x) – Hollyland LARK M2 Wireless Camera-Mount Receiver
(1x) – Hollyland LARK M2 Camera-Mount Charging Case
(1x) – Hollyland 3.5mm TRS to 3.5mm TRS Cable
(1x) – Hollyland USB-C to USB-A Cable
(2x) – Hollyland LARK M2 Transmitter Furry Windscreen
(2x) – Hollyland LARK M2 Transmitter Magnetic Back Clip
(2x) –
Hollyland Silicone Necklace with Magnetic Back Clip
(1x) – Hollyland LARK M2 Drawstring Bag
Record up to two people for your format of choosing with this Hollyland LARK M2 DUO 2-Person Wireless Combo Microphone System. The system includes two transmitters with built-in omnidirectional microphones and dual-interface mesh, three different receivers, and a charging case. Magnetic back clips and silicone necklace cases make attaching your transmitters to your talent a breeze. Various adapter cables and an integrated camera shoe mount ensure wide device compatibility. High-gain Laser Direct Structuring (LDS) antennas ensure stable audio transmission free of all sorts of interference from up to 1000′ away. Environmental noise cancellation minimizes frequency interference for improved vocal clarity. The LARK M2 captures 24-bit, 48 kHz audio with a 70 dB signal-to-noise ratio and 115 dB SPL.
$12
Audio Accessories
Auray RF-C17 Studio Isolation Filter
$7.00 Daily Rate
This B&H Kit combines the Auray RF-C17 Studio Isolation Filter and Tripod Mic Stand with a pop filter to create a complete microphone recording solution for music producers, voiceover artists, and podcasters.
$7
Auray Boom Pole Holder
$2.00 Daily Rate
Hold your boom with ease, using the Auray Boom Pole Holder!
$2
Beyerdynamic DT 770 M Headphones
$10.00 Daily Rate
The Beyerdynamic DT 770 M 80Ohms Dynamic Closed Headphone is a closed dynamic headphone designed especially for drummers. Due to its high SPL capability and excellent ambient noise attenuation, the DT 770 M is also suitable for the monitoring of PA systems (FOH) live on stage and in studios. The single-sided 9.84′ (3m) connecting cable allows easy handling for everyday use and is equipped with an in-line volume control for optimum set-up. It is fitted with a gold-plated mini stereo plug (3.5mm) with a 1/4″ (6.35mm) adapter and is therefore suitable for use with almost all headphone amplifiers.
$10
Senal SMH-1000 Headphones
$5.00 Daily Rate
The SMH-1000-MK2 professional headphones are designed to deliver high-quality sound for video and audio applications in the studio, in the field, or on the set. Whether you’re checking audio for clarity, monitoring dialogue, or quickly checking levels, the SMH-1000-MK2 headphones will ensure detail and clarity that’s perfect for pro applications.
$5
Senal SMH-1200 Headphones
$8.00 Daily Rate
The nautical blue version of the SMH-1200 Enhanced Studio Monitor Headphones from Senal is tuned for accurate music reproduction and studio monitoring. With a closed-back, over-the-ear, foldable design and features like interchangeable twist-locking cables, extra deep ear cushions, and a refined musical frequency response, the SMH-1200s are suitable for both audio professionals and enthusiasts.
$8
Sony MDR-7506 Headphones
$10.00 Daily Rate
Sony MDR7506 Professional Stereo Headphones are ideal for sound monitoring in recording studios, radio, film production, video, electronic news gathering – and virtually any application where high quality sound is required. The closed-ear design MDR-7506 is outrageously popular in pro and home recording studios. It features a rugged design, convenient folding construction, 40mm driver units, gold connectors and a professional-quality OFC (oxygen free copper) cord. Sony 7500 Series headphones offer a practical range of choices for everyone from the casual user to the studio pro.
$10
Sony MDR-ZX110 On-Ear Headphones
$5.00 Daily Rate
The Sony ZX Series MDRZX110 headphones feature neodymium magnets and 30mm drivers for powerful, reinforced sound.
$5
RODE Blimp
$15.00 Daily Rate
The Blimp Windshield and Rycote Shock Mount Suspension System from RODE is designed to provide your shotgun microphone with protection from wind noise and isolation from shock and vibration. It fits the RODE NTG1, NTG2, NTG3, NTG4, NTG4+, NTG5, and any shotgun mic up to 12.75″ in length.
$15
Rycote Classic-Softie
$12.00 Daily Rate
Specially designed acoustic foam and synthetic fur achieve up to 25 dB of wind-noise reduction without any adverse effect on high frequencies. While protecting the mic, the specialty foam is impervious to UV and moisture damage making this a trusted tool for years of effective use in the harshest environments.
$12
Rycote #4 Windshield
$8.00 Daily Rate
The Modular Windshield is a lightweight, durable basket made from flexible grey plastic netting with a screening material attached. Designed for use with the Modular Suspension, this system provides excellent wind-noise reduction of up to 30dB with minimal High-Frequency loss.
$8
Rycote #4 Windjammer
$5.00 Daily Rate
Originally developed by Rycote, the Windjammer is a high-quality, synthetic fur-cover that provides the highest possible protection against extreme wind-noise. When using a Windjammer fitted over a Windshield, up to 50 dB of wind-noise attenuation can be achieved, producing excellent standard audio recordings. Made from materials specially designed for wind-noise isolation, the Windjammer has virtually no adverse effect on high frequencies.
$5
Rycote Super Softie Windshield
$5.00 Daily Rate
The shape & structure of the Super-Softie® improves upon standard slip-on windshield designs with an entirely new shape and structure. Superb wind attenuation performance along with improved attenuation with extreme low-frequencies and infrasonic frequencies protects captured audio where wind noise is at its greatest.
$5
Sound Blanket w/ Grommets
$5.00 Daily Rate
This sound blanket can be used to black out a window or hang in a room for added sound insulation. Sound blankets can also be used to protect equipment during transportation. This model has 12 grommets, four on each side.
$5
Audio Support
K-Tek KE-89CC Boom Pole
$12.00 Daily Rate
The K-Tek KE-89CC Avalon Series Aluminum Boompole provides a lightweight boompole solution for ENG, EFP, and other field recording applications. Its sturdy aluminum design is tough enough to endure the rigors of road use, while remaining lightweight and travel-worthy. This pole features an internal coiled cable and an XLR connection at the base of the pole. A total of four aluminum sections telescope between 2′ 5″ to 7′ 6″ and will easily store in any standard equipment case. The captive-collet coupling system locks each section in place for even further reliability.
$12
K-Tek KP9CCR Boom Pole
$20.00 Daily Rate
The KP9CCR 9′ KlassicPro Graphite 6-Section Boompole with Internal XLR Coiled Cable, Side Exit from K-Tek features a removable headpiece for cable reconfiguration without soldering. The top attachment is a 3/8″ male thread that includes a coiled cable with a KlassicPro right angle connector and a bottom male 3-pin XLR with a side exit. This boompole can be used as a solution for Film, Broadcast TV, Electronic News Gathering (ENG), Electronic Field Productions, (EFP), and other field recording applications.
$20
ProX Vista DJ Booth Kit
$25.00 Daily Rate
The ProX Vista DJ Booth Kit sets up quickly for a mobile 39.5 x 19″ audio work surface. The tabletop is ventilated for optimal airflow for your audio equipment. The three-sided folding frame has built-in cable management for a clean setup. The work surface supports up to 100 lb with a lightweight aluminum construction. A three-section scrim is included for privacy and a uniform aesthetic. The included carrying bags make transporting the booth to your next gig a breeze.
$25
Audio Cables
3-Pin XLR 3′
$2.00 Daily Rate
3′ XLR 3-pin Male to XLR 3-pin Female for 28v applications.
$2
3-Pin XLR 10′
$5.00 Daily Rate
10′ XLR 3-pin Male to XLR 3-pin Female for 28v applications.
$5
3-Pin XLR 25′
$8.00 Daily Rate
25′ XLR 3-pin Male to XLR 3-pin Female for 28v applications.
$8
3-Pin XLR 50′
$10.00 Daily Rate
50′ XLR 3-pin Male to XLR 3-pin Female for 28v applications.
$10
3-Pin XLR 100′
$20.00 Daily Rate
100′ XLR 3-pin Male to XLR 3-pin Female for 28v applications.
$20
Slate
Denecke TS-3 Time Code Slate
$75.00 Daily Rate
The Deneke TS-3 Time Code Slate reads and displays SMPTE/EBU Time Code; it utilizes an internally mounted SB-2 Syncbox Time Code Generator. This unit Jams to all standard frame rates, including 30 df; user bits jam automatically when the time is set. The high stability crystal ensures low drift and now comes standard with the TCXO option for extreme temperature ranges.
$75
Production
Daily Rate
Communication
Hollyland Solidcom C1 Pro-8S Full-Duplex Wireless Intercom System- 8 Headsets
$150.00 Daily Rate
INCLUDED:
(1x) – Hollyland Solidcom C1 Pro Single-Ear Wireless Master Headset
(7x) – Hollyland Solidcom C1 Pro Single-Ear Wireless Headset
(16x) – Hollyview HK-BAT700 Lithium-Ion Battery
(1x)- Hollyland Solidcom 8-Slot Battery Charger
(1x) – Hollyland Solidcom 12V Power Adapter
(1x) – USB-A TO USB-C Cable
(1x) – Hollyland Solidcom C1 Pro Carrying Case
(8x) – Over-Ear Leather Cushion
(8x) – On-Ear Foam Cushion
(8x) – Mic Windscreen
Featuring dual-mic Environmental Noise Cancellation (ENC) for use in loud environments, the Hollyland Solidcom C1 Pro-8S is a full-duplex wireless DECT intercom system engineered to provide clear audio and all-day wearing comfort in a true-wireless design with no bodypack or hub required. This configuration includes 8 single-sided headsets, 1 master and 7 remotes, along with rechargeable batteries, a charger, and accessories. The system transmits in the 1.9 GHz spectrum and uses proven DECT 6.0 technology to ensure secure and reliable transmission at a line-of-sight range of up to 1100’—making it well suited for a variety of applications including film/TV production, concerts, and live events.
$150
Eartec HUB UltraLITE 17 Headset Kit
$225.00 Daily Rate
INCLUDES:
(17x) – UltraLITE Single-Ear Remote Headset
(1x) – Plug-in Max4G Single Headset
(2x) – Eartec HUB Mini Base Master
(1x) – Interlink Cable
(40x) – Rechargeable Lithium Batteries
(1x) – 8-Bay Muilti Port Charger
(1x) -10-Bay Multi Port Charger
(2x) – Softside Case
The Eartec HUB is a professional full duplex intercom for 9 people that need to communicate and work with their hands. This bundle takes the power of two compact systems and puts them together using the included interlink cable to increase the capacity to 17 trancievers (16 wireless and 1 wired). UltraLITE headset provide simultaneous talk, two way voice communication for users that need to work with their hands yet also require one ear free to listen to what is going on around them. The mic boom arm swivels 270 deg. so the headset can be worn on the left or right. Microphone mutes when in the up position.
– Max4G Single Headset –
The Max4G Headset features a fully adjustable headband and deluxe foam padding to ensure a firm, comfortable fit. Boom arm rotates 270 degrees and when set in the UP position automatically mutes the microphone gain.
The “AutoMUTE Boom” is a brand new technology developed by Eartec engineers and is included with all Max4G headsets. These specialty microphone assemblies feature an internal micro switch that automatically mutes the headset mic gain when set to the UP position.
The batteries are lightweight and only about the size of a book of matches. They charge in approximately 3 hours and operate the headset for 6 hours. Since they are removable and are charged externally in the Multi-Port charger, they can be changed out in seconds.
An 8-Port charger charges the headset batteries in individual bays. When each battery reaches full charge the corresponding LED turns from red to green indicating that the battery is ready to go. This feature allows users to have extra batteries on hand in the charger whenever necessary.
$225
Eartec UltraLITE 9-Headset Kit A
$150.00 Daily Rate
INCLUDES:
(6x) – UltraLITE Single-Ear Remote Headset
(2x) – Eartec UltraLITE Dual Ear Wireless Headset
(1x) – Eartec UltraLITE SIngle Ear Wired Headset
(1x) – Eartec HUB Mini Duplex Transceiver Base
(20x) – Eartec UltraLITE Headset Battery
(1x) – Eartec Hub AC Adatper
(1x) – Eartec Multi-Port Charging Base
(1x) – Eartec Multi-Port Charging Base AC Power Cable
(1x) – Eartec Padded Case
(1x) – Pelican 1510
This Eartec Kit comes with 6 Single-Ear Wireless, 1 Single-Ear WIred, and 2 Dual-Ear Wireless Headsets. Additional Items: Hub, Hub AC Adapter, Multi-Port Charging Base, AC Power Cable, 20 Batteries, and Eartec Soft Case.
The Eartec HUB962MXS is a professional full duplex intercom for 9 people that need to communicate and work with their hands. This compact system features the HUB Mini base to be belt-worn with a plug-in Max4G single headset. UltraLITE utilize Digital Enhanced Cordless Technology (DECT) to provide professional, simultaneous talk wireless communication within a quarter mile range.
The Hub is designed to extend the range of your existing Eartec wireless system by over 1000′, and moreover, to be portable; you can wear it on a belt, and thus allow your hotspot to travel with you, or place it in a single, changeable location. The UltraLITE single and dual headsets works in conjunction with the Hub for controlling the voice communication between users. They provide two-way voice communication and the microphone arm can swivel 270°. The Max 4G Single headset features an adjustable headband and a boom arm that rotates 270° and automatically mutes when placed in an “up” position.
$150
Eartec UltraLITE 9-Headset Kit B
$150.00 Daily Rate
INCLUDES:
(8x) – Eartec UltraLITE Single Ear Wireless Headset
(1x) – Eartec UltraLITE SIngle Ear Wired Headset
(1x) – Eartec HUB Mini Duplex Transceiver Base
(20x) – Eartec UltraLITE Headset Battery
(1x) – Eartec Hub AC Adatper
(1x) – Eartec Multi-Port Charging Base
(1x) – Eartec Multi-Port Charging Base AC Power Cable
(1x) – Eartec Padded Case
(1x) – Pelican 1510
This Eartec Kit comes with 8 Single-Ear Wireless & 1 Single-Ear WIred Headset. Additional Items: Hub, Hub AC Adapter, Multi-Port Charging Base, AC Power Cable, 20 Batteries, and Eartec Soft Case.
The Eartec HUB962MXS is a professional full duplex intercom for 9 people that need to communicate and work with their hands. This compact system features the HUB Mini base to be belt-worn with a plug-in Max4G single headset. UltraLITE utilize Digital Enhanced Cordless Technology (DECT) to provide professional, simultaneous talk wireless communication within a quarter mile range.
The Hub is designed to extend the range of your existing Eartec wireless system by over 1000′, and moreover, to be portable; you can wear it on a belt, and thus allow your hotspot to travel with you, or place it in a single, changeable location. The UltraLITE single and dual headsets works in conjunction with the Hub for controlling the voice communication between users. They provide two-way voice communication and the microphone arm can swivel 270°. The Max 4G Single headset features an adjustable headband and a boom arm that rotates 270° and automatically mutes when placed in an “up” position.
$150
Motorola R2 12 Walkie Kit (16-ch)
$180.00 Daily Rate
The new and improved version of the classically loved CP200 model, the MOTOROLA R2 marries durability and ergonomics to ensure confident, easy handling. And with superior range, configurable audio and seamless integration, the R2 is a reliable addition to an uninterrupted workday.
$180
Motorola R2 6 Walkie Kit (16-Ch)
$90.00 Daily Rate
The new and improved version of the classically loved CP200 model, the MOTOROLA R2 marries durability and ergonomics to ensure confident, easy handling. And with superior range, configurable audio and seamless integration, the R2 is a reliable addition to an uninterrupted workday.
$90
Motorola R2 Walkie (16-Ch)
$15.00 Daily Rate
The new and improved version of the classically loved CP200 model, the MOTOROLA R2 marries durability and ergonomics to ensure confident, easy handling. And with superior range, configurable audio and seamless integration, the R2 is a reliable addition to an uninterrupted workday.
$15
Motorola T605 Talkabout 11 Walkie Kit
$80.00 Daily Rate
With a rugged, fully waterproof design, emergency features and a 35-mile range, the T605 H2O keeps you connected and protected during your extreme outdoor activities. The T605 H2O is packed with the ability to float and a water-activated flashlight. The flashlight also includes a red LED to preserve night vision. With these exceptional capabilities, you can count on the T605 H2O to deliver reliable communications during your wildest adventures – whether by land or by sea.
$80
Vaxis Litecomm V1 Wireless 8-Headset Kit
$95.00 Daily Rate
INCLUDED:
(8x) – Vaxis Air Litecomm V1 Bluetooth Headset
(1x) – Vaxis Litecomm V1 Host Controller
(7x) – Vaxis Litecomm V1 Guest Controller
(16x) – Vaxis Litecomm 901 Battery
(1x) – Vaxis Litecomm 8-Battery Charger
(2x) – Vaxis Litecomm USB-A to 4x USB-C Charging Cable
(1x) – AC Adapter for Vaxis Litecomm Charger
(1x) – USB Power Block
(1x) – 5V Power Block
(8x) – Windscreen for Vaxis Air Litecomm Headset
(8x) – Vaxis Litecomm Green Headset Labels
(8x) – Vaxis Litecomm Yellow Headset Labels
(1x) – Vaxis Litecomm Carrying Case
The Vaxis Litecomm V1 Wireless 8-Headset System is a full-duplex, wireless intercom system engineered to provide crystal-clear communication with minimal background noise. They feature dual-mic Environmental Noise Cancellation (ENC) for use in loud environments. This design provides all-day comfort with it’s split-design: separate wireless open-ear headsets and transceiver bodypacks. It includes eight headsets, eight bodypacks (1x Host and 7x Guests), and 16 rechargeable batteries, a charger, and accessories. The headsets connect to the bodypacks via Bluetooth (with fast NFC pairing), while the system operates in the 1.9 GHz spectrum and uses proven DECT technology to ensure secure and reliable transmission at a line-of-sight range of up to 1148′, making it well suited for a variety of applications, including film/TV sets, live broadcast, events, large-scale retail, and outdoor teams.
$95
Carts
Inovativ Voyager Evo 30″ Cart
$75.00 Daily Rate
Measuring 34 x 21 x 39.5 inches (W x L x H), the Inovativ Voyager 30 EVO with X-Top Keyboard Shelf is a lightweight equipment cart designed to carry camera gear, tools, and accessories in the studio or on location. Inovativ’s patented SLAS (Self-Locking Adjustable Shelving) system requires no tools for assembly/disassembly, so you can build or break down the cart with ease in approximately two minutes. The X-Top shelf is height adjustable up to 10″ in 2″ increments, and comfortably accommodates a keyboard and mouse. The cart collapses to a compact flight case measuring 8.25″ thick, with a travel handle, integrated rolling wheels, and a spring-loaded latch system. In flight case form, the cart becomes portable and easy to transport at just 58 pounds.
$75
Inovativ Voyager Evo 36″ Cart
$100.00 Daily Rate
Measuring 39.9 x 24.7 x 39.5″ (W x L x H), the Inovativ Voyager 36 EVO is a lightweight equipment cart designed to carry camera gear, tools, and accessories in the studio or on location. Inovativ’s patented SLAS (Self-Locking Adjustable Shelving) system requires no tools for assembly/disassembly, so you can build or break down the cart with ease in approximately two minutes. Furthermore, the locking top shelf is height adjustable up to 10″ in 2″ increments. The cart and its wheels collapse to a compact 8.25″ thick flight case, which features a travel handle, integrated rolling wheels, and a spring-loaded latch system. In its flight case form, the cart becomes portable and easily transportable at just 68 pounds.
$100
Inovativ Apollo Evo 40″ Cart
$150.00 Daily Rate
Measuring 42 x 40 x 26″ (W x L x H), the Apollo 40 EVO Cart from Inovativ can be used on set, in the studio, or on location to transport your cinema equipment. It can also function as a mobile workstation for data management operators. The cart can be configured to hold several monitors, a laptop, or a camera. This allows the operator on set to help the photographer manage data more efficiently.
$125
Inovativ Voyager Evo 42″ Cart
$125.00 Daily Rate
Measuring 45.9 x 24.7 x 40.9 inches (W x L x H), the Inovativ Voyager 42 EVO with X-Top Keyboard Shelf is a lightweight equipment cart designed to carry camera gear, tools, and accessories in the studio or on location. Inovativ’s patented SLAS (Self-Locking Adjustable Shelving) system requires no tools for assembly/disassembly, so you can build or break down the cart with ease in approximately two minutes. The X-Top shelf is height adjustable up to 10″ in 2″ increments, and comfortably accommodates a keyboard and mouse. The cart collapses to a compact flight case measuring 8.25″ thick, with a travel handle, integrated rolling wheels, and a spring-loaded latch system. In flight case form, the cart becomes portable and easy to transport at just 78 pounds.
$125
Inovativ Apollo Evo 52″ Cart
$175.00 Daily Rate
Measuring 54 x 40 x 26″ (W x L x H), the Apollo 52 EVO Cart from Inovativ can be used on set, in the studio, or on location to transport your cinema equipment. It can also function as a mobile workstation for data management operators. The cart can be configured to hold several monitors, a laptop, or a camera. This allows the operator on set to help the photographer manage data more efficiently.
$175
Inovativ AXIS Command Station Cart
$125.00 Daily Rate
Set up your mobile workstation and your monitor and gear smoothly around the set using this AXIS Command Station with Top Drawer from Inovativ. The Command Station is comprised of various easily assembled components including the AXIS Stand, 8″ heavy-duty locking wheels, the WorkSurface Pro, and a top drawer that attaches to the WorkSurface Pro. It also has a hanger with a 25 lb weight bag, a Dual Bar, a Case Platform with a locking bottom drawer, multiple mafer clamps, and an AXIS Trough.
$125
Backstage Magliner Junior Cart
$75.00 Daily Rate
This junior cart is built from the ground up, starting out with a B&P 6061 T6 frame that is assembled with aircraft grade stainless steel rivets. It offers a removable 24″ x 36″ top shelf and a 24″ x 36″ attached bottom shelf. It also features 10″ 4-ply tube-type pneumatic tires, rated to 350 pounds each, and steel split rims with sealed roller bearings for the best quality main wheel combination. The 8″ tires are also 4-ply tube-type, but rated for a 295 pound load factor, so you can enjoy a 1290 pound capacity total.
$75
Backstage Magliner Senior Cart
$100.00 Daily Rate
The Magliner SR with 8″ Wheels from Backstage Equipment supports up to 1000 lb and features 24″ top and bottom shelves, a custom top plate, nose and frame re-enforcement, and pre-drilled holes to accept optional bolt-on accessories. The cart has two fixed wheels and two swivel wheels with foot brakes.
$100
RocknRoller Multi-Cart R12RT All Terrain
$10.00 Daily Rate
INCLUDES: (1x) – Multi-Cart R12RT All Terrain —– FEATURES: • Rugged Steel • No Moveable Pins • Tubeless No-Flat Rear Wheels
$10
Inovativ Cart AKS
Mast Riser System
$10.00 Daily Rate
This version of the Inovativ Mast Riser System is compatible with all Apollo and Voyager carts. It allows you to attach a gimbal dock that uses a 5/8″ Baby pin onto the cart, enabling you to mount your gimbal stabilizer on the cart. The Mast Riser System is designed for smaller stabilizers. For larger sled-style stabilizers such as Steadicams, Inovativ recommends the Steadicam System.
$10
4” Cable Hook (Pair)
$5.00 Daily Rate
Organize and store your cables with a pair of black 4″ Cable Hooks from INOVATIV. These hooks are designed to mount to an INOVATIV Accessory Cross Bar, keeping cables at the ready and off the floor to save time and protect them from possible damage and dirt. For strength and durability, the hooks are constructed from 6061 T6 aircraft aluminum.
$5
Monitor Mount w/ Vesa Plate
$5.00 Daily Rate
The Inovativ Pro Monitor Mount & QR VESA System Kit lets you attach and remove a monitor by quick release. The included Pro Monitor Mount secures to a 5/8″ Baby pin, such as the one found on select Inovativ production carts, and it provides a 100 x 100 VESA mount plate. The QR VESA System features a receiver plate that attaches to this VESA mount plate, and it includes a monitor plate that mounts on your 100 x 100 or 75 x 75 VESA monitor. The two plates then interlock via a quick release vDrop mechanism, allowing you to easily attach or remove your monitor as needed.
$5
Dual Monitor Mount w/ Vesa Plates & Baby Pin
$8.00 Daily Rate
The Inovativ Dual QR VESA System allows you to mount two monitors back-to-back on a single stand. It provides an easy way for crew and clients to view shots, without having to stand right next each other. The system mounts on a stand via a baby pin receiver on the bottom. Your monitors then attach to it by quick release via included monitor plates.
$8
Baby Pin Corner Plug (Apollo)
$5.00 Daily Rate
Add a male baby pin to your Apollo or Deploy IV cart or onto your Center Mast Bracket with this Corner Plug with Baby Pin from Inovativ. The assembly fits into the existing corner plug on the top shelf of your cart and provides an additional 5/8″ baby pin mount for a variety of accessories, plates, and mounts that have a 5/8″ receiver. It can also mount onto a cart using the Center Mast Bracket 500-790. The pin and plug assembly is made from durable 6061 aluminum. A removal tool is included to remove any plug expansions already in the slot to make it ready for use.
$5
2- Stage Corner Mast (Apollo)
$10.00 Daily Rate
The 2-Stage Corner Mast Riser from Inovativ mounts securely into any corner of your Apollo cart without obstructing the cart surface. This riser has a 5/8″ baby pin on each end and extends from 28 to 50″ in length.
$10
Large Trough
$8.00 Daily Rate
Designed for Apollo equipment carts, the large Inovativ Utility Trough measures 25 x 7 x 4″ and offers convenient storage for tools, adapters, and accessories. The trough easily mounts onto the edge of your cart’s top shelf and requires no permanent modification. It features rugged 5052 aluminum construction covered in a durable black powder-coated finish, with a black carpet lining on the floor.
$8
Medium Trough
$5.00 Daily Rate
Designed for Apollo equipment carts, the medium Inovativ Utility Trough measures 18 x 6 x 4″ and offers convenient storage for tools, adapters, and accessories. The trough easily mounts onto the edge of your cart’s top shelf and requires no permanent modification. It features rugged 5052 aluminum construction covered in a durable black powder-coated finish, with a black carpet lining on the floor.
$5
Small Trough
$3.00 Daily Rate
Compatible with all versions of the Voyager equipment cart, this small-sized Inovativ Utility Trough, measuring 13.5 x 5 x 4″, offers convenient storage for tools, adapters, and accessories. It easily mounts onto the edge of your cart’s top shelf and requires no permanent modification. It features rugged 5052 aluminum construction covered in a durable black powder-coated finish, with a black carpet lining on the floor.
$3
Mantis 30 Monitor Arm w/ Vesa Plate
$25.00 Daily Rate
The Mantis 30 is revolutionizing the way we move and use larger multimedia displays. The gas cylinder and braking system work together to insure your monitor moves smoothly with finger tip control and it stays where you leave it. They have used only the highest quality materials and CNC technology to provide you with a perfectly engineered masterpiece that will last a lifetime. This arm works magically with large PC monitors, Apple displays and iMac computers.
$25
Tripod System
$15.00 Daily Rate
The Tripod System for Inovativ Apollo and Voyager carts allows you to store your tripod on the cart when the tripod is not being used. The system features a 1.75″ mast that secures to your cart and can be adjusted up and down. The included tripod holder attaches to the mast and lets you place a single tripod on it, with or without the tripod head. This system is ideally designed for full-size video tripods and not meant for lightweight photo tripods.
$15
Aputure LS 1200d Pro Medium Reflector
$15.00 Daily Rate
This Steadicam System is designed based on the needs of Steadicam Operators around the globe. Complete with a 1.75 In. mast, bumper, bottom receiver, 1.75 In. accessory crossbar clamp(s), and adjustable vest mount. Default system for The Echo workstation is configured to be mounted on the swivel wheel / narrow side of the cart. If you prefer otherwise, please specify what side of the cart you prefer the system to be mounted on. Compatible to both ends on Apollo/Voyager workstations.
$15
5/8” Baby Pin Mast
$10.00 Daily Rate
This is a 5/8″ Baby Pin System, from Inovativ, for use with any Inovativ cart. It consists of a 30″-long 5/8″ baby pin rod and two clamps. Clamp the 30″ baby pin rod to any of the 4 posts of an Inovativ cart and then attach anything compatible on top, such as a laptop tray. Featuring two 3/4″ holes, the system allows you to run up to two baby pin rods with full height and swing adjustability.
$10
Pro DigiTech Kit
$30.00 Daily Rate
With a DigiPlate Pro as the main mounting plate, the Inovativ DigiSystem Pro DigiTech Kit allows you to set up different laptop/accessory configurations for different workflows. Two sets of DigiClamp accessory clamps let you secure up to 1″ thick laptops and 1.5″ thick hard drives and other accessories to the DigiPlate. The plate supports popular laptops, including 16″ MacBook Pro models.
An included DigiBase adapter lets you mount the main plate on 5/8″ baby-pin supports such as C-stands or adapters on production carts. Or you can use the included DigiLegs to set up the plate mounted on your desktop. The DigiLegs attach to the bottom of the DigiPlate to hold the plate up. The space provided under the DigiPlate when it’s held up by the DigiLegs can be used to place a hard drive or other gear in.
The DigiShade Pro attaches to the DigiPlate and provides a tent-like hood all around your laptop. Also included is a DigiMouse Pad that’s designed to attach on the side of the DigiPlate as an extension for a mouse, for times when you want a more expanded setup. This kit lets you set up compact or expanded setups, as your needs require.
$30
Camera Mount System
Choose One
Mitchell Head
$20.00 Daily Rate
The Inovativ Mitchell Plate is designed to attach to the Inovativ Horseshoe Mount to support Mitchell base tripod heads and camera supports. It comes with the required screws to attach to the Horseshoe Mount.
$20
Ball Head
$20.00 Daily Rate
The Inovativ 100mm Ball Mount attaches to the optional Inovativ Horseshoe Mount and provides a 100mm bowl to support 100mm ball tripod heads. It comes with the required screws to attach to the Horseshoe Mount.
$20
Quick Release Plate
$20.00 Daily Rate
The Inovativ Ronford Baker Plate is designed to attach to the Inovativ Horseshoe Mount to support Ronford Baker quick release systems. It comes with the required screws to attach to the Horseshoe Mount.
$20
SFX
Reel EFX DF-50 Diffusion Hazer
$100.00 Daily Rate
$100
Reel EFX Turbo Fan 2
$100.00 Daily Rate
$100
SmokeGENIE Handheld Smoke Machine
$30.00 Daily Rate
$30
Coolers
Coleman 120 Cooler
$15.00 Daily Rate
37.9”W x 19”D x 18”H
$15
YETI Hopper Flip 12 + Ice Pack
$15.00 Daily Rate
12.63″W x 10″D x 11.5″H
$15
YETI Roadie 24 + Ice Pack
$15.00 Daily Rate
16.6″W x 14.0″D x 17.4″H
$15
YETI Tundra 125 + Ice Pack
$30.00 Daily Rate
40.3″W x 19.4″D x 20.1″H
$30
YETI Tundra 35 + Ice Pack
$20.00 Daily Rate
21.1″W x 15.9″D x 15.4″H
$20
YETI Tundra Haul + Ice Pick
$20.00 Daily Rate
28.1″W x 18.6″D x 19.6″H
$20
Basecamp
ABC Canopy 10×10′ Canopy
$60.00 Daily Rate
$60
E-Z Up 10×10′ 4-Sided Canopy
$60.00 Daily Rate
$60
Eurmax 10×10′ Pop-Up 4-Wall Canopy
$60.00 Daily Rate
$60
Eurmax 10×20′ Pop-Up 4-Wall Canopy
$80.00 Daily Rate
$80
Black Pop Up Changing Tent
$5.00 Daily Rate
$5
Pop-Up Recycling Bin
$3.00 Daily Rate
$3
Pop-Up Trash Bin
$3.00 Daily Rate
$3
Tall Director’s Chair
$10.00 Daily Rate
$10
Short Director’s Chair
$8.00 Daily Rate
$8
8′ Folding Table- White
$10.00 Daily Rate
$10
6′ Folding Table- White
$5.00 Daily Rate
$5
6′ Folding Table- Black
$5.00 Daily Rate
$5
4′ Folding Table- White
$4.00 Daily Rate
$4
Round Folding Bistro Table- White
$4.00 Daily Rate
$5
Folding Chairs- White
$3.00 Daily Rate
$3
20″ Electric Floor Fan
$4.00 Daily Rate
$4
8″ Tabletop Fan
$1.00 Daily Rate
$1